Poznańskie Studia Polonistyczne. Seria Językoznawcza
Not a member yet
584 research outputs found
Sort by
Kajetan Kraszewski a kwestia unicka na Podlasiu w świetle Silva rerum. Wybrane problemy
Full text linkThe article presents Kajetan Kraszewski’s opinions on the Uniate Church in Podlasie, included in his Silva rerum. The views of the author of Kronika rodzinna (Family chronicle) are confronted with the statements of the researchers (mostly historians, literary scholars and linguists) within the broad context of the political, social and cultural life of the Polish-Lithuanian Commonwealth and the partition periods. By comparing research literature and excerpts from Silva rerum, the article analyses the effects of the Union of Lublin and the Union of Brest for the peasant community of Podlasie in the 1860s and 1870s. As presented in Kajetan Kraszewski’s Kronika, the tragedy of the followers of the Uniate Church in Podlasie resulted from the social and religious conditions that fuelled the divides during the time of the Russian partition (divide et impera). Kraszewski’s Silva rerum constitutes an image of the distance with which peasants treated Podlasie’s Uniate Church members, similar to the latter’s during the “masters’” uprising of 1863 (“in the masters’ uprising – we stayed aside watching”).The article presents Kajetan Kraszewski’s opinions on the Uniate Church in Podlasie, included in his Silva rerum. The views of the author of Kronika rodzinna (Family chronicle) are confronted with the statements of the researchers (mostly historians, literary scholars and linguists) within the broad context of the political, social and cultural life of the Polish-Lithuanian Commonwealth and the partition periods. By comparing research literature and excerpts from Silva rerum, the article analyses the effects of the Union of Lublin and the Union of Brest for the peasant community of Podlasie in the 1860s and 1870s. As presented in Kajetan Kraszewski’s Kronika, the tragedy of the followers of the Uniate Church in Podlasie resulted from the social and religious conditions that fuelled the divides during the time of the Russian partition (divide et impera). Kraszewski’s Silva rerum constitutes an image of the distance with which peasants treated Podlasie’s Uniate Church members, similar to the latter’s during the “masters’” uprising of 1863 (“in the masters’ uprising – we stayed aside watching”)
Między ziemią obiecaną a krainą rozczarowań – profile EUROPY we Wszystkich wojnach Lary Wojciecha Jagielskiego
Full text linkThe aim of the article is to point out and describe the profiles of the concept of EUROPE in Wojciech Jagielski’s non-fiction book All Lara’s Wars. Profiling in ethnolinguistics is a process of creating an individual image (profile) of a particular object. The profiles can be diverse, depending on what kind of aspects are important in shaping a particular subjective vision. Based on the linguistic analysis of the chosen quotes from the book, six profiles of EUROPE have been pointed out: promised land, open home, fortress, package, waiting room and land of disappointment. The common aspect which can be found in all the profiles is the geographical one. However, each profile is shaped differently and is dominated by one of the aspects: living, social or civilisational (cultural). Two of the profiles are positively valued (promised land and open home) and the other four are negatively valued, which leads to the conclusion that the image of EUROPE presented in the book is mostly characterised as pejorative.The aim of the article is to point out and describe the profiles of the concept of EUROPE in Wojciech Jagielski’s non-fiction book All Lara’s Wars. Profiling in ethnolinguistics is a process of creating an individual image (profile) of a particular object. The profiles can be diverse, depending on what kind of aspects are important in shaping a particular subjective vision. Based on the linguistic analysis of the chosen quotes from the book, six profiles of EUROPE have been pointed out: promised land, open home, fortress, package, waiting room and land of disappointment. The common aspect which can be found in all the profiles is the geographical one. However, each profile is shaped differently and is dominated by one of the aspects: living, social or civilisational (cultural). Two of the profiles are positively valued (promised land and open home) and the other four are negatively valued, which leads to the conclusion that the image of EUROPE presented in the book is mostly characterised as pejorative
Tezauronimiczny „skarbczyk” sztucznej biżuterii. Kilka uwag o nazwach własnych „drugorzędnych klejnotów”
Full text linkImitation jewellery, also known as “secondary gems”, has been people’s companion from antiquity. Its representative objects, however, have rarely been assigned their individualised proper names – thesauronyms. As an answer to the appeal of Polish art historians and museologists: Ewa Letkiewicz, Katarzyna Kluczwajd, Monika Paś and Dorota Zahel, this study is an attempt at a linguistic and culturological presentation of thesauronyms that signify: a pair of earrings, collar, ring, fur fastener clip, necklaces, brooches, duette brooches, jewellery series, collections, lines, sets, limited edition. The attention is also drawn to the specificity of thesauronyms distinguishing similar jewellery items and thesauronyms denoting many various and completely different referents. Moreover, motivation analysis, semantic and motivation analysis, and structural analysis of the names of imitation jewellery names has been conducted. The findings allowed for redefining, verifying, supplementing and extending the term thesauronym.Imitation jewellery, also known as “secondary gems”, has been people’s companion from antiquity. Its representative objects, however, have rarely been assigned their individualised proper names – thesauronyms. As an answer to the appeal of Polish art historians and museologists: Ewa Letkiewicz, Katarzyna Kluczwajd, Monika Paś and Dorota Zahel, this study is an attempt at a linguistic and culturological presentation of thesauronyms that signify: a pair of earrings, collar, ring, fur fastener clip, necklaces, brooches, duette brooches, jewellery series, collections, lines, sets, limited edition. The attention is also drawn to the specificity of thesauronyms distinguishing similar jewellery items and thesauronyms denoting many various and completely different referents. Moreover, motivation analysis, semantic and motivation analysis, and structural analysis of the names of imitation jewellery names has been conducted. The findings allowed for redefining, verifying, supplementing and extending the term thesauronym
Pojęcie przestępstwa lingwistycznego i jego typologie
Full text linkThe aim of the article is to formulate a definition of linguistic crimes as a specific type of crimes penalised in Polish criminal laws and to categorise them according to the following criteria: the nature of the perpetrator’s enforcement activities; the use of language or failure to use it; the length of the linguistic enforcement activities; the authorship of statements; the nature of the legal good to be protected. Human behaviour, which is legally classified as a linguistic offence, is performative in nature and therefore has the legal effect of making the offender criminally responsible and of imposing criminal sanctions on him/her by the competent state authorities. In the article, the performative function of language will be extended to include the notion of passive performativity, resulting from an offence committed as a result of the failure to use language in situations where its use is required by the legal system.The aim of the article is to formulate a definition of linguistic crimes as a specific type of crimes penalised in Polish criminal laws and to categorise them according to the following criteria: the nature of the perpetrator’s enforcement activities; the use of language or failure to use it; the length of the linguistic enforcement activities; the authorship of statements; the nature of the legal good to be protected. Human behaviour, which is legally classified as a linguistic offence, is performative in nature and therefore has the legal effect of making the offender criminally responsible and of imposing criminal sanctions on him/her by the competent state authorities. In the article, the performative function of language will be extended to include the notion of passive performativity, resulting from an offence committed as a result of the failure to use language in situations where its use is required by the legal system
W poszukiwaniu uniwersalnej metody upraszczania pism urzędowych i decyzji administracyjnych
Full text linkSince 2018, the key Polish offices have been signing the declaration for plain language, one of the key provisions of which is the call for the simplification of official documents sent to citizens. The aim of the article is to present the methods for simplifying texts, created at the University of Wrocław. The author focuses in particular on indicating the limitations of the proposed method in reference to administrative (fiscal) decisions and those decisions which are not documents from the legal perspective. The article presents examples of simplified documents and decisions.Since 2018, the key Polish offices have been signing the declaration for plain language, one of the key provisions of which is the call for the simplification of official documents sent to citizens. The aim of the article is to present the methods for simplifying texts, created at the University of Wrocław. The author focuses in particular on indicating the limitations of the proposed method in reference to administrative (fiscal) decisions and those decisions which are not documents from the legal perspective. The article presents examples of simplified documents and decisions
Wpływ dwujęzyczności na kształtowanie się urzędowej odmiany języka – na przykładzie średniowiecznych wielkopolskich rot sądowych
Full text linkThe article discusses Polish-Latin bilingualism of Polish medieval legal texts and its impact on the shaping of the official language variant. The article presents constructions that, in their own structure of court oath, include a form of set and often repeated formulas. These are: the formula of initial oath (Tako mi pomoży Bog i święty krzyż [so help me God and the holy cross]) and the comparative construction indicating the membership of a social class of the participants of the events (tako dobry jako sam [as good as himself]) or the material value (tako dobry jako [as good as]). These constructions would appear in the Polish text in Latin, both in full or shortened form, or they would be part in Polish, part in Latin. The stable form of constructions that appeared in Latin as calques due to the influence of Polish indicates that they became, as a result of the domination of the Latin template, vivid markers of the official style in medieval Polish.The article discusses Polish-Latin bilingualism of Polish medieval legal texts and its impact on the shaping of the official language variant. The article presents constructions that, in their own structure of court oath, include a form of set and often repeated formulas. These are: the formula of initial oath (Tako mi pomoży Bog i święty krzyż [so help me God and the holy cross]) and the comparative construction indicating the membership of a social class of the participants of the events (tako dobry jako sam [as good as himself]) or the material value (tako dobry jako [as good as]). These constructions would appear in the Polish text in Latin, both in full or shortened form, or they would be part in Polish, part in Latin. The stable form of constructions that appeared in Latin as calques due to the influence of Polish indicates that they became, as a result of the domination of the Latin template, vivid markers of the official style in medieval Polish
Cytaty i plagiaty. Tekst piosenki i wypowiedzi slamerskie w świetle prawa autorskiego
Full text linkThe most important function of copyright is the protection of products of creativity, property rights and personal creator. In this broad sense, the laws protecting the author are understood and accepted by practice all over the world. The main focus of this article is to analyse the lyrics of Polish songs whose authors entered the judicial path to investigate one’s rights, and to compare them with spoken word texts, which, due to frequent references to the works of other authors, could be considered illegal. The research material consists of open court judgments, song lyrics and recordings of slam poetry texts collected by the author.The most important function of copyright is the protection of products of creativity, property rights and personal creator. In this broad sense, the laws protecting the author are understood and accepted by practice all over the world. The main focus of this article is to analyse the lyrics of Polish songs whose authors entered the judicial path to investigate one’s rights, and to compare them with spoken word texts, which, due to frequent references to the works of other authors, could be considered illegal. The research material consists of open court judgments, song lyrics and recordings of slam poetry texts collected by the author
Agnieszka Piela, Słownik frazeologizmów z archaizmami. Pamiątki przeszłości, Wydawnictwo Naukowe PWN, Warszawa 2018, ss. 352
Full text linkRecenzja. Agnieszka Piela, Słownik frazeologizmów z archaizmami. Pamiątki przeszłości, Wydawnictwo Naukowe PWN, Warszawa 2018, ss. 352Recenzja. Agnieszka Piela, Słownik frazeologizmów z archaizmami. Pamiątki przeszłości, Wydawnictwo Naukowe PWN, Warszawa 2018, ss. 35
Arka Przymierza w Kronice, to jest historyi świata Marcina Bielskiego
Full text linkThis article discusses the ways in which the biblical Ark of the Covenant is presented in Marcin Bielski’s Kronika, to jest historyja świata (Chronicle, that is the history of the world). The analyses point to Bielski’s use of a loanword in the form of arka or archa, the word’s translations into skrzynia (chest), and a sequence of both these terms. Bielski’s ignoring of the biblical translations of this term is also emphasised by his choice of determiners for the Ark. A search for the sources that Bielski drew from for the names he used for the Ark of the Covenant in the Vulgate, P. Comestor’s Historia scholastica, the Hebrew Bible, and the known medieval and 16th-century translations of the Bible, allows for concluding that the author felt free and unrestricted in his choices and followed guidelines known to him alone.This article discusses the ways in which the biblical Ark of the Covenant is presented in Marcin Bielski’s Kronika, to jest historyja świata (Chronicle, that is the history of the world). The analyses point to Bielski’s use of a loanword in the form of arka or archa, the word’s translations into skrzynia (chest), and a sequence of both these terms. Bielski’s ignoring of the biblical translations of this term is also emphasised by his choice of determiners for the Ark. A search for the sources that Bielski drew from for the names he used for the Ark of the Covenant in the Vulgate, P. Comestor’s Historia scholastica, the Hebrew Bible, and the known medieval and 16th-century translations of the Bible, allows for concluding that the author felt free and unrestricted in his choices and followed guidelines known to him alone
Kilka uwag o języku i kontekście kulturowym Diariusza podróżnego hetmana Filipa Orlika
Full text linkThe article’s subject of interest is the language of the Travel Diary written by the Cossack hetman Pylyp Orlyk from 1720 to 1732 during a trip from Stockholm to Istanbul. The article refers to the so-called “macaronisation”, i.e. the saturation of the text with Latin and/or Italian words and borrowings from other languages, typical of Polish texts of the Baroque period. A large part is devoted to Turkish words because a significant part of Pylyp Orlyk’s journey went through the lands belonging to the Ottoman Empire in the eighteenth century.The article’s subject of interest is the language of the Travel Diary written by the Cossack hetman Pylyp Orlyk from 1720 to 1732 during a trip from Stockholm to Istanbul. The article refers to the so-called “macaronisation”, i.e. the saturation of the text with Latin and/or Italian words and borrowings from other languages, typical of Polish texts of the Baroque period. A large part is devoted to Turkish words because a significant part of Pylyp Orlyk’s journey went through the lands belonging to the Ottoman Empire in the eighteenth century