745 research outputs found
Tradução comentada do texto dramático roabastiano La tierra sin mal
No full textDissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Programa de Pós-Graduação em Estudos da Tradução, Florianópolis, 2012Este trabalho tem como objeto principal a tradução, do castelhano para o português brasileiro, do texto dramático La tierra sin mal (1998) do autor paraguaio Augusto Roa Bastos. A partir de leituras críticas e considerações sobre o processo tradutório, este estudo vem reafirmar a importância do acesso aos textos do autor em língua portuguesa. O drama La tierra sin mal, apresenta aos leitores brasileiros, com esta tradução, um texto inédito em português. A tradução desta obra do gênero dramático também abre horizontes para uma integração entre as áreas das letras e das artes cênicas, ao criar uma oportunidade de encenação deste texto a um público brasileiro. Este trabalho traz ainda uma análise diretamente relacionada à cultura e aos temas que fundamentam a história da obra, pois em La tierra sin mal é possível observar aspectos relativos à realidade e cultura paraguaia, através de uma mescla entre história e mitologia guarani. Somada a esta análise, está um estudo sobre o processo de tradução desta obra dramática ao português e dos aspectos da poética do autor Augusto Roa Bastos. Compõem o trabalho observações de alguns fundamentos teóricos sobre cultura e tradução, especificamente na área da tradução teatral, a peça La tierra sin mal traduzida para o português seguida de uma análise do processo tradutório e por fim uma análise da poética do autor.Abstract : This paper has as main object translation, from Spanish to Brazilian Portuguese, the dramatic text La tierra sin mal (1998) of Paraguayan author Augusto Roa Bastos. From readings and critical considerations about the translation process, this study reaffirms the importance of access to the texts of the author in Portuguese. The drama La tierra sin mal, introduces for the readers to Brazil with this translation, an unpublished text in Portuguese. The translation of this work of dramatic genre also opens horizons for integration between the area of literature and arts, to create an opportunity of staging this text to a Brazilian public. This paper also carries an analysis directly related to culture and themes that underlie the history of the text, because in La tierra sin mal is possible to observe aspects of reality and Paraguayan culture through a blend of history and mythology Guarani. Added to this analysis is a study on the process of translating this dramatic text into Portuguese and poetic aspects of the author Augusto Roa Bastos. Compose the work of some theoretical observations on culture and translation, specifically in the area of theatrical translation, the piece theater La tierra sin mal translated into Portuguese followed by an analysis of the translation process and finally an analysis of the poetics of the author
COLLECTION OF ROA SPECTRA USING LINEAR INCIDENT POLARIZATION
No full textAuthor Institution: Department of Chemistry, Syracuse UniversityThe symmetry involved in a Raman optical activity (ROA) experiment allows reversal of the traditional experimental geometry. An ROA spectrum can be obtained by focusing linearly polarized incident radiation on the sample and collecting the Raman scattered left and right circularly polarized light, rather than comparing the Raman scattering intensities for left and right circularly polarized incident radiation. A simple apparatus has been built at Syracuse University which allows collection of Raman scattered circularly polarized light by means of a zero order quarter wave plate, a linear polarizer, a spectrograph and a multichannel detector. Preliminary results for the depolarized ROA of (+)- and (-)--pinene will be presented. Advantages of this ROA apparatus, which include stability, throughput, and reproducibility, will be discussed. Problems encountered with this system and efforts to overcome them will also be addressed
The Effect of Non-Performing Financing and Operating Expenses on Operating Income on Profitability (ROA) Bank Bukopin Syariah Period 2014-2022: Pengaruh Non-Performing Financing dan Beban Operasional Pendapatan Operasional Terhadap Profitabilitas (ROA) Bank Bukopin Syariah Periode 2014-2022
No full text In this research, the author intends to examine futher whether ROA is influenced by BOPO and NPF, or influenced by other factors. The author hopes to provide additional knowledge about how to minimize the use of NPF and BOPO so that the ROA at Bank Bukopin Syariah does not decrease from year to year. Using multiple linear regression daya analysis techniques with a total of 108 data samples, using SPSS Statistic. The results of this research, Namely H1 and H2, are accepted, which means that NPF and BOPO have a partial influence on ROA (Y). Then it is simultaneously stated that H0 is accepted, meaning that there is an influence of X1 (NPF) and X2 (BOPO) on Y (ROA)
Un epigrama no censado de Martin de Roa (1586)
No full textThe works of the jesuit Martin de Roa (1559-1637) have been object of very accurate catalogs; however, none of them includes a latin epigram found at the begimming of the book titled El Perfecto Regidor (Salamanca 1586). The author of the article explains the reasons why he considers this poem to be a work of Roa, as well as the confusions that had motivated others scholars not to attribute it to his writings before. Following this explanation, the edition of the epigram is presented, followed by its translation into spanis
Fueling the cell division cycle
No full textSalazar-Roa, Maria as first author.
M.S.R. thanks the Asociación Española contra el Cáncer (AECC) for support. Research in the laboratory of the authors is supported by grants from the Comunidad de Madrid (S2010/BMD-2470), Spanish Ministry of Economy and Competitiveness (BFU2014-52125-REDT, SAF2014-57791-REDC, PCIN-2015-007 and SAF2015-69920-R cofunded by ERDF-EU), Worldwide Cancer Research (WCR no. 15-0278), and the European Commission Seventh Framework Programme (MitoSys project HEALTH-F5-2010-241548 and NEURON8-Full-815-094).Cell division is a complex process with high energy demands. However, how cells regulate the generation of energy required for DNA synthesis and chromosome segregation is not well understood. Recent data suggest that changes in mitochondrial dynamics and metabolic pathways such as oxidative phosphorylation (OXPHOS) and glycolysis crosstalk with, and are tightly regulated by, the cell division machinery. Alterations in energy availability trigger cell-cycle checkpoints, suggesting a bidirectional connection between cell division and general metabolism. Some of these connections are altered in human disease, and their manipulation may help in designing therapeutic strategies for specific diseases including cancer. We review here recent studies describing the control of metabolism by the cell-cycle machinery.Ministerio de Economía y Competitividad (España)European CommissionComunidad de MadridWorldwide Cancer ResearchAsociación Española contra el CáncerDepto. de Bioquímica y Biología MolecularFac. de Ciencias BiológicasTRUEpu
An Absent Author? Myth in Augusto Roa Bastos's Yo el Supremo
No full textThis article examines the presence of indigenous myths in Yo el Supremo (1974) by the Paraguayan novelist Augusto Roa Bastos. It identifies a number of key indigenous myths in the novel and analyses how they are represented in relation to other intertexts which have traditionally been regarded as more prestigious. It also considers how they undermine the power of el Supremo, the dictator who is the novel's protagonist. This is achieved by using Roa Bastos's concept of the texto ausente to consider how the mythic intertexts are both absent and powerful. Este artículo examina la presencia de mitos indígenas en Yo el Supremo (1974) del escritor paraguayo Augusto Roa Bastos. Identifica varios mitos indígenas clave en la novela y analiza cómo están representados en relación con otros intertextos que tradicionalmente han sido considerados más prestigiosos. También considera cómo minan el poder de El Supremo, el dictador protagonista de la novela. Esto se logra a través del uso del concepto del texto ausente de Roa Bastos para considerar cómo los intertextos míticos son a la vez ausentes y poderosos
An Absent Author? Myth in Augusto Roa Bastos's Yo el Supremo
No full textThis article examines the presence of indigenous myths in Yo el Supremo (1974) by the Paraguayan novelist Augusto Roa Bastos. It identifies a number of key indigenous myths in the novel and analyses how they are represented in relation to other intertexts which have traditionally been regarded as more prestigious. It also considers how they undermine the power of el Supremo, the dictator who is the novel's protagonist. This is achieved by using Roa Bastos's concept of the texto ausente to consider how the mythic intertexts are both absent and powerful. Este artículo examina la presencia de mitos indígenas en Yo el Supremo (1974) del escritor paraguayo Augusto Roa Bastos. Identifica varios mitos indígenas clave en la novela y analiza cómo están representados en relación con otros intertextos que tradicionalmente han sido considerados más prestigiosos. También considera cómo minan el poder de El Supremo, el dictador protagonista de la novela. Esto se logra a través del uso del concepto del texto ausente de Roa Bastos para considerar cómo los intertextos míticos son a la vez ausentes y poderosos
O intelectual exilado em Augusto Roa Bastos
No full textEste trabalho tem por objetivo demonstrar como a literatura articulada com a historiografia e a memória pode contribuir para a reelaboração da escrita da história. A partir da leitura crítica da trilogia do escritor Augusto Roa Bastos (1917-2005) - Hijo de hombre (1960), Yo el Supremo (1974) e El fiscal (1993) – este trabalho discute a questão do exílio e suas implicações na vida dos intelectuais, especialmente no século XX. Os textos são analisados à luz de referencial teórico que trata das relações entre história, memória, intelectual, poder e exílio. Os conceitos são abordados sob a perspectiva da literatura, literatura comparada e estudos históricos e culturais. Os personagens históricos envolvidos nas tramas do paraguaio Roa Bastos permitem revisitar a história de seu país, e contribuem para o estudo de sua identidade nacional. Os fatos históricos e os textos memorialísticos ficcionalizados permitem ao autor abordar questões como a relação entre história, memória e esquecimento, memória coletiva e poderThis work aims to demonstrate how literature, combined with historiography and memory, can contribute to reworking history writing. From the critical reading of the trilogy written by Augusto Roa Bastos (1917-2005) - Hijo de hombre (1960), Yo el supremo (1974) and El fiscal (1993) - this research discusses the question of exile and its implications for the life of intellectuals, especially in the twentieth century. The texts are analyzed in the light of theoretical references that deal with relations between history, memory, intellectual, power and exile. The concepts are discussed from the perspective of literature, comparative literature and historical and cultural studies. The historical characters involved in Roa Bastos' plot allow revisiting the history of his country, and contribute to the study of national identity. The historical facts and the fictionalized memorialistic texts allow the author to discuss issues such as the relation between history, memory and forgetfulness, collective and powe
El Goce del Supremo Texto Abierto de Augusto Roa Bastos
No full textEn este artículo, procuré demostrar que el genio narrativo de Roa Bastos no sólo procede de su lucha mediante el Verbo contra la dictadura y sus dos exilios consecutivos sino también, y sobre todo, de la Lección de Escritura que nos da el Dictador-Compilador-Autor en Yo el Supremo. En efecto, en esta obra, el autor nos da la ilusión de que el texto se genera a sí mismo: endotexto, y que el lector, al volverse un “ser ficticio y autónomo”, como lo reza Roa en la última “Nota del Compilador”, está condenado a la re-escritura: exotexto, o sea que su obra es abierta también. Desde la voz del Dictador, desde el genotexto de Kristeva, desde el lugar de la significancia, desde la oralidad guaraní, parten múltiples placeres del texto a lo Roland Barthes, que terminan juntándose en el verdadero Goce Textual de una Obra Abierta, deconstruyendo la máquina de Escribir.In this article, I tried to demonstrate that Roa Bastos’s narrative genius derives not only from the way he used the Word to combat dictatorship, but also, and above all, from the Writing Lesson that the Dictator-Compiler-Author imparts in I the Suprem. Indeed, in this book the author gives us the illusion that the text engenders itself: endotext, and that the reader, in the act of becoming “a fictional an autonomous being”, as affirmed by Roa in the last “Compiler’s Note”, is condemned to re-write the text: exotext, wich means that its work is open too. From various vantage point: the Dictator’s voice, Kristeva’s genotext, the site of signification, and guarani orality, spring multiples textual pleasures as described by Roland Barthes, all of which ultimately fuse into text’s orgasm of open work, deconstructing the writing machine
O intelectual exilado em Augusto Roa Bastos
No full textEste trabalho tem por objetivo demonstrar como a literatura articulada com a historiografia e a memória pode contribuir para a reelaboração da escrita da história. A
partir da leitura crítica da trilogia do escritor Augusto Roa Bastos (1917-2005) - Hijo de hombre (1960), Yo el Supremo (1974) e El fiscal (1993) – este trabalho discute a questão do exílio e suas implicações na vida dos intelectuais, especialmente no século
XX. Os textos são analisados à luz de referencial teórico que trata das relações entre história, memória, intelectual, poder e exílio. Os conceitos são abordados sob a perspectiva da literatura, literatura comparada e estudos históricos e culturais. Os personagens históricos envolvidos nas tramas do paraguaio Roa Bastos permitem revisitar a história de seu país, e contribuem para o estudo de sua identidade nacional.
Os fatos históricos e os textos memorialísticos ficcionalizados permitem ao autor
abordar questões como a relação entre história, memória e esquecimento, memória
coletiva e poder.ABSTRACT - This work aims to demonstrate how literature, combined with historiography and memory, can contribute to reworking history writing. From the critical reading of the trilogy written by Augusto Roa Bastos (1917-2005) - Hijo de hombre (1960), Yo el supremo (1974) and El fiscal (1993) - this research discusses the question of exile and its implications for the life of intellectuals, especially in the twentieth century. The texts
are analyzed in the light of theoretical references that deal with relations between history, memory, intellectual, power and exile. The concepts are discussed from the perspective of literature, comparative literature and historical and cultural studies. The
historical characters involved in Roa Bastos' plot allow revisiting the history of his country, and contribute to the study of national identity. The historical facts and the fictionalized memorialistic texts allow the author to discuss issues such as the relation
between history, memory and forgetfulness, collective and power
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