24 research outputs found
Digital Exploration of the Hydrosystems of the Haut Adour (French Pyrenees)
No full textThis research focuses on identifying hydrosystems in the Haut-Adour region of the Pyrenees (France), including lakes, streams, canals, and ancient water infrastructure. These elements reveal long-term human and animal use of the mountain landscape, shaped by cycles of occupation and abandonment. Using digital tools like IGN orthophotos and high-resolution LiDAR, the team developed a method to map and analyze these systems. Fieldwork, drone imagery, and 3D scanning further supported the study, which highlights the evolving relationship between societies and their environment in the face of social and climate change.Digital HeritageAnalysing and Documenting Sites and Landscape
FANY MPFUMO E GILBERTO GIL: rastros de musicalidades transatlânticas
No full textThis text proposes to investigate traces of the musicalities of the Mozambican composer Fany Mpfumo and the Brazilian composer Gilberto Gil, through the comparison of rhythmic, harmonic, phrasal and instrumental aspects of their works. Therefore, an auditory transcription methodology was used, based on authors from ethnomusicology and anchored by software, which allowed us to record the following songs on score: Avasati Va Lomu, Nyoxanini, Georgina, Nitakukhoma hi Kwini (by Fany Mpfumo), Andar Com Fé, Balafon, Refavela, Tiu Ru Ru (by Gilberto Gil). Based on the concept of “trail/residue”, the comparative analysis of this repertoire was guided by authors who discussed in depth the themes of phraseology and rhythm. Certifying the power of the Africanias, through the transatlantic musicality, the results were surprising by demonstrating the many common traces to the music of the two artists, mainly in the marked use of certain rhythmic patterns – tresillo, hemíola, false triplet –, which ultimately contribute to the construction of complex contrapuntal networks.Este texto propõe investigar rastros das musicalidades do compositor moçambicano Fany Mpfumo e do compositor brasileiro Gilberto Gil, por meio da comparação de aspectos rítmicos, harmônicos, frasais e instrumentais de suas obras. Para tanto, foi empregada uma metodologia de transcrição auditiva, baseada em autores da etnomusicologia e ancorada por softwares, que nos permitiu registrar em partitura as seguintes canções: Avasati Va Lomu, Nyoxanini, Georgina, Nitakukhoma hi Kwini (de Fany Mpfumo), e Andar com fé, Balafon, Refavela e Tiu Ru Ru (de Gilberto Gil). Partindo do conceito de “rastro/resíduo”, a análise comparativa desse repertório foi norteada por autores que discutiram com profundidade os temas fraseologia e ritmo. Certificando a potência das africanias, através da musicalidade transatlântica, os resultados surpreenderam ao demonstrar os diversos rastros comuns à música dos dois artistas, principalmente no marcante uso de certos padrões rítmicos – tresillo, hemíola, falsa tercina –, que enfim contribuem na construção de complexas redes contrapontísticas
Dossiê “Educação musical na pós-modernidade”: um amplo espaço dialógico
Get PDFApresentação do dossiê “Educação musical na pós-modernidade: epistemologias, práticas e contextos”
The “Brazilian Journal of Music” on its 90th Year
No full textThe Brazilian Journal of Music presents a commemorative issue marking its 90th anniversary, dedicated to the themes of the History of Music in Brazil and Brazilian Musical Research, with the following sections: “Memória”, featuring an annotated translation of an essay by C. H. Hunsche on Wagner and Brazil, a translation of the corresponding primary sources, and a commentary article on the author and his contribution; “Artigos”, focusing on 19th-century Brazilian music and 20th-century musical research; “Entrevista”, presenting the testimony of researcher Antônio Alexandre Bispo; “Homenagem”, honoring Arthur Moreira Lima, Doctor Honoris Causa from UFRJ; “Resenha”, reviewing the Portuguese translation of Vincenzo Cernicchiaro’s Storia della musica nel Brasile; and “Arquivo de Música Brasileira”, featuring the edition of three Estudos for guitar by H. Villa-Lobos, transcribed for piano by José Vieira Brandão
Parsimonious relations between Guitar Textural Proposals
Get PDFGuitar Textural Analysis is an analytical proposal devised for the composition for the guitar that exposes the relations between the textural structure and the technical procedures used in the instrumental performance. The Guitar Textural Proposals (GTPs) are the specific configurations extracted in this analytical process. In the present work, the focus remains on recognizing parsimonious movements between GTPs, that is, minimal distinctions between patterns of use of the instrument combined with respective textural configurations. Parsimoniousness is defined in the context of Developing Variation, Neo-Riemannian Theory, and Partitional Analysis. Previous works by Fabio Adour and authors Sérgio Freire and Pedro Cambraia present perspectives on the relation between texture and guitar performance. Leo Brouwer's series of progressive pieces Études Simples is adopted as a reference. The work results in a proposal for a ordered network of technical-textural configurations connected by parsimonious relations
A “Revista Brasileira de Música” nos seus 90 anos
No full textA Revista Brasileira de Música apresenta número comemorativo de seus 90 anos dedicado ao tema da História da Música no Brasil e da Pesquisa Musical Brasileira, com as seções: “Memória”, com tradução anotada de ensaio de C. H. Hunsche sobre Wagner e o Brasil, tradução das fontes primárias correspondentes e artigo-comentário sobre o autor e sua contribuição; “Artigos” sobre a música brasileira do século XIX e a pesquisa musical no XX; “Entrevista”, com depoimento do pesquisador Antônio Alexandre Bispo; “Homenagem” a Arthur Moreira Lima, Doutor Honoris Causa pela UFRJ; “Resenha” da tradução para o português da Storia della musica nel Brasile de Vincenzo Cernicchiaro; e “Arquivo de Música Brasileira”, com a edição de três Estudos para violão de H. Villa-Lobos em transcrição para piano de José Vieira Brandão
O diálogo entre solista e orquestra no Concerto Métis de Roland Dyens
No full textThis dissertation´s goal is to analyze the Concerto Métis (for guitar and string orchestra) by Roland Dyens considering the dialogue between soloist and orchestra. It will discuss the functionality of the group regarding sound balance, taking into account the sound characteristics of the guitar. Aesthetic, technical, practical and musical aspects of the Concerto Métis were observed through a critical analysis of the score backed up by a live performance held in September 2009.Esta dissertação tem como o objetivo analisar o Concerto Métis (para violão e orquestra de cordas) de Roland Dyens no que diz respeito ao diálogo entre o solista e a orquestra. Será discutida a funcionalidade da formação no que se refere ao equilíbrio, levando-se em conta as características sonoras do violão. Para tanto, serão observados aspectos estéticos, técnicos, práticos e musicais do conjunto instrumental presente na obra. Será desenvolvida uma análise crítica da partitura apoiada em uma performance ao vivo, realizada em setembro de 2009
Le réseau fluvial en Pays Basque continental
No full textNotas en las que Eugène Goyheneche apoyó su comunicación sobre la red fluvial del País Vasco continental. Tras delimitar el marco geográfico, el autor estudia la historia del Adour en la Edad Media y en los siglos XVIII, XIX y XX. A modo de conclusión se pregunta sobre las posibilidades que ofrece el puerto de Bayona para su revitalización.Ohar hauetan oinarritu zuen Eugène Goyhenechek Ipar Euskal Herriko ibai-sareari buruz eginiko komunikazioa. Eremu geografikoa zedarritu ondoren, egileak Aturri ibaiaren historia aztertzen du Erdi Aroan eta XVIII, XIX eta XX. mendeetan. Ondorio gisa, gogoeta egiten du Baionako portua indarberritzeko ahalbideez.Notes d'Eugène Goyheneche lui ayant servi pour sa communication sur le réseau fluvial du Pays Basque continental. Après avoir délimité le cadre géographique, l'auteur étudie l'Adour au Moyen-Age puis au cours des XVIIIe, XIXe et XXe siècle avant de s'interroger en conclusion sur les possibilités de redonner prospérité au port de Bayonne.Notes in which Eugène Goyheneche supported his motion on the river network in the continental Basque Country. After delimiting the geographical framework, the author studies the history of the Adour in the Middle Ages and in the 18th, 19th and 20th centuries. To conclude, he speculates on the possibilities the port of Bayonne offers for its revitalisation
La qualité des eaux de la Garonne
No full textGaronne river water quality. The author begins by examining the means available to the Adour-Garonne Water Agency for choosing and measuring water quality parameters ; then he reviews the various types of pollution and their local sources. From using the results obtained upstream and downstream the successive section of the Garonne are classified according to four categories. Thanks to progress made in the field of purification, it is possible to set objectives for levels of water quality for the year 2000. In particular, the risks of accidental spillage (from industry) and the impact of diffused pollution (from agriculture) should be reduced.L'auteur examine dans un premier temps les moyens dont dispose l'Agence de l'eau Adour-Garonne pour choisir et mesurer les paramètres de la qualité des eaux ; puis il passe en revue les divers types de pollution et leur provenance locale. En fonction des résultats obtenus d'amont en aval, les tronçons successifs de la Garonne sont classés en quatre catégories. Grâce aux réalisations effectuées en matière d'épuration, il est possible de fixer les objectifs de qualité pour la Garonne de l'an 2000. En particulier, il convient de limiter les risques de rejets accidentels (industries) et les impacts des pollutions diffuses (agriculture).La calidad de las aguas del rio Garona. Tras el examen de los medios de investigación de los que dispone la Agencia del Agua Adour-Garonne para elegir y cuantificar los parámetros de calidad de las aguas, son presentados los diversos tipos de contaminación y su origen local. En función de los resultados obtenidos de arriba para abajo, los tramos del río van clasificados en cuatro categorías. Gracias a las instalaciones de depuración de las aguas ya realizadas, se pueden fijar objetivos de calidad del Garona para el año 2000. Conviene espe- cialment limitar los riesgos de contaminación accidental (industrias) y el impacto de la contaminación difusa (agricultura).Simonet François. La qualité des eaux de la Garonne. In: Revue géographique des Pyrénées et du Sud-Ouest, tome 60, fascicule 4, 1989. Garonne. pp. 617-623
