196 research outputs found
Existential Discourse of Early Prose of Valerii Shevchuk
No full textУ статті в контексті естетики літературного
шістдесятництва розглянуто концептуальність екзистенційної
парадигми в ранніх творах Валерія Шевчука, висвітлено її зв’язок зі
світоглядною рефлексією автора та героїв.In this article the conceptuality of existential literary paradigm in the early
works of Valerii Shevchuk in the context of the aesthetics of literary sixties is
studied, its connection with worldview reflection of the author and the characters is
highlighted
Existential Discourse of Early Prose of Valerii Shevchuk
No full textУ статті в контексті естетики літературного
шістдесятництва розглянуто концептуальність екзистенційної
парадигми в ранніх творах Валерія Шевчука, висвітлено її зв’язок зі
світоглядною рефлексією автора та героїв.In this article the conceptuality of existential literary paradigm in the early
works of Valerii Shevchuk in the context of the aesthetics of literary sixties is
studied, its connection with worldview reflection of the author and the characters is
highlighted
Towards a Critical Edition of Francesco Filelfo’s “Consolatio ad Iacobum Antonium Marcellum de obitu Valerii filii"
No full text© 2015 Vita e Pensiero / Pubblicazioni dell'Università Cattolica del Sacro Cuore. This article examines the transmission of Francesco Filelfo's Consolatio ad Iacobum Antonium Marcellum de obitu Valerii filii, and concludes that a critical edition of the Consolatio should be based on the incunabulum of 1483/84, the only relevant witness reflecting Filelfo's final redaction of the text. Its readings are to be weighed against other prime witnesses such as the dated manuscript Vat. lat. 1790, and Urb. lat. 1182, which originated in close proximity to the author and reflect most faithfully his orthographical preferences.status: Publishe
GENRE NATURE OF VALERII HERASYMCHUK’S DRAMA CYCLE“PLAYS ABOUT THE GREATS”
No full textDOI: 10.28925/2412-2475.2019.1410
Valerii Herasymchuk’s works “Plays about the Greats” are analysed in the article. They are described as artistic creation and remind fiction creative histories, which are not retold, but often performed.
The idea of therapeutic potential of creation and perfect biographies, realised through analogies and permanent text parallelism can be seen at genre level in a play “Cicuta for Socrates”. It is worth saying, that the author does not divide two vital histories into two separate actions, and through identical psychoanalitical peculiarities, misses two different biographic characters, and that is why the play genre is determined as psychoanalytical regardless “Beethoven Sweet Ones and Paganini Mistress”. The other play “The Fire Soul” is written as the creative history-tragedy where a number of artistic resources (large quatations, letters, flashbacks) are used. Having analysed the main content of another dramas, — “Riepin and Yavornytskyi”, “Shakespeare Taming”, “Servantes’ Mistake”, come to the conclusion, that the great place is devoted to Valerii Herasymchuk “Plays about the Great” creative history genre, but there is not one definite example of such works. Each work has its own set of artistic methods, elements of other genres, correlation of creative histories, with different epoches and types of protagonists
Between Marius, Cinna and Sulla. The role of the Valerii Flacci in the Roman Republic in the eighties of the 1st century BC
No full textAbstract: Valerii Flacci was one of the most influential families in Rome in the first two decades of the 1st century BC. Cicero called them a nobilissima familia, while they themselves were the apple of the Roman aristocracy and were perceived as the best citizens (optimi cives). During the First Civil War, they were initially associated with the Marian camp. L. Valerius Flaccus (consul of 100 BC) acted as princeps senatus since 86 BC, and his cousin, also L. Valerius Flaccus was consul suffectus in 86 BC, after the death of C. Marius. The brother of L. Valerius Flaccus, Caius, consul of 93 BC, during the reign of Cinna in Rome was the governor of Spain for many years, and later of Transalpine Gaul too. It is known that Valerii Flacci wanted to reach a compromise between Sulla and the Marian camp, and when their efforts failed, they opted for Sulla.
Despite the significant role Valerii Flacci played in the Republic, their activities remain overshadowed by other figures of that period. Also, their switch to the Sulla camp in the memory of the ancients was quite poorly recorded, especially when compared with the publicity of the transition of figures such as Metellus Pius, Pompeius or Crassus to Sulla’s side. The author of the presented paper will attempt to coax Valerii Flacci out of the shadows of history, examine the genesis of their defection to the Sulla camp and determine the role they played in this camp in the initial period of Sulla’s dictatorship.
Abstrakt: Valerii Flacci byli jednym z bardziej wpływowych rodów w Rzymie w pierwszych dwóch dekadach I wieku przed Chr. Cicero określał ich mianem nobilissima familia, sami zaś stanowili kwiat arystokracji rzymskiej i postrzegani byli jako najlepsi obywatele (optimi cives). W okresie pierwszej wojny domowej początkowo związani byli z obozem mariańskim. L. Valerius Flaccus (konsul 100 roku przed Chr.) od 86 roku przed Chr. występował jako princeps senatus, zaś jego kuzyn, również L. Valerius Flaccus, po śmierci C. Mariusa zastąpił go na stanowisku konsula (jako consul suffectus w 86 roku przed Chr.). Rodzony brat tego ostatniego, C. Valerius Flaccus, konsul 93 roku przed Chr., w okresie rządów Cynny w Rzymie był wieloletnim namiestnikiem Hiszpanii, a później także Galii Zaalpejskiej. Wiadomo, że Valerii Flacci chcieli doprowadzić do kompromisu między Sullą a obozem mariańskim, a gdy ich starania zakończyły się fiaskiem, opowiedzieli się za Sullą.
Mimo znaczącej roli, jaką Valerii Flacci odgrywali w Republice, ich działalność pozostaje w cieniu innych postaci owego okresu. Także ich akces do obozu sullańskiego w pamięci starożytnych został odnotowany dość słabo, zwłaszcza jeśli zestawi się go z nagłośnieniem przejścia na stronę Sulli takich postaci jak Metellus Pius, Pompeius czy Crassus. Autor prezentowanego artykułu wydobywa Valerii Flacci z cienia historii, bada genezę ich dołączenia do obozu sullańskiego oraz określa ich znaczenie w tym obozie w początkowym okresie dyktatury Sulli
The Vilinskii family in Czechoslovakia: Valerii Vilinskii on some phenomena of Czech literature
No full textAutor přítomného příspěvku se zabývá životem a dílem Sergije Vilinského a Valerije Vilinského – otce (ruského profesora) a syna (politologa a novináře) v meziválečném Československu. Analyzuje dílo syna Valerije a soustředí se na jeho studie o české katolické literatuře, zejména o díle Otokara Březiny, Jaroslava Durycha a Jakuba Demla v česky psané knize Rus se dívá na Č. S. R. a v polsky psaných studiích publikovaných v Krakově. Katolickou literaturu, stejně jako celou katolickou komunitu v meziválečném Československu autor chápe jako osobitou uzavřenou enklávu a zabývá se jí izolovaně, aniž vidí spojitosti její poetiky s avantgardními proudy, které v první polovině 20. století v české literatuře dominovaly. Nicméně jeho koncepce anticipují některé názory, které se objevily až v první třetině 21. století.The author of the present contribution deals with the lives and works of both Sergii Vilinskii and Valerii Vilinskii – father (Russian professor) and son (political scientist and journalist) – in interwar Czechoslovakia. He analyzes the work of the son Valerii focusing on his studies in Czech Catholic literature, especially on the work of Otokar Březina, Jaroslav Durych, and Jakub Deml in the book written in Czech A Russian Looks at Czechoslovak Republic and on the studies written in Polish and published in Cracow. Catholic literature as well as the Catholic community in interwar Czechoslovakia is understood as a specific, closed enclave analysed as an isolated entity without regard to the connection of its poetics with avantgarde currents which in the first half of the 20th century dominated. Nevertheless, his concepts anticipate some views which appeared only in the first third of the 21st century
The Vilinskii family in Czechoslovakia: Valerii Vilinskii on some phenomena of Czech literature
No full textAutor přítomného příspěvku se zabývá životem a dílem Sergije Vilinského a Valerije Vilinského – otce (ruského profesora) a syna (politologa a novináře) v meziválečném Československu. Analyzuje dílo syna Valerije a soustředí se na jeho studie o české katolické literatuře, zejména o díle Otokara Březiny, Jaroslava Durycha a Jakuba Demla v česky psané knize Rus se dívá na Č. S. R. a v polsky psaných studiích publikovaných v Krakově. Katolickou literaturu, stejně jako celou katolickou komunitu v meziválečném Československu autor chápe jako osobitou uzavřenou enklávu a zabývá se jí izolovaně, aniž vidí spojitosti její poetiky s avantgardními proudy, které v první polovině 20. století v české literatuře dominovaly. Nicméně jeho koncepce anticipují některé názory, které se objevily až v první třetině 21. století.The author of the present contribution deals with the lives and works of both Sergii Vilinskii and Valerii Vilinskii – father (Russian professor) and son (political scientist and journalist) – in interwar Czechoslovakia. He analyzes the work of the son Valerii focusing on his studies in Czech Catholic literature, especially on the work of Otokar Březina, Jaroslav Durych, and Jakub Deml in the book written in Czech A Russian Looks at Czechoslovak Republic and on the studies written in Polish and published in Cracow. Catholic literature as well as the Catholic community in interwar Czechoslovakia is understood as a specific, closed enclave analysed as an isolated entity without regard to the connection of its poetics with avantgarde currents which in the first half of the 20th century dominated. Nevertheless, his concepts anticipate some views which appeared only in the first third of the 21st century
Stimulus-induzierte Desynchronisation von gekoppelten Oszillatoren mit Zeitverzögerung: Theorie und Anwendung bei neurologischen Patienten
No full textStimulus Induced Desynchronization of Oscillators Coupled with Delay: Theory and Application to neurological Patients Valerii Krachkovskyi ([email protected]) In a proposed dissertation work author studies several systems of phase oscillators coupled with delay. Systems were written in a form of differential equations. These systems serve as models of certain aspects of neuronal dynamics in brain. They were subjects to an external stimulation. The stimulation is represented through additional term in equations. Possible dynamical regimes of the systems were investigated, using analytical methods, bifurcation theory and computer simulations; synchronization in the systems was one of main targets of research. In the first system was considered two phase oscillators modeling the phase dynamics of two instantaneously interacting functional units, accompanied by a delayed feedback of each oscillator onto itself. This system is subject to external short-pulse stimulation and noise. The strong stimulus induces a phase reset of the oscillations followed by the transient dynamics leading towards multiple synchronized states. It is studied the stimulus-induced transient response of the oscillators in different synchronous regimes emerging in the considered system. It is shown that depending on the stimulation parameters used the response of the system to the stimulus may result in qualitatively different types of behavior ranging from cross-trial phase clustering to complete desynchronization. The mechanisms of in- and post-stimulus clustering of the system responses are explained. Author also emphasizes the role of the stable manifold of a saddle-focus fixed point on the cluster formation process. The second model considered is a system of two phase oscillators modeling phase dynamics of two neuronal populations interacting with delay. The one of two oscillators is a subject to external short-pulse stimulation and both oscillators are subjects to noise. It is studied the response of the stimulated oscillator to the administered stimulation as well as a transmission of the stimulus to the second oscillator. Author proposes a novel technique for evaluation of the stimulus-induced responses and transmission time and compares it with established standard methods based on averaging procedures. It is shown that the standard techniques refer not to the transmission phenomenon itself but rather to oscillatory dynamics of the oscillators. In contrast, the suggested method based on the phase-resetting analysis is able to give a good estimate not only to stimulus transmission time but can estimate the delay time in the system
Valerii Shevchuk as the Protagonist of Volodymyr Danylenko’s Works
No full textУ статті розкривається образ Валерія Шевчука у прозових творах В. Даниленка «Сливова кісточка», «Дзеньки-бреньки», «Усипальня для тарганів», «Кохання в стилі бароко». Він постає у кількох символічних проекціях: самітника-книжника; українського письменника, дослідника і послідовника Г. Сковороди; героя-провидця, котрий здатний розпізнати людину з першого погляду, шанувальника жінок, а також визнаного класика й улюбленця житомирян. Крім того, популяризує В. Даниленко і Шевчукових героїв, які стають упізнаваними і не потребують особливих коментарів. А гумор і пародія, до яких вдається автор, тільки глибше розкривають цей нетиповий, своєрідний образ і роблять його більш схожим до оригіналу.В статье раскрывается образ Валерия Шевчука в произведениях В.Даниленко «Сливовая косточка», «Дзеньки-бреньки», «Мавзолей для тараканов», «Любовь в стиле барокко». Писатель изображен в нескольких символических проекциях: отшельника-книгочея; украинского писателя, исследователя и последователя Г. Сковороды; героя-провидца, способного проникнуть в человека с первого взгляда, почитателя женщин, а также признанного классика и любимца житомирян. Кроме того, В. Даниленко популяризирует узнаваемых героев В. Шевчука, которые не нуждаются в особых комментариях. Юмор и пародия автора помогают глубже раскрыть этот нетипичный, своеобразный образ и делают его более похожим на оригинал.The article reveals Valerii Shevchuk’s character in the prose works by V. Danylenko ‘Slyvova Kistochka’, ‘Dzen’ki-Bren’ki’, ‘Usylal’nja Dlia Targaniv’, ‘Kohannja u Styli Barokko’. This character is presented in different symbolic projections – a secluded bibliophile; a Ukrainian writer, a critic and a follower of Hryhorii Skovoroda; a hero visionary able to see people through prima facie; a womanizer and an acknowledged classic and a favourite of Zhytomyr City. In addition, V. Danylenko popularizes Shevchuk’s characters which become recognizable and don’t ask for detailed commentaries. Humor and parody, to which the author resigns, add to the depth of this non-typical and distinctive character thus emphasizing its resemblance to the original
Valerii Shevchuk as the Protagonist of Volodymyr Danylenko’s Works
No full textУ статті розкривається образ Валерія Шевчука у прозових творах В. Даниленка «Сливова кісточка», «Дзеньки-бреньки», «Усипальня для тарганів», «Кохання в стилі бароко». Він постає у кількох символічних проекціях: самітника-книжника; українського письменника, дослідника і послідовника Г. Сковороди; героя-провидця, котрий здатний розпізнати людину з першого погляду, шанувальника жінок, а також визнаного класика й улюбленця житомирян. Крім того, популяризує В. Даниленко і Шевчукових героїв, які стають упізнаваними і не потребують особливих коментарів. А гумор і пародія, до яких вдається автор, тільки глибше розкривають цей нетиповий, своєрідний образ і роблять його більш схожим до оригіналу.В статье раскрывается образ Валерия Шевчука в произведениях В.Даниленко «Сливовая косточка», «Дзеньки-бреньки», «Мавзолей для тараканов», «Любовь в стиле барокко». Писатель изображен в нескольких символических проекциях: отшельника-книгочея; украинского писателя, исследователя и последователя Г. Сковороды; героя-провидца, способного проникнуть в человека с первого взгляда, почитателя женщин, а также признанного классика и любимца житомирян. Кроме того, В. Даниленко популяризирует узнаваемых героев В. Шевчука, которые не нуждаются в особых комментариях. Юмор и пародия автора помогают глубже раскрыть этот нетипичный, своеобразный образ и делают его более похожим на оригинал.The article reveals Valerii Shevchuk’s character in the prose works by V. Danylenko ‘Slyvova Kistochka’, ‘Dzen’ki-Bren’ki’, ‘Usylal’nja Dlia Targaniv’, ‘Kohannja u Styli Barokko’. This character is presented in different symbolic projections – a secluded bibliophile; a Ukrainian writer, a critic and a follower of Hryhorii Skovoroda; a hero visionary able to see people through prima facie; a womanizer and an acknowledged classic and a favourite of Zhytomyr City. In addition, V. Danylenko popularizes Shevchuk’s characters which become recognizable and don’t ask for detailed commentaries. Humor and parody, to which the author resigns, add to the depth of this non-typical and distinctive character thus emphasizing its resemblance to the original
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