77,877 research outputs found
Conrad´s Marseilles
No full textThis article discusses the Marseilles period of Conrad’s life, which is still shrouded in mystery. By consulting the Marseilles municipal archives and examining information culled from the local press for the years 1874–1878, the author attempts to determine what events in the life of Marseilles during that particular period may have found an echo in Conrad’s works, and in what way these events could have influenced the personality of the young writer. The author sketches a vivid picture of everyday life in the Marseilles of the 1870s and recalls the principal events in the city’s artistic life, suggesting that Conrad’s first real experience of the opera and the theatre (and no doubt also of the fine arts) was gained in Marseilles. An analysis of all the available documents makes it possible to formulate the following conclusions: 1) The duel between M. George and Blunt, as described in The Arrow of Gold, had its origins in real life: this was the duel between two journalists — C. Hugues and J. Daime — which was then the talk of the town. 2) In drawing the character of Rita de Lastaola in The Arrow of Gold, Conrad most probably made use of several complementary models from real life: apart from Paula de Samoggy (mentioned by J. Allen), the model for Rita may well have been Mme Didier — the mistress of the wellknown Marseilles painter G. Ricard, who himself was quite probably the real-life model for the character of Henry Allègre. 3) During the time when Conrad was in Marseilles the political situation in Spain had completely stabilized and it is hardly likely that Conrad himself could have taken part in any gun-running for the Spanish Carlists. Monsieur George’s escapade may therefore be treated purely and simply as a reminiscence of the stories told by Provençal sailors who had earlier taken part in the smuggling expeditions of 1874–1875. The final section of the article draws attention to possible Marseilles sources for Falk, Heart of Darkness and An Outpost of Progress. Virtually the entire storyline of Falk may be found in the Marseilles press, while the two African stories can be seen as a hypothetical refutation of the tales told by the “colonizer of the Congo” Henry Stanley, who in January 1878 was given a hero’s welcome in Marseilles
An exploration of the outsider's role in selected works by Joseph Conrad, Malcolm Lowry, V.S. Naipaul.
No full textPhDThis thesis explores ways in which the outsider questions rather than confirms
dominant cultural values whilst avoiding the crudity of overt politicisation. I argue
that the outsider's preference for an observer's stance is not so much an act which
denies responsibility to the world of his day, but rather a means of reassessing its
priorities.
In Section One, I discuss Conrad's role as an outsider in the age of Empires. I
demonstrate the ways in which Conrad employs narrators, frequently using strategies
of irony which can be and have been read in very different ways. I argue that Conrad
uses irony as a tool for condemnation rather than condonement of imperialist practice,
if not its ideology.
In Section Two, I discuss Lowry as an emigre from England (so contrasting
him with Conrad, the immigrant from Europe), and examine his dissenting voice
which opposes bourgeois prejudice against the working class, a totalising ideology
like Fascism, and a Western rationalism which sees too rigid a distinction between
sanity and madness. I demonstrate how Lowry as an outsider reacts to the age of
twentieth century World Wars.
In Section Three, I discuss Naipaul's role as an outsider in the age of
decolonisation, when bogus liberals and false redeemers fail to rebuild the newly
independent post-colonial states. As in Conrad's case, I show how a failure to read
Naipaul's ironic tone of voice has given rise to radically divergent views as to what he
is about. I also link Conrad and Naipaul through their cultural negotiation between the
'centre' and its peripheries.
By looking at these three writers in chronological order and offering a
comparative perspective on their work, I highlight the outsider's disturbing, yet
illuminating role within a historical context. I also draw attention to creative tensions
between artistic concerns and a serious political purpose. I assess the outsider as
observer and man of conscience rather than as a` mere onlooker. I conclude that the
outsider also fulfils a social obligation by promoting critical awareness on the reader's
side by means of his defamiliarising perspective
Hedwig Conrad-Martius, Abstammungslehre, 2e neubearbeitete Aufl.
No full textHeuts M. J. Hedwig Conrad-Martius, Abstammungslehre, 2e neubearbeitete Aufl.. In: Revue Philosophique de Louvain. Troisième série, tome 50, n°25, 1952. p. 180
Die Vortheile eines guten Gewissens / Aus dem Englischen übersezet von J. G. Z. M. D.
No full textAutopsie nach Ex. der ULB Sachsen-AnhaltVorlageform des Erscheinungsvermerks: Zürich, bey Conrad Orell und Comp. 1756
THE SIGNING
No full textTony Conrad collaborates with Jennifer Walshe to present THE SIGNING, a street spectacle shadow-opera that centres on the tension enacted in the signing of a document. The project uses shadow puppetry, voice, violin, electronics and projections. The perfrmance is listed on p. 54 of the Scotiabank Nuit Blanche October 4, 2014 exhibition guidebook available at: http://www.shastiolearysoudant.com/files/snb14guidebook.pdf (accessed: 2020-02-22).THE SIGNING is a street spectacle shadow opera which will be performed in Toronto and on the Internet. THE SIGNING will transform Nathan Phillips Square in Toronto into a vortex of sound, image, energy and movement during the night of October 4th 2014 for Toronto’s Nuit Blanche. The conceptual narrative takes the dramatic tension enacted in the signing of a contract, filtered through the myth of Orpheus. The project is a collaboration from experimental film, video, sound, installation and Performance Art cult figure Tony Conrad and renowned Irish composer and performer Jennifer Walshe.http://www.shastiolearysoudant.com/files/snb14guidebook.pd
Configurations of imperialism and their displacements in the novels of Joseph Conrad.
No full textPhDThis thesis examines certain configurations of imperialism
and their displacements in the novels of Joseph Conrad
beginning from the premise that imperialism is rationalised
through a dualistic model of self/"other" and functions as
a hierarchy of domination/subordination. In chapters one
and two it argues that both Heart of Darkness and Lord Jim
configure this model of imperialism as a split between
Europe/not-Europe. The third and fourth chapters consider
displacements of this model: onto a split within Europe and
an act of "internal" imperialism in Under Western Eyes and
onto unequal gender relations in the public and private
spheres in Chance.
Each chapter provides a reading of the selected novel
in relation to one or more contemporary (or near
contemporary) primary source and analyses these texts using
various strands of cultural theory. Chapter one, on Heart
of Darkness, investigates the historical background to
British imperialism by focusing on the textual production
of history in a variety of written forms which comprise the
diary, travel writing, government report, fiction. It
considers how versions of (imperial) history/knowledge are
constructed through the writing up of experience. In
chapter two, on Lord Jim, the hero figure is analysed as a
product of the imperial ideology and the protagonist's
failure is explored through the application of evolutionary
theory.
Chapters three and four, on Under Western Eyes and
Chance, investigate displacements of the imperial model:
the failure of an "enlightened" Western Europe to challenge
Russian imperialism in Poland forms the basis for reading
Under Western Eyes with Rousseau's writings and a
nineteenth-century history of the French Revolution. Chance
presents a further displacement of this model in its
relocation of imperialist imperatives in the sexual/gender
inequalities practised in the "mother" country
Cataloochee tract 245: J. M. Conrad
No full textThe 108 acres in Cataloochee tracts 245 and 245a were owned by J. M. Conrad. While, in general, the Great Smoky Mountains region was sparsely populated, the Cataloochee Valley remained an exception. By 1900, the population of Cataloochee had grown to 1,000 residents living in hundreds of log and frame homes. A few historic buildings have been preserved on site, including two churches, a school, several homes, and outbuildings. The North Carolina Park Commission was tasked with purchasing land for the Great Smoky Mountains National Park and people living in Cataloochee were among those displaced. Cataloochee families continue to return for annual reunions. In 2001, the National Park Service re-introduced elk into the valley
Evidence for the decay B0→J/ψω and measurement of the relative branching fractions of meson decays to J/ψη and J/ψη′
No full textFirst evidence of the B 0 → J / ψ ω decay is found and the B s 0 → J / ψ η and B s 0 → J / ψ η ′ decays are studied using a dataset corresponding to an integrated luminosity of 1.0 fb -1 collected by the LHCb experiment in proton-proton collisions at a centre-of-mass energy of sqrt(s) = 7 TeV. The branching fractions of these decays are measured relative to that of the B 0 → J / ψ ρ 0 decay:frac(B (B 0 → J / ψ ω), B (B 0 → J / ψ ρ 0)) = 0.89 ± 0.19 (stat) - 0.13 + 0.07 (syst),frac(B (B s 0 → J / ψ η), B (B 0 → J / ψ ρ 0)) = 14.0 ± 1.2 (stat) - 1.5 + 1.1 (syst) - 1.0 + 1.1 (frac(f d, f s)),frac(B (B s 0 → J / ψ η ′), B (B 0 → J / ψ ρ 0)) = 12.7 ± 1.1 (stat) - 1.3 + 0.5 (syst) - 0.9 + 1.0 (frac(f d, f s)), where the last uncertainty is due to the knowledge of f d / f s, the ratio of b-quark hadronization factors that accounts for the different production rate of B 0 and B s 0 mesons. The ratio of the branching fractions of B s 0 → J / ψ η ′ and B s 0 → J / ψ η decays is measured to befrac(B (B s 0 → J / ψ η ′), B (B s 0 → J / ψ η)) = 0.90 ± 0.09 (stat) - 0.02 + 0.06 (syst)
Molecular Computing with Artificial Neurons
No full textToday's computers are built up from a minimal set of standard pattern recognition operations. Logic gates, such as NAND, are common examples. Biomolecular materials offer an alternative approach, both in terms of variety and context sensitivity. Enzymes, the basic switching elements in biological cells, are notable for their ability to discriminate specific molecules in a complex background and to do so in a manner that is sensitive to particular milieu features and indifferent to others. The enzyme, in effect, is a powerful context sensitive pattern recognizer. We describe a tabletop pattern processor that in a rough way can be analogized to a neuron whose input-output behavior is controlled by enzymatic dynamics
- …
