1,721,010 research outputs found

    Inscriptions of Roman Cyrenaica (software adaptation)

    No full text
    Collection of Latin and Greek inscriptions from Roman Cyrenaica encoded in EpiDoc and published with EFES. Edited by Joyce Reynolds, Charlotte Roueché, Gabriel Bodard, in collaboration with Catherine Dobias-Lalou, published in 2020 by the Society for Libyan Studies (ISBN 978-1-912466-22-1)

    "Though much is taken, much abides": Recovering antiquity through innovative digital methodologies: Introduction to the special issue

    Full text link
    Classicists have long been at the forefront of the Digital Humanities. As is also true in mediaeval studies, this engagement with technology is due primarily to the complexity of the primary sources under consideration and patchy and often fragmentary state of these same artefacts. The papers in this collaborative issue of 'Digital Medievalist' continue this tradition of cutting edge technological and disciplinary work. Drawing from papers presented at the inaugural Digital Classicist Work-in-Progress seminar series in London in the Summer of 2006 and adding other specially commissioned papers, this issue provides an in-depth view of current research in many of the most important areas in the Digital Classics: text markup and electronic publication; geotagging and network analysis; semantic web/social networking technologies; visualization and relational database tools. While the papers are all written with a disciplinary focus on the Classics, the research they discuss is of obvious interest to mediaevalists, and those working in the Digital Humanities more generally

    The Ancient Greek Dependency Treebank: Linguistic Annotation in a Teaching Environment

    Full text link
    This chapter argues that manual linguistic annotation of Ancient Greek texts can be effectively employed to teach of Greek literature and languages. Under the supervision of a teacher, students can be engaged into the ongoing creation of the Ancient Greek Dependency Treebank. With the help of one example from Sophocles (Tr. 962–3), we will illustrate how the collective work of treebanking in a class environment provides an ideal occasion to discuss the methods of Classical Philology and the history of interpretation of a given passage; more importantly, while producing a treebank annotation, students can learn how to read a complex text in its literary and communicative context following the methods of textual criticism. New and old research questions emerge from the work; at the same time, through the final annotation the students will produce a tangible contribution to a crucial initiative that is likely to change the way Greek grammar will be studied in the future

    Epigraphers and Encoders: Strategies for Teaching and Learning Digital Epigraphy

    Full text link
    This chapter will discuss the EpiDoc (TEI markup for epigraphy and papyrology) training workshops that have been run by colleagues from King’s College London and elsewhere for the past decade. We shall explore some of the evolving approaches used and strategies taken in the teaching of digital encoding to an audience largely of classicists and historians. Prominent among the assertions of EpiDoc training is that “encoding” is not alien to, in fact is directly analogous to, what philologists do when creating a formal, structured, arbitrarily expressed edition. We shall share some of the open teaching materials that have been made available, and consider paedagogical lessons learned in the light of EpiDoc practitioners who have progressed from training to running their own projects, as opposed to those who have learned EpiDoc directly from the published Guidelines or via the TEI (cf. Dee, q.v.). We shall also compare the teaching of EpiDoc to the teaching of epigraphy to students, and ask what the paedagogical approaches of both practices (which overlap, since many epigraphic modules now include a digital component, and very rarely teachers of epigraphy are treating EpiDoc as the native format for editing inscriptions) can offer to teachers and learners of both traditional and digital epigraphy

    Going Beyond Counting First Authors in Author Co-citation Analysis

    Full text link
    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

    Full text link
    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

    Full text link
    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
    corecore