4,727 research outputs found
Na trilha do po?tico: cap?tulos sobre trag?dias e poesia na Alemanha de Heidegger
Get PDFO nono livro de Pablo Capistrano traz uma an?lise de alguns dos mais importantes textos do fil?sofo alem?o Martin Heidegger dos anos de 1930, especialmente os que tratam sobre os Hinos de H?lderlin. Mesclando elementos da hermen?utica bloomiana com aspectos da exegese filos?fica tradicional e dados hist?rico-biogr?ficos, Capistrano procura dar conta das rela??es que Heidegger estabeleceu com diversos pensadores e poetas de tradi??o ocidental, como, Hes?odo, Her?clito, Hegel e Nietzsche. Por meio de uma estrutura de cap?tulos que podem ser lidos como sequ?ncias de uma novela liter?ria, Capistrano apresenta um painel, ao mesmo tempo, amplo e aprofundado do cen?rio que permeou os embates intelectuais na Alemanha dos s?culos XVIII e XIX, a partir da transi??o da obra de Heidegger em dire??o ? poesia de H?lderlin e do abandono paulatino da compreens?o do tr?gico como elemento central da antiguidade cl?ssica e da
busca de uma interpreta??o da antiguidade grega que levasse em conta a presen?a do po?tico como definidora da experi?ncia cultural ocidental. O percurso de Heidegger em dire??o ao po?tico ? lido, deste modo, a partir de seus esfor?os em oferecer uma perspectiva alternativa ?quela constru?da pela tradi??o de estudos cl?ssicos alem?. Seguindo as veredas conceituais de Heidegger, transitando entre a literatura e a filosofia, Capistrano nos oferece n?o apenas uma exegese filos?fica acad?mica tradicional de um dos mais importantes e pol?micos fil?sofos do s?culo XX, mas tamb?m uma proposta instigante de se compreender a hist?ria da filosofia como um embate entre autores fortes, em sua busca por um lugar no c?none da tradi??o filos?fica
Iglesia de San Pablo del Monte: Tlaxcala
No full textLa construcción del templo de San Pablo del Monte se remonta al siglo XVI. En un primer momento estuvo dedicado a San Miguel Arcángel, y poco tiempo después fue brindado al apóstol San Pablo. El templo fungió como visita del convento franciscano de Puebla, junto con las poblaciones de San Miguel Tenancingo, San Francisco Papalotla y San Cosme Mazatecochco.</p
Literary reading from the short story "My friend satan", by Pablo Capistrano: a proposal for Elementary School II
No full textThis study's main objective is to present a literary reading proposal for Elementary School through the short story Meu Amigo Satanás, by the author Pablo Capistrano. Its specific objectives are: to discuss the school and its role in the democratization process of literature; to present an overview of the literacy level of Brazilians at present, in addition to differentiating alphabetization from literacy. The interest in this theme is justified by the fact that, oftentimes, students know how to decode the literary text, but are unable to infer a relationship between this text and the world, that is, with their own reality. Regarding the author Pablo Capistrano, it is worth highlighting his critical and empathetic look. The choice for the text Meu Amigo Satanás was due to the characteristics of the short story genre itself. Literary reading has a major importance as a proposal for the formation of children and teenagers, enabling them to be discerning beings in understanding their own universe and that of others, able to respect and notice the world from the register of their sensitivity and subjectivity. The school environment, although not the exclusive place of development and stimulus to the formation of these habits, as well as the improvement of literary skills, is undoubtedly the privileged space and certainly the bearer of this mission, to which the entire school community must join. The methodology chosen for this discussion was a bibliographic review, based mainly on Freire (2008), Barthes (2002), Souza (2022), Cosson (2014), among others.O trabalho possui como objetivo geral apresentar uma proposta de leitura literária a partir do conto “Meu Amigo Satanás”, do autor Pablo Capistrano para o Ensino Fundamental II. Apresenta como objetivos específicos: discutir sobre a escola e seu papel no processo de democratização da literatura; apresentar um panorama do nível de alfabetização do brasileiro na atualidade, além de diferenciar alfabetização e letramento. O interesse por essa temática se justifica pelo fato de que, muitas vezes, um aluno sabe decodificar o texto literário, mas não consegue inferir uma relação desse texto com o mundo, ou seja, com sua própria realidade. Sobre o escritor Pablo Capistrano, destaca-se o seu olhar crítico e empático. A escolha pelo texto “Meu Amigo Satanás", se deu pelas próprias características do gênero conto. A leitura literária possui grande importância enquanto proposta para a formação de crianças e adolescentes, possibilitando seres perspicazes no entendimento do seu universo e do outro, capazes de respeitar e perceber o mundo a partir do registro de sua sensibilidade e subjetividade. O ambiente escolar, embora não seja o local exclusivo de desenvolvimento e estímulo à formação desses hábitos, bem como do incremento de competências literárias, é sem dúvidas, o espaço privilegiado e certamente portador dessa missão, à qual precisa se juntar toda a comunidade escolar. A metodologia escolhida para a discussão, foi a revisão bibliográfica, na qual, os principais autores utilizados foram Freire (2008), Barthes (2002), Souza (2022), Cosson (2014), entre outros. Dado o exposto, esperamos, com esse trabalho, contribuir, de forma significativa para a produção acadêmica sobre o tema, além de despertar em educadores a importância de potencializar práticas e propostas de leituras literárias, preferencialmente, as norte-rio grandenses, como ferramentas de estimular o leitor e dar ainda mais sentido ao ofício mediador do docente
Order Plecoptera
No full textPlecoptera is a small neopteran order that probablyemerged in the Upper Carboniferous (Grimaldi & Engel,2005; Bethoux et al., 2011). The order is distributed acrossall continents except Antarctica and has about 4,000species in 16 families (Fochetti & Tierno-de-Figueroa,2008). In the Neotropical region, there are 542 describedspecies (DeWalt et al., 2017) distributed in 6 families and48 endemic genera (except for Anacroneuria which is alsoreported in the Nearctic Region; Stark et al., 2009; Vera,2009; McCulloch et al., 2016). Adults are weak flyers andare found in riparian vegetation, typically at high elevations(up to 3,800e4,200 m) (Roback, 1980). However, theyalso occur at low elevations <100 m (e.g., Anacroneuriasp., Avelino-Capistrano, 2014) and even at sea level(Klapopteryx kuscheli IlliesdPessacq, pers. obs.). Theycan be easily found on substrates such as rocks, bryophytes,and litter in low-orders rivers with clean and flowingwater. Most Plecoptera nymphs are very sensitive toenvironmental pollution (exceptions include Anacroneuria;Avelino-Capistrano, 2014) and are often used in freshwatermonitoring programs (Callisto et al., 2001; Buss et al.,2002). However, much of those studies are based onfamily-level analyses (e.g., Junqueira & Campos, 1998;Miserendino & Pizzolo´n, 1999), in part because of the highdiversity and lack of adequate keys to identify stoneflies atlower taxonomic levels. Some authors have associatednymphs with adults by rearing methods (e.g., Ribeiro,2004; Ribeiro & Raphael, 2005; Pessacq & Omad, 2012),although in recent years, molecular tools have been successfullyused for this purpose (e.g., Mynott et al., 2011;Tierno-de-Figueroa et al., 2011; Avelino-Capistrano et al.,2014, 2015). Keys to Neotropical nymphs have beendeveloped by many authors (e.g., Benedetto, 1974;Romero, 2001), although the keys of Stark et al. (2009) arethe most comprehensive. This chapter is based in part onthis last work, with the addition of photographs, drawings,and the recently described genus Pehuenioperla (Vera, 2009).Fil: Avelino Capistrano, Fernanda. Universidade Federal do Rio de Janeiro; BrasilFil: Pessacq, Pablo. Consejo Nacional de Investigaciones Científicas y Técnicas. Centro Científico Tecnológico Conicet - Patagonia Norte. Centro de Investigación Esquel de Montaña y Estepa Patagóica. Universidad Nacional de la Patagonia "San Juan Bosco". Facultad de Ciencias Naturales - Sede Esquel. Centro de Investigación Esquel de Montaña y Estepa Patagónica; ArgentinaFil: Silva Barbosa, Leandro. Universidade Federal do Rio de Janeiro; Brasi
Portrait of Dolores Yorba and Pablo Pryor in San Juan Capistrano, ca.1860
No full textPhotograph of a portrait of Dolores Yorba and Pablo Pryor in San Juan Capistrano, ca.1860. Yorba is standing at left and has his left hand in his pocket as he holds his hat with his other hand. He is wearing a long gray coat, plaid pants, and a dark vest. He has short dark hair and a long mustache and goatee. He was the son of Jose Antonio Yorba, III. Pryor is standing at right and is holding a hat at right with his other hand in his coat. He is wearing a long gray coat and black pants. He has short dark hair and is considerably taller than his compatriot. He was the son of Miguel Pryor and a Sepulveda from Palos Verdes
Palabra de Pablo: 100 años después
No full text[ES] Documento que constituye una selección de textos sobre Pablo de la Torriente Brau, con ocasión del centenario de su nacimiento, recopilados por Víctor Casaus. En ella, se recorre, además, la vida del autor a través de los textos que le dedicaran los escritores cubanos desde su fallecimiento hasta nuestros días.[EN] Document that constitutes a selection of texts on Pablo de la Torriente Brau, on the occasion of the centenary of his birth, compiled by Víctor Casaus. In it, the life of the author is crossed, in addition, across the texts that him the Cuban writers were dedicating from his death to the present day
Neoliberalismo: críticas y resistencias. Entrevista a Juan Pablo Rodríguez
Get PDFLa siguiente entrevista aborda algunas de las principales motivaciones, ideas y conclusiones que dan forma a la investigación contenida en el libro Resisting neoliberal capitalism in Chile: the possibility of social critique (2020) de Juan Pablo Rodríguez. Se aborda, en primer lugar, su examen de distintas teorías críticas del neoliberalismo contemporáneo; a continuación, su análisis de las prácticas de crítica situada que llevan a cabo los movimientos sociales en Chile, en especial a partir de los casos del movimiento estudiantil y el movimiento de pobladores.
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In this interview with Juan Pablo Rodríguez, author of Resisting neoliberal capitalism in Chile: the possibility of social critique (2020), we address the main ideas and motivations behind the book and the research on which the book is based. We first explore the analysis the author makes of different theoretical critiques of contemporary neoliberal capitalism, and then we talk about the practices of embodied critiques carried out by social movements in Chile, focusing on the cases of the student and the pobladores movements
Pablo Parellada, fustigador del Modernismo
Get PDFabstract: ABSTRACT This research aims to investigate the work and impact of the prolific and popular Pablo Parellada y Molas. Although the author is now forgotten, he is an important figure regarding the struggles between Modernist writers and their critics. Pablo Parellada was one the key detractors of literary Modernism, a movement which he attacked through his parodies as evinced in his poetry, drama and short stories. His works contain the main pejorative features that would become the standard critique of these young poets of Spain in the early 1900's. Through the work of Pablo Parellada, this study seeks to understand the literary debates of Modernism in Spain that took place in the early twentieth century. Through this understanding, this study becomes important for it reveals the many personal characteristics that were attributed to the young Modernist poets. Some of these characteristics continued to be used by literary critics and as well became part of the collective imagination at the time and were still circulating several decades later.Dissertation/ThesisM.A. Spanish 201
Fotografía de Pablo Bielli
Get PDF“Innominate, unnamed, autonomous entities wondering around. From the deepest silence I find lost, starving gazes; biting looks, others that are absent. Anonymity... Some looks scream for others, even for mine... The characters that appear in this gallery of faces have caught me in some way; some are friends, or were. I have never met some of the others. However, they are all a part of me. This collection of intervened portraits is a humble homage to all anonymous beings in their purest essence. In this way, Pablo Bielli (Montevideo, 1969) introduces this series of photographs for dixit. This selection is part of the “Innominate” project, which he began in 2010, and continues developing it in different stages called albums. The author started his career in photography in 1987. He worked for several national and international media --diario El Obervador, Revista Posdata, Diario Clarín, América Economía, Editorial AVER, Revista Bla, Revista Cava Privada. Since 1998 he is a freelance photographer in the fields of advertising, editorials and international news agencies. For six years, he gave Lighting Workshop lessons at Foto Club Uruguayo. He was a founding member of Simbad Foto producciones (advertising photography) and of Fototeca Sur (archive and contents).“Sin nómina, innominados, entes autónomos deambulando. Desde el silencio más profundo encuentro miradas perdidas, hambrientas; miradas que cortan, otras ausentes. Anonimato... algunas miradas llaman a gritos a otras, incluso a la mía”. [...] “Los personajes que aparecen en esta galería de rostros me atraparon de alguna manera; algunos fueron o son amigos. A otros jamás los conocí. Y sin embrago todos son parte de mí. Este conjunto de retratos intervenidos es un humilde homenaje a todos los seres anónimos en su más pura esencia”. Así presenta Pablo Bielli (Montevideo, 1969) esta serie de fotografías para dixit. La selección forma parte del proyecto anónimos, que comenzó en 2010 y lo viene desarrollando en diferentes etapas llamadas álbumes. El autor se inició en la fotografía en 1987. Trabajó para varios medios nacionales e internacionales –diario El Observador, revista Posdata, diario Clarín, América Economía, editorial AVER, revista Bla, revista Cava Privada). Desde 1998 se desempeña como fotógrafo independiente para publicidad, editoriales y agencias internacionales de noticias. Durante seis años ejerció la docencia en Iluminación en el Foto Club Uruguayo. Fue socio fundador de Simbad Foto producciones (fotografía publicitaria) y de Fototeca Sur (archivo y contenidos). [email protected]
Fotografía de Pablo Bielli
No full text“Innominate, unnamed, autonomous entities wondering around. From the deepest silence I find lost, starving gazes; biting looks, others that are absent. Anonymity... Some looks scream for others, even for mine... The characters that appear in this gallery of faces have caught me in some way; some are friends, or were. I have never met some of the others. However, they are all a part of me. This collection of intervened portraits is a humble homage to all anonymous beings in their purest essence. In this way, Pablo Bielli (Montevideo, 1969) introduces this series of photographs for dixit. This selection is part of the “Innominate” project, which he began in 2010, and continues developing it in different stages called albums. The author started his career in photography in 1987. He worked for several national and international media --diario El Obervador, Revista Posdata, Diario Clarín, América Economía, Editorial AVER, Revista Bla, Revista Cava Privada. Since 1998 he is a freelance photographer in the fields of advertising, editorials and international news agencies. For six years, he gave Lighting Workshop lessons at Foto Club Uruguayo. He was a founding member of Simbad Foto producciones (advertising photography) and of Fototeca Sur (archive and contents).“Sin nómina, innominados, entes autónomos deambulando. Desde el silencio más profundo encuentro miradas perdidas, hambrientas; miradas que cortan, otras ausentes. Anonimato... algunas miradas llaman a gritos a otras, incluso a la mía”. [...] “Los personajes que aparecen en esta galería de rostros me atraparon de alguna manera; algunos fueron o son amigos. A otros jamás los conocí. Y sin embrago todos son parte de mí. Este conjunto de retratos intervenidos es un humilde homenaje a todos los seres anónimos en su más pura esencia”. Así presenta Pablo Bielli (Montevideo, 1969) esta serie de fotografías para dixit. La selección forma parte del proyecto anónimos, que comenzó en 2010 y lo viene desarrollando en diferentes etapas llamadas álbumes. El autor se inició en la fotografía en 1987. Trabajó para varios medios nacionales e internacionales –diario El Observador, revista Posdata, diario Clarín, América Economía, editorial AVER, revista Bla, revista Cava Privada). Desde 1998 se desempeña como fotógrafo independiente para publicidad, editoriales y agencias internacionales de noticias. Durante seis años ejerció la docencia en Iluminación en el Foto Club Uruguayo. Fue socio fundador de Simbad Foto producciones (fotografía publicitaria) y de Fototeca Sur (archivo y contenidos). [email protected]
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