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Yehudi Menuhin: Violinist and Visionary
"Yehudi Menuhin: Violinist and Visionary"
The 9th Annual Nilsson Lecture in Contemporary
Drama and Literature was held in conjunction
with the international Menuhin Competition
taking place at UT from February 21-March 2,
2014. The Fine Arts Library hosted a lecture by
Jonathan Benthall Friday, February 28, 2014 -
5:30pm.
Founded in 1983, the Yehudi Menuhin
International Competition for Young Violinists — hosted this year by the Butler School of Music —
attracts some of the world’s best violinists under the age of 22. The competition helps exceptionally
talented young musicians from around the world to develop into artists of the highest caliber.
Learn about the competition’s founder from Jonathan Benthall, Yehudi Menuhin’s son-in-law, as he
talks about the violin legend’s collaborations with talents such as Ravi Shankar as well as his unique
approaches to music education.
Benthall, who is also an author and former head of the Royal Anthropological Institute in Great Britain,
will provide the talk “Yehudi Menuhin: Violinist and Visionary,” in the Fine Arts Library at 5:30 p.m. on
Friday, February 28, during the dinner break of the Junior Finals competition. The event is free and
open to the public.
The Nilsson Lecture was founded through the generosity of Dr. David O. Nilsson, a retired mathematics
professor at The University of Texas at Austin, independent scholar and Henrik Ibsen aficionado. Past
lectures have featured the Swedish novelist Lars Gustaffson (speaking on paradox in Ibsen’s "The Wild
Duck"), and director of Shakespeare at Winedale James Loehlin (on Stanislavski’s contrarian production
of "The Cherry Orchard"), and an entertaining panel of local playwrights including internationallyrenowned
Kirk Lynn and Keene Prize winner George Brant (discussing the state and fate of theater), a
master class on Tom Stoppard's The Real Thing featuring noted British and local thespians and a lecture
featuring Robert Faires reprising an excerpted version of his notable one-man take on Henry V.
Photos and design by Mark DorobaUT Librarie
Jonathan Little and the Importance of Ecstasy [Interview and CD review]
Extended composer interview and CD review [of "Polyhymnia: String, Choral and Orchestral Works of Jonathan Little"] by the UK music producer, publisher and the founder/director of Toccata Classics & Toccata Press, Martin Anderson.
"A new CD from the New Hampshire label Navona—a new name to me, I must admit—brings orchestral, chamber, and choral music from the British-based Australian composer Jonathan Little. His name, too, was new to me, but it’s obviously one that will make its mark. ... Jonathan Little issues from a similar school of sensibility to that of the “holy mystics” of Eastern Europe, composers like Arvo Pärt and Pēteris Vasks. … [Terpsichore is] an exuberant orchestral essay somewhere between Respighi’s evocations of ancient Rome and Villa‐Lobos’s representation of the Brazilian jungle. … The Sacred Prelude is dignified and sober, moving without being emotional … it is clear from this CD that his fine command of atmosphere and orchestral color ought to command a decent fee in Hollywood. ...
Jonathan Ned Katz Author Event: The Daring Life and Dangerous Times of Eve Adam
“The Daring Life and Dangerous Times of Eve Adams,” interview with author, Jonathan Ned Katz, moderated by Emily Weiner (WWU) and organized by Congregation Beth Israel
Contemporary Literature. Analysis of Jonathan Bazzi's novels
openDopo una breve panoramica della letteratura italiana degli ultimi vent’anni si analizzano i due romanzi di Jonathan Bazzi "Febbre" e "Corpi minori" dai punti di vista formale, stilistico e tematico. Si discute inoltre il rapporto tra social media, autofiction e autore; nel capitolo 4 si riporta l'intervista che Bazzi ci ha gentilmente concesso, in cui questi argomenti vengono ripresi.
Si individuano alcune differenze che i testi mostrano rispetto alla letteratura moderna, e gli aspetti che hanno in comune con quella contemporanea; nel fare questo si accennano quindi alcune caratteristiche della società che li ha prodotti.The paper starts off with a brief overview of the contemporary Italian literature; then the reader is guided through an analysis of Jonathan Bazzi's novels, "Febbre" ("Fever") and "Corpi minori" ("Minor bodies"), both translated in English and published by Scribe. The relationship between author, autofiction and social media will also be discussed; in chapter four the reader will find the interview Bazzi kindly granted us
Jonathan Sandy in a Senior Percussion Recital
This is the program for the senior percussion recital of Jonathan Sandy held on April 22, 2022, in the McBeth Recital Hall in the Mabee Fine Arts Center
Jonathan Besancon in a Sophomore Piano Recital
This is the program for the sophomore piano recital of Jonathan Besancon. The recital took place on February 13, 1981, in the Mabee Fine Arts Center Recital Hall
Administration and Curricula of the Introductory Graduate Music Research Course
The introductory research course is an integral part of many graduate music programs, yet there have been few studies that discuss its curricula across institutions. A questionnaire was sent to instructors of the course to identify shared pedagogical approaches among North American schools of music. The survey was divided into sections that prompted respondents to identify issues discussed in the course, including the types and titles of resources, research methodologies, and library use topics. With a response rate of over 40 percent, the survey also contains valuable data concerning the professional identifications of instructors, assignments used for grading, common textbooks, perception of the course’s efficacy, and more. Shared features of the course included the importance of electronic resources; the minimal use of Internet-mediated instruction formats; a strong preference for English-language materials; and a focus on resources such as databases, style guides, collected works, monuments of music, and thematic catalogs over and above others such as repertoire guides, discographies, directories, and iconographies.Peer reviewedThis publication first appeared in Notes Volume 71, Number 3, March 2015, pp. 448-478. This material may not be copied or reposted without explicit permission. Copyright 2015, Jonathan Sauceda
Citizen participation in news
The process of producing news has changed significantly due to the advent of the Web, which has enabled the increasing involvement of citizens in news production. This trend has been given many names, including participatory journalism, produsage, and crowd-sourced journalism, but these terms are ambiguous and have been applied inconsistently, making comparison of news systems difficult. In particular, it is problematic to distinguish the levels of citizen involvement, and therefore the extent to which news production has genuinely been opened up. In this paper we perform an analysis of 32 online news systems, comparing them in terms of how much power they give to citizens at each stage of the news production process. Our analysis reveals a diverse landscape of news systems and shows that they defy simplistic categorisation, but it also provides the means to compare different approaches in a systematic and meaningful way. We combine this with four case studies of individual stories to explore the ways that news stories can move and evolve across this landscape. Our conclusions are that online news systems are complex and interdependent, and that most do not involve citizens to the extent that the terms used to describe them imply
To what extent is Lemuel Gulliver in Gulliver’s Travels by Jonathan Swift a reflection of the writer with regard to political and religious views, and attitudes toward women and the concept of family?
This extended essay is an examination of the extent to which the protagonist Lemuel Gulliver in Gulliver’s Travels is a reflection of Jonathan Swift. It involves the exploration of this research question in terms of politics, religion, attitude to women and family; with references to this piece of literature and some secondary resources when necessary. The quotations from published literary criticism are either refuted by examples from the novel or supported in the light of evidence from the novel. Other secondary resources include Swift’s two other prose works, The Modest Proposal and A Letter to a Very Young Lady on Her Marriage, which are referred to briefly for clarification of the evidence. The purpose of this study is to analyse in what ways and to what extent the protagonist is an author-surrogate in the abovementioned ways.
This essay is comprised of two sections, namely “politics and religion” and “women and family”, each focusing on a particular aspect of the investigation. In the first section, Swift’s political and religious standpoint is discussed extensively in order to correctly evaluate Gulliver’s paradigm. By making connections between the beliefs of the author and those of Gulliver, the relation between the two is established to support the claim of this essay. In the second section, the female figures in the novel and Gulliver’s perception of them are inspected. The plot is also taken into consideration in this part of the inquiry although the central focus is on the persona.
In the conclusion, it is validated that Gulliver is a reflection of Jonathan Swift with regard to political and religious vision, and attitude towards women and family, by juxtaposing and assembling the main elements of personification of Gulliver and Jonathan Swift’s personal ideas and experiences
Probability in Fine-Tuning Design Arguments
This paper examines probabilistic versions of the fine-tuning argument for design (FTA), with an emphasis on the interpretation of the probability statements involved in such arguments. Three categories of probability are considered: physical, epistemic, and logical. Of the three possibilities, I argue that only logical probability could possibly support a cogent probabilistic FTA. However, within that framework, the premises of the argument require a level of justification that has not been met, and, it is reasonable to believe, will not be met anytime soon
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