1,720,955 research outputs found
Ragam Kendangan Jogedan dalam Wayang Wong Golek Menak Gaya Yogyakarta Lakon Bedhahing Ambarkustub: Garap dalam Iringan Tari
Penelitian ini ini bertujuan untuk mengungkap beberapa hal dan permasalahan mengenai ragam kendangan jogedan wayang wong menak gaya Yogyakarta mengingat bahwa kemunculannya memiliki latar belakang yang berhubungan dengan adanya 16 tipe karakter dalam wayang golek menak gaya Yogyakarta. Penelusuran dilakukan melalui pengamatan yang detail terhadap intonasi, artikulasi, aksentuasi dan sekaran pada masing-masing jenis kendangan wayang golek menak dalam hubungannya identifikasi karakter tokoh beserta koreografinya. Bedhahing Ambarkustub merupakan salah satu pethilan cerita wayang golek menak yang digunakan sebagai sample penelitian ini. Metode yang digunakan dalam penelitian ini adalah metode kualitatif. Sifat kualitatif dalam penelitian ini adalah untuk memaparkan adanya ragam kendangan jogedan beksa golek menak gaya Yogyakarta melalui penelusuran yang berdasarkan data-data yang otentik sekaligus menguji seberapa jauh garap kendangan jogedan dalam mendukung presentasi pertunjukan seni tari khususnya tari klasik gaya Yogyakarta. Kegiatan observasi akan mengungkap gambaran sistematis terhadap objek yang dipilih yakni wayang wong menak lakon Bedhahing Ambarkustub. Hasil penelusuran ini diharapkan dapat memperluas kajian ilmu karawitan khususnya gending beksan atau karawitan tari. Penulis berharap bahwa melalui penelitian secara mendalam tentang pakem kendangan jogedan menak gaya Yogyakarta ini, maka kelestarian dan perkembangan iringan wayang golek menak dapat berlangsung lebih dinamis This study aims to reveal a number of issues and problems regarding the variety of Yogyakarta-style wayang wong constraints given that its emergence has a background that relates to the existence of 16 types of characters in the puppet show that resemble the Yogyakarta style. The search was carried out through detailed observations of the intonation, articulation, accentuation and current in each type of fearful wayang golek in relation to identifying the character of the character and the choreography. Bedhahing Ambarkustub is one of the great examples of puppet stories used as a sample of this study. The method used in this research is qualitative method. The qualitative nature of this study is to explain the variety of jogedan beksa golek constraints that are Yogyakarta style through search based on authentic data while testing how far the jogedan ride is worked in supporting the presentation of dance performances, especially Yogyakarta style classical dance. Observation activities will reveal a systematic picture of the object chosen, namely the wayang wong, the play of Bedhahing Ambarkustub. These search results are expected to expand the study of karawitan science, especially music beksan or karawitan dance. The author hopes that through in-depth research on the design of the jogedan vehicle to be of the Yogyakarta style, the preservation and development of the great puppet show can take place more dynamicall
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Pyang Pyung: Sebuah Komposisi Karawitan
Karya seni “Pyang Pyung” ini merupakan apresiasi seni musik gamelan Jawa yang sesungguhnya tidak statis, namun tetap dapat dikembangkan seiring kemajuan zaman. Minoritas kempyang dalam instrumen gamelan merupakan potensi yang diolah sehingga karya ini merupakan wujud dari keinginan penulis untuk menunjukkan makna subyektif dari benda yang begitu kecil sehingga bisa membawa potensi luar biasa sebagai subyek seni dalam penciptaan musik. Adanya polaritas dan estetika antara siliran dan musikalitas kêmpyung sebagai jenis kombinasi dua nada, dipandang oleh penulis sebagai dua titik menarik kontras dalam dinamika penciptaan karya seni, terutama komposisi karawitan. Kêmpyang dan kêmpyung adalah dua bentuk kombinasi nada yang bisa disesuaikan untuk saling melengkapi dan keduanya berperan dalam membangun dinamika musik gamelan melalui efek suara dan karakter yang mampu diciptakan. Keduanya merupakan potensi dari substansi dasar musikal karawitan dimana kontras setiap efek suara yang nampaknya seimbang sesuai dengan persepsi estetika penyajian dan orientasi penulis melalui penciptaan komposisi musik yang menggabungkan kedua kombinasi seperti dua hal berlawanan yang saling melengkapi dalam keseimbangan harmoni komposisi musik nusantara
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Author-wise bibliometric analysis based on entropy.
Author-wise bibliometric analysis based on entropy.</p
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