1,354,199 research outputs found
Criton
No full textProfessor Yves Roucaute presents the life and work of Crito, a childhood friend and disciple of Socrates, whose seventeen dialogues have been lost.Le Professeur Yves Roucaute présente la vie et l’oeuvre de Criton dont les dix-sept dialogues ont été perdus, ami d’enfance et disciple de Socrate
A. Willem. Platon, Criton
No full textHombert Marcel. A. Willem. Platon, Criton. In: Revue belge de philologie et d'histoire, tome 5, fasc. 2-3, 1926. pp. 543-544
Criton Tomazos and Underground Art in the 1960s
No full textThis article situates the artistic development of the Greek-Cypriot artist Criton Tomazos (b.1940) as a part of a circle of artists in the 1960s loosely associated around a number of informal groupings, including Arts Together, Writers Forum, Sigma, Group H and Environmental Forum.It examines the context for a number of his key works including The Cage on the basis of a literature review and interviews conducted with Criton Tomazos. The article concludes that Criton Tomazos made a significant contribution to the Undergound art movement in London in the 1960s
L’art des (petites) différences
No full textDans cet entretien, la compositrice française Pascale Criton retrace les grandes lignes qui sous-tendent son écriture et sa pensée musicales. Passionnée par le continuum sonore, ses rencontres avec Ivan Wyschnegradsky, Gérard Grisey – mais aussi avec le philosophe Gilles Deleuze – dans le courant des années 1970, confirment son intérêt pour les micro-intervalles et la variabilité du son. La compositrice livre les enjeux qui mobilisent son attention au fil des oeuvres qui jalonnent son parcours, des années 1980 à aujourd’hui. L’idée d’interaction écosensible émerge avec l’emploi de scordaturas en 1/4, 1/12e et 1/16e de ton associées à la synthèse du son (Thymes, 1988), ou en référence à des comportements acoustiques (Artefact, 2001) qui renouvellent l’écriture du geste (Objectiles, 2002). Pascale Criton interroge aussi bien les techniques instrumentales que la notation et l’interprétation (Circle Process, 2012). Son utilisation des petites différences vise l’élargissement de la perception et s’étend aujourd’hui à une écoute sensible aux phénomènes acoustiques et perceptifs (Wander Steps, 2018).In this interview, the French composer Pascale Criton traces the underlying strands of her musical writing and thinking. Passionate about the sound continuum, her encounters with Ivan Wyschnegradsky, Gérard Grisey—and with the philosopher Gilles Deleuze—in the 1970s, confirmed her interest in micro-intervals and the variability of sound. The composer discusses the preoccupations she was working though in her pieces from the 1980s to the present. The idea of eco-sensitive interaction emerges with the use of scordaturas in 1/4, 1/12th and 1/16th of a tone associated with sound synthesis (Thymes, 1988), or in reference to acoustic behaviours (Artefact, 2001), which bring back gestural writing (Objectiles, 2002). Pascale Criton questions not only instrumental techniques, but also notation and interpretation (Circle Process, 2012). Her use of small differences aims to increase perception and now extends to a sensitive hearing of acoustic and perceptual phenomena (Wander Steps, 2018)
Entrevista a Pascale Criton. Els seminaris de Gilles Deleuze
No full textEntrevista: Carme Pardo Salgado. Enregistrament i edició vídeo: Anna Bayó DuranAgraïments: Institut FrançaisEntrevista a la musicòloga i compositora francesa de música contemporànea, Pascale Criton4238.mp4
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Going Beyond Counting First Authors in Author Co-citation Analysis
No full textThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Socrates e o problema da desobediencia civil : um estudo da Apologia e do Criton de Platão
No full textOrientador: Alcides Hector Rodriguez BenoitTese (doutorado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias HumanaResumo: Trata-se de examinar, nesta tese, o problema da desobediência civil a partir de um confronto entre a Apologia e o Criton. Isto porque nas duas obras encontramos diferentes e contrárias maneiras de apresentar a questão. Na primeira, não apenas considera-se a possibilidade da desobediência às ordens humanas quando estas ferirem determinações e preceitos divinos, como também uma afirmação de sua necessidade, isto é, de ser preciso, sob certas circunstàncias, desobedecer. Na Segunda, encontramos a questão sem qualquer possibilidade de admissão da desobediência, uma vez que se concentra sobre a obediência legal, isto é, sobre a necessidade incondicional de obediência às leis. Nosso trabalho parte de uma análise da Antigone de Sófocles e se detém, logo depois, sobre a Apologia e o CritonAbstract: This is about the question of obedience and disobedience in Ancient Greece. We have investigated the question since Sofocles' Antigone and Plato's Apology to Plato's Criton. It is a very important question to know when and in which condition one is avaible to disobedience the law. We think this question is posed by Plato in his Criton. By the other side, the Apology seems to be completely certainly about the necessity to disobey sometimes. Firstly, when the human laws are in opposite with the divine laws. It is the theme of Sofocles' Antigone. She disobey the human laws to obey the divine lawsDoutoradoDoutor em Filosofi
Variations on the Author
No full text“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
No full textWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
The need for philosophical education in contemporary society
No full textPlace of philosophy in the contemporary world seems condemned to be an ongoing archeology of the mind, which can produce something new only epigonic reliving the great moments of its own history. The study of Philosophy is generally condemned to the status of auxiliary discipline introduced in school curricula and university, mainly to strengthen the general culture of graduates. Reformulation of philosophical issues from a specific kaleidoscopic thinking of the contemporary world that is denying the great structural approaches can be developed through the convergence of sequences fractals completely disparate. The methodology of this study intends to overcome phenomenological structuralism with deconstruction of the reality, understood as a negotiation of interpretations. Scientism of the twentieth century, the focus shifted on the fields of philosophical discourse as: epistemology and philosophy of science, philosophy of language, and philosophy of mind, emerging as meta-theoretical discourses on knowledge and thus saving philosophy from uselessness. As science has gradually rebuilt its instruments in the second part of the twentieth century, Philosophy gradually falling back to Actuality as analysis and interpretation of human meanings offered by the new fields of research opened by science.Philosophy, teaching philosophy, hermeneutics of reality, the crisis of philosophy
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