316 research outputs found

    Branson - Jobs : Entreprenör och/eller Ledare?

    No full text
    ABSTRACT Titel: Branson - Jobs; Entreprenör och/eller Ledare? Nivå: C-uppsats i ämnet företagsekonomi Författare: Madeleine Nordin och Runa Claesson Handledare: Lars Ekstrand Datum: Maj 2012 Syfte: Syftet är att belysa relationen, och studera sambandet, mellan rollerna entreprenör - ledare. Vad förenar dem, och vad skiljer dem åt? Finns det något motsatsförhållande mellan dessa båda roller? Metod: Studien är en kvalitativ studie där ansatsen är en kombination av induktiv och deduktiv ansats, så kallad abduktion. Information och material till vår studie har vi fått genom en intervju och i övrigt olika typer av sekundärinformation. Resultat & slutsats: Tidigare forskning talar om det komplexa i skärningspunkten mellan rollerna entreprenör och ledare. Det råder till viss del delade meningar om huruvida det finns ett behov av att, ur ett vetenskapligt perspektiv, göra en distinktion mellan dessa roller. Utifrån vilken kontext man definierar entreprenörsrollen kan den vara densamma som ledarrollen menar vissa. Det finns mycket som förenar rollerna som entreprenör och ledare, men det finns också en del som skiljer dem åt. Vår slutsats är att skillnaderna handlar mer om hur rollerna uppfattas och hur de utmärkande dragen beskrivs än vad det egentligen innebär att vara entreprenör och/eller ledare. Både Jobs och Branson stämmer väl in på de personlighetstyper som tidigare studier och forskning beskriver kring ledare och entreprenörer. Vi kan inte utifrån vår studie, se att det finns något motsatsförhållande mellan dessa båda roller. Vi kan inte heller säga att vi funnit något i entreprenörsrollen som utesluter alternativt förstärker något i ledarrollen, eller tvärtom. Det handlar mer om hur man som individ väljer att agera utifrån de båda rollerna och vad situationen kräver. Förslag till fortsatt forskning: Att utifrån en större pool av entreprenörer studera deras bakgrunder, roller och drivkrafter och kartlägga hur de hanterar rollen som entreprenör och ledare. Detta för att se vilka mönster som eventuellt går att hitta - finns det kopplingar mellan bakgrund och uppväxt i frågan om hur man hanterar rollen som ledare och/eller rollen som entreprenör? Finns det andra mönster att urskilja när det gäller dessa individers olika drivkrafter och förmåga att hantera rollen som entreprenör och/eller ledare? En annan vinkel vore att undersöka ett antal entreprenörer som lyckats och nått framgång (finansiellt) och som sedan ägnar sig åt välgörenhet i stor utsträckning. Vad driver den som redan lyckats? Vad ligger till grund för vilken typ av välgörenhet som lockar, och på vilket sätt ser engagemangen ut? Uppsatsens bidrag: Vår studie bidrar till en ökad förståelse för vad det innebär att vara entreprenör och/eller ledare. Studien visar också på likheter och skillnader mellan dessa roller, var rollerna överlappar varandra och vad som kännetecknar respektive roll. Nyckelord: Entreprenörskap, Ledarskap, Drivkraft, Personliga egenskaper, Självkänsla, Vision         ABSTRACT Title: Branson - Jobs; Entrepreneur and/or Leader? Level: Final assignment for Bachelor Degree in Business Administration Author: Madeleine Nordin och Runa Claesson Supervisor: Lars Ekstrand Date: May 2012 Aim: The aim is to illustrate the relation, and to study the connection between the roles of entrepreneurship – leadership. What is common and what is different? Is there anything that is contradicting between these two roles? Method: This study is a qualitative study with a combination of an inductive and deductive approach, known as abduction. The information and material for our study have been collected through an interview and besides that by using different types of secondary information. Result & Conclusions: Earlier research talks about the complex intersection between the roles of an entrepreneur and a leader. There are disagreements about the need to make a distinction between the roles out of a scientific perspective. Some researchers suggest that the definition of entrepreneur or leader is formed by the context. There are many things in common between the roles as an entrepreneur and as a leader, but there are also things that differ. The differences are more about how the roles are interpreted and how the specific roles are described compared to what it really means to be an entrepreneur and/or leader. Both Branson and Jobs matches well what previous studies have defined in terms of the personalities of an entrepreneur and leader. Based on our studies we have not been able to shown any contradictions between these roles. Neither have we found anything in the role of an entrepreneur that contradicts or enhance the role of a leader, or vice versa. It´s more a matter of how one, as an individual, choose to act and what the situation demands. Suggestions for future research: To use a larger pool of entrepreneurs and study their background, their roles and striving forces to be able to see if there are any patterns in terms of how they handling the role as an entrepreneur and leader. Are there any connection between background and upbringing when it comes to how to handle the role? Are there any other patterns that can be defined regarding these individuals different way of handling their roles? Another angle would be to analyze a number of successful entrepreneurs (financially) who then moved on to focus on charity work. What drives someone that has already succeeded? What is the foundation that determines the type of charity that appeals to them and what does the engagement look like? Contribution of the thesis: The contribution of this study is a better understanding of what it means to be an entrepreneur and/or leader. The study also shows the differences between these roles, where they overlap each other and what the characteristics of each role are. Key words: Entrepreneurship, Leadership, Driving forces, Personal characteristics            

    4 Ps go green? Die Positionierung des Green Marketing im Marketing-Mix

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    The green marketing mix by Runa Strott: Due to the increasing importance of sustainability and green marketing, the author has developed a model that is based on Mc Carthy’s 4 Ps, but includes the requirements of LOHAS as a target group. The model can be used for products that are intended to address this target group

    Aproximación metodológica aplicada a la interpretación de la obra Runa y análisis de Runa Hatariy del compositor Daniel Flores.

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    En el presente trabajo de investigación, se ponen a consideración aspectos característicos de la música de la comunidad de Kotama, relacionados con la interpretación de Runa y el análisis de Runa Hatariy del compositor Daniel Flores, que tienen como referencia la cosmovisión y prácticas musicales de dicha comunidad. La premisa que guía el trabajo es que para interpretar una obra musical, es importante conocer el contexto que la inspiró, para lo cual se tiene como referencia la teoría de redes de Bruno Latour. En este caso, el intérprete recrea dicho contexto, ahondando en la memoria de la tradición oral y escrita, el análisis y ejecución de la partitura. Además, el intérprete accede a este contexto desde la experiencia propia con la música de Kotama, sus comuneros y el compositor Daniel Flores. En cada capítulo se describe a los actantes que conforman esta red para la interpretación de las obras, así como se detallarán los recursos musicales de Kotama a aplicarse en la interpretación. Los saberes de Kotama transmitidos por la oralidad, desde la generosidad de los comuneros, se podrán hallar de manera condensada en este trabajo. Este material se presenta como una posible interpretación de la obra Runa y como un instrumento para acercarse al análisis de Runa Hatariy, esperando que al mismo tiempo responda interrogantes acerca de la interpretación musical y nutra la curiosidad, la investigación y la experimentación interpretativa. Se incluye un registro audio-visual de la interpretación de la obra Runa, realizada por el autor de este trabajo.In this research work, characteristic aspects of the music of the Kotama community are considered, related to the interpretation of Runa and the analysis of Runa Hatariy by composer Daniel Flores, which have as a reference the worldview and musical practices of said community. The guiding premise of this work is that to interpret a musical work, it is important to understand the context that inspired it, drawing on Bruno Latour's network theory. In this case, the performer recreates this context, delving into the memory of oral and written tradition, and analyzing and performing the score. Furthermore, the performer accesses this context through their own experience with Kotama music, its community members, and composer Daniel Flores. Each chapter describes the actors who make up this network for the interpretation of the works, as well as details of the Kotama musical resources used in the performance. The Kotama knowledge transmitted orally, through the generosity of the community members, can be found in a condensed form in this work. This material is presented as a possible interpretation of the work "Runa" and as a tool for approaching the analysis of Runa Hatariy. It is hoped that it will simultaneously answer questions about musical interpretation and foster curiosity, research, and interpretative experimentation. An audio-visual recording of the performance of the work "Runa" by the author of this work is included.PregradoLicenciado(a) en Artes Musicale

    Just like humans

    No full text
    In this chapter, the author draws on the phenomenological distinction between empathy and sympathy, since she finds it useful to advance some claims about Runa ways of experiencing nonhuman others – yet, she does not believe that people can distinguish between “empathy” and “sympathy” at all times and in all contexts. In shedding light on Runa “empathic-like” processes towards nonhumans and specific cultural understandings about humans’ relationship with animals, the author constantly contrasts her ethnographic materials with research done in Western countries on human–animal relationships. This comparative material “closer to home” comes from research in developmental psychology and the cognitive sciences, as well as from the author's observations of foreign visitors in Runa villages. If empathy consists of the recognition of others as minded creatures like people, a question which needs to be addressed regards the nature of this perceived “alikeness”

    Modification of Existing Permeameters to Estimate Hydraulic Conductivity of Groundwater in Unconsolidated Sand in the Laboratory

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    Modification of Existing Permeameters to Estimate Hydraulic Conductivity of Groundwater in Unconsolidated Sand in the Laboratory is a master thesis written by Runa Aronsen Solberg in the spring of 2018. The thesis is the final work of the course TPG4920 Petroleum Engineering, Master s Thesis, at the Department of Geoscience and Petroleum at the Norwegian University of Science and Technology (NTNU). The thesis is a continuation of the author s specialization project completed during autumn 2017. The thesis contains a total of 116 pages. Hydraulic conductivity describes how easily a fluid is transported through a porous medium and can be estimated using several methods. A simple and cost-efficient method used to estimate hydraulic conductivity is by permeameter testing in the laboratory. It has proved to be a challenge to estimate hydraulic conductivity in the laboratory because the sample material does not represent an undisturbed "in situ" material in the field, because the grain structure of the sample is disturbed during the drilling process of groundwater wells and when transported from the well to the laboratory. The objective of this thesis is to modify 3 already existing permeameters; the Darcy-cell, the air permeameter and the liquid permeameter (the latter 2 collectively called core permeameters), to better calculate the hydraulic conductivity of groundwater in unconsolidated sand in the laboratory. The purpose of this is to obtain results for hydraulic conductivity of groundwater that can be used as an estimate of the in-situ hydraulic conductivity in unconsolidated sand in the field. The smallest average value of hydraulic conductivity is estimated using the liquid permeameter with a value of 2,19×〖10〗^(-6) m/s, followed by the air permeameter with a value of 2,25×〖10〗^(-5) m/s. The largest value was estimated using the Darcy -cell with an average of 1,26×〖10〗^(-3) m/s. The results show that it is not possible to use the modified core permeameters to estimate the hydraulic conductivity of groundwater in unconsolidated sand. Further modifications of the setup and collection of more data is needed. The modified Darcy-cell provides the most reliable values for hydraulic conductivity, but methods of fully saturating the sample needs to be further investigated to obtain results for hydraulic conductivity of groundwater that can be used as an estimate of the in-situ hydraulic conductivity of unconsolidated sand in the field

    Modification of Existing Permeameters to Estimate Hydraulic Conductivity of Groundwater in Unconsolidated Sand in the Laboratory

    No full text
    Modification of Existing Permeameters to Estimate Hydraulic Conductivity of Groundwater in Unconsolidated Sand in the Laboratory is a master thesis written by Runa Aronsen Solberg in the spring of 2018. The thesis is the final work of the course TPG4920 Petroleum Engineering, Master s Thesis, at the Department of Geoscience and Petroleum at the Norwegian University of Science and Technology (NTNU). The thesis is a continuation of the author s specialization project completed during autumn 2017. The thesis contains a total of 116 pages. Hydraulic conductivity describes how easily a fluid is transported through a porous medium and can be estimated using several methods. A simple and cost-efficient method used to estimate hydraulic conductivity is by permeameter testing in the laboratory. It has proved to be a challenge to estimate hydraulic conductivity in the laboratory because the sample material does not represent an undisturbed "in situ" material in the field, because the grain structure of the sample is disturbed during the drilling process of groundwater wells and when transported from the well to the laboratory. The objective of this thesis is to modify 3 already existing permeameters; the Darcy-cell, the air permeameter and the liquid permeameter (the latter 2 collectively called core permeameters), to better calculate the hydraulic conductivity of groundwater in unconsolidated sand in the laboratory. The purpose of this is to obtain results for hydraulic conductivity of groundwater that can be used as an estimate of the in-situ hydraulic conductivity in unconsolidated sand in the field. The smallest average value of hydraulic conductivity is estimated using the liquid permeameter with a value of 2,19×〖10〗^(-6) m/s, followed by the air permeameter with a value of 2,25×〖10〗^(-5) m/s. The largest value was estimated using the Darcy -cell with an average of 1,26×〖10〗^(-3) m/s. The results show that it is not possible to use the modified core permeameters to estimate the hydraulic conductivity of groundwater in unconsolidated sand. Further modifications of the setup and collection of more data is needed. The modified Darcy-cell provides the most reliable values for hydraulic conductivity, but methods of fully saturating the sample needs to be further investigated to obtain results for hydraulic conductivity of groundwater that can be used as an estimate of the in-situ hydraulic conductivity of unconsolidated sand in the field

    O Palácio de Runa : história, arte e programa de musealização

    No full text
    O tema escolhido na dissertação que apresentamos, sob o título Palácio de Runa: História, arte e programa de musealização, tem como objetivo dar a conhecer o monumental edifício que foi construído para ser um Hospital para os Inválidos Militares de Guerra e, em simultâneo, uma área palaciana para residência da sua fundadora, a Princesa D. Maria Francisca Benedita (1746-1829), que foi, sucessivamente, infanta de Portugal (1746-1777), princesa da Beira (1777), princesa do Brasil (1777-1788) e princesa viúva do Brasil (1788-1829). Relatamos a vida e obra da fundadora que teve a generosidade de, à sua custa, fundar o Hospital, perpetuando dessa forma a memória do seu falecido marido, o Príncipe D. José, e Príncipe do Brasil (1761-1788). Iremos descrever, ainda, o contexto histórico e cultural em que decorre o reinado de D. Maria I (1734-1816), sua irmã e sogra, uma rainha que lhe aprovou e concedeu autorização imediata para a edificação deste distinto edifício. Pretendemos, também, demonstrar a vida e obra do arquiteto José da Costa e Silva (1747-1819), autor do projeto do edifício, considerado como o primeiro dos modernos arquitetos neoclássicos portugueses. Evidenciamos o enquadramento histórico da instituição, a origem e o historial da coleção do acervo museológico que se conservou no edifício, como foi constituído, bem como as suas perdas, e a fase de musealização. Relevamos o acervo museológico existente no Palácio deixado pela fundadora e que tem as seguintes categorias: escultura, pintura, ourivesaria, prataria, mobiliário, têxteis, cerâmica, cristal/vidro, instrumentos musicais e livros. Deste acervo, iremos destacar a escultura, a pintura e a prataria através da apresentação dos respetivos catálogos descritivos, que constituem o segundo capítulo do presente estudo. E, por fim, apresentamos um programa organizacional de musealização, os benefícios a ter em conta com uma alteração da estrutura orgânica da instituição, e as hipóteses de expansão no âmbito do Instituto de Ação Social das Forças Armadas, I.P., demonstrando que o mesmo é detentor de um património riquíssimo e de grande interesse histórico, artístico, cultural e turístico que precisava de ser devidamente estudado. O estudo que apresentamos vai permitir à instituição desenvolver atividades organizacionais que visem criar metodologias e competências para o funcionamento apropriado de um património museológico. Partimos da ideia de que só quando é devidamente estudado, analisado e identificado é que as obras de arte estão aptas a transmitir os seus valores e, por conseguinte, a criar um programa turístico-cultural eficaz. A grande importância artística das antigas coleções palatinas de Runa justifica plenamente esse esforço de valorização.This dissertation develops a study, under the title Palace of Runa: History, art and museum program, which aims to make known the Monumental Building that was built to be a Hospital for Military Invalids War and simultaneously a palace area for the residence of its founder, D. Maria Francisca Benedita (1746-1829), who was successively Infanta of Portugal (1746-1777), princess of Beira (1777), princess of Brazil (1777-1788) and princess widow of Brazil (1788-1829). The dissertation analyses the life and work of the foundress, who had the generosity of at her expense to found the Hospital, thus perpetuating the memory of her late husband, Prince D. José and Prince of Brazil (1761-1788). This analysis focuses also on the description of the reign of D. Maria I (1734-1816), her sister and mother-in-law, the queen, who approved and granted her immediate authorization for the edification of the distinguished building. It is also intended to demonstrate the life and work of the architect José da Costa e Silva (1747-1819), author of the building project, considered as the first of the modern Portuguese neoclassical architects. It focuses historical context of the institution and the origin of the history of the collection of the museum collection in the building, as it was created, well like your losses, and the museum phase.It highlights the museum collection existing in the Palace left by the founder and which has the following categories: sculpture, painting, goldsmithery, silverware, furniture, textiles, ceramics, glass / glass, musical instruments and books. From this collection, being point out the sculpture, painting and the silverware through its presentation of the respective catalogs described that constitute he second chapter of the present study. And final but not least, it is presented an organizational program of the museum, the benefits which have to be taken into account with a change in the institutional structure of the institution and the hypotheses of expansion within the scope of the Institute of Social Action of the Army Forces, IP, demonstrating that it is the holder of a very rich heritage and of great historical, artistic, cultural and tourist interest, that needed to be properly studied. This thesis study will allow the institution to develop organizational activities and aiming to create methodologies and competences, in order to present properly the museum heritage. As from the idea that it is only when properly studied, analyzed and identified that arts’ works are capable of transmitting their values and, therefore, creating an effective tourism-cultural program. The great artistic importance of the Runa’s old palatine collections fully justifies this effort of valorization

    Analyzing the Role of Fast Charging Infrastructure on EV Adoption in Multi-Unit Residential Buildings: An Analysis Using Structural Equation Modelling

    No full text
    2025At the request of the author, this work is not available to view until April 23, 2026 This study examines the impact of charging infrastructure on electric vehicle (EV) adoption, focusing on the utilization of Direct Current Fast Chargers (DCFCs) among residents of multi-unit residential buildings (MURBs) and non-MURBs in the City of Victoria, British Columbia, Canada. Using structural equation modelling, three models were tested to determine how attitudes, subjective norms, and perceived behavioural control influence EV adoption and DCFC utilization. Data were gathered through an online survey of 2,599 respondents. The findings show that the use of DCFC positively impacts the intention to adopt EVs, however, attitudes toward EVs appear to have a higher influence on the intention to adopt an EV, particularly among MURB residents. For DCFC utilization, perceived behavioural control emerges as a key factor, having a dominant effect on MURB and non-MURB residents. The study emphasizes the need for targeted interventions to increase attitudes and perceived behavioural control among MURB and non-MURB residents

    O Palácio de Runa : história, arte e programa de musealização

    No full text
    O tema escolhido na dissertação que apresentamos, sob o título Palácio de Runa: História, arte e programa de musealização, tem como objetivo dar a conhecer o monumental edifício que foi construído para ser um Hospital para os Inválidos Militares de Guerra e, em simultâneo, uma área palaciana para residência da sua fundadora, a Princesa D. Maria Francisca Benedita (1746-1829), que foi, sucessivamente, infanta de Portugal (1746-1777), princesa da Beira (1777), princesa do Brasil (1777-1788) e princesa viúva do Brasil (1788-1829). Relatamos a vida e obra da fundadora que teve a generosidade de, à sua custa, fundar o Hospital, perpetuando dessa forma a memória do seu falecido marido, o Príncipe D. José, e Príncipe do Brasil (1761-1788). Iremos descrever, ainda, o contexto histórico e cultural em que decorre o reinado de D. Maria I (1734-1816), sua irmã e sogra, uma rainha que lhe aprovou e concedeu autorização imediata para a edificação deste distinto edifício. Pretendemos, também, demonstrar a vida e obra do arquiteto José da Costa e Silva (1747-1819), autor do projeto do edifício, considerado como o primeiro dos modernos arquitetos neoclássicos portugueses. Evidenciamos o enquadramento histórico da instituição, a origem e o historial da coleção do acervo museológico que se conservou no edifício, como foi constituído, bem como as suas perdas, e a fase de musealização. Relevamos o acervo museológico existente no Palácio deixado pela fundadora e que tem as seguintes categorias: escultura, pintura, ourivesaria, prataria, mobiliário, têxteis, cerâmica, cristal/vidro, instrumentos musicais e livros. Deste acervo, iremos destacar a escultura, a pintura e a prataria através da apresentação dos respetivos catálogos descritivos, que constituem o segundo capítulo do presente estudo. E, por fim, apresentamos um programa organizacional de musealização, os benefícios a ter em conta com uma alteração da estrutura orgânica da instituição, e as hipóteses de expansão no âmbito do Instituto de Ação Social das Forças Armadas, I.P., demonstrando que o mesmo é detentor de um património riquíssimo e de grande interesse histórico, artístico, cultural e turístico que precisava de ser devidamente estudado. O estudo que apresentamos vai permitir à instituição desenvolver atividades organizacionais que visem criar metodologias e competências para o funcionamento apropriado de um património museológico. Partimos da ideia de que só quando é devidamente estudado, analisado e identificado é que as obras de arte estão aptas a transmitir os seus valores e, por conseguinte, a criar um programa turístico-cultural eficaz. A grande importância artística das antigas coleções palatinas de Runa justifica plenamente esse esforço de valorização.This dissertation develops a study, under the title Palace of Runa: History, art and museum program, which aims to make known the Monumental Building that was built to be a Hospital for Military Invalids War and simultaneously a palace area for the residence of its founder, D. Maria Francisca Benedita (1746-1829), who was successively Infanta of Portugal (1746-1777), princess of Beira (1777), princess of Brazil (1777-1788) and princess widow of Brazil (1788-1829). The dissertation analyses the life and work of the foundress, who had the generosity of at her expense to found the Hospital, thus perpetuating the memory of her late husband, Prince D. José and Prince of Brazil (1761-1788). This analysis focuses also on the description of the reign of D. Maria I (1734-1816), her sister and mother-in-law, the queen, who approved and granted her immediate authorization for the edification of the distinguished building. It is also intended to demonstrate the life and work of the architect José da Costa e Silva (1747-1819), author of the building project, considered as the first of the modern Portuguese neoclassical architects. It focuses historical context of the institution and the origin of the history of the collection of the museum collection in the building, as it was created, well like your losses, and the museum phase.It highlights the museum collection existing in the Palace left by the founder and which has the following categories: sculpture, painting, goldsmithery, silverware, furniture, textiles, ceramics, glass / glass, musical instruments and books. From this collection, being point out the sculpture, painting and the silverware through its presentation of the respective catalogs described that constitute he second chapter of the present study. And final but not least, it is presented an organizational program of the museum, the benefits which have to be taken into account with a change in the institutional structure of the institution and the hypotheses of expansion within the scope of the Institute of Social Action of the Army Forces, IP, demonstrating that it is the holder of a very rich heritage and of great historical, artistic, cultural and tourist interest, that needed to be properly studied. This thesis study will allow the institution to develop organizational activities and aiming to create methodologies and competences, in order to present properly the museum heritage. As from the idea that it is only when properly studied, analyzed and identified that arts’ works are capable of transmitting their values and, therefore, creating an effective tourism-cultural program. The great artistic importance of the Runa’s old palatine collections fully justifies this effort of valorization

    O Palácio de Runa : história, arte e programa de musealização

    No full text
    O tema escolhido na dissertação que apresentamos, sob o título Palácio de Runa: História, arte e programa de musealização, tem como objetivo dar a conhecer o monumental edifício que foi construído para ser um Hospital para os Inválidos Militares de Guerra e, em simultâneo, uma área palaciana para residência da sua fundadora, a Princesa D. Maria Francisca Benedita (1746-1829), que foi, sucessivamente, infanta de Portugal (1746-1777), princesa da Beira (1777), princesa do Brasil (1777-1788) e princesa viúva do Brasil (1788-1829). Relatamos a vida e obra da fundadora que teve a generosidade de, à sua custa, fundar o Hospital, perpetuando dessa forma a memória do seu falecido marido, o Príncipe D. José, e Príncipe do Brasil (1761-1788). Iremos descrever, ainda, o contexto histórico e cultural em que decorre o reinado de D. Maria I (1734-1816), sua irmã e sogra, uma rainha que lhe aprovou e concedeu autorização imediata para a edificação deste distinto edifício. Pretendemos, também, demonstrar a vida e obra do arquiteto José da Costa e Silva (1747-1819), autor do projeto do edifício, considerado como o primeiro dos modernos arquitetos neoclássicos portugueses. Evidenciamos o enquadramento histórico da instituição, a origem e o historial da coleção do acervo museológico que se conservou no edifício, como foi constituído, bem como as suas perdas, e a fase de musealização. Relevamos o acervo museológico existente no Palácio deixado pela fundadora e que tem as seguintes categorias: escultura, pintura, ourivesaria, prataria, mobiliário, têxteis, cerâmica, cristal/vidro, instrumentos musicais e livros. Deste acervo, iremos destacar a escultura, a pintura e a prataria através da apresentação dos respetivos catálogos descritivos, que constituem o segundo capítulo do presente estudo. E, por fim, apresentamos um programa organizacional de musealização, os benefícios a ter em conta com uma alteração da estrutura orgânica da instituição, e as hipóteses de expansão no âmbito do Instituto de Ação Social das Forças Armadas, I.P., demonstrando que o mesmo é detentor de um património riquíssimo e de grande interesse histórico, artístico, cultural e turístico que precisava de ser devidamente estudado. O estudo que apresentamos vai permitir à instituição desenvolver atividades organizacionais que visem criar metodologias e competências para o funcionamento apropriado de um património museológico. Partimos da ideia de que só quando é devidamente estudado, analisado e identificado é que as obras de arte estão aptas a transmitir os seus valores e, por conseguinte, a criar um programa turístico-cultural eficaz. A grande importância artística das antigas coleções palatinas de Runa justifica plenamente esse esforço de valorização.This dissertation develops a study, under the title Palace of Runa: History, art and museum program, which aims to make known the Monumental Building that was built to be a Hospital for Military Invalids War and simultaneously a palace area for the residence of its founder, D. Maria Francisca Benedita (1746-1829), who was successively Infanta of Portugal (1746-1777), princess of Beira (1777), princess of Brazil (1777-1788) and princess widow of Brazil (1788-1829). The dissertation analyses the life and work of the foundress, who had the generosity of at her expense to found the Hospital, thus perpetuating the memory of her late husband, Prince D. José and Prince of Brazil (1761-1788). This analysis focuses also on the description of the reign of D. Maria I (1734-1816), her sister and mother-in-law, the queen, who approved and granted her immediate authorization for the edification of the distinguished building. It is also intended to demonstrate the life and work of the architect José da Costa e Silva (1747-1819), author of the building project, considered as the first of the modern Portuguese neoclassical architects. It focuses historical context of the institution and the origin of the history of the collection of the museum collection in the building, as it was created, well like your losses, and the museum phase.It highlights the museum collection existing in the Palace left by the founder and which has the following categories: sculpture, painting, goldsmithery, silverware, furniture, textiles, ceramics, glass / glass, musical instruments and books. From this collection, being point out the sculpture, painting and the silverware through its presentation of the respective catalogs described that constitute he second chapter of the present study. And final but not least, it is presented an organizational program of the museum, the benefits which have to be taken into account with a change in the institutional structure of the institution and the hypotheses of expansion within the scope of the Institute of Social Action of the Army Forces, IP, demonstrating that it is the holder of a very rich heritage and of great historical, artistic, cultural and tourist interest, that needed to be properly studied. This thesis study will allow the institution to develop organizational activities and aiming to create methodologies and competences, in order to present properly the museum heritage. As from the idea that it is only when properly studied, analyzed and identified that arts’ works are capable of transmitting their values and, therefore, creating an effective tourism-cultural program. The great artistic importance of the Runa’s old palatine collections fully justifies this effort of valorization
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