1,724,960 research outputs found
Políticas do primitivo: as estéticas modernistas de Mario de Andrade e Lezama Lima
Dissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e ExpressãoEste trabalho visa, fundamentalmente, interpretar as tensões entre as estéticas de Mário de Andrade e de Lezama Lima na medida em que elas instauram discursividades alternativas que situadas no confronto primitivo/moderno, configuram identidades culturais diferenciadas. Enquanto problema da modernidade, a presença do primitivo coloca em crise a identidade cultural do Ocidente ao provocar o surgimento do Outro, vale dizer, a irrupção da diferença no âmbito do Mesmo. Neutralizada na abstração conceitual de "primitivismo", essa diferença é incorporada à identidade ocidental, ora a partir de concepções evolucionistas, ora a partir de operações dialéticas. Numa tentativa de interferir nesse processo incorporativo, postulamos a ressemantização do conceito de primitivo, com o propósito de recuperá-lo enquanto elemento perturbador dos efeitos padronizadores da modernidade. Nesse sentido, os primitivos latinos-americanos podem ser pensados como formas de apropriação trangressivas que, entre outras coisas, quebram com uma lógica causalista, fragmentam a linearidade das perspectivas evolucionárias e reelaboram, assim, estagnadas tradições estéticas e históricas. Consideramos, portanto, que as estéticas de Mário de Andrade e de Lezama Lima, inseridas nos conflitos de uma modernidade periférica, que se contrapõe aos efeitos globalizadores da racionalidade moderna
O DIÁLOGO EPISTOLAR ENTRE MÁRIO DE ANDRADE E MURILO RUBIÃO
Este trabalho analisa a correspondência trocada entre Mário de Andrade e Murilo Rubião, publicada sob o título de Mário e o pirotécnico aprendiz: cartas de Mário de Andrade e Murilo Rubião, obra organizada por Marcos Antonio de Moraes. Há, sobretudo, a preocupação de ver os dois autores como figuras humanas e escritores de vanguarda, que romperam com a tradição literária nas respectivas épocas em que viveram
Mário de Andrade e Claude Debussy
Este ensaio é construído a partir da análise de dois textos pertencentes à série O mundo musical de Mário de Andrade e demonstra o papel e a importância que a obra de Claude Debussy teve no pensamento do autor, desde seus primórdios (1921), até os últimos momentos, opondo-se às noções de romantismo, engajamento, e ilustrando o princípio de uma obra aberta.This essay is builts upon the analysis of two texts belonging to Mário de Andrade´s series O Mundo Musical. It demonstrates the role and importance of Claude Debussy´s works on Mário de Andrade´s thought from 1921 until the author´s final days contrassing with romantic notions and notions of socially committed art held by Mário de Andrade, and giving rise to an open work
Oswald de Andrade e o legado lúdico
Analisa-se em que medida a autorreferencialidade e o lúdico, recursos consagrados de modo particular pelas vanguardas modernas, são articulados na produção de Oswald de Andrade, e como os mesmos se constituem elementos a ser redinamizados posteriormente na literatura brasileira, como nos casos de Guimarães Rosa e de Clarice Lispector
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
CONSTRUÇÃO E DESTRUIÇÃO NA DRAMATURGIA DE OSWALD DE ANDRADE E NELSON RODRIGUES
CONSTRUÇÃO E DESTRUIÇÃO NA DRAMATURGIA DEOSWALD DE ANDRADE E NELSON RODRIGUE
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
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