715 research outputs found
Data for: Just before sewing needles. A functional hypothesis for Gravettian Noailles-type burins from Isturitz cave (Basque Country, southwestern France)
No full textResearch data files form the paper "Just before sewing needles. A functional hypothesis for Gravettian Noailles-type burins from Isturitz cave (Basque Country, southwestern France)"
Francesc Gusi i Jener (1942-2012): in memoriam
No full textHomenaje a Georges Laplace, realizado en Vitoria-Gasteiz el 13,14 y 15 de noviembre de 2012. Edición a cargo de Aitor Calvo, Aitor Sánchez, Maite García-Rojas y Mónica Alonso-Eguíluz.Facultad de Letras de la UPV/EH
Francesc Gusi i Jener (1942-2012): in memoriam
No full textHomenaje a Georges Laplace, realizado en Vitoria-Gasteiz el 13,14 y 15 de noviembre de 2012. Edición a cargo de Aitor Calvo, Aitor Sánchez, Maite García-Rojas y Mónica Alonso-Eguíluz.Facultad de Letras de la UPV/EH
HAYVAN ÖZGÜRLEŞMESİ İÇİN FOTOĞRAF: AITOR GARMENDIA FOTOĞRAFINDA TOPLUMSAL BELGECİ GELENEĞİN İZLERİ
No full textAitor Garmendia fotoğraf makinesini, üzerine eğildiği sorunun çözümü için araç olarakkullanmaktadır. Fotoğrafçı, “Tras los Muros“ adlı çalışmasıyla, mezbahalar ve hayvan çiftliklerigibi hayvan sömürüsü üzerine kurulu işletme ve sektörlerde, duvarların ardında yaşananlarıinsanlara iletmektedir. Garmendia çalışmasını hayvan özgürlüğü için kişisel bir fotoğraf projesiolarak değerlendirirken, özellikle 1970’li yıllardan itibaren yükselişe geçen hayvan haklarıhareketinin köşe taşlarından biri olan, “Hayvan Özgürleşmesi” kitabının yazarı Peter Singer’a atıftabulunmaktadır. Singer, insan ve hayvan arasındaki çatışmayı, hayvan sömürüsü ekseninde elealırken bu ilişki biçimini türcülük kavramı üzerinden anlamlandırmıştır. Garmendia da, makinesiniyönlendirdiği konuya ilişkin düşünsel temellerini, hayvan sömürüsü ve türcülük karşıtlığındanalmaktadır. Bu kapsamda Garmendia, politik olarak da kendisini konumlandırdığı hayvan hakları vevegan kimliğine ilişkin söylemin sürdürülmesinde fotoğrafın önemli bir silah olduğunu belirtmeklebirlikte, hazırlamış olduğu rapor ve analizlerle hayvan haklarına ilişkin ihlalleri ortaya koymaktadır.Garmendia’nın çalışmasında düşünsel temellerini ve odaklandığı sorunları belirleyen çerçeve,hayvan sömürüsü ve türcülüktür. Diğer taraftan yöntem olarak bakıldığında Garmendia’nınçalışmasını ortaya koyma biçimi, fotoğrafın toplumsal bir rol üstlendiği ve sorunlara ışık tutarakonlara ilişkin çözüm aramaya yönelik çabayı da gerektiren, Toplumsal Belgeci yaklaşıma dahiledilebilir. Bu doğrultuda çalışmamızda; Aitor Garmendia’nın hayvan sömürüsüne ilişkin düşünseltemelleri Peter Singer ve türcülük kavramı kapsamında ele alınacaktır. Ardından Toplumsal Belgecifotoğraf yaklaşımının tarihsel temelleri ve bu temeller üzerine kurulu olan geleneği çerçevesindeortaya konulmuş olan örneklerle karşılaştırılarak Garmendia’nın çalışmalarında Toplumsal Belgeciyaklaşımın izleri sürülecektir. Aitor Garmendia uses the camera as a tool to solve the problem he is concerned about. With hiswork titled "Tras los Muros" the photographer conveys what happened behind the walls inbusinesses and sectors based on animal exploitation, such as slaughterhouses and animal farms.Garmendia describes his work as a personal photographic project for animal freedom. He especiallyrefers to Peter Singer, the author of the book "Animal Liberation", one of the cornerstones of theanimal rights movement's rise since the 1970s. Singer deals with the conflict between humans andanimals in the axis of animal exploitation and interprets this form of relationship through theconcept of speciesism. Garmendia's intellectual foundations on the subject he guided his cameraderive from animal exploitation and anti-speciesism. In this context, Garmendia states thatphotography is an essential weapon in maintaining the discourse on animal rights and veganidentity in which he positioned himself politically. He also reveals animal rights violations with thereports and analyses he has prepared.The framework that determines the intellectual foundations and the problems Garmendia focuses onis animal exploitation and speciesism. On the other hand, when viewed as a method, Garmendia'sway of presenting his work can be included in the Social Documentarist approach, wherephotography assumes a social role and requires efforts to seek solutions for them by making themvisible. In this direction, in our work, the intellectual foundations of Aitor Garmendia on animalexploitation will be discussed within Peter Singer's scope and speciesism concept. Then, the tracesof the Social Documentary approach will be traced in the works of Garmendia by comparing themwith the historical foundations of the Social Documentary photography approach and the examplesput forward within the framework of its tradition based on these foundations. </div
Capital Flows, Push versus Pull Factors and the Global Financial Crisis
No full textThe causes of the 2008 collapse and subsequent surge in global capital flows remain an open and highly controversial issue. Employing a factor model coupled with a dataset of high-frequency portfolio capital flows to 50 economies, the paper finds that common shocks – key crisis events as well as changes to global liquidity and risk – have exerted a large effect on capital flows both in the crisis and in the recovery. However, these effects have been highly heterogeneous across countries, with a large part of this heterogeneity being explained by differences in the quality of domestic institutions, country risk and the strength of domestic macroeconomic fundamentals. Comparing and quantifying these effects shows that common factors (“push” factors) were overall the main drivers of capital flows during the crisis, while country-specific determinants (“pull” factors) have been dominant in accounting for the dynamics of global capital flows in 2009 and 2010, in particular for emerging markets.
Forest expansion in mountain protected areas: Trends and consequences for the landscape
No full textMountain regions in Western Europe have gone through a massive rural urban migration and the collapse of their traditional socioeconomic system. As a result, forest has occupied many old pastures and croplands. In protected areas such as National Parks changes in the landscape can affect biodiversity and other services, including the values that motivated their declaration. Any policy decision in these areas requires quantifying the extent and impact of land-cover changes and their consequences on landscape structure and functioning. In this study we analyze the patterns of change in forest cover during six decades in three mountain National Parks in Spain. Our aim is to quantify those patterns, their effects on the landscape, and discuss the potential consequences for the main natural values and services. We assessed changes in forest cover through reclassification of aerial ortophotographs taken in 1956 57 (past images) and 2016 17 (recent images). The three Parks show a relatively low change in total forest area (+5 10%), and a much larger increase in dense forest (+20 30%), with an important effect of land-use legacies, and similar patterns of landscape homogenization. There were fewer but larger forest patches in 2016 than in 1956, and most of the gain in dense forest occurred in core areas (+20%), while transition areas such as edges, bridges or loops decreased between 30 and 55%. Given their potential consequences on biodiversity and other services, these patterns of land-cover change and landscape configuration should be explicitly considered when designing the sustainable management of abandoned landscapes in protected areas. © 2021 The Author(s)This work was supported by the Spanish National Parks Autonomous Agency (OAPN) through the research grant GESCLIMFOR (979S/2013), and by the Ministry of Science through the project VULBIMON (CGL2017-90040-R) and a Juan de la Cierva contract to Aitor Ameztegui (IJCI-2016-30049)
El martillo de las malas. La criminalización secundaria de las mujeres desde la abogacía feminista
No full text[ES]El objetivo principal de esta tesis, por tanto, es profundizar en el conocimiento de los procesos de selectividad penal, con un enfoque exploratorio que permita ofrecer una nueva perspectiva en el estudio de la criminalización secundaria de las mujeres. Se trata de un tema que ha sido previamente investigado por la literatura, pero que aún no ha sido abordado de la forma propuesta en esta investigación. No obstante, es importante señalar que, aunque la investigación cualitativa no tiene un afán generalizador, se considera necesario ampliar la muestra en futuros trabajos para incluir un mayor número de testimonios de abogadas feministas, logrando con ello una comprensión más amplia del fenómeno. En cualquier caso, las nueve abogadas feministas que han participado en la investigación han proporcionado información de gran valor y calidad, la cual ha permitido sentar las bases de algunas conclusiones preliminares en relación a los procesos de criminalización secundaria de las mujeres. Estas conclusiones, sin duda, suponen un avance significativo en el estudio de este tema, y abren nuevas vías de investigación para continuar profundizando en su análisis
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