2,059 research outputs found
From Albania to Brazil: Ismail Kadaré's Broken april and its filmic adaptation, Walter Salles' Abril despedaçado
No full textDissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Programa de Pós-Graduação em Letras/Inglês e Literatura Correspondente, Florianópolis, 2007The aim of the present study is to analyse how issues of Albanian national identity are portrayed in Ismail Kadaré's novel Broken April (Prilli i Thyer), and how such features have been appropriated and translated onto the screen into a Northeastern Brazilian context. I depart from the premise that, even though Brazilian elements are indeed shown in the film, the non existence of the Kanun in Brazil, and the use of narrative techniques different from the ones employed in the novel render the story of the blood feuds in the film more universal than the genuinely Albanian reality depicted in the novel. In sum, the appropriation transcends the Albanian reality into a universal context, showing, at the same time, elements which are typical of the Brazilian culture.O objetivo do presente estudo é analisar como questões sobre a identidade nacional Albanesa são retratadas no romance Abril Despedaçado (Prilli i Thyer), de Ismail Kadaré, e como tais questões foram apropriadas e traduzidas para a tela num contexto Nordestino-Brasileiro. O estudo parte do princípio que, embora elementos tipicamente Brasileiros sejam mostrados no filme, a não existência do Kanun no Brasil, e o uso de técnicas narrativas diferentes das empregadas no romance ajudam a deixar a história das brigas de família no filme com um aspecto mais universal do que a realidade genuinamente Albanesa representada na romance. Em suma, a apropriação transcende a realidade Albanesa para um contexto mais universal, sem deixar de mostrar também elementos típicos da cultura Brasileira
Variations on the Author
No full text“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Fig. 6 in Melatonin mitigates UV-B stress via regulating oxidative stress response, cellular redox and alternative electron sinks in Arabidopsis thaliana
No full textFig. 6. Expressions of glutathione biosynthesis (GSH1 and GSH2) and degradation (OXP1 and GGT1) related genes of UV-B treated (90 min) A. thaliana plants with or without 10 μM melatonin supplement. Experiments were repeated two times, and each data point was the mean of three replicates (n = 6). Significant differences (P <0.05) were marked with different letters (a–d) in the charts.Published as part of Haskirli, Hasan, Yilmaz, Oguzhan, Ozgur, Rengin, Uzilday, Baris & Turkan, Ismail, 2021, Melatonin mitigates UV-B stress via regulating oxidative stress response, cellular redox and alternative electron sinks in Arabidopsis thaliana, pp. 1-11 in Phytochemistry (112592) 182 on page 7, DOI: 10.1016/j.phytochem.2020.112592, http://zenodo.org/record/829151
Memorandum sent to Lord Edward Grey
No full textTitle: Memorandum presented to Lord Edward Grey, British Minister of Foreign Affairs and President-in-Chief of the Conference of Ambassadors of the Great Powers in London Originally published: Originally written in 1913 as a private memorandum Language: FrenchThe text used is from Ismail Qemali, Përmbledhje dokumentesh, ed. by T. Hoxha, (Tirana: Sh.B “8 Nentori,” 1982), pp. 232–235. About the author Ismail Qemali bej Vlora (also known as Ismail Kemal Pasha) [1844, Vlora, (It Valona, present-d..
A bibliography of IFLA conference papers [1979]
No full textThis booklet is a continuation of the first bibliography of "IFLA Conference papers 1968 - 1978". The papers included in the bibliography are all from 45th Congress and Council Meeting 27 August - 1 September 1979 in Copenhagen. The publication is arranged alphabetically by author or title and includes alphabetical cumulative subject and author indexes 1968 - 1979.
Compiled by: Ismail Abdullahi
Produced by: IFLA Clearinghouse - The Royal School of Librarianship, Copenhage
Standar Keshahihan Hadis Menurut Syuhudi Ismail
No full textThis Article aims to discuss Syuhudi Ismail’s view of the standard of authentic hadith. The author uses the library research method. This method uses data collection with the technique of documenting books that discuss Syuhudi Ismail and his method of studying hadith. Furthermore, the results of the study are: Syuhudi Ismail presents two principles in criticizing the authenticity of hadith, namely the major rule and the minor rule. The major rules are the varios conditions of criteria for the validity of a hadith that are general in nature, while the minor rules are the elements of the rules which are derivatives and detailed explanations of the rules major.
ABSTRAK
Artikel ini bertujuan untuk membahas pandangan Syuhudi Ismail terhadap standar keshahihan hadis. Penulis menggunakan metode kajian pustaka (library research). Metode ini menggunakan pengumpulan data dengan teknik mendokumentasikan buku-buku yang membahas tentang Syuhudi Ismail dan metodenya dalam menelaah hadis. Selanjutnya hasil dari kajian tersebut adalah: Syuhudi Ismail menyajikan dua kaidah dalam mengkiritik keshahihan hadis yaitu kaedah mayor dan kaedah minor. Kaedah mayor adalah berbagai syarat atau kreteria kesahihan suatu hadis yang bersifat umum, sedangkan kaedah minor yaitu unsur-unsur kaedah yang merupakan turunan dan penjelasan terperinci dari kaidah mayor
Representasi Puisi Taufiq Ismail sebagai Ide Penciptaan Karya Grafis Cetak Tinggi
No full textPenciptaan karya seni berjudul Representasi Puisi Taufiq Ismail Sebagai Ide Penciptaan Karya Grafis Cetak Tinggi ini adalah sebuah wujud ketertarikan penulis akan makna dibalik puisi-puisi Taufiq Ismail dan kemudian direpresentasikan menjadi karya seni grafis cetak tinggi. Ada lima puisi yang akan penulis representasikan ke dalam lima belas karya grafis. Puisi-puisi tersebut yaitu: “12 Mei 1998”, “Takut ’66,Takut ‘98”, “bayi lahir bulan Mei 1998”, “seratus juta”, dan “Ketika burung merpati sore melayang”. Setiap karya merupakan representasi dari gambaran yang diberikan oleh penyair lewat setiap baris puisinya. Dibalik gambaran tersebut terdapat cerita sejarah yang menarik untuk dipelajari. Sejarah bangsa Indonesia yang terekam dalam puisi tersebut memberikan pemahaman dengan cara yang berbeda, sebab dalam memahami sebuah puisi, memerlukan cara tersendiri, dan penggambaran yang disuguhkan oleh setiap penyair juga berbeda-beda. Pemahaman tersebut masih akan dihadirkan kembali kedalam bentuk visual. Teknik yang digunakan adalah Grafis cetak tinggi, dengan sub teknik cukil lino atau linocut. Peristiwa-peristiwa yang mendasari terciptanya puisi Taufiq Ismail merupakan bagian dari masa kelam bangsa Indonesia, sehingga teknik reduksi digunakan agar memperoleh banyak warna untuk membangun suasana yang diinginkan dalam kary
Mushaf Al-Qur’an kuno di Kampung Kusamba Bali : studi kodikologi manuskrip Mushaf Al-Qur’an Hajj Ismail
No full textPenelitian ini berawal dari ditemukannya manuskrip mushaf Al-Qur’an di Desa Kampung Kusamba, Kecamatan Dawan, Kabupaten Klungkung, Provinsi Bali, yang kemudian disebut manuskrip mushaf Al-Qur’an Hajj Ismail. Melalui tinjauan yang telah penulis lakukan, mansukrip mushaf Al-Qur’an ini merupakan hasil tulis tangan dari Hajj Ismail Bin Muhammad Al-Imam Madello Bin Ismail Tumadello.
Kemudian penulis memfokuskan penelitian pada dua rumusan masalah, yaitu terkait bagaimana karakteristik manuskrip mushaf Al-Qur’an Hajj Ismail ditinjau dari segi kodikologinya dan bagaimana sistematika manuskrip mushaf Al-Qur’an Hajj Ismail ditinjau dari segi rasmnya. Melalui kajian filologi pada manuskrip mushaf Al-Qur’an, penelitian ini termasuk kedalam jenis penelitian kualitatif berbasis library research dengan teknik analisis deksriptif dan analisis isi.
Berdasarkan penelitian yang sudah dilakukan, tercapai dua kesimpulan. Pertama, dari segi kodikologinya, Media yang digunakan dalam penulisan manuskrip adalah kertas Eropa dengan countermark berupa huruf G dan watermark berupa gambar berbentuk perisai. Terkait fisik naskah, manuskrip ini sepanjang 32 cm dan berlebar 24,5 cm, lalu untuk tulisannya sepanjang 24 cm dan lebar 13 cm. Manuskrip mushaf Al-Qur’an Hajj Ismail dijilid menggunkan benang dengan jumlah kuras ada 28. Ketebalan naskah 313 lembar termasuk sampul dan 622 halaman. Ayat-ayat Al-Qur’an yang tertulis pada manuskrip mushaf Al-Qur’an Hajj Ismail terdapat 15 baris perhalamannya. Akan tetapi tidak ada penomoran dalam setiap halaman, hanya saja ada kata alihan (Catchword). Iluminasi pada manuskrip mushaf Al-Qur’an Hajj Ismail berupa symbol tumbuhan yang menghiasi surat Al-Fatihah, awal surat Al-Baqarah, dan Surat An-Nas, serta iluminasi berupa kompas segi enam sebagai penanda awal juz. Tulisan pada manuskrip menggunakan tinta berwarna merah dan hitam dengan kaidah khat Naskhi.
Kedua, mengenai sistematika penulisan pada manuskrip mushaf Al-Qur’an Hajj Ismail, dilihat dari segi rasmnya terdapat inkonsistensi. Adakalanya satu ayat ditulis menggunakan rasm utsmani, adakalanya menggunakan rasm imla’i dan ada pula di satu ayat mempergunakan rasm utsmani dan imla’i secara bersamaan. Scholia yang ditemukan dalam manuskrip berupa awal kata setiap juz, tanda ruku’, tanda rubbu’, tanda tsumun, penjelasan qira’at sab’ah, keterangan surat dan fadhilah surat, keterangan penulisan (rasm), serta catchword. Dalam manuskrip ini juga ditemukan beberapa kesalahan (Corrupt) dalam penulisan huruf serta harakat ayat-ayat Al-Qur’an
Representasi Puisi Taufiq Ismail sebagai Ide Penciptaan Karya Grafis Cetak Tinggi
No full textPenciptaan karya seni berjudul Representasi Puisi Taufiq Ismail Sebagai Ide Penciptaan Karya Grafis Cetak Tinggi ini adalah sebuah wujud ketertarikan penulis akan makna dibalik puisi-puisi Taufiq Ismail dan kemudian direpresentasikan menjadi karya seni grafis cetak tinggi. Ada lima puisi yang akan penulis representasikan ke dalam lima belas karya grafis. Puisi-puisi tersebut yaitu: “12 Mei 1998”, “Takut ’66,Takut ‘98”, “bayi lahir bulan Mei 1998”, “seratus juta”, dan “Ketika burung merpati sore melayang”. Setiap karya merupakan representasi dari gambaran yang diberikan oleh penyair lewat setiap baris puisinya. Dibalik gambaran tersebut terdapat cerita sejarah yang menarik untuk dipelajari. Sejarah bangsa Indonesia yang terekam dalam puisi tersebut memberikan pemahaman dengan cara yang berbeda, sebab dalam memahami sebuah puisi, memerlukan cara tersendiri, dan penggambaran yang disuguhkan oleh setiap penyair juga berbeda-beda. Pemahaman tersebut masih akan dihadirkan kembali kedalam bentuk visual. Teknik yang digunakan adalah Grafis cetak tinggi, dengan sub teknik cukil lino atau linocut. Peristiwa-peristiwa yang mendasari terciptanya puisi Taufiq Ismail merupakan bagian dari masa kelam bangsa Indonesia, sehingga teknik reduksi digunakan agar memperoleh banyak warna untuk membangun suasana yang diinginkan dalam karya
Ismail Fethi\'s Views on Spirit and Morality
No full textIsmail Fethi'nin Ruh ve Ahlâk'la ilgili Görüsleri isimli bu çalısmada, daha
önce hakkında herhangi bir çalısmanın yapılmadıgını tespit ettigimiz Ismail Fethi'nin
ruh ve ahlâkla ilgili görüsleri ele alınarak, müellifin bu görüsleri felsefe açısından
degerlendirilmeye çalısılmıstır.
Müellifin ruh görüsü zihin felsefesi, ahlâk görüsü ise ahlâk felsefesi
çerçevesinde ele alınmıstır. Ruh ile ilgili görüslerinde Ismail Fethi, dualist bakıs
açısına sahip oldugundan, onun bu noktadaki görüsleri önde gelen dualist filozoflarla
karsılastırmalı olarak ele alınmıstır. Dualistik ruh anlayısının problemlerine
deginilerek Ismail Fethi'nin ruh görüsünün problemleri belirlenmistir. Ayrıca ahlâk
görüsünde tasavvufî bakıs açısına sahip oldugunu tespit ettigimiz müellifin ahlâk
görüsü önce Osmanlı ahlâk düsüncesi içinde sonra da tasavvufî ahlâk içindeki yeri
tespit edilmeye çalısılmıstır.
Bu yöntemle ele aldıgımız görüslerinde müellifin bilhassa ruh konusunda
kendinden önceki düsünürlerden etkilenmis oldugunu, günümüzdeki bilimsel ve
felsefî verilerle yer yer ters düstügünü söyleyebiliriz. Ahlâk görüsünde ise belirli bir
sistem ortaya koymaktan ziyade bireysel ahlâk konularına deginerek ruh- beden
ayrımını öngören ruh görüsüne paralel, ruhun tezkiyesi konusu dısına pek
çıkmamıstır. Bu itibarla çalısmamızın niteligi Ismail Fethi nezdinde yeni ve orjinal
fikirler ortaya çıkarmaktan çok, bilinmeyen bir düsünürün fikirlerinin degerlendirilmesi
ve düsünce dünyamıza kazandırılması olarak özetlenebilir.In this study, namely \"Ismail Fethi\'s Views on Spirit and Morality\", Ismail Fethi\'s
views regarding spirit and morality, which we determined that have not been studied
before, are discussed and those views of the author are attempted to be evaluated
from the point of philosophy.
The authors\' view of spirit is examined in the frame of mind philosophy, while his
view of morality is examined in the frame of moral philosophy. Since, in his views
about spirit Ismail Fethi adopts dualistic approach, his views on that subject are
compared with the primary dualistic philosophers\'. The problems of dualistic spirit
concept are mentioned and the problems of Ismail Fethi\'s view of spirit are pointed
out. Moreover, as we identified that regarding his view of morality the author adopts
sufi perspective, the position of his moral view in the Ottoman moral thought and in
the sufi morality is tried to be determined.
We can say that in his views, which we examined with the method depicted
above, regarding his view of spirit, in particular, the author is affected from the
scholars before him. We can also say that in some aspects these views contradict
with the contemporary scientific and philosophic findings. About his view of morality,
it can be said that rather than composing a certain system, he mentioned more on
the individual morality matters. In parallel with the view of spirit which presumes spritbody
distinction, he barely went beyond the matter of purification of the soul. Thus,
rather than revealing Ismail Fethi\'s new and original thoughts, the character of our
study can be summarized as an evaluation of the thoughts of an unknown scholar
and bringing his contribution in our contemporary thought
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