83 research outputs found

    Cycloconverter Sebagai Pengendali Motor AC 1 Fasa

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    ABSTRAK   Wildan, Asif. 2012. Cycloconverter Sebagai Pengendali Motor AC 1 Fasa. Tugas Akhir, Jurusan Teknik Elektro, Fakultas Teknik, Universitas Negeri Malang. Pembimbing : (I) Aripriharta, S.T., (II)  Ilham Ari Elbaith Zaeni, S.T.   Kata Kunci : Cycloconverter, Motor AC 1 Fasa Penulis mencoba merancang cycloconverter yaitu konverter AC ke AC yang merubah frekuensi tegangan masukan secara langsung sebagai aplikasi kendali motor AC 1 fasa. Pada perancangan tugas akhir ini, motor AC 1 Fasa yang digunakan adalah jenis motor universal untuk aplikasi mesin jahit, kendali utama diatur melalui mikrokontroler ATMega16 sebagai pusat untuk mengendalikan rangkaian daya. Alat ini dilengkapi dengan penampil LCD, push button dan rangkaian daya cycloconverter, untuk menggerakkan motor AC 1 fasa tersebut Cycloconverter adalah konverter daya untuk sumber listrik AC yang berfrekuensi tetap yang akan dirubah ke sumber listrik AC berfrekuensi variable. Secara umum perancangan cycloconverter sebagai pengendali motor AC 1 Fasa ini terdiri dari tujuh blok rangkaian utama yaitu : mikrokontroler ATMega 16, push button, detektor pelintas nol, LCD, rangkaian isolasi optocoupler, dan rangkaian daya SCR. Hasil pengujian dan pembahasan terdiri dari pengujian rangkaian mikrokontroler ATMega16, push button, detektor pelintas nol, LCD, rangkaian isolasi optocoupler, serta pengujian rangkaian keseluruhan. Berdasarkan hasil perancangan dan pengujian cycloconverter sebagai pengendali motor AC 1 fasa dapat diambil kesimpulan sebagai berikut: (1) Perancangan cycloconverter sebagai pengendali motor AC 1 fasa ini dilakukan dengan merancang sistem, hardware, dan software, (2) perancangan sistem terdiri dari perancangan rangkaian modul LCD, push button, detektor pelintas nol, rangkaian isolasi optocoupler, serta rangkaian daya SCR, (3) pada perancangan cycloconverter ini telah dilakukan pengujian per blok dan pengujian keseluruhan, (4) cycloconverter sebagai pengendali motor AC 1 fasa ini telah berhasil dibuat dengan kendali  ATMega16, LCD sebagai display, push button sebagai masukan data, rangkaian isolasi optocoupler sebagai pemisah blok daya dan blok logika, serta rangkaian daya SCR sebagai pengendali motor AC 1 fasa berjenis motor universal

    Skizoferenia Sebagai Ide Berkarya Seni Lukis

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    DADAN WILDAN, 2019. “SKIZOFRENIA SEBAGAI IDE BERKAYA SENI LUKIS” Pengidap Skizofrenia masih terdapat di masyarakat kita yang tidak diperdulikan sama sekali, bahkan orang pengidap penyakit jiwa skizofrenia dipasung dan dikurung bertahun-tahun, Skizofrenia merupakan salah satu penyakit otak dan tergolong ke dalam jenis gangguan mental yang serius. Pengidap biasanya mengalami gejala halusinasi seperti melihat atau mendengar sesuatu tetapi tanpa ada stimulus apapun, saat seseorang mengalami halusinasi orang skizofrenia menunjukan emosi atau prilaku sesuai dengan sensasi yang dialaminya hal ini tergantung pada indera yang terpengaruhinya. Begitu ironisnya di masyarakat kita melakukan hal pemasungan tersebut di karenakan tidak tau tentang keilmuan mengenai skizofrenia. Penulis merumuskan masalah (1) Bagaimana cara mengembangkan konsep skizofrenia sebagai ide berkarya seni lukis. (2) Bagaimana visualisasi karya lukis dengan ide gagasan sekizofrenia dalam seni lukis. Metode penciptaan yang digunakan melalui tahap pencarian ide berupa observasi, stimulasi, kontemplasi, proses penciptaan karya, dan deskripsi visual karya. Dalam prosesnya, penciptaan karya dimulai dengan mepersiapkan alat bahan, dilanjutkan dengan membuat sketsa yang kemudian dieksekusi dalam bentuk karya. Lukisan yang penulis buat berjumlah tiga buah dengan berbagai ukuran, yang secara keseluruhannya menampilkan figur pengidap Skizofrenia dengan beberapa gejala dan metafora. Karya pertama berjudul “Halu” berukuran 170 x 154 cm, Karya kedua berjudul “Mitologi of Skizofrenia” berukuran 180 x 150 cm, karya ketiga “Can’t Dead Let Alone Life” berukuran 195 x 150. Kata Kunci: skizofrenia , seni lukis, visualisasi karya, penciptaan karya. ABSTRACT DADAN WILDAN, 2019. "SCHIZOPHRENIA AS AN IDEA OF PAINTING ART" There are still schizophrenia people in our society that are not in the community at all, even still a person who has a mental illness in the fetters and locked in years, schizophrenia is one of the diseases of the brain and classified into Serious mental disorders. People usually experience hallucinatory symptoms such as seeing or hearing something but without any stimulus, when a person has hallucinations schizophrenia shows emotions or attitudes according to the sensation of the nature of it Depending on the affected senses. So ironically in our society we do the thing in because do not know about the science of schizophrenia. The author formulates the problem (1) How to develop schizophrenia concept as a painting art idea. (2) How to visualize a painting with the idea of a sexizophrenia idea in painting. The method of creation used through the search stage of the idea of observation, stimulation, contemplation, work creation process, and visual description of the works. In the process, the creation of the work begins with preparing the material, continue by sketching that is then executed in the form of art works. The paintings are made up of three pieces of different sizes, which in total display the figure of schizophrenia with some symptoms and metaphors. The first work titled "Halu" is 170 x 154 cm, a second work titled "Mythology of Schizophrenia"180 x 150 cm, the third work "Can't Dead Let Alone Life" 195 x 150 cm. Keywords: schizophrenia, fine art, art visualitation, art work

    HIKAYAT BAPAK BILALANG: SUNTINGAN TEKS DISERTAI KAJIAN PRAGMATIK

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    Bachtiar, Wildan. 2018. “Hikayat Bapak Bilalang: Suntingan Teks Disertai Kajian Pragmatik”. Undergraduate Thesis of Indonesian Literature Department, Faculty of Humanities, Diponegoro University, Semarang. Advisor: Nur Fawzan Ahmad, S.S., M.A. and Dra. Mirya Anggrahini, M.Hum. Hikayat Bapak Bilalang (HBB) is an old manuscript stored in National Library of Indonesia (PNRI) with calling code W 212. HBB text is a handwritten text using Malay with Arabic-Malay letters. The HBB manuscript was written by Haji Ibrahim in June 1870 AD or Rabiulawal 1287 AH on Penyengat Island. Contents of the manuscript tells a story of a character named Bapak Si Belalang, a joke story well-known in Malay people, written in prose. Research on the HBB manuscript was done by author in order to make the reader is able to read the story in the manuscript again and take advantage or lesson for nowadays and future society. The basic theories used in this research were philology and pragmatic. The research methods used in the research were data collection, data analysis, and data presentation method. Data collection was done by study of catalog, then data analysis was done by using philological theory to reveal the contents of manuscript and pragmatic approach to reveal the advantage to reader. Furthermore, the result of research were presented descriptively. The author devided the analysis result of HBB manuscript into two aspects, those are joke aspect (entertainment) and moral aspect (education). The entertainment aspect consist of the Bapak Si Belalang’s lucky story, the Si Belalang’s sly and slippery story, and the Lebai Malang’s hapless story. While the education aspect consist of the obligation to find a living, make effort to reach something, keep away from arrogant, the important of discussion, reply a kindness of others, affection, the beauty of sharing, and always pray all the times. Moral value behind the HBB story can be used as reflection for society life. Keywords: HBB manuscript, philology, pragmatic, joke, moral

    LEKSIKON RELIK BAHASA JAWA PADA DIALEK WONOSOBO

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    Wijayani, Assifa Wildan. "Javanese Relic Lexicon on Wonosobo Dialect". Thesis (S1) of Department of Indonesian literature, Faculty of Humanities, Diponegoro University. Advisor: M. Suryadi, M.Hum. and Dra. Sri PujiAstuti, M.Pd., The purpose of the study was to describe the form of relics and distinctive forms as well as the mapping of the variants of the Javanese relics lexicons on Wonosobo Dialect portrayed through the isogloss bundle. The study used speaking and listening method to collect the data. The author visited and conducted an interview to the informants according to good informant requirements in dialectology research. The data then was analyzed by using descriptive and qualitative method. The author used Theory of Diachronic Dialectology and Theory of Geographic Dialect in the study. Each of the findings in the field was analyzed to determine the shape of the relic by utilizing Proto Malayo Javanic reconstruction through a diachronic approach. The result of this research was the finding of Javanese relic on Wonosobo dialect based on the pattern, that is (1) direct inimitance of etimon *PMJ (Proto Malayo Javanic), (2) the existence of sound change in correspondence r~d~l in Van DerTuuk II that only be found in one data and partial correspondence in other data, (3) the retonance of the relic phonemes, i.e vowel phonemes, consonant phonemes and monophthongisation, which are still preserved or relic forms that are still preserved. In addition, there is also a distinct form of Javanese Wonosobo dialect such as onomasiological symptoms, semasiologic symptoms, vocal phoneme changes at all positions, and consonant changes /k/ being glotted /?/ at opened vowel ultima position. In the final stages, a mapping of lexicons of relics is represented through isoglosic bundles and as an indicator of a region that still maintains a relic (conservative) form. Keywords: Dialectology, Diachronic, Relic, Wonosobo Dialect of Javanes

    Description of biosecurity practices on shrimp farms in Java, Lampung, and Banyuwangi, Indonesia

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    The sustainability of the Indonesian shrimp farming industry is challenged by the presence of bacterial and viral diseases and their associated potential for severe economic losses and environmental impact. In shrimp aquaculture, biosecurity is essential to prevent pathogen introduction, emergence and spread within and between farms. This study was undertaken (1) to design and implement a questionnaire survey addressing key shrimp aquaculture management and biosecurity practices, and (2) to provide an overview and patterns of the current state of biosecurity for grow-out and intensive shrimp farms in Indonesia. A questionnaire was designed to collect information on farm characteristics, farm management, and biosecurity practices. Descriptive statistics, multiple correspondence analyses, and hierarchical clustering were used to summarize and identify patterns of biosecurity practices implemented by farmers and to classify farms into different clusters, based on these practices. Three distinct clusters were identified for 96 grow-out farms in Java and Lampung area, while 7 clusters were identified for 101 intensive farms in Banyuwangi area. For Java and Lampung, 2 clusters were mostly characterized by micro and small-scale farms, with less intense biosecurity practices, including not testing seed quality, not disinfecting people, vehicles, or equipment, not removing dead animals. One cluster was best represented by medium and large-scale farms applying higher intensity biosecurity practices, including greater distance to neighboring farms, disinfection for visitors, vehicles, and staff, testing seed quality, and fallow period greater than 30 days between cycles. In Banyuwangi area, farms could not be distinctly classified into clusters by patterns of biosecurity practices but were defined more by farm management and characteristics of the data structure (e.g., lack of response or missing records). For future sustainable surveillance programs and biosecurity implementation to reduce the risk of disease introduction and spread in these regions, recommendations include: training for improved, transparent, and consistent record-keeping; focusing future data collection on cluster or region-specific priorities and disease-specific biosecurity approaches by farming method (e.g., for intensive vs. grow-out); and increasing evidence-based decisions using epidemiological knowledge developed within industry, government, and shrimp aquaculture farmers.IDH FIT Fund ProjectsJala Tech Pte. Ltd

    Rancang Bangun dan Analisa Energi Listrik Mesin Pemotong Keripik Ikan Otomatis

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    Chips are dry dishes made from ingredients that contain high enough starch and also fish chips are a type of snack that is sensitive to volume expansion during the frying process. To maintain and improve this fish chip business, the author makes every effort to pay attention to the obstacles to be overcome as well as improvements. Therefore, the author made a research on automatic fish chip cutting machine. The purpose of this study is to help facilitate the work of small entrepreneurs in making fish chips to be more effective, both in terms of marketing, sales, energy and time. The research method of this fish chip cutting machine uses a 1 Phase AC motor using 2 pullies connected to a V-Belt. From testing the DIV268N motor Driver for dough loads can move with a difference of 1% after being measured. The power used in cutting fish chips with an average power used of 135 Watts under load conditions with an average %Error of 0.024%. To program this automatic fish chip cutting machine, it uses several additional sensor components including Arduino UNO, Stepper Motor, DIV268N Motor Driver and LCD. All these components must be assembled into one another in order to be connected and connected properly. Keywords: Cutting machine, Arduino UNO, DIV268N Motor Motor Drive

    Book Review: the History of Cultural Policy in Indonesia 1900s-2000s

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    This book investigates how culture, particularly national culture, in Indonesia has been shaped by the government policies from the Dutch colonial period in 1900s to the Reformation era in 2000s. It is an attempt to show the relationship between the state and culture around the process of production, circulation, regulation and reception of cultural policy through different regimes. Although this book discusses government policy, the author has realized that the book needs to overcome contradictions and confusions of cultural discourse by incorporating people as explanatory element. Many aspect of culturality may be influenced by the state, but according to Jones, “it is a field that is not stable and easy to shift that facilitates resistance, and is able to turn against the state, market and other institutions” (p. 31). Jones employs two postcolonial cultural policy tools to review the history of cultural policy in Indonesia: authoritarian cultural policy and command culture. The first means that the state has assumption if majority of citizen do not have capability to inspirit a responsible citizenship and need a state's direction in the choice of their culture. On the contrary, command culture shows that the cultural idea that is planned in fact always been placing the state as center in planning, creating policy and revising cultural practice
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