326 research outputs found
Principios de una kinopoética desde Sabina Berman
No full textL’article examina la crònica/memòria de Sabina Berman La bobe, en què l’escriptora mexicana entreteixeix les experiències migratòries jueves intergeneracionals a través de la relació entre tres generacions de dones. La perspectiva analítica es centra en la seva aproximació a l’exili i l’herència cultural. L’article introdueix dos moviments conceptuals clau: “praxis eròtica” i “kinopoètica”, per a transformar la manera tradicional amb la qual es conceptualitza el desplaçament i la migració. A través del marc teòric del materialisme cinètic de Thomas Nail, el text demostra com l’obra de Berman privilegia el moviment com a principi generatiu. Tot plegat s’exemplifica a través del seu estil narratiu, que oscil·la entre una perspectiva tràgica i còmica, i que manté una tensió productiva. A l’últim, l’article argumenta que Bergman desafia les narratives migratòries tradicionals i ofereix alternatives creatives mitjançant la comèdia i una lògica femenina, tot reimaginant l’exili com un procés vital i imaginatiu. Més enllà de l’obra de Berman, aquesta aproximació articula una nova forma de conceptualitzar les relacions i les poètiques interexilíaques basades en el paradigma del moviment i l’erotisme.This article examines Sabina Berman’s chronicle/memoir La bobe, where the Mexican author interweaves intergenerational Jewish migration experiences through the relationships between three generations of women. The focus is on her approach to exile and cultural heritage. By introducing two key conceptual movements “erotic praxis” and “kinopoetics”, the article aims to transform the traditional understanding of displacement and migration. Drawing on Thomas Nail’s theoretical framework of kinetic materialism, it demonstrates how Berman’s work privileges movement as a generative principle. This is exemplified through her narrative style, which oscillates between tragic and comic perspectives, maintaining a productive tension. Ultimately, the article argues that Berman challenges traditional migration narratives by offering creative alternatives through comedy and a feminine logic, reframing exile as a vital, imaginative process. Beyond Berman, this approach articulates a new way of understanding interexilic and migratory relationships and poetics based on the paradigm of movement and eroticism.El artículo examina la crónica/memoria de Sabina Berman La bobe, donde la escritora mexicana entreteje las experiencias migratorias judías intergeneracionales a través de la relación entre tres generaciones de mujeres. La perspectiva analítica se centra en su aproximación al exilio y la herencia cultural. El artículo introduce dos movimientos conceptuales clave, “praxis erótica” y “kinopoética” para transformar la manera tradicional en que se conceptualiza el desplazamiento y la migración. A través del marco teórico del materialismo cinético de Thomas Nail, el texto demuestra cómo la obra de Berman privilegia el movimiento como principio generativo. Esto se ejemplifica a través de su estilo narrativo, que oscila entre una perspectiva trágica y una cómica, manteniendo una tensión productiva. En última instancia, el artículo argumenta que Berman desafía las narrativas migratorias tradicionales y ofrece alternativas creativas mediante la comedia y una lógica femenina, reimaginando el exilio como un proceso vital e imaginativo. Más allá de la obra de Berman, esta aproximación articula una nueva forma de conceptualizar las relaciones migratorias y las poéticas interexílicas basadas en el paradigma del movimiento y el erotismo
Principios de una kinopoética desde Sabina Berman
No full textL’article examina la crònica/memòria de Sabina Berman La bobe, en què l’escriptora mexicana entreteixeix les experiències migratòries jueves intergeneracionals a través de la relació entre tres generacions de dones. La perspectiva analítica es centra en la seva aproximació a l’exili i l’herència cultural. L’article introdueix dos moviments conceptuals clau: “praxis eròtica” i “kinopoètica”, per a transformar la manera tradicional amb la qual es conceptualitza el desplaçament i la migració. A través del marc teòric del materialisme cinètic de Thomas Nail, el text demostra com l’obra de Berman privilegia el moviment com a principi generatiu. Tot plegat s’exemplifica a través del seu estil narratiu, que oscil·la entre una perspectiva tràgica i còmica, i que manté una tensió productiva. A l’últim, l’article argumenta que Bergman desafia les narratives migratòries tradicionals i ofereix alternatives creatives mitjançant la comèdia i una lògica femenina, tot reimaginant l’exili com un procés vital i imaginatiu. Més enllà de l’obra de Berman, aquesta aproximació articula una nova forma de conceptualitzar les relacions i les poètiques interexilíaques basades en el paradigma del moviment i l’erotisme.This article examines Sabina Berman’s chronicle/memoir La bobe, where the Mexican author interweaves intergenerational Jewish migration experiences through the relationships between three generations of women. The focus is on her approach to exile and cultural heritage. By introducing two key conceptual movements “erotic praxis” and “kinopoetics”, the article aims to transform the traditional understanding of displacement and migration. Drawing on Thomas Nail’s theoretical framework of kinetic materialism, it demonstrates how Berman’s work privileges movement as a generative principle. This is exemplified through her narrative style, which oscillates between tragic and comic perspectives, maintaining a productive tension. Ultimately, the article argues that Berman challenges traditional migration narratives by offering creative alternatives through comedy and a feminine logic, reframing exile as a vital, imaginative process. Beyond Berman, this approach articulates a new way of understanding interexilic and migratory relationships and poetics based on the paradigm of movement and eroticism.El artículo examina la crónica/memoria de Sabina Berman La bobe, donde la escritora mexicana entreteje las experiencias migratorias judías intergeneracionales a través de la relación entre tres generaciones de mujeres. La perspectiva analítica se centra en su aproximación al exilio y la herencia cultural. El artículo introduce dos movimientos conceptuales clave, “praxis erótica” y “kinopoética” para transformar la manera tradicional en que se conceptualiza el desplazamiento y la migración. A través del marco teórico del materialismo cinético de Thomas Nail, el texto demuestra cómo la obra de Berman privilegia el movimiento como principio generativo. Esto se ejemplifica a través de su estilo narrativo, que oscila entre una perspectiva trágica y una cómica, manteniendo una tensión productiva. En última instancia, el artículo argumenta que Berman desafía las narrativas migratorias tradicionales y ofrece alternativas creativas mediante la comedia y una lógica femenina, reimaginando el exilio como un proceso vital e imaginativo. Más allá de la obra de Berman, esta aproximación articula una nueva forma de conceptualizar las relaciones migratorias y las poéticas interexílicas basadas en el paradigma del movimiento y el erotismo
Chemical annotation of small and peptide-like molecules at the Protein Data Bank
No full textOver the past decade, the number of polymers and their complexes with small molecules in the Protein Data Bank archive (PDB) has continued to increase significantly. To support scientific advancements and ensure the best quality and completeness of the data files over the next 10 years and beyond, the Worldwide PDB partnership that manages the PDB archive is developing a new deposition and annotation system. This system focuses on efficient data capture across all supported experimental methods. The new deposition and annotation system is composed of four major modules that together support all of the processing requirements for a PDB entry. In this article, we describe one such module called the Chemical Component Annotation Tool. This tool uses information from both the Chemical Component Dictionary and Biologically Interesting molecule Reference Dictionary to aid in annotation. Benchmark studies have shown that the Chemical Component Annotation Tool provides significant improvements in processing efficiency and data quality.Peer reviewe
Retradução comentada de Corinne ou l'Italie de Mme de Staël
No full textTese (doutorado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Programa de Pós-Graduação em Estudos da Tradução, Florianópolis, 2014.Esta tese, vinculada à linha da "Teoria, crítica e história da tradução" objetiva a retradução comentada de Corinne ou l'Italie (1807) de Madame de Staël. No primeiro capítulo, descrevem-se a vida e as obras da autora, com ênfase para Corinne ou l'Italie, que foi traduzida e retraduzida em outras línguas, principalmente o inglês, italiano e alemão. Em seguida, no capítulo 2, apresenta-se a primeira tradução para o português do Brasil Corina ou a Itália (1945, Edições Cultura). Como terceira etapa, comenta-se a retradução com base nas reflexões teóricas de Berman, Pym, Venuti, Gambier. Apresentam-se exemplos dos aspectos semânticos, culturais, estilísticos presentes ao longo dos XX livros, a partir do original e da retradução. Os comentários do processo de tradução permitem uma frutífera troca literária e cultural e a tradução, o estudo e conhecimento da obra de Madame de Staël, por consequência, enriquecem o cânone da literatura francesa traduzida no Brasil.Abstract : This thesis, linked to the research field "Theory, criticism and history of translation" attempts to do a commented retranslation of Mme de Staël's Corinne ou l'Italie (1807). The first chapter describes the life and the works of the author, with emphasis on Corinne ou l'Italie, which was translated and retranslated into other languages, mainly English, Italian and German. In Chapter 2, the first translation of Corinne ou l'Italie into Brazilina Portuguese (1945, Cultura Printings) is presented. In chapter 3 the retranslation is analyzed through comments based on theoretical reflections of Berman, Pym, Venuti and Gambier. Examples of semantic, cultural and stylistics aspects of the XX books (original and retranslated version) are presented. The comments of the translation process allow a rich literary and cultural exchange. As well as a deeper investigation about Madame de Staël's work enriches the standard of French literature in Brazil
Breaking Down Microtubule Formation: Characterizing the Biochemical and Cellular Functions of the γ-Tubulin Ring Complex
No full textThe γ-Tubulin ring complex (γ-TuRC) is an essential regulator of the microtubule cytoskeleton. It is composed of\u3e30 individual proteins that include the major component, γ-tubulin, as well as γ-tubulin complex proteins 2-6 (GCP2-6), mitotic-spindle organizing proteins associated with a ring of γ-tubulin proteins 1 and 2 (MOZART, or MZT1 and MZT2), and an actin molecule. This ~2.2MDa assembly regulates microtubule dynamics by facilitating the nucleation of new microtubules, modulating microtubule minus-end dynamics by acting as a minus-end cap, and anchoring microtubules to specify their cellular localization. These three major activities of the γ-TuRC, nucleation, capping, and anchoring, contribute to the dynamic nature of individual microtubules and of larger microtubule networks that are critical for cellular activities, including cell motility, in trace have spurred biochemical and cellular characterization of its nucleation activity. However, it remains unclear how the remaining major γ-TuRC activities contribute to microtubule dynamics. In the first part of this thesis, I characterize the capping activity of the γ-TuRC. Using biochemical assays, I examine the association of recombinantly expressed and purified γ-TuRC at microtubule minus-ends either following a nucleation event, or on pre-formed microtubules. Using total internal reflection fluorescence (TIRF) microscopy, the dynamics of this association can be quantified in terms of the number of microtubules that are capped, and the length of time the cap persists at the minus-end under these two conditions. Additionally, I purified a recombinant γ-TuRC composed of GTP-binding deficient γ-tubulin in order to examine the GTP-binding dependency of the γ-TuRC\u27s capping activity. As opposed to the γ-TuRC\u27s nucleation activity, which is GTP-binding dependent, I found that the γ-TuRC\u27s capping activity is GTP-binding independent. By expressing GTP-binding deficient γ-tubulin in HeLa cells depleted of endogenous γ-tubulin protein, I characterized the role of the γ-TuRC\u27s capping activity in dividing cells. While cells expressing the GTP-binding γ-tubulin mutant could not form bipolar mitotic spindles and became arrested in mitosis, fixed- and live-cell imaging experiments showed that expression of this mutant rescued non-centrosomal microtubule formation, which was lost under γ-tubulin knockdown conditions. Together, these data suggest that the γ-TuRC\u27s capping activity is GTP-binding independent and plays a role in non-centrosomal microtubule formation during mitosis. In the second part of my thesis, I perform studies towards further characterizing the γ-TuRC. First, I use affinity-purification followed by mass spectrometry to characterize the composition of γ-TuRCs purified from a HeLa cell line overexpressing GFP-tagged γ-tubulin. Further mass spectrometry analysis identified interacting proteins that co-purified with γ-tubulin, some of which have a known function related to the microtubule cytoskeleton or cell division. Second, I performed cell biology experiments to examine how the composition of the γ-TuRC may affect its activities.Recent work has suggested that the N-terminal domains of GCP6, named the N-helical domains (NHD) and the belt domain, are needed to maintain the structural integrity of the γ-TuRC, and that without these domains, specific components of the complex are lost. Cells expressing these N-terminally truncated GCP6 constructs displayed partial γ-tubulin-containing complexes relative to cells expressing full-length GCP6. Furthermore, cells expressing GCP6 truncated of the NHDs and the belt domain showed loss of centrosomal GCP6 and γ-tubulin specifically during mitosis, while their centrosomal localization persisted during interphase. Together, these data suggest that different components of the γ-TuRC may mediate the localization and anchoring of the γ-TuRC at specific cellular sites, such as the centrosome
Breaking stigmas: Art and Cannabis in North America Vol. 3. Audiovisuals: Films, Televison, Images, and Photographs.
No full textThough the proverb states one to never judge a book by its cover, it is undeniable that the vi sual cover of publishing materials does make a significant impact on the purchasing decision. This chapter analyzes cannabis publication covers to reveal marketing techniques that have led to the positive reframing of cannabis commodities for public consumers. By creating a “base” imagery of a green cannabis fan leaf in the center of a white background, publishers encourage consumers to re-structure negative associations with illegal cannabis markets for a clean and refreshed ecological presentation. Cannabis covers post-prohibition simultaneously encourage new associations with legal cannabis markets, while also concealing current socio-economic challenges stemming from the legal industry of cannabis in Colorado.Aunque el proverbio dice que uno nunca debe juzgar un libro por su portada, es innegable que ésta tiene un impacto significativo en la decisión de compra. Este capítulo analiza las portadas de publicaciones sobre cannabis para revelar las técnicas de mercadeo que han llevado a la reformulación positiva de los productos básicos de esa planta para los consumidores. Al crear una imagen “base” (una hoja verde de cannabis, en forma de abanico, sobre un fondo blanco), los editores alientan a los consumidores a replantearse las asociaciones negativas de la planta con los mercados ilegales, con miras a una imagen ecológica, limpia y renovada. Las portadas posteriores a la prohibición fomentan nuevas asociaciones mentales con los mercados legales, al tiempo que soslayan los desafíos socioeconómicos actuales derivados de la industria legal de la cannabis en Colorado.Eighteen months between 2015-2020 were spent conducting ethnographic fieldwork about cannabis budtenders and wage labor issues in Denver, Colorado (Berman, 2021). During this time, I developed a collection of cannabis books. As a visual learner, I scanned the pages, authors’ names, pictures, and page numbers to absorb the information relayed back by these elements. Was the cover bright pink? Did the author have a unique name? Was the book unusually heavy or long? I found myself getting confused between sources because of the similarities of the book covers, which sharply contrasted with the diversity of budtenders and strains that I saw in the cannabis industry. I said to colleagues, “Do you know how difficult it is to do cannabis research when all the books look exactly alike, not just sort of alike, but exactly alike?” (p. 211)
La polémica entre Franz Boas y Konrad Th. Preuss en torno al análisis sistémico de la mitología kwakiutl. Antropología. Boletín Oficial del Instituto Nacional de Antropología e Historia: Viejas y nuevas religiosidades. Num. 68 Nueva Época (2002) octubre-diciembre
No full textAlcocer, Paulina, “La magia en las palabras. Tylor, Preuss y Malinowski. El debate inconcluso entre animismo y preanimismo”, tesina de maestría en Historia y Filosofía de la Ciencia, México, Universidad Autónoma Metropolitana- Iztapalapa, 2000.——, “Elementos humboldtianos en la teoría de la religión y de la magia de Konrad Theodor Preuss”, ponencia presentada en la XXVI Mesa Redonda de la Sociedad Mexicana de Antropología, Zacatecas, 2001.Berman, Judith, “’The Culture as It Appears to the Indian Himself: Boas, George Hunt, and the Methods of Ethnography”, en Volksgeist as Method and Ethic. Essays on Boasian Ethnography and the German Anthropological Tradition (George W. Stocking, Jr., ed.), Madison, The University of Wisconsin Press, 1996, pp. 215-256.Boas, Franz (ed.), Handbook of American Indian Languages, Bulletin 40, Washington, D. C., Bureau of American Ethnology, Smithsonian Institution, 1911.——, “Review of G. W. Locher, The Serpent in Kwakiutl Religion: A Study in Primitive Culture”, en Deutsche Literaturzeitung, 1933, pp. 1182-1186.——, “The Study of Geography”, en Race, Language and Culture, Chicago y Londres, The University of Chicago Press, 1940 [1887], pp. 639-647.——, “The Limitations of the Comparative Method of Anthropology”, en Race, Language and Culture, Chicago y Londres, The University of Chicago Press, 1940 [1896], pp. 270-280.——, “The Aims of Anthropological Research”, en Race, Language and Culture, Chicago y Londres, The University of Chicago Press, 1940 [1932], pp. 243-259.
Bunzl, Matti, “Franz Boas and the Humboldtian Tradition: From Volksgeist and Nationalcharakter to an Anthropological Concept of Culture”, en Volksgeist as Method and Ethic. Essays on Boasian Ethnography and the German Anthropological Tradition (George W. Stocking, Jr., ed.), Madison, The University of Wisconsin Press, 1996, pp. 17-78.Cole, Douglas, Franz Boas. The Early Years, 1858-1906, Seattle y Londres, m University of Washington Press, 1999.Dascal, Marcelo, “Epistemología, controversias y pragmática”, en Isegoria, 12 (1995), pp. 8-43.——, “The Study of Controversies and the Theory and History of Science”, en Science in Context, 11, 2 (1998), pp. 147-154.Effert, F.R., J.P.B. de Josselin de Jong, Curator and Archeologist. A Study of his Early Career (1910-1935), Together with a Bibliography of J.P.B. de Josselin de Jong (1886-1964) by F.R. Effert and H.F. Vermeulen, Leiden, Leiden University, Center of Non-Western Studies Publication, number 7, 1992.Furst, Peter T., “Introduction to chapter 4 [Konrad Theodor Preuss (1869-1938) on the Huichols]”, en Stacey B. Schaefer y Peter T. Furst (eds.), People of the peyote. Huichol indian history, religion and survival, Albuquerque, University of New Mexico Press, 1996.Jonaitis, Aldona, A Wealth of Thought. Franz Boas on Native American Art, Seattle y Londres, University of Washington Press, 1995.Josselin de Jong, J.P.B. de, “The Malay Archipielago as a Field of Ethnological Study”, en Structural Anthropology in the Netherlands. A Reader, P.E.Josselin de Jong, editor, Leiden, Koninklijk Instituut voor Taal-Land-en Volkenkunde, 1983 [1935]; pp. 166-182.Lévi-Strauss, Claude, “Historia y etnología”, en Antropología estructural, Barcelona, Ediciones Paidós, 1992 [1958], pp. 49-72.Lévi-Strauss, Claude y Didier Eribon, Conversations with Claude Lévi-Strauss, Chicago y Londres, The University of Chicago Press, 1991 [1988].Locher, Gottfred Wilhelm, The Serpent in Kwakiutl Religion. A Study in Primitive Culture, Leiden, E. J. Brill, 1932.——, “The Reactions of Franz Boas and Konrad Theodor Preuss to a Structural Interpretation of Kwakiutl Mythology in 1933”, en Symbolic Anthropology in the Netherlands, P. E. de Josseling de Jong y Erik Schwimmer (eds.), La Haya, Martinus Nijhoff, 1982.Neurath, Johannes y Jesús Jáuregui, “La expedición de Konrad Theodor Preuss al Nayarit (1905-1907) y su contribución a la mexicanística”, en Preuss, Konrad Theodor, Fiesta, literatura y magia en el Nayarit, México, Instituto Nacional Indigenista - Centro Francés de Estudios Mexicanos y Centroamericanos,1998, pp. 15-60.Preuss, Konrad Th., “Der Kampf der Sonne mit den Sternen in Mexiko”, en Globus. Illustrierte Zeitschrift für Länder- und Völkerkunde, Brunswick, 87, 19 (1905), pp. 333-337.——, Die Nayarit-Expedition. Textaufnahmen und Beobachtungen unter mexikanischen Indianern 1. Die Religion der Cora-Indianer in Texten nebst Wörterbuch Cora-Deutsch, Leipzig, B. G. Teubner, 1912, pp. CVII + 396.——, Die geisitige Kultur der Naturvölker, Leipzig, B. G. Teubner (Aus Natur und Geisteswelt, Sammlung wissenschaftlich-gemeinverständlicher Darstellungen, 452), 1914.——, Die religiöse Gehalt der Mythen, Tübingen, J. B. Mohr, (Sammlung gemeinverständlicher Vorträge und Schriften aus den Gebieten der Theologie und Religionswissenschaft, 162), 1933——, “G. W. Locher, The Serpent in Kwakiutl Religion. A Study in Primitive Culture, Leyden, 1932”, en Sociologus. Zeitschrift fürVölkerpsychologie und Sociologie, 9, Stuttgart, 1933, pp. 348- 351.——, Fiesta, literatura y magia en el Nayarit. Ensayos sobre coras, huicholes y mexicaneros de Konrad Theodor Preuss (Jesús Jáuregui y Johannes Neurath, comps.), México, Instituto Nacional Indigenista–Centro Francés de Estudios Mexicanos y Centroamericanos,1998.——, “Die Religion”, en Preuss, Konrad Th. y Richard Thurnwald (comps.), Lehrbuch der Völkerkunde, Stuttgart, Verlag Ferdinand Enke, 1939 [1937], pp. 57-123.Seler, Eduard, “Die Lichtbringer bei den Indianerstämmen der Nordwestküste”, Gesammelte Abhandlungen V, Berlín, Behrend & Co., 1915 [1892], pp. 9-43.Stocking, George W., Jr., “Boasian Ethnography and the German Anthropological Tradition” en Volksgeist as Method and Ethic. Essays on Boasian Ethnography and the German Anthropological Tradition (George W.Stocking, Jr., ed.), Madison, The University of Wisconsin Press, 1996, pp. 3-8
A window into the Early to mid-Cretaceous infrastructure of the Yukon-Tanana terrane recorded in multi-stage garnet of west-central Yukon, Canada
No full textAmphibolite facies metasedimentary schists within the Yukon-Tanana terrane in the northern Canadian Cordillera reveal a two-stage, polymetamorphic garnet growth history. In situ U-Th-Pb Sensitive High Resolution Ion Microprobe dating of monazite provide timing constraints for the late stages of garnet growth, deformation and subsequent decompression. Distinct textural and chemical growth zoning domains, separated by a large chemical discontinuity, reveal two stages of garnet growth characterized in part by: (i) a syn-kinematic, inclusion-rich stage-1 garnet core; and (ii) an inclusion-poor, stage-2 garnet rim that crystallized with syn- to post-kinematic staurolite and kyanite. Phase equilibria modelling of garnet molar and compositional isopleths suggest stage-1 garnet growth initiated at ~600 °C, 8 kbar along a clockwise P-T path. Growth of the compositionally distinct, grossular-rich, pyrope-poor inner portion of the stage-2 overgrowth is interpreted to have initiated at higher pressure and/or lower temperature than the stage-1 core along a separate P-T loop, culminating at peak P-T conditions of ~650-680 °C and 9 kbar. Stage-2 metamorphism and the waning development of a composite transposition foliation ( ST) are dated at c. 118 Ma from monazite aligned parallel to ST, and inclusions in syn- to post- ST staurolite and kyanite. Slightly younger ages ( c. 112 Ma) are obtained from Y-rich monazite that occurs within resorbed areas of both stage-1 and stage-2 garnet, together with retrograde staurolite and plagioclase. The younger ages obtained from these texturally and chemically distinct grains are interpreted, with the aid of phase equilibria calculations, to date the growth of monazite from the breakdown of garnet during decompression at c. 112 Ma. Evidence for continued near-isothermal decompression is provided by the presence of retrograde sillimanite, and cordierite after staurolite, which indicates decompression below ~4-5 kbar prior to cooling below ~550 °C. As most other parts of the Yukon-Tanana terrane were exhumed to upper crustal levels in the Early Jurassic, these data suggest this domain represents a tectonic window revealing a much younger, high-grade tectono-metamorphic core (infrastructure) within the northern Cordilleran orogen. This window may be akin to extensional core complexes identified in east-central Alaska and in the southeastern Canadian Cordillera. [ABSTRACT FROM AUTHOR]Peer reviewedFinal article publishedin situ monazite geochronologyYukon‐Tanana terraneSHRIMPP–T–t pathmulti‐stage garne
The theater’s reflection on the work Molière performed by Ma Zhenghong
No full textEste artículo pretende abordar la interpretación que la directora china Ma Zhenghong realizó en 2008, en Pekín, de la obra de la autora mexicana Sabina Berman Molière, texto que plantea la relación conflictiva entre las dos máscaras del teatro, la comedia y la tragedia, encarnadas en las figuras de dos dramaturgos del teatro clásico francés, Molière, que da título a la obra, y Racine, el máximo exponente del estilo trágico en la Francia del siglo XVII. Mi propósito es establecer una reflexión sobre la mirada que una creadora teatral china tiene de un tema occidental, que, sin embargo, se suele contemplar como universal y, paralelamente estudiar el modelo tan particular de su puesta en escena, así como su posible repercusión en el contexto teatral pequinés de la época.This work aims to address the interpretation that the Chinese director Ma Zhenghong made in 2008, in Beijing, of the work of the Mexican author Sabina Berman Molière, a text that raises the conflictive relationship between the two masks of theater, comedy and tragedy, embodied in the figures of two playwrights of the French classical theatre, Molière, who gives the play its title, and Racine, the greatest exponent of the tragic style in 17th century France. My purpose is to establish a reflection on the view that a Chinese theatrical creator has of a Western theme, which, however, is usually seen as universal and, in parallel, to study the particular model of its staging, as well as its possible impact on the Pekinese theatrical context of the time
Insilio, traducción y (auto)censura: el caso Mercedes Rein
No full textThis article explores the relationship between translation practices and the publishing field regarding the mechanisms of cultural censorship imposed during the Uruguayan civil-military dictatorship (1973-1985). From previous work by Berman (1989), Pym (1990), Chesterman (2006) and Munday (2013; 2014) we propose a microhistorical approach that analyses the intellectual trajectory of writer, translator and playwright Mercedes Rein (1930-2006) before and during the insilio [the equivalent of the exile for those who did not have to emigrate]. Through this temporal framework, we will compare the particularities of the translator’s agency and the published corpus (both as translator and as author) during these two periods, highlighting the effects of official censorship and self-censorship on the visibility and the concealment of her authorial identity. Furthermore, it is important to recover the subsistence function that literary translation took on in this context and the cooperation that Rein established with exiled agents in foreign markets. Based on these considerations, the article proposes to enhance and supplement the historiographical discourse that questions the idea of “cultural blackout” (based on evidence from different fields and disciplines), with inputs from the field of translation and the Uruguayan publishing field.Este artículo propone explorar la relación de las prácticas traductoras y el campo editorial con los mecanismos de censura cultural impuestos durante la dictadura cívico-militar uruguaya (1973-1985). A partir de los antecedentes creados por Berman (1989), Pym (1990), Chesterman (2006) y Munday (2013; 2014) proponemos un enfoque microhistórico que tiene como objeto de análisis la trayectoria intelectual de la escritora, traductora y dramaturga Mercedes Rein (1930-2006) antes y durante el insilio. A través de esta delimitación temporal, compararemos las particularidades de la agencia traductora y el corpus publicado (traducido y de autoría directa) durante esos dos períodos, haciendo énfasis en los efectos de la censura oficial y la autocensura en la visibilidad y el ocultamiento de su identidad autoral. Nos importa recuperar, asimismo, la función de la subsistencia que adquiere la traducción literaria en ese contexto y la cooperación de los agentes exiliados en mercados externos. Sobre la base de estas consideraciones, el artículo propone enriquecer y complementar con elementos del campo de la traducción y el campo editorial uruguayo el discurso historiográfico que cuestiona la idea de “apagón cultural”
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