333 research outputs found

    ? Authors’ reply

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    International audienceLINKED CONTENT This article is linked to Roblin et al papers. To view these articles, visit https://doi.org/10.1111/apt.16852 and https://doi.org/10.1111/apt.1688

    Special issue : A.S. Byatt

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    Gérald Préher, Xavier Le Brun et Emmanuel Vernadakis / ForewordArmelle Parey, Isabelle Roblin et Émilie Walezak / Introduction - Woman WriterCelia Wallhead / Material Things in the Struggle of the Female Writer/Artist in the Stories of A. S. ByattÉmilie Walezak / Women and Myths in A. S. Byatt’s Anthology, Medusa’s AnklesAlexandra Cheira / “A Jinx is Feared . . . Knowledge Must Be Paid For”: The Configuration of the Ageing Woman as Crone and Witch in A. S. Byatt’s “The Dried Witch” - Fairytale StorytellerMarzia Beltrami / Fairy-Tale Strategies Revisited: Constraints as Sources of Creativity and Ethical Reflection in A. S. Byatt’s Fairy StoriesFrancesca Arnavas / “The Silver Glaze of the Mirror”: Fire and Ice in Byatt’s Fairy Tales - Time, Space, EthicsBarbara Franchi / Material and Geographical Intertextualities in Elementals: Stories of Fire and Ice Carmen Lara-Rallo / Traces and Polytemporality in A. S. Byatt’s Short Stories Jennifer Preston Wilson / Seeing Together: Shared Attention in A. S. Byatt’s Short Stories - RevisionsHelen E. Mundler / Revisiting “Medusa’s Ankles” in the Light of the 2018 Film AdaptationPeter D. Mathews / A. S. Byatt’s “On the Day that E. M. Forster Died” and the Ambivalence of ConnectionArmelle Parey, Isabelle Roblin et Émilie Walezak / A. S. Byatt’s Short Fiction: A Bibliograph

    Special issue : A.S. Byatt

    No full text
    Gérald Préher, Xavier Le Brun et Emmanuel Vernadakis / ForewordArmelle Parey, Isabelle Roblin et Émilie Walezak / Introduction - Woman WriterCelia Wallhead / Material Things in the Struggle of the Female Writer/Artist in the Stories of A. S. ByattÉmilie Walezak / Women and Myths in A. S. Byatt’s Anthology, Medusa’s AnklesAlexandra Cheira / “A Jinx is Feared . . . Knowledge Must Be Paid For”: The Configuration of the Ageing Woman as Crone and Witch in A. S. Byatt’s “The Dried Witch” - Fairytale StorytellerMarzia Beltrami / Fairy-Tale Strategies Revisited: Constraints as Sources of Creativity and Ethical Reflection in A. S. Byatt’s Fairy StoriesFrancesca Arnavas / “The Silver Glaze of the Mirror”: Fire and Ice in Byatt’s Fairy Tales - Time, Space, EthicsBarbara Franchi / Material and Geographical Intertextualities in Elementals: Stories of Fire and Ice Carmen Lara-Rallo / Traces and Polytemporality in A. S. Byatt’s Short Stories Jennifer Preston Wilson / Seeing Together: Shared Attention in A. S. Byatt’s Short Stories - RevisionsHelen E. Mundler / Revisiting “Medusa’s Ankles” in the Light of the 2018 Film AdaptationPeter D. Mathews / A. S. Byatt’s “On the Day that E. M. Forster Died” and the Ambivalence of ConnectionArmelle Parey, Isabelle Roblin et Émilie Walezak / A. S. Byatt’s Short Fiction: A Bibliograph

    Special issue : A.S. Byatt

    No full text
    Gérald Préher, Xavier Le Brun et Emmanuel Vernadakis / ForewordArmelle Parey, Isabelle Roblin et Émilie Walezak / Introduction - Woman WriterCelia Wallhead / Material Things in the Struggle of the Female Writer/Artist in the Stories of A. S. ByattÉmilie Walezak / Women and Myths in A. S. Byatt’s Anthology, Medusa’s AnklesAlexandra Cheira / “A Jinx is Feared . . . Knowledge Must Be Paid For”: The Configuration of the Ageing Woman as Crone and Witch in A. S. Byatt’s “The Dried Witch” - Fairytale StorytellerMarzia Beltrami / Fairy-Tale Strategies Revisited: Constraints as Sources of Creativity and Ethical Reflection in A. S. Byatt’s Fairy StoriesFrancesca Arnavas / “The Silver Glaze of the Mirror”: Fire and Ice in Byatt’s Fairy Tales - Time, Space, EthicsBarbara Franchi / Material and Geographical Intertextualities in Elementals: Stories of Fire and Ice Carmen Lara-Rallo / Traces and Polytemporality in A. S. Byatt’s Short Stories Jennifer Preston Wilson / Seeing Together: Shared Attention in A. S. Byatt’s Short Stories - RevisionsHelen E. Mundler / Revisiting “Medusa’s Ankles” in the Light of the 2018 Film AdaptationPeter D. Mathews / A. S. Byatt’s “On the Day that E. M. Forster Died” and the Ambivalence of ConnectionArmelle Parey, Isabelle Roblin et Émilie Walezak / A. S. Byatt’s Short Fiction: A Bibliograph

    From Parody to Rewriting: Margaret Mitchell’s GoneWith the Wind (1936) vs Alice Randall’s The Wind Done Gone (2001)

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    When after many difficulties, Alice Randall published The Wind Done Gone, the question of the very nature of the novel came to the foreground, from a constitutional as well as a literary standpoint: was it a parodic re-writing of Margaret Mitchell’s Gone With the Wind, and as such protected by the First Amendment; or was it just a “steal” of famous characters and situations, and as such submitted to the strict laws of copyright? The analysis of the various literary devices used by the author will show the subversive nature of the hypertext, which goes beyond simple parody

    —Ready for prime time?

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    International audienceLINKED CONTENT This article is linked to Sethi et al papers. To view these articles, visit https://doi.org/10.1111/apt.17313 and https://doi.org/10.1111/apt.1733
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