746 research outputs found
The vocabulary world in the poetry of Ziya Osman Saba
No full textBiçem, bir sanatkârın şahsiyetinin mührünü taşıyan ve temel malzemesi dil olan yazınsal bir kavramdır. Estetik bir form olan şiirde biçem, şekilsel ve içeriksel planda birbirini bütünleyen kelimeler aracılığıyla ortaya konulur. Kelimeler, duygu ve düşüncelerin ifadesinde, edebiyatın en sanatsal türü şiirde itina seçilen dilsel birimlerdir. Dolayısıyla bir şiirin biçem analizi yapılırken, dilin en alt seviyelerinden birisi olan kelimeden yola çıkmak, incelemenin geçerliliğine katkı sağlayacak bir tutumdur. Bir sanatkârın eserlerindeki kelime dünyası, onun evreni okuyuşunun göstergesidir. Çünkü edebiyatta nesneler, varlıklar yoktur; sesler ve kelimeler vardır. Bu nedenle bilgisayar destekli kelime analizi yöntemiyle somut veriler ışığında yapılan biçem incelemesi, araştırmacılara daha doğru neticeler verecektir. Ziya Osman Saba, Cumhuriyet?in ilk yıllarında yenileşen Türk şiirine kendi söz varlığıyla ve özgün biçemiyle zenginlik katan bir şairdir. Saba, Yedi Meşaleciler oluşumunun en genç ve şiirde en güçlü simasıdır. Fakat yazın dünyamızın bu sesi, hem şairin yaşadığı yıllarda hem de sonrasında edebiyat çevrelerinin dikkatini pek çekmemiştir. Bunun sebebi ise şairin kendi mütevazı mizacıdır. Saba, gerek yaşamında gerekse sanatında fırtınalar koparmamış, bir ideolojiye kalemini teslim etmemiştir. O, büyük istek ve emelleri olan bir şair değildir. O, küçük arzularını alçak tonda, nazikçe ve kırıp dökmeden ifade eden "ölüm, sevgi, mazi ve aile şairi"dir. Saba?nın işte bu naif kimliği, tüm uysallığıyla şiirlerindeki kelimelere yansımıştır. Dolaysıyla bu çalışmada yaşamı ile sanatı arasında ayrılamayacak derecede bir ilişki gözlemlenen Saba?nın şiirleri, sözcük eksenli ele alınmıştır. Anahtar Kelimeler: Biçem, dil, kelime dünyası, şiir, Ziya Osman SabaStyle is a literary concept that holds the seal of personality of an author or a poet and in which language is primary element. The style in poem, which is an aesthetic form, is revealed by means of using the words which are integrating with each other formally and contextually. While expressing feelings and ideas, words in poem, the artistic kind of literature, are linguistic units which are selected attentively. Therefore, while analyzing the style of a poem, starting from the words, one of the lowest stages of a language may contribute to the validity of analyzing. Vocabulary world of an author or a poet in his works is an indicator of how he perceives the universe because in literary works there is no objects and entities but sounds and words instead. As a result; in the light of tangible data, Style Analyzing can yield positive outcomes via word analyzing supported by computer technology. Ziya Osman Saba was a poet who contributed a lot to enrich renewing Turkish poetry with his own large vocabulary knowledge and his exclusive style during the earliest years of Turkish Republic. Saba was the youngest and the most powerful figure of Yedi Meşaleciler. However, this unique figure of our literature caught the attention of literary critics neither while living, nor in the later years as he had a modest personality. Whether in his life or literary works, Saba never became a storm of controversy and never surrendered himself to any kind of ideology. What is more, he never had great ambitions and goals in his life. Instead, he was a "death, love, family and nostalgic poet" who always expressed himself kindly and gently. Also, he had a naive personality, and this often reflects placidly on the words he used in his poems. As a result, in this study, we have wordbasely tried to analyze Saba's poems in which there is an inseparable relation between in his life and his literary works. Key Words: Language, poem, style, vocabulary world, Ziya Osman Sab
Man up: stories of Parvez and Muna
No full textA collection of linked comic short stories about a young Muslim couple, tracing their relationship from their traditional courtship to the early parenthood.M.F.A.by Musa Syee
Bernard Pannagl's musa panagaea
No full textBernard Pannag1 (1666-1734, from 1684 member of Societas Jesu) was a gymnaSIUm teacher, predicator and 1ibrarian in the C1ementinum college in Prague. On1y five books of him are known, all of them in latin. One of these is Musa panagaea (edited probab1y in J anuary 1729), a collection of his schoo1 dramatic works. We bring an edition of the first part of the Musa panagaea, name1y the p1ays Joannes Nepomucenus, Divus Joannes Baptista and Romulus, with an introduction to the latin schoo1 drama in the 17. and 18. century and with informations about the author. There are no standard rules for the editions of the latin texts from 17. and 18. century, just some recommendations. The interpunction of that age in Bohemia hasn't been described and explained in detail s yet, and iťs different from the interpunction, which is used in the czech language (and in the enghsh as well) today; in our edition we use the czech modem interpunction so as the text can be easily read by modem readers. In the transcription of the words we respect the specific aspects of the modem latin (as we know especially from the works of Bohuslav Balbín) and we don't rewrite them in the c1assical latin way. Using of accents in the Musa panagaea is regular and we describe some rules, which we respect in the transcription of the text, but these..
Musa Dah i bliżej. Zaczynając od powieści Franza Werfla.
No full textThe subject of the first part of the article is an interpretation of Franz Werfel’s novel Forty days of Musa Dah, published in 1933 and containing in its the name of the place where five thousand Armenians made a stand against the Turks in September and October 1915. The book made the author a national hero of the Armenians. However, this Jewish writer simultaneously sensed the approaching Shoah. Hence, in the second part of the paper, I show how the novel grew in importance during World War II: Musa Dah was compared to the resistance in the Jewish ghettos (e.g. the situation of the population in Bialystok). Janusz Korczak was to discuss the novel in the summer of 1941, also the chronicler of the Warsaw Ghetto, Emmanuel Ringelblum, in June 25, 1942 compared the Warsaw Ghetto to Musa Dah.The subject of the first part of the article is an interpretation of Franz Werfel’s novel Forty days of Musa Dah, published in 1933 and containing in its the name of the place where five thousand Armenians made a stand against the Turks in September and October 1915. The book made the author a national hero of the Armenians. However, this Jewish writer simultaneously sensed the approaching Shoah. Hence, in the second part of the paper, I show how the novel grew in importance during World War II: Musa Dah was compared to the resistance in the Jewish ghettos (e.g. the situation of the population in Bialystok). Janusz Korczak was to discuss the novel in the summer of 1941, also the chronicler of the Warsaw Ghetto, Emmanuel Ringelblum, in June 25, 1942 compared the Warsaw Ghetto to Musa Dah
The story of Musa and Khidir in QS. al-Kahfi (18): 60-82 according to Al-Alusi’s perspective
No full textAl-Qur’an contains much of deep messages, like in Q.S al-Kahfi 18:60-82. It told about the story Musa and Khidir’s journey, by using descriptive-analitic method. In this thesis the author have two problem formulations are: 1) How is the story Musa and Khidir in Q.S al-Kahfi: 60-82 according to Tafsir Al-Alusi perspective? 2) What is the relevance of story Musa and Khidir in Q.S al-Kahfi: 60-82 towards learning ethics?
Based on the problem formulation above, the author used two ways to analyze the data First, the author will inventory the verses related to the story of Musa and Khidir , namely Surat al-Kahf: 60-82, then interpret the verses using the perspective of the Tafsīr al-Alusi book in a descriptive-analytic manner so that it can be found out how the construction of the interpretations of these verses is actually comprehensive. Second, from al-alusi interpretation, we will know what is the message from the story. Then from the messages of the story, the author try to seek what is the relevance from the story between the ethic of a student with his teacher.
Based on the method of research above, the author concluds that the story of Musa and Khidir contains three hikmah are Having A Big Enthuasiasm In Learning, Be Polite And Tawadhu' To The Teacher And Having A Patience And Commitment To Learning
Bernard Pannagl's musa panagaea
No full textBernard Pannag1 (1666-1734, from 1684 member of Societas Jesu) was a gymnaSIUm teacher, predicator and 1ibrarian in the C1ementinum college in Prague. On1y five books of him are known, all of them in latin. One of these is Musa panagaea (edited probab1y in J anuary 1729), a collection of his schoo1 dramatic works. We bring an edition of the first part of the Musa panagaea, name1y the p1ays Joannes Nepomucenus, Divus Joannes Baptista and Romulus, with an introduction to the latin schoo1 drama in the 17. and 18. century and with informations about the author. There are no standard rules for the editions of the latin texts from 17. and 18. century, just some recommendations. The interpunction of that age in Bohemia hasn't been described and explained in detail s yet, and iťs different from the interpunction, which is used in the czech language (and in the enghsh as well) today; in our edition we use the czech modem interpunction so as the text can be easily read by modem readers. In the transcription of the words we respect the specific aspects of the modem latin (as we know especially from the works of Bohuslav Balbín) and we don't rewrite them in the c1assical latin way. Using of accents in the Musa panagaea is regular and we describe some rules, which we respect in the transcription of the text, but these..
Using hydraulic oscillator of Banu Musa for teaching relaxation oscillation
No full textOne of the introductory examples of scientific books and articles on relaxation oscillations is description of a tank containing a liquid and a siphon, which is known as Tantalus Cup. In this article, the author has shown that the origin of the cup can not be found in historical documents, and probably from the late eighteenth and early nineteenth centuries this device has appeared in laboratory and educational centers in Europe as teaching instrument. However, the thirty-second design of Alheyalbook of Banu Musa actually defines the means with the same performance but more completely than Tantalus Cup. In this article, this device is called "hydraulic relaxation oscillator of Banu Musa". First the history of the book and the life of author, Ahmad ibn Musa ibn Shaker Khorasani, is briefly stated. Thereafter, the historical and scientific record of Tantalus Cup is studied and the performance of the Cup is also described. Finally, Banu Musa's hydraulic oscillator based on relaxation is described in detail. The article claims that Banu Musa was the first engineer who used the relaxation oscillator in a mechanical device
“Musa callejera”: historia de un corpus inestable
No full textAbstract: Literary critics have paid little attention to the textual history of Guillermo Prieto’s “Musa callejera”. When spoken of, his work is thought of as monolithic, whose only antecedent was Filomeno Mata’s 1883 edition, legitimized by the 1971 reprint that Francisco Monterde made for Porrúa publishing house. However, the structure of its textual history reveals three main facts which may modify the vision of Guillermo Prieto’s works: on one hand, that his very first book of poems, Versos inéditos, which completely propounds its own poetics, has been hidden in the author’s work; on the other hand, that Filomeno Mata’s “Musa callejera” is actually an anthology of Prieto’s poems, and finally, that “Musa callejera” is a literary project that the author continued until a few years before his death.Resumen: La historia textual del corpus “Musa callejera” de Guillermo Prieto ha sido poco estudiada por la crítica. Cuando se habla de él se piensa en una obra monolítica cuyo único antecedente es la edición publicada en 1883 por Filomeno Mata y legitimada por Francisco Monterde con su reedición de 1971 para la editorial Porrúa. Sin embargo, la construcción de su historia textual revela tres hechos fundamentales que implican un replanteamiento respecto de la obra del autor: por un lado, que el primer poemario de Guillermo Prieto, Versos inéditos, con toda una propuesta poética, ha quedado oculto en la producción del autor; por otro lado, que la “Musa callejera” de Filomeno Mata constituye en realidad una antología de la obra de Prieto, y finalmente que “Musa callejera” es un proyecto literario que el autor continuó hasta pocos años antes de su muerte
Un historien et anthropologue sénégalais : Shaikh Musa Kamara.
No full textD. Robinson — A Senegalese Historian and Anthropologist : Shaikh Musa Kamara.
The author draws the historical background and the geographical setting of Shaikh Musa Kamara's life and regrets that, notwithstanding his being a prolific historian of the Fuuta Tooro, he be so unrecognized. Robinson recounts his life and divides it in three large periods: the thirty initial years, with a studious youth and three marking influences; the time at the beginning of the colonial period, which is not very well known; and the twenty-five last years when he took up writing. The article presents Kamara's works, their characteristics and topics. A complete list of his manuscripts and a detailed table of contents of his materpiece, the Zuhur, are appended.Robinson David. Un historien et anthropologue sénégalais : Shaikh Musa Kamara.. In: Cahiers d'études africaines, vol. 28, n°109, 1988. Mémoires, Histoires, Identités II. pp. 89-116
Asiyah : sang mawar gurun Fir'aun
No full textInilah kisah tentang seorang wanita yang teguh keimanannya. Wanita yang kokoh memegang tauhidnya meski banyak cobaan menghadang di depannya. Dialah sosok ibu yang menjadi pengasuh Nabi Musa dan istri seorang penguasa, Firaun
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