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    Other Title: House Bill 2585

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    "February 13, 2020." Testimony before the Kansas Legislature, House Committee on Energy, Utilities, and Telecommunications, by Jeff McClanahan, Director, Utilities Division, Kansas Corporation Commission.Testimony in support of HB 2585. "The Staff of the Commission (Staff) supports House Bill 2585 (HB 2585). HB 2585 will allow third-parties to sell electricity for the sole purpose of providing electric vehicle (EV) charging services to end users without becoming a public utility.

    Hynes, Desmond Alva, 2585

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    This record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/394307Surname: HYNES. Given Name(s) or Initials: DESMOND ALVA. Military Service Number or Last Known Location: 2585. Missing, Wounded and Prisoner of War Enquiry Card Index Number: 14030.217411 Item: [2016.0049.26600] "Hynes, Desmond Alva, 2585

    Other Title: House Bill 2585

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    "February 13, 2020." Testimony before the Kansas Legislature, House Energy, Utilities and Telecommunications Committee, by Joseph R. Astrab, Attorney, Citizens' Utility Ratepayer Board.Citizens' Utility Ratepayer Board legislative testimony ; 2020.Testimony in support of HB 2585. "HB 2585 seeks to amend K.S.A. 66-104 by carving out an exception for entities that provide services toward charging electric vehicles (EV) from regulation by the Kansas Corporation Commission (KCC or Commission). Specifically, the bill excludes from the definition of "public utility" entities that provide EV charging services if the electricity is purchased solely for that purpose through a retail electric supplier in the certified territory of such retail electric supplier as defined by K.S.A. 66-1,170. ... CURB believes that HB 2585 properly places the costs associated with EV charging into the open market and prevents ratepayers who may not drive electric vehicles from subsidizing such costs.

    Astronomische Nachrichten, n°s 2581-2585

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    Radau Rodolphe. Astronomische Nachrichten, n°s 2581-2585. In: Bulletin astronomique, tome 1, 1884. pp. 211-213

    Despacho n. 2585 de 24 de setembro de 2013

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    Revisão de licença-prêmio por assiduidade. Processo n. 8117/2013. Despacho n. 2585/2013

    Carter, Nell Bohannon, 1898-1995 (SC 2585)

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    Finding aid only for Manuscripts Small Collection 2585. Teacher’s register and gradebook of Nell Bohannon Carter, believed to be from a Smiths Grove, Kentucky or Barren County, Kentucky school. Includes absence note from the mother of a student

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Organophosphate and phthalate esters in standard reference material 2585 organic contaminants in house dust

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    The levels of 22 phthalate diesters (phthalates) and organophosphate triesters (organophosphates) have been investigated in standard reference material 2585 (SRM 2585) "organic contaminants in house dust." Ultrasonic-assisted solvent extraction and solid-phase extraction on a Florisil adsorbent were used as the extraction and cleanup steps combined with analysis using gas chromatography-tandem mass spectrometry in positive ion chemical ionization mode. Seven phthalates were detected in the concentration range 1-570 mu g/g. Di(2-ethylhexyl) phthalate was the major phthalate present at 570 mu g/g. Ten organophosphates were detected in SRM 2585. Tris(2-butoxyethyl) phosphate was the predominant organophosphate at 82 mu g/g, and nine organophosphates were determined at concentrations ranging from 0.19 to 2.3 mu g/g. Five organophosphates were below the method detection limit, of which two were in level with the procedural blank. The applied extraction and cleanup method was evaluated for the analysis of SRM 2585. The extraction yield was a parts per thousand yen99%, except for tris(2-chloroethyl) phosphate (97%) and diethyl phthalate (98.5%). The problem of calibration curvature is addressed, and it is shown that the use of deuterated standards improves the analysis. The concentrations of ten organophosphate esters were determined in SRM 2585, and seven of these were compared with existing data. To our knowledge, this is the first report of the levels of the seven phthalates esters in SRM 2585 "organic contaminants in house dust.</p

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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