1,162 research outputs found
Edward Schumacher-Matos Lecture
No full textBorn in Colombia, Schumacher-Matos was in the U.S. illegally from age 14 until age 21, when he went to court, was allowed to declare his citizenship, and joined the Army to serve in Vietnam. He was educated at Vanderbilt University and the Fletcher School of Law and Diplomacy at Tufts University, served as a Fulbright Fellow in Japan, and as a Bi-National Commission Fellow in Spain. He also was executive director of the Spanish Institute in New York, a nonprofit dedicated to U.S.-Spanish political, economic and cultural affairs. The Robert F. Kennedy Professor for Latin American Studies at Harvard University, Schumacher-Matos is also a Shorenstein Fellow on the Press, Politics and Public Policy at Harvard\u27s Kennedy School of Government, where he teaches a graduate seminar on immigration from Latin America into the U.S. and is writing a book on the subject. Schumacher-Matos applies his rich experiences—immigrant, soldier, reporter, editor, publisher, author, ombudsman, professor, academic fellow—to his weekly, syndicated column on national and international affairs. His work has appeared in the influential journal Foreign Affairs, and he has published numerous op-ed articles, which, he says, express the value of human dignity over self-righteousness and realism over wishful thinking. His talk was the keynote address of Susquehanna University\u27s 16th annual Latino Symposium
Estrategia de servicios y su relación con el branding de la Institución Educativa Estatal María Jesús Espinoza Matos, Lima 2019
No full textLa investigación titulada “Estrategia de servicios y su relación con el branding de la
institución educativa estatal María Jesús Espinoza Matos, Lima 2019”, tuvo como
objetivo demostrar la relación de la estrategia de servicio y el branding de la I.E.E
María Jesús Espinoza Matos, Lima 2019. La investigación realizada fue de tipo
aplicada, enfoque cuantitativo, diseño no experimental de corte transversal y nivel
descriptivo- correlacional. La población estuvo conformada por 100 progenitores de
los alumnos del nivel inicial de la I.E.E María Jesús Espinoza Matos y la muestra
fue de 80 progenitores. El instrumento utilizado fue el cuestionario tipo Likert. La
conclusión después de haber procesado y analizado la información, es que existe
una relación positiva considerable (0,676) entre la estrategia de servicios y el
branding de la I.E.E María Jesús Espinoza Matos
Percepción de la automedicación con antibióticos en los usuarios externos en un hospital publico en lima
No full text“PERCEPCIÓN DE LA AUTOMEDICACIÓN CON ANTIBIÓTICOS EN LOS
USUARIOS EXTERNOS DE UN HOSPITAL PÚBLICO EN LIMA PERÚ”
AUTOR: Dr. Leonel Christian Martínez Cevallos
ASESOR: Dr. Eduardo Demetrio Matos Prado
PROBLEMA: ¿Cuál es la percepción sobre la automedicación con antibióticos en los usuarios de consultorio externo del Hospital Nacional Arzobispo Loayza?
Hipótesis: Existe relación directa entre el grado de instrucción y la automedicación con antibióticos en los sujetos de estudio. Objetivo: Identificar las percepciones más comunes sobre la automedicación con antibióticos en los usuarios de consultorio externo del HNAL.
MATERIAL Y MÉTODOS: Estudio tipo encuesta, de carácter prospectivo observacional, descriptivo y transversal. Población: Usuarios de Consultorios Externos del Hospital Nacional Arzobispo Loayza, Lima Perú, a partir del mes de Noviembre del año 2011 en adelante. Muestra: n=369.
RESULTADOS: El 58% de los usuarios se auto medican con antibióticos, el grado de instrucción superior es menos prevalente en quienes se auto medican (38%) comparado con quienes no practican esta actividad (53,8%), (p =0,003). Los síntomas respiratorios fueron la causa más común para la automedicación y el 84,5% consideran a los antibióticos en el tratamiento del resfrío común. También perciben motivos no relacionados al estado de la salud para automedicarse, como tratamiento “Ya conocido”, “Confianza en el personal de la farmacia” o “tiempo prolongado de espera en el hospital previo a la consulta médica”. Los antibióticos más usados en la automedicación son los Betalactámicos, Quinolonas y Aminoglucósidos. Durante la automedicación, el 49,3% acceden a los antibióticos por petición directa y el 33,3% por sugerencia del personal de la farmacia. Durante el consumo de antibióticos sin receta médica, el 89,2% consideran “mejoría de sus síntomas”. CONCLUSIONES: El 58% de los usuarios de consultorio externo del HNAL practica la automedicación con antibióticos, siendo probablemente las infecciones respiratorias, la causa más común, sin embargo se describen otras causas no relacionados al estado de salud, como la “terapia ya conocida”, “confianza en el personal de la farmacia” o “tiempo prolongado de espera antes de la consulta médica” como posibles causas de automedicación. Los grupos de antibióticos más usados para esta práctica fueron los Betalactámicos, Quinolonas y Aminoglucósidos.Tesis de segunda especialida
«Pueblo negro» de Luis Palés Matos
No full textIn this work, the poem «Pueblo negro» by Luis Palés Matos is analyzed. The analysis takes into account formal and social
aspects, emphasizing the author¿s stereotyped vision of Afro-American men and women, evident in his former works.En este trabajo se analiza el poema «Pueblo negro» del poeta puertorriqueño Luis Palés Matos. El análisis se aborda desde lo formal hasta lo social. En este último aspecto, se detiene en la visión estereotipada del hombre y la mujer
negros en las primeras obras del autor
A vertigem das antologias: Gregório de Matos
No full textThe infinity of anthologies: Gregório de Matos thesis is a compilation with a list of covers, poems, verses, notes, themes and dates taken as data for supporting the thesis that the baroque poet constitutes himself as an artist author from the anthological practice since always. The simplicity of this assertion hardly hides the complexity of demonstrating, therefore, that, from his poetic discourse in the Portuguese colony to the canonization in Brazilian literature, there is a historical movement of reading the Gregório de Matos‘ works, which repeats itself: the leading of an author from the unapprehensible immensity to the partial unitary in books; whose cycles of anthologies emerge according to which the integrated chapters of this study are organized. An approach to the anthological practice faces the problematic of describing the story about Gregório de Matos‘ establishment as an author via crystalized poetic reception of anthological publications. The research enables the accomplishment of the general objective on understanding the reception of the poet‘s work about the reflection on different reading embodiments promoted-propitiated by anthologies. From the selected books set reading, after collecting them in bookshops and libraries, we have come to the inferential considerations on the anthological practice from the cover to the paratexts. Therefore, we take off from the general question on the work‘s reception of the sixteenth-century writer, documented by anthologists, as from the general hypothesis that the editions of the Gregorian work was conditioned by the historical determinants from each reception period. To verify this hypothesis, we observe the current anthologies in front of the reading horizon of Gregorian‘s legacy, propitiated by the poetic making of when it was published and also by the current theoretical presuppositions of art studies in the seventeenth century. This procedure is operated through a dialogue with the critical fortune dedicated to the seventeenth-century author, mainly the Haroldo de Campos and Augusto de Campos‘ criticism to the Gregorian legacy, as well as the Francisco Ivan‘s essay on baroque poetry, in addition to Adolfo Hansen and Marcello Moreira‘s research on colonial letters. The infinity of anthologies reaffirms the literature history‘s importance on aiming to review the poetic legacy‘s judgment in different periods, according to the social circumstances from each time and Gregorio de Matos‘s work understandment from romanticism to modernism, until contemporaneity. Francisco Adolfo de Varnhagen, Segismundo Spina, James Amado, Hélio Pólvora, Gilfrancisco, André Seffrin, Iuri Pereira, João Adolfo Hansen and Marcello Moreira are editors‘ names of Gregório de Matos‘ poetry. They are responsible for bringing the anthological cycles to life and for carrying on the seventeenth-century poetries‘ anthological practice for brazilian readers.Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)A vertigem das antologias: Gregório de Matos constitui-se como enumeração de seletas com listagem de capas, poemas, versos, notas, temas, datas, tomados como dados para sustentar a tese de que o poeta do barroco instaura-se como artista autor a partir do fazer antológico desde sempre. A simplicidade dessa assertiva mal esconde a complexidade de demonstrar, pois, que, do nascimento de seu discurso poético na colônia portuguesa à canonização na literatura brasileira, há um movimento histórico de leitura da obra de Gregório de Matos que se repete: a condução de um autor da imensidão inapreensível ao unitário parcial em livros; do que surgem ciclos de antologias segundo os quais são organizados os capítulos integrantes deste estudo. A abordagem à prática antológica enfrenta a problemática de descrever a história da instauração de Gregório de Matos como autor via recepção poética cristalizada por publicações de antologias. A pesquisa possibilita alcance do objetivo geral de compreender a recepção da obra do poeta baiano pela reflexão sobre diferentes concretizações de leitura promovidas-propiciadas por antologias. A partir da leitura do conjunto de livros selecionados, depois de coleta em livrarias e bibliotecas, apresenta considerações inferenciais sobre o fazer antológico da capa até aos demais paratextos. Para tanto, parte da questão geral de como é a recepção da obra do escritor baiano seiscentista, documentada por antologistas, e da hipótese geral de que a elaboração de edições da obra gregoriana foi condicionada pelos determinantes históricos de cada época da recepção. Para verificação dessa hipótese, observa a atualidade das antologias frente ao horizonte de leitura do legado gregoriano, propiciado pelo fazer poético de então quando do lançamento da publicação, assim como pelos atuais pressupostos teóricos de estudos das artes do século XVII. Esse procedimento surge por meio de diálogo com a fortuna crítica dedicada ao autor seiscentista, principalmente com a crítica de Haroldo de Campos e Augusto de Campos ao legado gregoriano, assim como com a ensaística de Francisco Ivan da Silva à poesia barroca, além da pesquisa de Adolfo Hansen e Marcello Moreira às letras coloniais. A vertigem das antologias reafirma a importância da história da literatura ao buscar fazer revisão do julgamento do legado poético em diferentes épocas, conforme mudem as circunstâncias sociais de cada tempo e a possibilidade de compreensão da obra de Gregório de Matos do romantismo ao modernismo, até a contemporaneidade. Francisco Adolfo de Varnhagen, Segismundo Spina, James Amado, Hélio Pólvora, Gilfrancisco, André Seffrin, Iuri Pereira, João Adolfo Hansen e Marcello Moreira são nomes de editores da poesia de Gregório de Matos, responsáveis por fazer existir ciclos antológicos e por projetar continuidade de ocorrência da prática antologista da poesia seiscentista para leitores brasileiros
Gramiro de Matos (1944-2024): Marginal Practices and Anti-Colonial Poetics in the Originals of A Conspiração dos Búzios (1978)
No full textArquivos de Gramiro de Matos. A Conspiração dos Búzios (1978), capítulos, elementos paratextuais e anotações manuscritas da edição datilografada e mimeografada pelo autor, acompanhados de transcrições, comentários críticos e notas. Gramiro de Matos\u27 Archives. A Conspiração dos Búzios [The Conspiracy of the Cowrie Shells] (1978), chapters, paratextual elements and handwritten notes from the typewritten and mimeographed edition by the author, accompanied by transcriptions, critical comments and notes
Are Portuguese CFC rules compatible with EU Law?
No full textIn this dissertation the author, Michel Alves De Matos, considers the potential impact of the Court of Justice of the European Union decision in the case of Cadbury Schweppes on the Controlled Foreign Companies (CFC) rules and taxing rights applicable in Portugal, in comparision with the rules operating in other Members States of the European Union
GREGÓRIO DE MATOS GUERRA’S POETIC CORPUS AS AN ANALOGY FOR THE DUALITY OF COLONIAL BRAZIL
No full textIn this thesis I propose a model of analysis for Gregório de Matos Guerras poetry based on the scholarly understanding of his Satirical poetry as a representation of Colonial Brazil as a body in decay. The comparison between the Colony and Matos Guerra\u27s poetry allows for the dramatization of the tension in the Colony\u27s life: on one hand, the new land is seen as a virtuous paradise; and, on the other, as a place where its people and resources are exploited and corrupted. The first view of the Colony is depicted by Matos Guerra Lyrical poetry, thus, in the first chapter I argue that a comparison can be drawn between Matos Guerra\u27s amorous lyricism and the Ufanist views of Colonial Brazil by analyzing the following poems: \u27Discreta e formosíssima Maria\u27, \u27A uma dama dormindo junto a uma fonte\u27, \u27Ao Rio Caípe recorre o queixoso poeta de que sua senhora admite por esposo outro sujeito\u27 and \u27Desenganos da vida humana, metaforicamente\u27. In these poems, the author presents the idea of Carpe Diem as celebratory of the richness and abundance of the New World, combined with the concept of the feminine Muse in perfect harmony with Nature. The other view of the new land is analogous to the author\u27s Erotic poetry in the sense that the sexual drive present in these poems is comparable to the corruption within the higher levels of Colonial society. Matos Guerra\u27s choice for vulgar expressions infers a critique of the moral decadence of the clergy and the immoral behavior of the white aristocracy, especially men. These elements will be seen in the poems I analyze in chapter two: \u27Pica-Flor\u27, \u27Necessidades forçosas da natureza humana\u27 and \u27Minha Rica Mulatinha\u27. In my conclusion I argue that Gregório de Matos Guerra\u27s Lyrical and Erotic poetry create an analogical construction of Colonial Brazil. This construction demonstrates the tensions between Brazil as a paradise and Brazil as a corrupt and decadent body. It is most likely that the same model of Brazil as body could be applied to Matos Guerra\u27s Religious poetry, thus confirming the contribution made by this thesis
EU E TU, CAMINHEIROS: NARLAN MATOS E A ODISSEIA DO CAMINHO
No full textThis article proposes a reading of the road and the path in the work "Eu e tu: caminhos dessa vida" (2019), by bahian poet Narlan Matos. Drawing on a dialogue with Homer's “Odyssey”, through the theme of Ulysses's return and homecoming, Narlan Matos's poetry presents a double division: the first, with 71 poems, the second, with 13 other poems. In both parts of this journey, the author emphasized the power of a poiesis of memory in connection with his homeland, Itaquara. Thus, between the poet and the poetry, readers are invited to a convivial collective of the road and the path, the travelers facing the common challenges of human life between the ephemeral and the eternal.
Keywords: Narlan Matos. Odyssey. Return. Way.Este artigo propõe uma leitura da estrada e do caminho na obra “Eu e tu: caminheiros dessa vida” (2019), do poeta baiano Narlan Matos. A partir do diálogo com a “Odisseia” de Homero, mediante o tema do retorno e do regresso à casa original feito por Ulisses, a poética de Narlan Matos apresenta dupla divisão, na primeira, com 71 poemas, a segunda, com 13 outros poemas. Nas duas partes dessa viagem, o autor destacou a potência de uma poiesis da memória em conexão com sua terra natal, Itaquara. Dessa forma, entre o poeta e a poesia, leitores são convidados a uma coletividade convivencial da estrada e do caminho, os caminheiros ante aos desafios comuns da vida humana entre o efêmero e o eterno.
 
Francisco de Quevedo e Gregório de Matos: diálogos barrocos sobre literatura e mulher
No full textThis study investigates the theme of misogyny on the works of Francisco de Quevedo and Gregório de Matos. The investigated material consists in five selected poems of each author which conform to this perspective. The objective is to establish an initial approach that indicates the prejudice against women on the poetics of both writers, in association with the historical context of the 17th century and the baroque´s aesthetics on literatureEste trabalho investiga o tema da misoginia nas obras satíricas de Francisco de Quevedo e Gregório de Matos. O material investigado consiste em cinco poemas selecionados de cada autor que se enquadram neste recorte temático. O objetivo é uma primeira abordagem que permita situar o preconceito contra a mulher na obra de ambos os poetas, relacionando-o ao contexto histórico do século XVII e à estética barroca na literatur
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