Digitalni arhiv Filozofskog fakulteta u Zagrebu
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Djelo Ángela Ganiveta i Generacija 98
En la parte introductoria del presente trabajo, nos ocuparemos del periodo histórico en el que actuaba Ángel Ganivet, conocido como la Restauración. En aquel entonces los españoles esperaban del nuevo monarca, Alfonso XII, que acabara con la inestabilidad política española. El rey, según la Constitución de 1876, era el encargado de administrar el poder entre los partidos políticos. Sin embargo, desde que comenzó el nuevo sistema de elecciones y siendo adoptado el sistema parlamentario inglés, nunca en todo el siglo XIX perdió las elecciones el partido que
las convocaba. Así pues, nos propondremos definir las características peculiares de la política vigente de Cánovas del Castillo cuyo sistema de alternancia en el poder marcó la segunda mitad del siglo XIX y trajo consigo repercusiones inevitables que culminaron con el “Desastre”, como pasó a llamarse la fulminante derrota de las tropas españolas en 1898. Después del “Desastre”, el ánimo de los españoles cayó abruptamente desde el entusiasmo al pesimismo y la frustración. La grave crisis en la que se hallaba España a fines del siglo XIX se convertiría en la principal
preocupación de un puñado de intelectuales, que más adelante serían conocidos como la
Generación del 98.U uvodnom dijelu bavit cemo se povijesnim razdboljem u kojem je djelovao Ángel Ganivet, poznatije kao doba restauracije. Međutim, nakon tzv "Katastrofe", dotad pun entuzijazma, duh Španjolaca je postao pesimističan. O toj krizi koja se dogodila u Španjolskoj krajem 19.stoljeća puno će pisati intelektualci nadalje poznatiji kao Generacija 98
A Sociolinguistic Study of Visually Impaired Students of English in Croatia
Vision plays an important role in learning in general, which is why many believe that visually impaired learners (VILs) cannot be successful in acquiring a foreign language. It is not uncommon that the VILs themselves feel this way, too, which is why the purpose of this research was to look into how VILs perceive themselves as students of English as an L2. The subjects of this case study were 3 partially sighted and 2 blind high school students enrolled at the Vinko Bek Centre for Education and Rehabilitation of the Visually Impaired. By using the methods of participant and non-participant observation and sociolinguistic interview, this paper examines how family as a social factor in SLA, social and educational settings in which the VI students grow up and psycholinguistic factors such as aptitude, motivation, learned helplessness and coping mechanisms affect their self-perception and success. The study confirms the initial hypothesis that family members, the VILs’ social background and the environment in which they grow up affect their attitudes towards language learning and their success. It also underlines the importance of the psycholinguistic factors in the self-evaluation of the subjects and offers some implications for teachers working with VILs in mainstream schools
Literary practice of Croatian writers in Germany 1990-2013
U ovome su radu opisane i analizirane književne prakse hrvatskih pisaca koji su živjeli i stvarali u Njemačkoj u razdoblju od 1990. do 2013. godine, tj. od raspada Jugoslavije do ulaska Hrvatske u Europsku uniju. Budući da na književnu produkciju bitno utječe društveno-ekonomski položaj i radno-pravni status autora, za potrebe ovoga rada odredili smo tri skupine Hrvata, a time i hrvatskih pisaca koji su u promatranom razdoblju živjeli i radili u Njemačkoj: pisci politički emigranti, pisci hrvatski službenici te pisci ekonomski migranti, odnosno pisci potomci ekonomskih migranata. Od pisaca političkih emigranata, tj. osoba koje su primarno iz političkih razloga, zbog neslaganja s političkim sustavom, emigrirale u Njemačku opisali smo i kontekstualizirali književno stvaralaštvo Malkice Dugeč, Vjenceslava Čižeka, Ivana Otta, Gojka Borića, Joze Mršića i Hrvoja Lorkovića. Od pisaca hrvatskih službenika, osoba koje su hrvatska država ili Katolička crkva u Hrvata uputile na rad u inozemstvo kao diplomate, svećenike, učitelje i slično te koji ne pripadaju u emigrante niti u migrante u uobičajenom smislu riječi, analizirali smo stvaralaštvo Joze Župića, Adolfa Polegubića, Acije Alfirević, Luke Markovića, Miroslava Lovčanina i Mladena Lucića. U skupini ekonomskih migranata i potomaka ekonomskih migranata kojoj pripada ogromna većina, više od 99 % naših sunarodnjaka, mogu se prepoznati dva naraštaja pisaca, mlađi i stariji. Od autora starijeg naraštaja u istraživanju smo obuhvatili djelo Irene Vrkljan, Dragutina Trumbetaša, Nade Pomper Gulije, Zdravka Luburića, Zvonka Plepelića i Pere Mate Anušića. Mladi naraštaj su najčešće potomci, druga generacija ekonomskih migranata, koji uglavnom pišu na njemačkome jeziku i koriste specifične „hrvatske“ teme i motive. Djela Jagode Marinić, Marice Bodrožić, Nicola Ljubića i Nataše Dragnić integralan su dio njemačke književnosti, ali kako u definiranju identiteta treba biti otvoren, čitamo ih i kao djela hrvatske književnosti. Od autora mlađe generacije koji pišu na hrvatskome jeziku ističe se Marijana Dokoza. U istraživanju je korištena literatura o djelima navedenih autora te stručni i znanstveni radovi iz drugih područja (filozofije, sociologije, politologije, itd.), uz naglašen analitički, komparatistički i interdisciplinaran pristup, u prvome redu kroz imagološku prizmu. U radu je istražena interakcija hrvatske i njemačke književne kulture. Istražen je i dvosmjerni utjecaj književne produkcije i skupine u kojoj nastaje. Premda je u našem vremenu izmijenjena društvena funkcija književnosti i ključni čimbenici nacionalne identifikacije, rad pokušava utvrditi utjecaj književnih praksi navedenih pisaca na očuvanje i razvijanje hrvatskoga identiteta naših sunarodnjaka koji žive u Njemačkoj.In this thesis are described and analysed literary practices of Croatian writers who lived and wrote in Germany during the period from 1990 to 2013, from the disintegration of Yugoslavia to the accession of Croatia to the European Union. Since literary production is largely influenced by the socio-economic position, occupational and legal status of the author, for the purpose of this thesis we have defined three groups of Croats, and consequently of Croatian writers who lived and worked in Germany within the studied time frame: writers political emigrants, writers Croatian civil servants and writers economic migrants, or writers descendants of economic migrants. We corroborate such subdivision by the fact that there are two outstanding groups of our compatriots in Germany according to their position and role in the society: political emigrants and Croatian civil servants, while all others, regardless of their extreme heterogeneity, can be defined as economic migrants in the sense of their position and status. Political emigrants, i.e. persons who emigrated to Germany primarily for political reasons, because they disagreed with the political system, which was why their very lives were often threatened, represent a quantitatively small but by their literary production and especially by their cultural activities a very important group. In the literary work of Malkica Dugeč, Vjenceslav Čižek, Ivan Ott, Gojko Borić, Jozo Mršić, Hrvoje Lorković and others, their political activism is continuously present, their engagement for radical socio-political changes in the homeland. The establishment of the sovereign Croatian state brings a huge change into their lives and some of them, after the initial enthusiasm, become somewhat disoriented since the key goal of their political struggle is achieved: a sovereign and independent Republic of Croatia is established but it is of course different from the Croatia that all of them and every one of them have dreamed of and longed for. Their contacts with the homeland intensify, some of them even return to Croatia, which is reflected in their style, motifs and themes of their writing. In the thesis, we have dealt in more detail with the literary creation of the productive poetess Malkica Dugeč, a long time active participant of the cultural and political struggle in the Croatian emigration, whose work has a certain reception even in the homeland and who is the winner of several relevant literary awards. The second group that we have selected is represented by our countrymen who conditionally fall under a common denominator – Croatian civil servants. The persons in question have been detached by the Croatian state or Catholic church to work at foreign posts as diplomats, priests, teachers and the like. They do not belong to emigrants or migrants in the usual sense since their employer is the Catholic church or one of the central administrative bodies of the Republic of Croatia and their primary professional assignment is to act in the educational, political and/or religious sense in Croatian communities and in the non-segmented German society. It is noticeable that in this group as well literary production is very frequent, which of course is not astonishing taking into account the sociological structure and lifestyles of the representatives of this group. We have analysed the creation of Jozo Župić, Adolf Polegubić, Acija Alfirević, Luka Marković, Miroslav Lovčanin and Mladen Lucić. The representatives of this group, in their professional engagement as well as in their literary work, often possess a thread, even intention, of “enlightenment”. This can also be observed in the literary creation of an author whose work we have researched more in detail, Fr. Jozo Župić, a priest who is active for decades in Croatian Catholic missions in Germany, who was a columnist of a Croatian daily newspaper for a number of years and whose short stories are very popular among our countrymen abroad, but also have a reception in the homeland. All the other Croats belong to a heterogeneous and very numerous group of economic migrants, whether they are „Gastarbeiter“ in the narrowest meaning of the word, who went to Germany from the 60ies in the 20th century until today to seek their fortune, or persons who came to Germany for the reasons of marriage or family reunification, or persons who came to Germany for study or professional training, or persons who left Croatia or Bosnia and Herzegovina as refugees during the Homeland war and have, all of them, stayed on in Germany first of all because of better living conditions. This group comprises a vast majority, more than 99% of our compatriots, so that in this regard and compared to the two earlier mentioned groups a proportionally relatively more modest literary production can be stated. But undoubtedly there are numerous and very productive authors among them, some of which are a part of the canon of Croatian and/or German literature. From the older generation authors, we have included Irena Vrkljan, Dragutin Trumbetaš, Nada Pomper Gulija, Zdravko Luburić, Zvonko Plepelić and Pero Mate Anušić. We have studied more in detail the creative work of Irena Vrkljan, an established author who after having moved to Berlin continued her fruitful and rich literary work. At that time a very highly valued poetess in Croatia, i.e. Yugoslavia, continued to write poetry but she also wrote a few novels that reach the peak of literary production in Croatian literature at the turn of the millennium in general. It is a noticeable fact that in literature the young generation is strongly present, usually descendants, the second generation of economic migrants who for the most part write in German language about “Croatian” themes. It should be said that their literary works function very well as an integral part of German literature but since we live in the times when one should not be exclusive in defining identities but open and “inclusive” (“and” instead of “or”) this should not prevent us from reading them also as the works of Croatian literature. The most outstanding authors are Jagoda Marinić, Marica Bodrožić, Nicol Ljubić and Nataša Dragnić. The Croatian origin have in Germany very successful crime fiction writers Silvija Hinzmann and Zoran Drvenkar. A successful younger generation author who writes in Croatian is Marijana Dokoza. Since the aim of this thesis is to research and analyse the literary practices of Croatian writers who live and work in Germany, because of the specificity of her work, excellent reception in Germany as well as considerable reception in Croatia, we have analysed the literary creation of Jagoda Marinić who we regard as a Croatian and a German writer. Since the works of the listed authors, with the exception of Irena Vrkljan and partly Jagoda Marinić, Marica Bodrožić, Malkica Dugeč and Adolf Polegubić, do not have an appropriate reception in the homeland, it is an important aim of our research to describe and analyse their literary production as well as present and bring it closer to the Croatian literary public in order to create the preconditions for the integration of their works into the corpus of Croatian literature, and the works of certain authors even into the canon of Croatian literature. In the course of research for the purpose of professional description and definition as well as systematisation into the existing perception of Croatian literature, fundamental literature has been used from the field of literary history and literary theory, in addition available literature about the literary practices of the listed authors in the observed period as well as professional and scientific works from other fields: philosophy, sociology, political science etc., also stressing the analytical, comparatist and interdisciplinary approach to research. Since because of the very outstanding position and role of the images of Croatia, Yugoslavia and Germany in the vast majority of the works in question the imagological theory is very suitable, in this thesis, besides the fundamental research and systematisation of the corpus, the original literary material is processed through the imagological prism. In the thesis, a two-way influence is researched and confirmed, of the Croatian community in which it appears on the literary production as well as of the literary production on the community. Although in our time the social function of literature is changed and so are the key factors of national identification, the influence of literary practices of the listed authors on the conservation and development of the Croatian identity of our countrymen who live in Germany has been established
Analyzing ‘Interactive Narrative’ in Mobile Interactive Story Games
The aim of this thesis is to analyze interaction patterns in four mobile interactive story games. Seeing as the mobile gaming industry is currently at its highest point, it is not surprising to find that mobile gaming has become a rather popular form of entertainment. The games which are analyzed in this paper are Episode: Choose Your Story by Episode Interactive, Choices: Stories You Play by Pixelberry Studios, Chapters: Interactive Stories by CrazyMaple Studio, and My Story: Choose Your Own Path by Nanobit. The data was collected between April and July in 2019, and the main focus of the research was to thoroughly explore the first chapters of the stories which are immediately available to new players upon installing the games, and consequentially explain the elements and the structure of interactive narrative in these apps.
All data was analyzed, and a representative amount of textual and visual samples is provided in the paper. Narrative devices typically found in this genre are mentioned, defined, and followed by examples. Interactive game elements are described in detail. Furthermore, the economic aspect and the viability of the freemium model are also discussed
Application of the Verbotonal Method in Teaching Polish Language
U ovom radu govori se o učenju stranog jezika kao sveprisutnije ljudske potrebe te su prikazane neke od metoda poučavanja stranog jezika. Kroz povijest su se metode mijenjale, ali tendencija je da sve više stavljaju naglasak na komunikacijsku kompetenciju. Metoda kojoj je cilj upravo govoreni jezik je SGAV metoda koja se temelji na principima verbotonalnog sistema. Ona primjenjuje u svojoj metodologiji fonetsku korekciju izgovora po verbotonalnoj metodi. U ovom radu prikazana je primjena verbotonalne metode u poučavanju poljskog jezika kroz kratki tečaj poljskog jezika na početnom stupnju učenja. Prvo je napravljena usporedba materinskog jezika, u ovom slučaju hrvatskog jezika i stranog jezika, odnosno poljskog jezika. Osmišljene su lekcije koje se mogu obrađivati i pripreme sata za nastavnika.The aim of this thesis is to present some of the methods of foreign language teaching, due to the fact that foreign language learning is a contemporary necessity. Throughout the history those methods have changed where nowadays significant emphasis is being placed on communicative competence. The method which has as the aim spoken language is SGAV method, which is based on the principles of the Verbotonal system. In its methodology and according to the Verbotonal method, it applies phonetic speech correction. This thesis discusses application of Verbotonal method in Polish elementary language teaching, in
correspondence course. The initial attempt is to investigate the relationship between mother tongue and foreign language, in this case- Croatian and Polish. Presented materials, lessons and teacher lesson plans, can be used in the classroom
Jezična obilježja filipinskog engleskog u emisiji “Tonight with Boy Abunda”
This paper deals with the linguistic features of Philippine English on different levels of linguistic analysis, based on the corpus of three interviews from a Filipino talk show. The most important features of PE, as described in the literature on the subject, are summed up in the theoretical part of the thesis. The empirical part illustrates that apart from the well-known features found in the literature, there are also some other features, noticed in the present corpus, while some are in contrast with the assumptions from the literature on the subject. Some general conclusions were reached, especially on the phonetic level, based on the number of examples of one characteristic, while most of the other generalizations would have to be based on more extensive research
Usamljenost u dnevniku Divne Zečević
Divna Zečević ostavila je iza sebe opsežan dnevnik pisan od 1961. do 2006. Repetitivnost žanra dnevnika i tendencija negativnim temama u dnevniku Divne Zečević omogućuje da se analitički izolira tema usamljenosti. Tema će se analizirati kroz pregled glavnih motiva dnevnika: otpor malograđanskome, pozicija žene u patrijarhalnom društvu Hrvatske druge polovice dvadesetog stoljeća, obiteljski odnosi, pozicija Divne Zečević u akademskom i umjetničkom krugu i marginalnost uzrokovana njenim pripadništvom nacionalnoj manjini. Analiza će se koristiti teorijskim pregledima o žanru dnevnika i njegovoj problematičnoj poziciji u odnosu tekstualnosti dnevnika s kontekstom života van njega
Polish people in Zagreb – practices of maintaining and identity construction in the private and public sphere
Cilj rada bio je istražiti identitete Poljaka u Zagrebu, odnosno načine kako pojedinac njeguje svoj identitet kroz Poljsku kulturnu udrugu „Mikołaj Kopernik“, a kako ga njeguje unutar obitelji. Slijedeći teorijska polazišta o identitetu, istraživale su se prakse u privatnoj i javnoj sferi. Istraživanje se temelji na polustrukturiranim intervjuima s migranticama iz Poljske i njihovim potomcima. U epistemološko - metodološkom smislu polazilo se od cjelovito istraženih pojedinačnih slučajeva, a metodom životne priče ocrtalo se življeno migrantsko/manjinsko iskustvo. U istraživanju se pokazalo kako su javna i privatna sfera neodvojivi simbolički prostori. Privatna sfera je osobni prostor pojedinca, a javna sfera je prostor Poljske kulturne udruge u kojem se svi osobni identiteti doseljenika isprepliću i tvore inter-identitet Udruge. Takvim kreiranim identitetom Udruga se predstavlja javnosti, odnosno građanima Republike Hrvatske. U radu su opisane pojedine božićne i uskrsne prakse, s naglaskom na poljsku gastronomiju, koje su se pokazale najvažnijim pri održavanju, prenašanju i konstruiranju identiteta u obje sfere. Tijekom istraživanja proslava običaja, uočeni su kulturni procesi selekcije pojedinih elemenata tradicijske poljske kulture koji se upisuju u stvoreni identitet Udruge i askripcije određenih folklornih elemenata kao zajedničkih svim članovima Udruge.The aim of this thesis was to examine the identities of Polish people in Zagreb, namely the ways how an individual nurtures his identity through the Polish Cultural Association „Mikołaj Kopernik“ and within the family. Following the theoretical starting point of identity, practices in the private mode and the public face were examined. The research is based on semi-structured interviews with female migrants from Poland and their offspring. In the epistemological – methodological sense, the starting point were fully examined individual cases, whereas using the life story method a migrant/minority experience was depicted. The research showed that the public and private sphere were inseparable symbolical spaces – the private sphere is the personal space of an individual and the public sphere is the site of the Polish Cultural Association where all personal identities of the immigrants interwine and form the inter-identity of the Association. With such created identity the Association is presented to the public, i.e. to the citizens of the Republic of Croatia. The thesis describes some of the Christmas and Easter practices, with a focus on Polish gastronomy, which proved to be the most important in maintaining, transferring and constructing identity in both spheres. While examining celebrations of traditions, cultural processes of selection of individual elements of traditional Polish culture which are recorded in the created identity of the Association and ascription of certain folklore elements as common to all members of the Association were detected
Brončanodobne igle s lokaliteta Gođevo 2
Tema ovog diplomskog rada su igle pronađene na arheološkom nalazištu Gođevo 2. Spomenute
igle datiramo u početak kasnog brončanog doba koje na ovom području predstavlja kultura
Barice-Gređani, koja se rasprostire na prostoru od Okučana na zapadu do Županje na istoku, te u
Bosanskoj Posavini. Kulturu Barice-Gređani datiramo u vrijeme Br D i Ha A1, istovremena je s
kulturom Belegiš II koja se rasprostire na području Bačke, Banata, Srijema i istočne Slavonije, te
s virovitičkom kulturom koja se rasprostire na području Podravine, Međimurja i dijela zapadne
Slavonije (Ložnjak Dizdar 2005, str. 40).
Tijekom istraživanja je pronađeno deset brončanih igala različitih tipova glavica. U ovom radu
ćemo pokušati kronološki datirati spomenute igle, te ih povezati s iglama pronađenim u
Karpatskoj kotlini i srednjoj Europi. Stilsko-tipološkom analizom je utvrđeno da je riječ o više
različitih tipova igala. Pronađene su dvije topuzaste igle, dvije igle s bikoničnom glavicom, četiri
igle s glavicom u obliku čavla, jedna igla s glavicom u obliku trube, te jedna igla bez glavice. Na
temelju analiza, bilo je moguće smjestiti AN 80 Gođevo 2 u vrijeme početka kasnog brončanog
doba. Različiti tipovi igala i ukrasa obrađenih u sklopu ovoga rada, uklapaju se i potvrđuju
poznatu sliku početka kasnog brončanog doba, dok pojedini netipični primjeri ukrašavanja
upotpunjuju naše poznavanje lokalne metalurške proizvodnje
Problematika otuđenja u radovima Rousseaua i Marxa
Ovaj rad će pokušati objasniti koncept otuđenja u radovima J.J. Rousseaua kao i u radovima K. Marxa, s naglaskom na antropološku motivaciju oba filozofa. Otuđenje kao koncept se ne može opisati u potpunosti , ali je prisutno u polju filozofije još od vremena J.J. Rousseaua. Prvenstveno, otuđenje se pojavljuje u političkom smislu, otuđenjem čovjekovih prirodnih prava stvaranjem društva. No, otuđenje se ne svodi samo na političku sferu, ono se pojavljuje i u ekonomskom kao i društvenom smislu. Čovjek se više ne promatra kakav jest po sebi, već kako on izgleda drugima u društvu. Ekonomsko otuđenje kao teorija pojavljuje se u radovima K. Marxa u formi otuđenog rada. Čovjek se otuđuje kroz rad, od predmeta proizvodnje, samog rada, zatim sebe i drugih ljudi. Kao posljedica ekonomskog otuđenja kroz rad, čovjek postaje poput robe kapitalističkom društvu.This paper will try to explain the concept of alienation in the works of J.J. Rousseau as well as the works of K. Marx, with emphasis on the anthropological motivation of the two philosophers. Alienation or estrangement as a concept can not be fully explained in specific terms, yet it has been present in the field of philosophy since the time of J.J. Rousseau. First and foremost, it has been present in a political sense, through the estrangement of man's natural rights through the creation of society. But it can not be reduced to its political meaning. Alienation also appears in an economic and social sense. Man no longer views himself as he is, but as well as how he appears to others in society. Economic alienation is a theory present in the works of K. Marx, in the form of alienated labour. Man alienates himself through labour, from the product of his work, from the act of production. from himself and from others. As a consequence of economic alienation, man himself becomes a commodity in a capitalist society