1,722,760 research outputs found
Anggia Larasati
No full textBuku kategori novel yang berjudul Anggia Larasati merupakan buku karya dari Murni. Anggia adalah seorang wanita yang cerdas, supel dalam bergaul tapi sedikit perasa, keras kepala dan cantik. Mungkin karena Anggia mendapat didikan dari ayahnya yang keras, sehingga Anggia juga sangat keras. Tetapi berkat didikan suaminya yang lembut, sabar dan selalu menasihatinya tanpa ada rasa bosan apalagi tuntunan tentang masalah agama, akhirnya ada perubahan yang baik dari diri Anggia. Dulu sebelum Anggia menikah dia termasuk wanita yang tidak terlalu tahu tentang ajaran dan tuntunan agama. Jangankan amalan-amalan yang sunah, amalan yang wajib pun terkadang Anggia banyak meninggalkannya. Memang sih tak ada yang harus disalahkan, keadaan orang tua Anggia tidak terlalu memperhatikan didikan kepada Anggia semasa Anggia kecil dan remaja, apalagi didikan tentang ajaran agama. Anggia kecil hanya bisa merasakan didikan agama hanya dari nenek dan kakeknya sewaktu mereka masih hidup, namun sekarang kakek dan neneknya sudah lama meninggal dunia. Hingga perubahan hidupnya terjadi setelah dia bertemu dengan suami yang selalu dia panggil dengan Mas Yon
Anggia Delta Utama's Quick Files
No full textThe Quick Files feature was discontinued and it’s files were migrated into this Project on March 11, 2022. The file URL’s will still resolve properly, and the Quick Files logs are available in the Project’s Recent Activity
Anggia Delta Utama's Quick Files
No full textThe Quick Files feature was discontinued and it’s files were migrated into this Project on March 11, 2022. The file URL’s will still resolve properly, and the Quick Files logs are available in the Project’s Recent Activity
Anggia Delta Utama's Quick Files
No full textThe Quick Files feature was discontinued and it’s files were migrated into this Project on March 11, 2022. The file URL’s will still resolve properly, and the Quick Files logs are available in the Project’s Recent Activity
KATA KERJA MAJEMUK ~MODOSU DALAM KALIMAT BAHASA JEPANG 日本語の文章における複合動詞 ｢ ~戻す｣
No full textABSTRACT
Pangestika, Anggia. 2020. “The Compound Verbs of ~Modosu in Japanese Sentences”. Undergraduate Thesis, Japanese Language and Culture Department, Faculty of Humanities, Diponegoro University. Thesis advisor Elizabeth Ika Hesti ANR, S.S., M.Hum.
This paper discusses about ‘Compound Verbs ~Modosu in Japanese Sentence”. The objectives of this research are to describe the structure and the meaning of Japanese compound verbs ~modosu and also the similarities and the differences of those two compound verbs.
The data being used are obtained from the Japanese website and some online news articles. The data were collected by library study, observation and writing technique. The research data were analyzed using distribusional method. The result of the analysis is presented by informal method which is explained with simple words.
Based on the result of analysis, the characteristics of verb that attached to verb ~modosu are action verb/stative verb and volitional verb/non-volitional verb. Compound verb ~modosu have 8 meanings and 4 meaning relations.
Keyword: compound verb, modosu
Going Beyond Counting First Authors in Author Co-citation Analysis
No full textThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
LAPORAN PRAKTIK KERJA LAPANGAN PADA UNIT PELAYANAN PAJAK DAERAH GROGOL PETAMBURAN
No full textANGGIA NAUFALIA, Laporan Praktik Kerja Lapangan (PKL) di Unit Pelayanan Pajak Daerah Grogol Petamburan. Program Studi S1 Akuntansi, Konsentrasi Akuntansi Perpajakan, Fakultas Ekonomi, Universitas Negeri Jakarta, 2017.
Pelaksanaan Praktik Kerja Lapangan (PKL) dilaksanakan terhitung sejak tanggal 20 Juni 2016 sampai 19 Agustus 2016 di Instansi Pemerintah bidang perpajakan yaitu Unit Pelayanan Pajak Daerah Grogol Petamburan. Praktikan ditempatkan di Subbagian dan dua Seksi yang ada di Unit Pelayanan Pajak Daerah Grogol Petamburan. Selama melaksanakan PKL, praktikan diberi tugas untuk mendokumentasikan berkas surat, melayani wajib pajak, memisahkan dokumen pengajuan pengurangan pajak, mendata objek pajak berupa restoran dan reklame. Pelaksanaan PKL memberikan pengalaman, pengetahuan, serta wawasan yang baru kepada praktikan dan juga memberikan gambaran yang jelas mengenai dunia kerja yang sesungguhnya, khususnya di bidang pajak dalam Pendapatan Pajak Daerah
Variations on the Author
No full text“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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