17 research outputs found
Pengaruh Manajemen Lingkungan Belajar Terhadap Motivasi Belajar Peserta Didik
No full textAbstrak:Penelitian ini bertujuan untuk mengetahui seberapa besar dampak pengaruh manejemen lingkungan belajar terhadap psikologi belajar pada tingkatan Pendidikan dasar dan menengah atas. Jenis penelitian yang dilakukan adalah penelitian kuantitatif dengan sifat penelitian korelatif. Metode pengumpulan data menggunakan Observasi, dokumentasi dan Analisis data Quisioner Teknik menggunakan Teknik analisis Kuantitatif dengan statistik inferensial menggunakan SPSS dan statistik diskriptif. Hasil penelitian menunjukkan bahwa ada pengaruh antara manejemen lingkungan belajar terhadap motivasi belajar sebesar 32,1% pada pengujian sampel Sekolah Dasar, dan 35,8% pada pengujian sampel Sekolah Menengah Atas. Dengan diketahui ada pengaruh manajemen lingkungan belajar terhadap motivasi belajar tentu perlu menjadi perhatian khusus oleh para penyelenggara Pendidikan baik kepala sekolah, pendidik dan tenaga non pendidikan untuk dapat menciptakan lingkungan belajar yang kondusif dan menyenangkan melalui pengaturan lingkungan belajar itu sendiri. Maka tersirat dari hasil penelitian ini adalah perlunya pelatihan khusus yang harus dilakukan oleh seluruh unsur penyelenggara Pendidikan untuk dapat meningkatkan pemahaman dan pengetahuan tentang berbagai macam atau model yang dapat digunakan dalam memanajemen lingkungan belajarnya
Producing Knowledge by Relating Form and Meaning : Intermedial Relations in the Narratives of Juan García Ponce and Marie Ndiaye
No full textThis paper will investigate how narrative can produce knowledge when studied from the point of view of the relations between different media. More exactly, I will apply theories of intermediality and iconicity to a close reading of two narratives: the first part of the novel Three Strong Women from 2009 by the French author Marie Ndiaye and El café, a short story from 1963 by the Mexican author Juan García Ponce. I will analyze the way in which these narratives can be said to imitate paintings. This kind of imitation, baptized as “intermedial imitation” by German theorist Werner Wolf, takes place when “the signifiers of the work and/or its structure are affected by the non-dominant medium, since they appear to imitate its quality or structure” (Wolf, 2002:25). According to semiotician Winfried Nöth, such relations could be classified as a typical case of iconicity, in which the form of one medium imitates the form of another medium, or “form miming form” (Nöth, 2001:18). Swedish intermediality theorist Lars Elleström is of the opinion that iconicity should even include all cases of meaning or form miming meaning and form, something which is debated in iconicity studies. However, Elleström’s hypothesis seems valid in both narratives I will study.It must be mentioned that the intermedial imitations in my examples concern stories miming painting in general. This could be studied as a case of model ekphrasis, according to Tamar Yacobi’s classification. A closer look at García Ponce’s short story shows that it might imitate a specific painting, as in the case of Yacobis one-to-one ekphrases: more exactly Edward Hopper’s Nighthawks. I will argue that even if Hopper’s painting isn’t mentioned explicitly, an acceptance of its palimpsestic presence contributes to a more interesting reading thanks to the meaning it adds to the story.</p
Simples dérives (Sur l'eau)
No full textMaupassant's travel diary, miming the prit ries of a cruise's log-hook keeps the narrative adrift on a fantasy of fusion, itself encouraged by the movement — or the imaginary — of the sea. But Maupassant is careful to frame the story, an initial comment announces that nothing of interest can be derived from the diary, while a conclusion observes that nothing but vague daydreams have emerged. Thus the author both complies with his obligation to the reader and the editor by judging the narrator, and allows himself — and the reader ? — to drift along at the diary's invitation.Besnard Micheline. Simples dérives (Sur l'eau). In: Littérature, n°94, 1994. Réalismes. pp. 53-67
The Female Characters in Nô and Kabuki
No full textA partir da análise de tratados e estudos, o artigo reconhece a ação inovadora de Zeami na evolução do nô, sobretudo no desempenho de personagens femininos. Num segundo momento, reflete sobre o desenvolvimento da mímica no kabuki, mostrando o lugar privilegiado que até hoje ocupam os atores que se dedicam à representação de papéis femininos.As a result of a through analysis of works dealing with the subject, the author acknowledges the innovating influence of Zeami in the development of nô, mainly in the performance of female characters. The essay, is also concerned with the development of the art of miming in kabuki, showing the important place occupied by players who have delicated themselves to feminine roles
800-5216600 MOTIVATIONAL, PERFORMANCE AND AFFECTIVE CONSEQUENCES OF MASTERY AND PERFORMANCE ACHIEVEMENT GOALS
No full textThis menurai*pt has been re- from the micmlilm master. UMI Nrns the text di- from the original or copy urbmitfed. Thus, soma thesis and dissertatr*on copies am in typAWrfW8, whik oO#rr may be from any type of camptw printer. th. quality af this npmduction is drpondont upon th. quality of th. copy submlttmd. Broken or indistinct print, cdored or poor quality illustrations and photographs, print bkedthmgh, substandard margins, and improper alignment can adversely allbd repraducbjan. In the unlikely event that!ha author did not send UMI a complete manusaipt and then are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, dnw-ngs, cham) are repduced by sec(ioning the original, miming at the upper left-hand comer and continuing from kft (0 right in equal sec!iocw with small wedap. Photographs induded in the original manuscript have been reproduced xerographically in this copy. Higher quality 6 ' x 9 " black and white photogrpphic prints am awilabie for any photographs or illustrati~(~s appearing in this copy for M M i l charge. Ccnfoct UMI directly to order
The Carriage Affair, or the Birth of a National Hero
No full textThe Carriage Affair, written in the late 19th century and regarded as a “canoni- cal” work of Turkish literature, is the parody of a mimic man produced by the Ottoman reform. The author Recaizade Mahmut Ekrem breaks with the familiar moralistic criticisms of the “Westernized snob”, which constituted a genre in the late 19th and early 20th century novel, and produces a surprisingly modern and lively literary text. Inventing interior monologue in a fascinating parody of the protagonist (who imitates the plot of the French popular romantic novel), while courageously dismissing the moral and logical alternative of a national subject of “true” mimesis, he also takes the risk of miming mimesis and falling into a void. According to standard literary judgment, the result is his failure to produce a pro- per narrative closure, to pass from mimesis to diegesis, i.e. to resolve the conflict which constructs the story. Reading the novel through its critical readings as well as a detailed discussion of the concepts of parody, mimesis and femininity, I argue that there is a paradoxical success in Ekrem’s failure. This unexpected literary work of its times virtually prefigures and preempt the later nation building in the 20th century. Most important of all, it demonstrates that any effort of representation and writing is always performed on a shifting ground.Peer reviewe
First Baptist Church, Dartmouth, N.S.
No full textThis manusuifi hu hem mpro&md (ran the mkrdilm master. UMI films the text diredly from tfm origind of wpy wbmifbd. Thus, some thesis and dissertation copies am in typmmbr face, whik others m y be from any type d computer printer-The quality of this mproductbn is d.p.nd.nt upon Um af the copy submitted. Broken or indistind print, dofed or poor quality illustrations and photographs, print bbdthm~h, substandard margins, and improper alignment can adversely Wee # mpmdudion. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Ako, if unauthorized copyright material M to be removed, a note will i ndii the deletim. Oversize materials (e-g., dmwings, charts) am reproduced by sectbning the original, miming at W upper lefthand caner and conthuing from left to right in equal SBdims with small overlaps. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6 ' x V black and white photographic prints are available for any photographs or illustrations appearing in this copy for an addial charge. Contact UMI dinrctly to order
“It felt better to stay quiet”: Miming as a Non-Verbal Way of Coping with Trauma in Kathy Kacer’s Masters of Silence (2019)
No full textThis article analyzes Kathy Kacer’s Masters of Silence (2019), a novel about Marcel Marceau – the renowned mime artist who during the war cooperated with the French Resistance – and two fictional Jewish siblings struggling with the trauma of losing their parents, anti-Semitism, and the suppression of identity in a Catholic convent in southern France. The author examines the narrative techniques used by Kacer, including the combination of fiction with history and some elements of the biography of Marceau, and demonstrates that she not only shares the next-generation memory of World War II with her young readers but also depicts nonverbal ways of coping with trauma as potentially effective and empowering. Whereas Kacer’s indifference to historical dates may be connected to her determination to portray Marceau as an adolescent role model, the novel is a successful narrative about trauma and the Holocaust history, and the depiction of Marceau’s acts of resistance does not overshadow the young protagonists who do not just quiver and follow the instructions of the adults but mainly try to gain agency. 
Agricultural Population of Kosovo
No full textThe Socialistic Autonomous Province
of Kosovo was in 1971 (the last census)
the only region in Yugoslavia,
where agricultural population prevailed.
The share of agricultural population in
the total was even 51.5 percent, which
was far more than in Slovenia in 1948
(46.7 precent). The reasons for this
should be looked for in unfavourable
historical conditions of economic
and social social development of the
Province. Only in 1960's the urbanization
and industrialization of this region
began, non-agricultural activities
developed, and it meant the beginning
of deagrarianization of the Kosovo village.
After these initial considerations the
author compares analytically the statistical
data regarding the changing number
of agricultural population in the
total of Province’s population according
to agricultural regions (mountainous,
hilly, flat land), communities, cadastral
communities and types of settlements
(village, community centre, city). The
analysis has shown the following: although
in all parts of Yugoslavia in the
period from 1961 to 1971 the absolute
number of agricultural population decreased,
in Kosovo it increased for approximately
22 thousand people. The
reason for that was, that there the natural
increase of agricultural population
(about 29 per mil for the period 1961—
—71) was higher than the transfer of
peasants to non-agricultural activities.
Besides that, the agricultural density of
population was very high — in 1971
there were 211 persons living on 100
ha of agricultural surfaces.
The most rapid decrease in participation
of agricultural population in the
total of DODulation was in industrial mining and urban regions. However,
for changes tin agrarian structure and
deagrariamization the vicinity of miming
and energy sources was more important
than that of a town. In spite of important
socio-economic changes occuring
in Kosovo during the last 15 years, approximately
45 percent of settled surfaces
have still 80—100 percent of
agricultural papulation, and more farmers
than non-farmers are living on
more than 80 percent of settled surfaces
Litterature et tauromachie: Une lecture de Michel Leiris. (French text);
No full textMy dissertation attempts to find a way of analyzing the work of Leiris, a difficult contemporary author who is also a remarkable self-critic, without falling into the trap of repeating or paraphrasing him, as most critics have done to date. To do so, and in fact to examine why Leiris chose autobiography as a means of expressing his conception of poetry, I use and extend the metaphor that he privileged in "On Literature, Considered as Tauromachy." This ancient, agonistic, ritualized image of the process of writing and its significance provides the vehicle for the various stages of my analysis. Thus, the relation between the bull and the bull fighter that Leiris describes underscores the divisions of the self, and forces us to rethink the very notion of "a writer" in terms of a split identity. Furthermore, the movement of the cape and the passes of the bullfighter serve to figure the subtle movement and the elliptical style of Leiris' writing. By miming the bullfighter's passes, writing brings into relief, as if by analogy, the object enveloped in these passes: the bull's horn ("la corne de taureau"), performing at the same time a movement of dissimulation and envelopment which is that of the cape as well. The horn, a product of the simulacrum in writing, can be seen as the symbolic image of what is refered to in the expression "toucher le fond" (roughly, "get to the bottom of things"), and would correspond to what Leiris defines as poetry. No less important are the role of the spectator, the theme of the spectacle, and the notion of sacrifice that are dramatized in Leiris' work, and which lead to a final discussion of the strategies of seduction in his writing. Finally, the unceasing dialectic which the text strives to bring to light is seen as the putative equivalent of a revolutionary dialectic. A type of analysis such as this tries to overcome the difficulty of contemporary writing, which integrates elements of modern criticism, and challenges accepted notions of author, literary genre, indeed of literature itself.PhDModern literatureRomance literatureUniversity of Michiganhttp://deepblue.lib.umich.edu/bitstream/2027.42/161993/1/8826031.pd
