1,720,970 research outputs found
Kuroneko (1968, by Kaneto Shindo): Between Eastern and Western Theatre
Se analiza el filme Kuroneko (1968), de Kaneto Shindo, a partir de claves teatrales que sintetizan las formas de representación japonesa (fundamentalmente Kabuki y Noh, aunque también otras) y reminiscencias occidentales, de Sófocles y Shakespeare, entre otros, para conferir al conjunto un aire de escenografía física, de escenario teatral sin el que no tendrían lugar los acontecimientos de un relato eminentemente fantástico. Además, el imaginario tradicional japonés acerca de la metamorfosis de animales comparte espacio en Shindo con referentes iconográficos de la cultura occidental, como la figura de la sirena o la Venus Calipigia.The film Kuroneko (1968), by Kaneto Shindo, is analysed on the basis of theatrical keys that synthesise the forms of Japanese representation (fundamentally Kabuki and Noh, although also others) and Western reminiscences, of Sophocles and Shakespeare, among others, to give the whole an air of physical scenography, of theatrical stage without which the events of an eminently fantastic story would not take place. Moreover, the traditional Japanese imaginary about the metamorphosis of animals shares space in Shindo with iconographic references of Western culture, such as the figure of the mermaid or the Venus Calipigia
"Kuroneko Banzai" та "Nimbus Libere" як приклади антиамериканської військової пропаганди
У статті обґрунтовується роль анімації у пропагандистських кампаніях сторін протистояння під час Другої світової війни. Як приклади антиамериканської військової пропаганди аналізуються японський анімаційний фільм Kuroneko Banzai та французький анімаційний фільм Nimbus Libere, в яких були використані персонажі американських анімаційних фільмів. Установлено, що мета анімаційних інструментів в обох сторін протиборства була однакова - принизити ворога й дати вихід емоціям солдатів та населення. Разом із тим, способи досягнення цієї мети в авторів анімаційних пропагандистських фільмів відрізняються, якщо японські фільми намагаються демонізувати американців і зобразити їх як злих загарбників, то американські вдаються до прямого глузування та грубого гумору щодо японців та німців. На думку автора, це пов'язано з культурними відмінностями мілітаристських Японії та Німеччини та демократичних США
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
Struktur dan Makna Idiom Bahasa Jepang pada Manga Kuroneko To Majou No Kyoushitsu
Penelitian ini membahas mengenai idiom pada manga Kuroneko to Majou no Kyoushitsu volume 2. Penelitian ini menggunakan metode deskriptif kualitatif. Idiom dikumpulkan dari sumber data dengan menggunakan metode simak dengan teknik catat. Idiom yang sudah dikumpulkan pada sumber data kemudian dicari maknanya dan definisi pada Reikai Kan’yoku Jiten dan kamus elektronik, serta dianalis dan diklasifikasi bedasarkan makna dan struktur idiom. Hasil penelitian didapatkan 24 idiom pada sumber data dan menjelaskan idiom berdasarkan pada makna, struktur dan unsur pembentuk idiom. Bedasarkan maknya didapatkan hasil bahwasanya idiom kelompok I merupakan idiom terbanyak dengan 10 buah idiom. Bedasarkan strukturnya didapatkan hasil bahwasanya idiom verba merupakan idiom terbanyak dengan 17 buah idiom. Makna idiom kelompok 1 yang terbanyak yang ditemukan pada sumber data adalah perasaan yang berhubungan dengan respon yang didasari oleh situasi di sekita
koamabayili/VECTRON-author-checklist: VECTRON author checklist
We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
- …
