1,721,572 research outputs found

    Stipendi bassi e carriera lenta rendono l'Italia poco attrattiva

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    L'articolo parla di come stipendi bassi e carriera lenta rendano l'Italia poco attrattiv

    Tools for the intensity of care and the complexity of care needs: A literature review

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    In Italy, since the 2000s, several classification tools have been designed and/or tested, in order to identify the severity of the clinical conditions in hospitalized patients and to figure out the whole variety of care needs, in context of hospital re-organization known as "intensity of care". The purpose of this review is to draw up an overview of the available literature on classification tools used for patients' allocation in clinical setting organised by intensity of care, and analyze them through synoptic tables. The present review highlight a substantial heterogeneity of the tools currently used; in addition, a small number of them is able to identify jointly the intensity of clinical care and the complexity of care needs

    D. Bassi - E. Martini, Disegno storico della vita e cultura greca.

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    Salaville Sévérien. D. Bassi - E. Martini, Disegno storico della vita e cultura greca. . In: Échos d'Orient, tome 14, n°88, 1911. p. 192

    Sul dorso di un toro. Il sogno di una cultura europea tra Paesi Bassi e Italia

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    Il saggio traccia un percorso dell'idea di una cultura europea condivisa fra Paesi Bassi e ItaliaThe paper outlines the idea of a European culture shared by the Netherlands and Ital

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Donne che hanno fatto la scienza: i casi di Laura Bassi e Maria Gaetana Agnesi.

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    In questo lavoro studiamo due figure femminili di spicco della scienza italiana del Settecento, Laura Bassi e Maria Gaetana Agnesi, e lo facciamo con l'obiettivo di investigare le origini della discriminazione delle donne in ambito scientifico. Scopriremo che queste non sono poi così remote e che tale discriminazione rappresenta ancora un problema per la società contemporanea. In particolare, la tesi è organizzata in tre capitoli. Nel primo, discutiamo di parità di genere nel mondo STEM (Science, Technology, Engineering and Mathematics), chiedendoci quale sia il peso effettivo degli stereotipi di genere nella scelta dell'ambito formativo e lavorativo; nel secondo, ricostruiamo il contesto storico bolognese degli anni in cui operano Bassi e Agnesi, includendo la condizione precaria dell'Università dell'epoca e la cosiddetta disputa sull'utero pensante, che molto ha influenzato la percezione delle capacità intellettuali delle donne; infine, nell'ultimo capitolo, ricostruiamo passo per passo le storie di Bassi e Agnesi, chiedendoci quali fattori abbiano reso fertile il terreno su cui hanno potuto svilupparsi e quali siano stati gli impatti sociali e culturali delle loro esperienze

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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