1,721,259 research outputs found
Xu Fu-Yuan's Life Feelings during the Transitional Period between the Ming and Qing Dynasty
No full textXu Fu-Yuan (\ue5\ube\ue5\uad\ue9\ua0) was a famous writer in the late Ming Dynasty (\ue6\ue5\uad\ua3)\uef\ubcand started Ji Club (\ue5\ub9\ube\ue7\ua4\ube) with Chen Zi-long (\ue9\ub3\ue5\uad\ue9\ube) and Xia Yun-yi (\ue5\ua4\ue5\ue5\ubd). When the Ming (\ue6) government was overthrown by the Qing (\ue6\ub8)government .he chose to forsake his family to overturn the Qing (\ue6\ub8) government and then experienced several emperors of Nan Ming dynasties (\ue5\ue6). The poems written during he left the hometown to overturn the Qing (\ue6\ub8) government in\ue2 Diao-Huang-Tang Manuscripts\ue2
(\ue3\ue9\ua3\ue7\ue5\ua0\ue5\uad\ue7\ua8\ubf\ue3)and\ue2 Jiao-Xing Manuscripts\ue2(\ue3\ue4\uba\ua4\ue8\ua1\ue6\ue7\ua8\ubf\ue3)total early2800.People
could hardly get the Diao-Huang-Tang Manuscripts(\ue3\ue9\ua3\ue7\ue5\ua0\ue5\uad\ue7\ua8\ubf\ue3)so the critics and researches in the Ming literature are very poor, and there are some questions must be settled in the Taiwan literature. Therefore, the study is on the two books to explore his life feelings during the Ming (\ue6) and Qing (\ue6\ub8).
The subjects of this study comprises the life and writings of Xu Fu-yuan, social association, self-identification, feelings, ocean writing, and Taiwan writing. By researching in depth on Xu Fu-Yuan (\ue5\ube\ue5\uad\ue9\ua0) and his poems, we discover something .For example, first, we confirm he went to Jiao Nan (\ue4\uba\ua4\ue5) in February ,12th year of Yong-li (\ue6\ub0\ub8\ue6). Second, we get Xu Fu-Yuan\ue2s (\ue5\ube\ue5\uad\ue9\ua0) friends in his poems more than 140.It not only helps us to understand him more but fill the records in Nan Ming dynasty. Third, his ocean writings have plenty of subjects and varied images. Fourth, according to\ue2 Diao-Huang-Tang Manuscripts\ue2(\ue3\ue9\ua3\ue7\ue5\ua0\ue5\uad\ue7\ua8\ubf\ue3), he came to Taiwan with his wife and his childe to reclaim lands in 1rt year of Kangxi (\ue5\uba\ub7\ue7). In addition, the poem \ue2peach blossom\ue2 (\ue3\ue6\ua1\ue8\ub1\ue3) and \ue2mourn for Zhang Gong-SHi\ue2aren\ue2t written in Taiwan.
Generally speaking, Xu Fu-Yuan (\ue5\ube\ue5\uad\ue9\ua0) has an extremely important historical value in Taiwan literature ,Chinese literature
Low Impact Development Intensive Rural Construction Planning in Xu Fu Village Ningbo, China: Planning Review through Rural Resilience Perspective
Full text linkXu Fu Village Ningbo LID Intensive Rural Construction Planning is a cooperation project between Zhejiang University and Ningbo Institute of Technology which named "12th Five-Year National Science and Technology support program-the comprehensive demonstration of the key technology of the beautiful rural construction in the rapid urbanization area of the Yangtze River Delta". This plan focuses on intensive rural construction as part of rural development and construction project that applies the principles of low impact development. Xu Fu Village located in the Yangtze River Delta Region. Currently, the rural growth brings the high impact of development, as a result of rapid urbanization growth arising several issues, such as low land use efficiency, dispersed rural residence, homestead occupies more, rural roads covering over, etc. Meanwhile, Xu Fu village wishes to develop its tourism potential. Thus, the intensive rural construction should be done to avoid the severe effect. The project result hopefully can improve the quality and level of rural residential planning, design, and construction; improve their living environment; save construction land and water use; and improve energy efficiency. The aim of this study is to review the Low Impact Development (LID) Intensive Rural Construction in Xu Fu Village, Ningbo City through the rural resilience perspective. This paper will describe the project plan first, then review it through rural resilience perspective. This paper will elaborate the rural resilience theory and then review the rural resiliency through two parts; the first part is identifying rural resilience in rural infrastructure development based on the criteria created by Ayyob S. and Yoshiki Y. (2014), about urban resiliency criteria, and then the second part is reviewing Xu Fu Village resilience through Arup Resilience Qualities (2012), considering three rural resilience domain (economy, ecology, and cultural)
Legends and Places Remembered in Connection with Xu Fu in Saga City
Full text link秦の始皇帝の命を受け、不老不死の仙薬を探すために、徐福（ジョフク）が日本に渡来したという伝説は、日本最北の地 北海道から最南端の鹿児島県に至るまで、全国に伝承されている。本論文では、筆者がさまざまなロマンにあふれる佐賀県佐賀市の徐福ゆかりの地を訪れ、人々に語り継がれてきた徐福伝説の歴史と現状を考察する。地元に語り継がれている口碑と文字記録として残された史料などを併せて分析すると、徐福伝説が地元で盛んに流布されていた時代は、江戸時代であろうと推測される。 佐賀市には徐福に関わるさまざまな地名や事物、伝説がある。浮盃（ブバイ）・寺井・千布（チフ）という地名は、徐福伝説に由来するといわれ、古くから地元の人々に語り継がれてきた。事物としては、「徐福が持ってきた」といわれている樹齢2200 年のビャクシンの古木がある。また、筑後川に生息する「エツ」という川魚は、葦の片葉が川面に落ちて生まれたという伝承や、徐福が見出した「フロフキ」という仙薬もある。伝説としては、徐福と地元の娘のお辰との悲恋伝説がある。地元の住民たちは、この伝説を熟知し、情熱を傾けて語り継いでいる。さらに、佐賀市に伝わる口碑によると、徐福は不老不死の仙薬を探すため、金立山に登り、地元の金立神社の祭神となったといわれる。往古から住民たちの信仰を集め、「金立大権現」と呼ばれて祭られている。このように徐福伝説は、佐賀市でさまざまな形で伝えられ、地元に融合し、生き生きと伝承されている。 民間伝承として伝わる徐福伝説は、関連する事物によって、地元の人々に記憶として刻み付けられている。特に、雨乞い行事と金立神社例大祭が行われる時期になると、徐福伝説にちなんだ事物は、その伝説に対する記憶を思い出す糸口となり、古くからの徐福信仰の記憶を呼び戻しながら、また新たな信仰の記憶を構築する。本論文は佐賀県佐賀市の徐福伝説にまつわる事物の調査や、地元の人々に対する聞き取り調査を基に、徐福伝説が佐賀市で定着し、語り継がれている背景や要因と、その伝承形式を明らかにするものである。Tradition has it that a court sorcerer named Xu Fu traveled to Japan to find the elixir of life at the command of Qin Shi Huang. This legend has been passed down from generation to generation throughout the country, from Hokkaido in the north to Kagoshima in the south. This paper examines how the legends surrounding Xu Fu have been handed down through oral tradition until today, based on the findings of the author’s visits to places imbued with romantic tales about this fabled figure in Saga City, Saga Prefecture. From an analysis of local folklore and written historical records, the legends of Xu Fu are believed to have circulated most widely in this area during the Edo period. Various place-names, objects, and legends in Saga City have some connection with Xu Fu, and the locals have claimed for ages that the names of places such as Bubai, Terai, and Chifu have their roots in these legends. Among the many objects connected with Xu Fu is a 2,200 year-old Chinese juniper said to have been planted by the wizard himself. Another example is “etsu,” the Japanese grenadier anchovy that inhabits the Chikugo River, which tradition says was born from a reed’s leaf plucked by Xu Hu that fell to the water’s surface. There is also the mythical medicinal herb called “furofuki,” the elixir supposedly discovered by Xu Fu in the area. As far as the actual legends are concerned, there is the story of his tragic love affair with a local girl named Tatsu. This tale is well known to Saga residents, who have passed it down fervently for generations. Another legend told in Saga City is that Xu Fu climbed Mount Kinryu to look for the elixir and became a deity enshrined in the local Kinryu Shrine. As the incarnation of Buddha, he has been embraced and worshiped by local residents from ancient times. As described above, the legends of Xu Fu have been actively handed down in various forms and integrated into the everyday life of the locals. Xu Fu folklore has been etched into the local people’s memory through objects that serve as reminders. For example, when the locals hold the ritual to pray for rain or during the Kinryu Shrine festival, particular objects associated with the legends call to mind stories about the sorcerer, with the locals recollecting and renewing their memories of the long-standing beliefs in Xu Fu. Based on research of the objects connected with the Xu Fu legends and interviews with local people in Saga City, this paper aims to explain why and how these legends took root and have been passed down for generations in this city.論文departmental bulletin pape
Pelliot chinois 2797
No full textContient : [Xiang shu 相 書 par Xu Fu 許 負 et autres] ; Ji you nian li ri 己 酉 年 曆 日Numérisation effectuée à partir d'un document original
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Xu Fu Guan on \ue2\ue2Harmony\ue2\ue2 in his Thought of Music
No full textThis thesis aims to cultivate the concept of \ue2the culture of the heart,\ue2 which was proposed by Xu Fu Guan in Chinese Art Spirit (1966). I hope to delineate the Confucian and Taoist thoughts on the concept of \ue2Harmony.\ue2 In the course of collecting secondary resources on Chinese Art Spirit, I found that \ue2Harmony\ue2 is a core value in terms of arts, society and the human mind. Therefore, I strive to extend the academic statement on the concept of \ue2Harmony of Confucian music cultivation,\ue2 \ue2Harmony of the human mind\ue2 and \ue2Harmony of music,\ue2 while simultaneously trying to combine the aforementioned concepts with other essential statements in Chinese Art Spirit. By doing so, I hope to position the concepts of \ue2the culture of the heart\ue2 and \ue2Harmony\ue2 in individual morality, social morality and Confucian music cultivation in both Chinese and Western arts of music. I then contend that Confucian and Zhaung Zi\ue2s aesthetics can be divided into what Kant termed as Free Beauty (Pulchritudo Vaga) and Dependent Beauty (Pulchritudo Adhaerens). Last but not least, I aim to figure out how our \ue2minds\ue2 experience \ue2Harmony\ue2 with the aid of music theory, theory of harmony, art of music and music performance in modern music
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