43,147 research outputs found
A imagem de Alessandro Baricco no Brasil
No full textDissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Programa de Pós-Graduação em Estudos da Tradução, Florianópolis, 2013.Com a intenção de delinear o modo pelo qual o escritor italiano Alessandro Baricco se inseriu no sistema literário brasileiro e os caminhos percorridos pelos seus livros traduzidos, esta dissertação dá voz às experiências tradutórias de seus tradutores. A inserção de Bariccono Brasil tem seu início em 1997, através de uma proposição da Profa. Dra. Roberta Barni à editora Iluminuras da tradução de Oceano Mare. A partir daí, outras sete obras foram publicadas no Brasil, sendo três delas traduzidas por Roberta Barni e as outras quatro por quatro tradutores diferentes. De um lado, considera-se o tradutor como figura principal namediação entre culturas, e, de outro, se analisa a realidade desta figuradentro do sistema literário, sua invisibilidade, seus limites e o exercíciode sua profissão. A pesquisa conta, ainda, com críticas e resenhas referentes ao autor italiano publicadas em jornais consagrados no Brasil, considerando estas como parte constituinte da imagem de Baricco refletida em território nacional. Abstract : Intending to delineate the way the Italian writer Alessandro Baricco has been inserted in the Brazilian literary system and the paths his translated books have followed, this thesis gives voice to the translating experiences of his translators. Baricco's insertion in Brazil began in 1997, through a personal project of Dr. Roberta Barni, with her translation of Oceano Mare. Since then, seven other of his works have been published in Brazil, three of which were translated by Roberta Barni and the other four by four different translators. On the one hand,the translator is considered as the main figure in mediation betweencultures and, on the other, this figure's reality is analyzed within theliterary system: its invisibility, its limits and its professional practice. Criticisms and reviews of this Italian author published in well established Brazilian newspapers are also considered, with the understanding that they are part of Baricco's image reflected here
O ser narrativo e ressonante em Novecento, de Alessandro Baricco
No full textDissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão. Programa de Pós-Graduação em Literatura.Neste trabalho analisamos na narrativa italiana Novecento: un monologo, do escritor contemporâneo Alessandro Baricco, o estabelecimento de uma suspensão na qual é possível narrar, contar histórias. Essa suspensão é criada pelo personagem Novecento, protagonista da narrativa, pianista que passa a vida toda dentro de um navio e conhece o mundo somente por meio das narrativas dos passageiros, as quais faz ressonar em sua música e na narrativa da própria história, que transmite ao amigo Tim, o personagem-narrador do enredo. Com base principalmente nos estudos de Walter Benjamin, consideramos a pobreza de experiência a que o homem foi submetido na modernidade, a necessidade de pensar a História por um viés discursivo questionador e a possibilidade de uma resistência por meio do ato de contar histórias. Novecento é o ser que torna possível a ressonância, nos termos de Jean Luc-Nancy, por meio da qual as narrativas se fazem ouvir, compartir e circular.This study analyzes, in the contemporary Italian writer Alessandro Baricco's narrative Novecento: un monologue, the establishment of a suspension in which it is possible to narrate, to tell stories. That suspension is created by the protagonist Novecento, a pianist who has lived his whole life on a ship and knows the world by means of its passengers' narratives, which resonate in his music and in the narrative of his own story, imparted to his friend Tim, the character-narrator of the plot. Based mainly on Walter Benjamin's studies, we consider the poverty of experience to which man has been subjected in modernity, the need to think History from a questioning point of view and the possibility of resistance through the act of telling stories. Novecento is the being who makes possible a "resonance" (in the sense given by Jean Luc-Nancy) through which narratives can be heard, shared and circulated
La maturità di Alessandro Fei del Barbiere, in bilico tra Maniera e Riforma
No full textThis article studies the mature career of the Florentine painter Alessandro Fei del Barbiere (1537-1592), beginning with the rediscovery of the 'Ascension' altarpiece formerly in the Albizi Chapel in the destroyed church of San Pier Maggiore, Florence. Studying this painting and others recorded in 1584 by the biographer Raffaello Borghini, such as the two altarpieces for Santa Maria delle Grazie and the Madonna dell'Umiltà in Pistoia, the author reconstructs a body of works showing how in the 1580s Fei gradually went beyond the archaic style of his apprenticeship - he had been trained by Ridolfo del Ghirlandaio and Pierfrancesco Foschi, but was also marked by the Maniera of Vasari - evolving towards naturalism in both mimesis and pictorial handling. In Florence, his development partly parallels that of Santi di Tito and his circle, but Fei was also influenced by a probable sojourn during the early part of that decade in Rome, where he could have been inspired by Girolamo Muziano and the painters working for Pope Gregory XIII. Among other proposals, the author suggests that the artist was responsible for decorating the chancel of Fiesole Cathedral (c. 1584-1589), which consisted of an altarpiece, only rarely discussed by scholars, and a cycle of frescoes hitherto attributed to Nicodemo Ferrucci
Tra socialdemocrazie e Perestrojka. Le relazioni internazionali del Pci attraverso le carte di Alessandro Natta
No full textThis essay reconstructs the foreign policy of the Italian Communist Party during the four
years of Alessandro Natta’s secretariat (1984-1988) through largely original archival documentation,
from the Alessandro Natta Fonds of the Historical Archive of the Chamber of
Deputies. Natta’s papers are also cross-referenced with those kept in the PCI Archive at the
Gramsci Foundation. The author analyses the relationship that the PCI establishes with
Gorbachev’s Perestroika, Deng’s China, and European social democracies during the last
years of the Cold War
Practical Theory Extension in Event-B
No full textAbstract. The Rodin tool for Event-B supports formal modelling and proof using a mathematical language that is based on predicate logic and set theory. Although Rodin has in-built support for a rich set of operators and proof rules, for some application areas there may be a need to extend the set of operators and proof rules supported by the tool. This paper outlines a new feature of the Rodin tool, the theory component, that allows users to extend the mathematical language supported by the tool. Using theories, Rodin users may define new data types and polymorphic operators in a systematic and practical way. Theories also allow users to extend the proof capabilities of Rodin by defining new proof rules that get incorporated into the proof mechanisms. Soundness of new definitions and rules is provided through validity proof obligations.
Lo sguardo di chi legge è moltitudine
No full textSi tratta di un'antologia scolastica in più volumi (vedere ALTRE INFORMAZIONI) la cui spina dorsale è costituita dai tre tomi, cui si affiancano altri strumenti didattici minori:
A. Narrativa + Invito al romanzo + Il piacere di scrivere
B. Poesia e Teatro
C. Epica
Autori ALESSANDRO FO e MARIA ROSA TABELLINI.
Ad Alessandro Fo si deve soprattutto, quasi nella sua interezza, la parte di poesia nel volume B
Alessandro Trotter
No full textBotanico: Trotter, Alessandro (1874-1967).
Dottore in scienze naturali, primo assistente di botanica nell\u27Istituo botanico di Padova; botanico e cecidologo.
Titolo manoscritto sul recto, dov\u27è presente anche il timbro a secco: B. Lavro & F.lli via Medina N.58 Napoli.
Montata su cornice in legno con vetro 468 x 364 mm.
1 fotografia : gelatina a sviluppo ; 237 x 157 mm.
Vai alla scheda bibliografica: https://galileodiscovery.unipd.it/discovery/fulldisplay?context=L&vid=39UPD_INST:VU1&search_scope=MyInst_and_CI&tab=Everything&docid=alma99001604720020604
Volta Alessandro
No full textThe New Dictionary of Scientific Biography (extension and updating of the Dictionary of Scientific Biography) is one of the most substantial reference works in the field of the history of science. An up-to-date overview on Alessandro Volta's science with new perspectives offered by the author. Information and critical analysis is also provided on the main secondary literature produced on this main protagonist of enlightenment science after the 1976 entry "Volta Alessandro" in the Dictionary of Scientific Biography
Gene therapy for adenosine deaminase deficiency.
No full textIn the last decade, gene therapy for adenosine deaminase deficiency has been developed as a successful alternative strategy to allogeneic bone marrow transplant and enzyme replacement therapy. Infusion of autologous hematopoietic stem cells, corrected ex vivo by retroviral vectors and combined to low-intensity conditioning regimen, has resulted in immunologic improvement, metabolic correction, and long-term clinical benefits. These findings have opened the way to applications of gene therapy in other primary immune deficiencies using novel vector technology
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