80 research outputs found
MORGANA DESPIERTA NUESTRA CONCIENCIA
Full text linkThe Galician writer Begoña Caamaño in her book Morgana en Esmelle analyzes the theme of sorority, a term not yet accepted by the Real Academia Española, or female twinning or solidarity among women. Through her female character, punished for almost all of the history, the author seeks the change we should make in order to finished with the patriarchal system and give way to brotherhood among men and women. We can find the feeling of guilt in all the characters, so that repentance, punishment and remorse accompany them during their journey of initiation. The voice of the author is simultaneously a pessimistic and encouraging voice that Morgana uses to point out the social traditionalism anchored in some old and obsolete archetypes.La escritora gallega Begoña Caamaño en su libro Morgana en Esmelle analiza el tema de la sororidad, un término aún no aceptado por la Real Academia Española, o hermanamiento femenino o de solidaridad entre mujeres. A través de este personaje femenino tan castigado durante casi toda su historia, busca el cambio que debemos realizar para conseguir que el sistema patriarcal acabe sus días y dé paso a la hermandad entre hombres y mujeres. Asimismo, planea por la obra un sentimiento de culpabilidad en todos los personajes, de tal manera que el arrepentimiento, el castigo y el remordimiento los acompañan durante su viaje de iniciación. Cabe agregar la voz de la autora, una voz pesimista y alentadora simultáneamente, que se sirve de Morgana para señalar el costumbrismo social anclado en unos arquetipos antiguos y obsoletos.AbstractThe Galician writer Begoña Caamaño in her book Morgana en Esmelle analyzes the theme of sorority, a term not yet accepted by the Real Academia Española, or female twinning or solidarity among women. Through her female character, punished for almost all of the history, the author seeks the change we should make in order to finished with the patriarchal system and give way to brotherhood among men and women. We can find the feeling of guilt in all the characters, so that repentance, punishment and remorse accompany them during their journey of initiation. The voice of the author is simultaneously a pessimistic and encouraging voice that Morgana uses to point out the social traditionalism anchored in some old and obsolete archetypes
Morgana Wakes Up Our Consciousness
Full text linkLa escritora gallega Begoña Caamaño en su libro Morgana en Esmelle analiza el tema de la sororidad, un término aún no aceptado por la Real Academia Española, o hermanamiento femenino o de solidaridad entre mujeres. A través de este personaje femenino tan castigado durante casi toda su historia, busca el cambio que debemos realizar para conseguir que el sistema patriarcal acabe sus días y dé paso a la hermandad entre hombres y mujeres. Asimismo, plantea por la obra un sentimiento de culpabilidad en todos los personajes, de tal manera que el arrepentimiento, el castigo y el remordimiento los acompañan durante su viaje de iniciación. Cabe agregar la voz de la autora, una voz pesimista y alentadora simultáneamente, que se sirve de Morgana para señalar el costumbrismo social anclado en unos arquetipos antiguos y obsoletosThe Galician writer Begoña Caamaño in her book Morgana en Esmelle analyzes the theme of sorority, a term not yet accepted by the Real Academia Española, or female twinning or solidarity among women. Through her female character, punished for almost all of the history, the author seeks the change we should make in order to finished with the patriarchal system and give way to brotherhood among men and women. We can find the feeling of guilt in all the characters, so that repetance, punishment and remorse accompany them during their journey of initation. The voice that Morgana uses to point out the social traditionalism anchored in some old and obsolete archetype
D. Gerlach, Reading and spelling difficulties in the ELT classroom, “ELT Journal”, 71, 2017, 3, pp. 295–304
No full textStudents who have difficulties in reading and spelling in their own language usually face the same difficulties in learning a second language. The paper aims at identify those challenges and shows possible useful solutions to address these issues in the ELT classroom. Starting with a focus on relevant studies on reading and spelling difficulties (RSD) in English language teaching contexts, the author provides examples of methods of identifying the main RSD. Following on this, the second part of the article presents practical strategies for the English language teacher: building a vocabulary based on frequency, using multisensory approaches, considering L1 interference etc. The paper provides teachers and educators with useful hints and recommendations to overcome RSD in second language teaching
Morgana e la dimora di Fortuna: un personaggio e un luogo dell''Inamoramento de Orlando'
No full textMorgana, la fata più celebre del mondo arturiano, assume nel poema di Boiardo il ruolo di Fortuna. Tale identificazione permette all'autore di riflettere, negli episodi in cui compare, su alcuni temi cardine dell'età medievale e rinascimentale, come il rapporto tra l'uomo e le ricchezze o il contrasto tra Virtù e Fortuna. Obiettivo del saggio è ricostruire la figura di Morgana nell' Inamoramento de Orlando ; particolare attenzione sarà dedicata alla celebre avventura del cavaliere nel regno della fata. E proprio dall'esame del suo «nuovo mondo» prenderà avvio l'analisi. Morgana, the most acclaimed fairy queen in the Arthurian tradition, assumes the role of Fortune in Boiardo's epic poem. Identifying her as such enables the author to use the episodes in which she appears as an opportunity to reflect on various key themes in the medieval and Renaissance periods, e.g. the relation between man and his possessions or the contrast between Fortune and Virtue. The aim of this essay is to reconstruct the figure of Morgana in Inamoramento de Orlando, dedicating particular attention to the knight's. well-known adventure within the realm of the fairy queen, and it is from an examination of this 'new world' that the analysis begins
MORGANA, LA HERMANASTRA MALVADA / MALTRATADA DE ARTURO
Full text linkThe English writer Rosalind Miles in her book Geneva, the first book of the trilogy of the Arthurian saga together with Lanzarote, the knight of the Sacred Lake and Galahad, the son of the Holy Grail, proposes to analyze the role of Morgana
and Geneva and the dichotomy that occurs between the pagan traditions defended by both against the expansion of Christianity represented by Arthur and Merlin. A large part of the Arthurian matter novels emphasize the androgynous vision of society. However, the author, through the trilogy, exposes a totally different version of the role of the female characters. The women who show us the works, specifically the one that concerns us, are strong, independent and not subject to the designs of man and through her Rosalind Miles will provide us with a new feminine perspective of the Arthurian myth.La escritora inglesa Rosalind Miles en su libro Ginebra, el primer libro de la trilogía de la saga artúrica junto con Lanzarote, el caballero del Lago Sagrado y Galahad, el hijo del Santo Grial, plantea analizar el papel de Morgana y de Ginebra y la dicotomía que se presenta entre las tradiciones paganas defendidas por ambas frente a la expansión del cristianismo representado por Arturo y Merlín. Una gran parte de las novelas de la materia artúrica ponen de relieve la visión andrógina de la sociedad. Sin embargo, la autora, mediante la trilogía, expone una versión totalmente diferente del papel de los personajes femeninos. Las mujeres que nos muestran las obras, concretamente la que nos ocupa, son fuertes, independientes y no sometidas a las designios del hombre y a través de ella Rosalind Miles nos proporcionará una nueva perspectiva femenina del mito artúrico.
Abstract
The English writer Rosalind Miles in her book Geneva, the first book of the trilogy of the Arthurian saga together with Lanzarote, the knight of the Sacred Lake and Galahad, the son of the Holy Grail, proposes to analyze the role of Morgana and Geneva and the dichotomy that arises between the pagan traditions defended by both against the expansion of Christianity represented by Arthur and Merlin. A large part of the Arthurian matter novels emphasize the androgynous vision of society. However, the author, through the trilogy, exposes a totally different version of the role of the female characters. The women who show us the works, specifically the one that concerns us, are strong, independent and not subject to the designs of man and through her Rosalind Miles will provide us with a new feminine perspective of the Arthurian myth
SCRITTURE DI “NUOVI ITALIANI”
Full text linkLe migrazioni di questi ultimi decenni hanno cambiato cultura, lingua e immaginario del Paese. Voci e gesti nuovi portano un contributo alla scrittura e alla letteratura italiana che è bene scoprire più nel dettaglio.È quanto si propone la giornata di studio organizzata dal dipartimento di Studi filologici, letterari, linguistici e dal Calcif, il nostro Centro per la promozione della lingua e della cultura italiana “G. e C. Feltrinelli” di cui qui si pubblicano gli atti.Giuliana Nuvoli, Silvia Morgana e Gabriella Cartago, curatrici dell\u27evento, propongono un viaggio tra le parole di scrittori e poeti provenienti da vari Continenti. In programma interventi degli scrittori di origine senegalese Pap Khouma e Cheikh Gaye, dell\u27attore e regista uruguaiano Milton Fernandez, della musicista colombiana Luz Amparo Osorio, del poeta rumeno Viorel Boldis, della scrittrice nigeriana Isoke Aikpitanyi. Gli intermezzi musicali di Rossella Bellantuono, voce solista, e del chitarrista Marco Velluto reinterpretano temi e suggestioni degli interventi. “New italian” writers The migrations of the past few decades have changed the culture, language and imagery of Italy. It is a good idea to explore the voices and gestures that bring a new contribution to Italian writing and literature in greater depth. This is the purpose of the study day organized by the Department of Philological, Literary and Linguistic Studies and Calcif, the “G. e C. Feltrinelli” center for the promotion of Italian language and culture. This issue publishes the acts.Giuliana Nuvoli, Silvia Morgana and Gabriella Cartago, organizers of the event, proposed a journey through the words of writers and poets from various Continents. The program included contributions by two writers of Senegalese origin Pap Khouma and Cheikh Gaye, the Uruguayan actor and film director Milton Fernandez, the Colombian musician Luz Amparo Osorio, the Romanian poet Viorel Boldis and the Nigerian author Isoke Aikpitanyi. The musical interludes featured Rossella Bellantuono, soloist, and the guitarist Marco Velluto, who reinterpreted the themes and ideas of the speaker
Occhi pieni e mani vaganti. Movimenti, emozioni, astrazioni.
No full textFilippo FIMIANI, Occhi pieni e mani vaganti. Movimenti, emozioni, astrazioni, «Fata Morgana», 12/2010, pp. 147-164. ISSN 1970-5786.
ITALIANO. Una piccola sequenza da un episodio della serie televisiva Mad Men in cui la relazione sensoriale emozionale tra lo spettatore e un corpo in movimento, precisamente un corpo danzante, è l’oggetto di questo articolo, che intende così verificare la cosiddetta naturalizzazione della fenomenologia e del corpo vissuto operata dalle scienze cognitive applicate agli studi visuali. L’autore mostra anche i rapporti tra la cosiddetta simulazione incarnata e una memoria simbolica e iconografica profonda, e discute in particolare la polarità tra proiezione e introiezione, attività e passività nell’esperienza empatica delle immagini in movimento.A short filmic example from the AMC's award-winning series Mad Men in which the sensorial and emotional relationship between the spectator and a moving body, i.e., a dancing body, is explicitly put into play. The essay wants to deal with the so called naturalization of phenomenology and of the living body, trained by the cognitive sciences reading the visuality. The author shows the relationship between the so called ‘embodied Simulation’ and a symbolic and iconographic deep memory of the pictures, and he gives an in-depth attention to the polarity between projections and introjections, activity and passivity of the spectator’s body during the empathic experience of the moving pictures
Porta, o la passione teatrale
No full textL'attività teatrale di Carlo Porta è spesso considerata frutto episodico di una personalità eclettica, ma pur sempre dedita principalmente alla poesia. Fra i biografi e gli studiosi che si sono occupati di Porta, non molti si sono soffermati sull'assiduo lavoro condotto dall'autore per le scene e sulla attività di attore da lui svolta presso il Teatro Patriottico. La lettura degli abbozzi teatrali e della comitragedia Giovanni Maria Visconti duca di Milano, scritta a quattro mani con Tommaso Grossi, ci offrono la possibilità di ricostruire più da vicino un momento significativo della vita teatrale milanese nei primi due decenni dell’Ottocento.Carlo Porta’s theatrical activity is often considered the occasional creation of an eclectic personality mainly devoted to poetry. Among the biographers and scholars who have dealt with Porta, not many have focused on the assiduous work carried out by the author for the scenes and on his acting activity at the “Teatro Patriottico”. The reading of his theatrical sketches and of the tragicomedy Giovanni Maria Visconti duca di Milano, written jointly with Tommaso Grossi, offer us the opportunity to reconstruct more closely a significant moment of the Milanese theatrical life in the first two decades of the nineteenth century
The Fata Morgana in the Loosemeat Sandwich
No full textThe article offers the author\u27s insights regarding the loosemeat sandwich. The author states that the loosemeat sandwich was created by Abe Kaled at the Ye Olde Tavern in Sioux City, Iowa in 1934. He says that the loosemeat sandwich is being argued on whether it is more or less evolved than the hamburger. He relates that the loosemeat sandwich starts its life closer to being chewed and swallowed as compared to the hamburger
Legendary literature in League of the Iroquoisby Lewis H. Morgan. A cause for discourse
No full textArtykuł jest próbą analizy terminu legendary literature pojawiającego się w League of the Ho-de’-no-sau-nee or Iroquois Lewisa Henry’ego Morgana. Autorka rozważa poszczególne elementy tworzące legendarną literaturę: bajki (fables), legendy (legends) i przekazy historyczne (historical traditions) oraz ich znaczenie dla funkcjonowania kultury irokeskiej według Morgana. Otrzymany w wyniku analizy schemat obrazuje wzajemne położenie wobec siebie tych elementów oraz ich funkcję w wyobrażeniach Irokezów.This article attempts to analyse the therm legendary literature which appears in Lewis Henry Morgan’s League of the Ho-de’-no-sau-nee or Iroquois. Author considers individual elements forming the legendary literature: fables, legends and historical traditions and their meaning for operation of the Iroquois culture according to Morgan. The scheme obtained as result of the analysis illustrates the mutual position of those elements towards each other and their function in the Iroquois imagery
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