277 research outputs found
TURLINGTON, Edgard
No full textA book by Edgard Turlington. Said book is entitled "México y sus acreedores extranjeros", in which the author analyzes the National Debt problem from the Independence time to 1929. This work was translated and dedicated to Gen. Plutarco Elías Calles by Genaro V. Vásquez in 1932 (See library) / Obra de Edgard Turlington intitulada "México y sus acreedores extranjeros" en la que analiza el problema de la deuda externa desde la Independencia hasta 1929. Fue traducida y dedicada al Gral. PEC por Genaro V. Vásquez en 1932 (Ver Biblioteca)
Sources for an intellectual biography of Edgard Cavalheiro (1911-1958).
No full textEsta dissertação apresenta o resultado da pesquisa que buscou realizar o levantamento exaustivo de documentação vinculada à trajetória intelectual do escritor paulista Edgard Cavalheiro (1911-1958), autor de Monteiro Lobato: vida e obra (1955) e criador do prêmio literário Jabuti. O escritor deixou uma ampla produção bibliográfica, composta de livros, traduções, separatas e de artigos dispersos em periódicos. Buscou-se também reunir a correspondência ativa e passiva do autor e elencar manuscritos conservados em seu arquivo, sob a guarda de herdeiros. Tendo Edgard Cavalheiro se notabilizado pela produção de biografias, a dissertação congrega uma seleta de seus artigos e textos em livro problematizando o assunto.This dissertation presents the result of an exhaustive search for documents attached to the intellectual trajectory of Edgard Cavalheiro (1911-1958), brazilian writer who published Monteiro Lobato: vida e obra (1955) and created the Jabuti literary prize. Edgard Cavalheiro left an extensive bibliographic production in books, separate offprints and spread periodic articles. It was tried, too, to reunite author\'s active and passive correspondence and to index preserved manuscripts in his archive, guarded by his inheritors. Having Edgard Cavalheiro a remarkable biographic production, the dissertation brings an assembly of his thinking production about the theme
The First Republic: the idea of revolution in the work of Edgard Carone (1964-1985)
No full textO presente trabalho apresenta a análise da obra do historiador Edgard Carone sobre a república brasileira. Parte-se do principio de que o autor concebeu, ao longo de sua formação intelectual, um projeto sistemático e coeso de estudo sobre o período, através do qual foram publicados 10 livros, entre os anos de 1969 a 1985. Estes conformaram uma análise pioneira da história republicana, selecionando os processos políticos que permitissem delimitar a existência de momentos distintos no regime, suas rupturas e continuidades. As publicações de Edgard Carone formaram uma série de livros publicada na coleção Corpo e Alma do Brasil, da editora Difusão Europeia do Livro (DIFEL). Dentro dela, investigou-se como o autor constrói a história deste período a partir da ideia de revolução, mais especificamente, nos livros que se referem à chamada Primeira República, que vai de 1889 a 1930. Tema recorrente na produção intelectual brasileira, a concepção de revolução será discutida no trabalho a partir das referências construídas pelo autor em sua formação e junto aos debates historiográficos que lhe são contemporâneos.This study presents the analysis of the historian Edgard Carone\'s work on the Brazilian republic. It starts from the principle that the author has conceived over their intellectual training, a systematic and cohesive study project of the period through which 10 books were published between the years 1969 to 1985. These books conformed a pioneering analysis of the Republican history, selecting the political processes that could allow to define the existence of different times in the regime, their ruptures and continuities. The publications of the historian Edgard Carone formed a series of books published in the collection \"Corpo e Alma do Brasil\", from the publisher \"Difusão Europeia do Livro (DIFEL)\". On its inside, it was investigated how the author constructs the history of this period from the idea of revolution, more specifically, in the books that refer to the called First Republic, which runs from 1889 to 1930. A recurring theme in the Brazilian intellectual production, the conception of revolution, will be discussed at this paper from references constructed by the author in his formation and along with the historiographical debates that are contemporary to him
Uma nota de rodapé na história do teatro brasileiro : a obra invisível de Edgard da Rocha Miranda
No full textBased on the concept of “virtual theater”, this article discusses the artistic failure of the Brazilian playwright Edgard da Rocha Miranda from a new perspective: not only takes into account his visible and documented work, but also his potential work, that could have been written if the writer had committed more effectively with his historical and biographical circumstances. To this aim, it is considered a recent discovery about the formative years of the author that can shed light on his journey and his artistic limitationsinfo:eu-repo/semantics/publishedVersio
Uma nota de rodapé na história do teatro brasileiro : a obra invisível de Edgard da Rocha Miranda
No full textBased on the concept of “virtual theater”, this article discusses the artistic failure of the Brazilian playwright Edgard da Rocha Miranda from a new perspective: not only takes into account his visible and documented work, but also his potential work, that could have been written if the writer had committed more effectively with his historical and biographical circumstances. To this aim, it is considered a recent discovery about the formative years of the author that can shed light on his journey and his artistic limitationsinfo:eu-repo/semantics/publishedVersio
Uma nota de rodapé na história do teatro brasileiro : a obra invisível de Edgard da Rocha Miranda
No full textBased on the concept of “virtual theater”, this article discusses the artistic failure of the Brazilian playwright Edgard da Rocha Miranda from a new perspective: not only takes into account his visible and documented work, but also his potential work, that could have been written if the writer had committed more effectively with his historical and biographical circumstances. To this aim, it is considered a recent discovery about the formative years of the author that can shed light on his journey and his artistic limitationsinfo:eu-repo/semantics/publishedVersio
Edgard Roquette-Pinto e a Reabilitação do “Homem Brasiliano”
No full textThis article analyzes the scientific and intellectual trajectory of Edgard Roquette-Pinto, in particular his attempts to prove, within the racial (and racist) paradigms in force in Brazil at the beginning of the 20th century, that the Brazilian population was not “inferior” or “degenerate” as the theories in vogue at the time stated. The methodology used here is based on a bibliographic and documentary review, covering the works of the aforementioned author, his biographies, commentators on his work and documents such as minutes of congresses, meetings and scientific reports. The results attempt to argue that, although his work often appears paradoxical (as he used the same language and methods as racial theorists), a large part of his academic career was dedicated to rehabilitating and dignifying our mixed-race population against those who slandered it.Este artículo analiza la trayectoria científica e intelectual de Edgard Roquette-Pinto, en particular sus intentos de demostrar, dentro de los paradigmas raciales (y racistas) vigentes en el Brasil de principios del siglo XX, que la población brasileña no era “inferior” o “degenerada” como decían las teorías en boga en la época. La metodología aquí utilizada se basa en una revisión bibliográfica y documental, abarcando las obras del citado autor, sus biografías, comentaristas de su obra y documentos como actas de congresos, reuniones e informes. Los resultados intentan argumentar que, aunque su trabajo a menudo parece paradójico (ya que utilizó el mismo lenguaje y métodos que los teóricos raciales), buena parte de su carrera académica la dedicó a rehabilitar y dignificar a nuestra población mestiza frente a quienes la calumniaban.Cet article analyse la trajectoire scientifique et intellectuelle d'Edgard Roquette-Pinto, en particulier ses tentatives pour prouver, au sein même des paradigmes raciaux (et racistes) en vigueur au Brésil au début du XXe siècle, que la population brésilienne n'était pas « inférieur » ou « dégénéré » comme le disaient les théories en vogue à l’époque. La méthodologie utilisée ici s'appuie sur une revue bibliographique et documentaire, couvrant les œuvres de l'auteur susmentionné, ses biographies, les commentateurs de ses travaux et des documents tels que des actes de congrès, de réunions et de rapports scientifiques. Les résultats tentent de démontrer que, même si son travail apparaît souvent paradoxal (puisqu’il a utilisé le même langage et les mêmes méthodes que les théoriciens de la race), une grande partie de sa carrière universitaire a été consacrée à la réhabilitation et à la dignification de notre population métisse face à ceux qui la calomniaient.Este artigo analisa a trajetória científica e intelectual de Edgard Roquette-Pinto, em especial suas tentativas de provar, dentro dos paradigmas raciais (e racistas) vigentes no Brasil no início do século XX, que a população brasileira não era “inferior” ou “degenerada” como afirmavam as teorias então em voga. A metodologia aqui utilizada é baseada em revisão bibliográfica e documental, abrangendo as obras do referido autor, suas biografias, comentadores de seus trabalhos e documentos como atas de congressos, reuniões e relatórios científicos. Os resultados tentam argumentar que, apesar sua obra aparecer muitas vezes como paradoxal (pois se utilizava da mesma linguagem e métodos dos teóricos raciais), boa parte de sua carreira acadêmica foi dedicada a reabilitar e dignificar a nossa miscigenada população frente aos que a detratavam
The Cinematic Visions and Dreams of Edgard Varèse
No full textMore than is apparent in most of the existing studies, Edgard Varèse's experience with electronic composition, is closely linked to a profound reflection on the relationship between music and film, almost as if the two artistic expressions were to be considered closely linked, almost inseparable. Déserts (1954), albeit only in intention, La procession de Verges (1955) and Poème électronque (1959) pioneeringly investigate different ways of understanding music in relation to moving images: from the fictional work to the documentary film, and to the multimedia experience. Only recently, now immersed in the digital production world of DAWs, does the new medium – as often happens – allow us to shed new light on the “old” analogue world and enable us to fully understand the visionary force of Varesi's aesthetics and the poignancy of his way of understanding music and images. The paper retraces the compositional parabola that involved the author for the last years of his life, setting it down in the recording studios and human environments in which he found himself operating, in order to reconstruct, through the dense network of relationships between technology and thoughts, the milieu that gave rise to one of the multiple roots of film music
The Cinematic Visions and Dreams of Edgard Varèse
No full textMore than is apparent in most of the existing studies, Edgard Varèse's experience with electronic composition, is closely linked to a profound reflection on the relationship between music and film, almost as if the two artistic expressions were to be considered closely linked, almost inseparable. Déserts (1954), albeit only in intention, La procession de Verges (1955) and Poème électronque (1959) pioneeringly investigate different ways of understanding music in relation to moving images: from the fictional work to the documentary film, and to the multimedia experience. Only recently, now immersed in the digital production world of DAWs, does the new medium – as often happens – allow us to shed new light on the “old” analogue world and enable us to fully understand the visionary force of Varesi's aesthetics and the poignancy of his way of understanding music and images. The paper retraces the compositional parabola that involved the author for the last years of his life, setting it down in the recording studios and human environments in which he found himself operating, in order to reconstruct, through the dense network of relationships between technology and thoughts, the milieu that gave rise to one of the multiple roots of film music
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