175 research outputs found
A Semantical Analysis on Amir Hamzah Poems
Full text linkThis study aims to determine the lexical meaning of Amir Hamzah\u27s poem Ibu Dehulu and to identify its referential meaning. In producing a poem, only a few writers like Amir Hamzah produce a poem that contains implied meanings or meanings that are not written down clearly or explicitly through the words written in his poems. Although this poem is an old poem, this poem is contained aesthetic messages and is still interesting and worth reading until now. Based on the explanation and the condition above, the writer is interested in reviewing and analyzing five famous poems by Amir Hamzah through semantic studies. In reviewing the poem, the writer focuses on two types of meaning contained in the semantic field such as lexical meaning, and referential meaning The method used in this research is descriptive qualitative, since the analyzed data were described qualitatively. Qualitative research is a research design that has three formats. The three formats include descriptive, verification, and grounded research formats, then described based on lexical and referential used as a reference for research. The results showed that in the Ibu Dehulu poem by Amir Hamzah selected by the author, there were 5 lexical words that have and referential meaning
Warna Lokal Teks Amir Hamzah Dalam Serat Menak
Full text linkThe receptive analysis of the Hikayat Amir Hamzah (HAH) text shows active response from the readers through the creation of new text such as Serat Menak (Sr.Mn.). The relationship between both of them can be seen in its adaptations into Javanese literature (Sr.Mn.) in which HAH undergoes some changes. The author adjusted HAH to suit the Javanese literary and cultural traditions, e.g. Sr.Mn. is composed in the form of tembang (poetry), the name of the characters are adapted into Javanese culture; there are previously unnamed characters which are given names in Sr.Mn.; the history (background) of some characters is made clearly; and more titles (from pewayangan) are attributed to Amir Hamzah and Umar Umayah
WARNA LOKAL TEKS AMIR HAMZAH DALAM SERAT MENAK
Full text linkThe receptive analysis of the Hikayat Amir Hamzah (HAH) text shows active response from the readers through the creation of new text such as Serat Menak (Sr.Mn.). The relationship between both of them can be seen in its adaptations into Javanese literature (Sr.Mn.) in which HAH undergoes some changes. The author adjusted HAH to suit the Javanese literary and cultural traditions, e.g. Sr.Mn. is composed in the form of tembang (poetry), the name of the characters are adapted into Javanese culture; there are previously unnamed characters which are given names in Sr.Mn.; the history (background) of some characters is made clearly; and more titles (from pewayangan) are attributed to Amir Hamzah and Umar Umayah
Warna lokal teks Amir Hamzah dalam serat Menak
Full text linkThe receptive analysis of the Hikayat Amir Hamzah (HAH) text shows active response from the readers through the creation of new text such as Serat Menak (Sr.Mn.). The relationship between both of them can be seen in its adaptations into Javanese literature (Sr.Mn.) in which HAH undergoes some changes. The author adjusted HAH to suit the Javanese literary and cultural traditions, e.g. Sr.Mn. is composed in the form of tembang (poetry), the name of the characters are adapted into Javanese culturethere are previously unnamed characters which are given names in Sr.Mn.the history (background) of some characters is made clearlyand more titles (from pewayangan) are attributed to Amir Hamzah and Umar Umayah.
Key words: Serat Menak, adaptation, Javanese cultur
“Sheikh Abdurrauf Kang Abangsa Syekh Hamzah Fansuri”: Examining the Relationship Between Two
No full textThe phrase "Sheikh Abdurrauf is in the same tribe as Hamzah Fansuri" in the Cirebon tripe manuscript sparked debate among researchers regarding the relationship between Sheikh Abdurrauf and Hamzah Fansuri. This debate became interesting because a collective memory was found among the people of Singkil Aceh, who believed that there was a nephew-uncle and student-teacher relationship between them. Collective memory is strengthened by two sites, which are the graves of Sheikh Ali Al Fanshuri (father of Sheikh Abdurrauf) and his younger brother, Sheikh Hamzah Fansuri, in two areas in Singkil. Through critical analysis of literature and in-depth exploration of collective memory and sites, the author concludes that the two of them had a familial relationship as nephew and uncle, and they even had a student and teacher relationship at the beginning of Sheikh Abdurrauf\u27s educatio
Warna lokal teks Amir Hamzah dalam serat Menak
No full textThe receptive analysis of the Hikayat Amir Hamzah (HAH) text shows active response from the readers through the creation of new text such as Serat Menak (Sr.Mn.). The relationship between both of them can be seen in its adaptations into Javanese literature (Sr.Mn.) in which HAH undergoes some changes. The author adjusted HAH to suit the Javanese literary and cultural traditions, e.g. Sr.Mn. is composed in the form of tembang (poetry), the name of the characters are adapted into Javanese cultur
WAHDATUL WUJUD DALAM DUA KEBUDAYAAN: KAJIAN ATAS SYAIR HAMZAH FANSURI DAN NASKAH USURRAN GANTI
Full text linkThe Wahdatul Wujud doctrine brought by Hamzah Fansuri was once so dominant in Sufi discourse in Nusantara, as evidenced by the large number of manuscripts discussing it in various regions of the archipelago. This study utilizes two corpora with Wahdatul Wujud nuances and pantheistic characteristics from two different locations, the coast and the mountains, namely Hamzah Fansuri\u27s Poems, edited by Drewes and Brekel (1986), and Usurran Ganti (UG), edited by Izuddin (2023). This study aims to analyze the similarities and differences in conveying the theological concept of Wahdatul Wujud and to analyze the various backgrounds that influence both texts in conveying this doctrine. The theory used is Roland Shaw\u27s Syncretism (1994). The method employed in this study is an intertextual approach, comparing the analyzed corpus with other works by Hamzah Fansuri and various Islamic literature. The conclusion of this article is that both texts express the concept of Wahdatul Wujud in a pantheistic manner through natural symbols, albeit in different ways. Fansuri uses maritime metaphors that reflect the influence of Persian-Arabic Sufism, while the author of UG employs mountain symbols based on local cosmology. This difference stems from the authors\u27 backgrounds; Hamzah Fansuri as an intellectual from a coastal region connected to the global Islamic network, while the author of UG blends Islam with pre-Islamic knowledge deeply rooted in the Uluan culture of South Sumatra. Fansuri also transforms non-Islamic symbols into Sufi allegories, while the UG author engages in cultural negotiation by replacing Islamic cosmological narratives with local cosmology. Fansuri\u27s poetry symbolism is universal, whereas UG uses specific symbols tied to local beliefs.Doktrin Wahdatul Wujud yang dibawa Hamzah Fansuri pernah begitu dominan dalam diskursus tasawuf di Nusantara, dibuktikan dengan banyaknya manuskrip yang membahasnya di berbagai wilayah Nusantara. Penelitian ini menggunakan dua korpus yang bernuansa Wahdatul Wujud dengan corak panteistik dari dua tempat yang berbeda, pesisir dan pegunungan, yaitu Syair-syair Hamzah Fansuri, edisi Drewes dan Brekel (1986) dan Usurran Ganti (UG) edisi Izuddin (2023). Penelitian ini bertujuan mengurai persamaan dan perbedaan dalam menyampaikan paham teologis Wahdatul Wujud serta mengurai berbagai latar belakang yang turut mempengaruhi kedua teks dalam menyampaikan doktrin tersebut. Teori yang digunakan adalah Sinkretisme Roland Shaw (1994). Metode yang digunakan dalam penelitian ini adalah metode intertekstual dengan membandingkan korpus yang dianalisis dengan berbagai karya Hamzah Fansuri yang lain serta berbagai literatur dalam Islam. Kesimpulan dari artikel ini adalah kedua teks mengekspresikan konsep Wahdatul Wujud secara panteistik melalui simbol-simbol alam dengan cara yang berbeda. Fansuri menggunakan metafora maritim yang mencerminkan pengaruh sufisme Persia-Arab, sementara penulis UG memakai simbol pegunungan berbasis kosmologi lokal. Perbedaan ini muncul dari latar belakang penulisnya; Hamzah Fansuri sebagai intelektual dari daerah pesisir yang terhubung dengan jaringan Islam global, sedangkan penulis UG memadukan Islam dengan pengetahuan pra-Islam yang sudah mengakar dalam budaya uluan di Sumatera Selatan. Fansuri juga mentransformasikan simbol di luar islam sebagai alegori tasawuf, sedangkan Penulis UG melakukan negosiasi budaya dengan menggantikan narasi kosmologi Islam dengan kosmologi lokal. Simbolisme Syair Fansuri bersifat universal sementara UG menggunakan simbol spesifik yang terikat pada kepercayaan lokal
Gema Merentas Lautan: Prosa Terpilih Hamzah Hussin dan Trilogi The House of Earth oleh Pearl S. Buck
No full textThis paper focuses on the issue of external contacts in early modern Malay literature in the 20th century. It applies historical and comparative methods of research to three renowned novels by the Malay author, Hamzah Hussin, written between 1951 and 1956. This paper aims to trace their possible connection with the famed The House of Earth trilogy (1931-1935) by the American Nobel Prize Laureate, Pearl S. Buck. The results of analysis demonstrate notable correspondences between the respective novels of Hamzah Hussin and Pearl S. Buck on the level of issues raised and storyline. Both sets of novels also share the same central image of house/home, which provides the core development of plot. Additionally, the women characters are found to share commonalities in both sets of novels. It is hoped that this paper prompts future studies on the Occidental influences in Malay authors and literature.
Keywords: Malay literature, American prose, novel, Hamzah Hussin, Pearl S. Buck, literary contacts, Occidental influenceArtikel ini memfokuskan isu hubungan luar kesusasteraan Melayu modern pada awal abad ke-20. Artikel ini memanfaatkan kaedah kesusasteraan bandingan dalam penelitian terhadap tiga novel terkenal penulis Melayu, Hamzah Hussin di antara tahun 1951 dan 1956. Artikel ini bertujuan untuk menjejaki kemungkinan hubungan dengan novel terkenal trilogi The House of Earth (1931-1935) oleh penulis Amerika dan pemenang hadiah nobel, iaitu Pearl S. Buck. Daripada analisis menunjukkan terdapat kaitan antara novel-novel Hamzah Hussin dan Pearl S. Buck tentang isu yang diutarakan dan jalan cerita. Novel kedua-dua penulis ini berkongsi tumpuan imej yang sama, iaitu rumah atau kediaman yang menyediakan asas pembangunan plot. Selain itu, watak wanita dalam novel mereka didapati berkongsi permasalahan yang sama. Diharapkan artikel ini mengundang kajian lanjutan pada masa akan datang terhadap pengaruh oksidental dalam karya penulis dan kesusasteraan Melayu.
Kata kunci: Kesusasteraan Melayu, prosa Amerika, novel Hamzah Hussin, Pearl S. Buck, hubungan persuratan, pengaruh oksidenta
Semantic Domain of Being in Hamzah Fansuri’s “Sidang Fakir Empunya Kata” Poem
Full text linkWriting poetry is inseparable from the field of meaning contained in each word used by the author. Among the many types of meaning fields, ‘being’ is one of most often used by Hamzah Fansuri, a poet who is famous for his work in the Sufi field, where he often uses a mixture of Arabic and Indonesian. This study aims to describe the field of meaning of being in Master of the Words by Hamzah Fansuri. The research method used is descriptive qualitative. The results showed that the field of meaning in the category of being was a semantic category related to abstract human concepts or experiences. The distinctive feature of this category is the prediction exists, although it cannot be lived directly by the human senses. In the words of the Fakir Empower, VHamzah Fansuri uses a lot of words that are included in the category of being, where the words are related to abstract human concepts or experiences. As the word faqir,machbub, zahir, da’im, and so forth.
Keywords: being, semantic domain, Hamzah Fansuri, poem
Pesan Moral dalam Puisi “Padamu Jua†Karya Amir Hamzah
No full textThe shift in the values of life in a society increasingly fades and is inevitable from other cultural influences especially for students who are in transition looking for their identity. This create problem for the community itself and in the end, the traditional values were neglected. Such problems can actually be minimized if we can learn from history. Therefore, this research was conducted by reading and interpreting the poem "Padamu Jua" by Amir Hamzah by using a hermeneutic approach. The renewal lies in the method approach used in analyzing each paragraph of poetry by looking at and exploring the history of the author. Interpretation is conducted through a literature review of the life journey of Amir Hamzah at the time of writing the poem. The results of the research of hermeneutics in the poetry text can be concluded to tell about the inner upheaval between tradition and the principle of life. The meaning of this poem can be a lesson (advice) for everyone, especially for those who are learning to be careful, not wrong in making decisions. Each region has its own traditions and culture that cannot be violated by the community. Situations, upheaval, and feelings kept in the heart may not change the sense of compliance with parents
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