1,721,270 research outputs found

    [review of] Sarah Keller: Barbara Hammer: Pushing Out of the Frame.

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    A review of the first monograph about lesbian experimental filmmaker Barbara Hammer (1939-2019). In German

    Vanguarda como margem e margem como vanguarda: um olhar sobre o cinema experimental de barbara hammer

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    This work aims to examine the life and work of Barbara Hammer, an experimental filmmaker and a queer cinema pioneer, who had a strong feminist and lesbian discursive appeal, examining, through film analysis and historiographical information each phase of her five decades of production. The conceptual exploration used in the analysis will start from the recovering of the cinematographic language experimentation from the beginning of cinema as an apparatus, in the Early Cinema, passing through the European avant-garde movements of 1920’s and, finally, the North American experimental cinema context which Barbara Hammer inserts herself.Este trabalho pretende se debruçar sobre a vida e obra de Barbara Hammer, cineasta experimental e pioneira do cinema queer, de forte apelo discursivo feminista e lésbico, examinando, por meio de análises fílmicas e informações historiográficas, cada fase de suas cinco décadas de produção. A exploração conceitual usada nas análises partirá da recuperação da experimentação da linguagem cinematográfica desde os primórdios do cinema quanto aparato, no Primeiro Cinema, passando pelas vanguardas europeias de 1920 e, por fim, o contexto do Cinema Experimental norte-americano ao qual Barbara Hammer se inser

    Barbara Hammer, Curatorial work / Film Festival / Workshop / Presentation In Cinemateket Stockholm, and Valand Academy

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    Barbara Hammer: Nitrate Kisses Double Strength ingår i samlingen Dyketactics. “Hammer’s films of the ’70’s are the first made by an openly lesbian American filmmaker to explore lesbian identity, desire and sexuality though avant-garde strategies. Merging the physicality of the female body with that of the film medium, Hammer’s films remain memorable for their pioneering articulation of a lesbian aesthetic.” -Jenni Sorkin, WACK! Art & The Feminist Revolution Queer Film Week at Valand Academy Workshop 22-24 May 2015: Workshop on Queer Feminist Experimental Film with participants: Ester Martin Bergsmark, Susana Blaustein Munoz, Maja Borg, Gina Carducci, Kim Ekberg, Barbara Hammer, Halima Handulleh, Marcus Lindeen, Anna Linder, Lasse Långström, Annica Karlsson Rixon, Liz Rosenfeld, Ingrid Ryberg, Jo Widerberg, Neil Wigard

    Barbara Hammer, Curatorial work / Film Festival / Workshop / Presentation In Cinemateket Stockholm, and Valand Academy

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    Barbara Hammer: Nitrate Kisses Den amerikanska experimentfilmaren Barbara Hammers första dokumentära långfilm blev ett genombrott även utanför hbtq-rörelsen. Visningen på Cinemateket i Stockholm inleds av Anna Linder, curator, konstnär och forskare inom projektet Queera rörliga bilder, Akademin Valand i Göteborg. Queer Film Week at Valand Academy 18-23 MAY 2015

    BARBARA HAMMER: Por uma identidade lésbica em suas obras dos anos 1970

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    Este trabalho pretende se debruçar sobre a vida e obra de Barbara Hammer durante o período dos anos 1970.  A cineasta experimental é pioneira do cinema queer, de forte apelo discursivo feminista e lésbico. Examinamos, nesse estudo, por meio de análises fílmicas e informações historiográficas, sua primeira fase de produção audiovisual, que representa a busca por uma identidade lésbica. O estudo, com isso, permite notar a contribuição de Hammer na consolidação e constituição do cinena queer e lésbico

    A Queer Approach to Illness in the Experimental Films of Barbara Hammer

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    Desde la década de los setenta, Barbara Hammer ha sido conocida por sus películas experimentales que narran y exploran la experiencia lésbica a través del cuerpo. En su extensa filmografía también se reconocen películas que abordan la enfermedad, el envejecimiento y la muerte. Especialmente, aquellas películas que quedan atravesadas por la epidemia del VIH en las décadas de los ochenta y noventa, y por su diagnóstico de cáncer ovárico en 2006. El siguiente artículo propone un análisis comparativo de seis películas de Hammer que exploran la enfermedad partiendo de un acercamiento fenomenológico y biopolítico a las imágenes que filma. Este artículo concluye que, a través de un cine somático, táctil, y kinestésico, Hammer establece una mirada queer, afectiva y terapéutica sobre el cuerpo enfermo, despatologizándolo y desinstrumentalizándolo en el medio cinematográfico.Since the 1970s, Barbara Hammer has been known for experimental films that recount and explore the lesbian experience through the body. Her extensive filmography also includes films that deal with illness, aging, and mortality. Especially notable are her films informed by the HIV epidemic in the 1980s and 1990s, and by her ovarian cancer diagnosis in 2006. This article offers a comparative analysis of six of Hammer’s films that explore illness, taking a phenomenological and biopolitical approach to the images she presents to the viewer. The article concludes that Hammer’s somatic, tactile, and kinesthetic filmmaking approach establishes an affective and therapeutic queer gaze on the diseased body, de-pathologizing and de-instrumentalizing it in the cinematic medium

    "Art Is Energy": Barbara Hammer Speaks with Sarah Keller about the State of Experimental Cinema after Maya Deren

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    No abstract availableThis article was originally published by Parallel Press, an imprint of the University of Wisconsin-Madison Libraries, as part of The International Journal of Screendance, Volume 3 (2013), Parallel Press, http://journals.library.wisc.edu/index.php/screendance/issue/view/55. It is made available here with the kind permission of Parallel Press.</jats:p
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