7,847 research outputs found

    CSC 520-001: Algorithms and Data Structures - course syllabus

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    3 pages.Submitted by Angela Kim ([email protected]) on 2010-04-26T20:48:36Z No. of bitstreams: 1 CSC 520-001 Algorithms and Data Structures_Angela Wu(3).pdf: 99781 bytes, checksum: 1129e69cfaaf984e2c27091908595266 (MD5)Made available in DSpace on 2010-04-26T20:48:36Z (GMT). No. of bitstreams: 1 CSC 520-001 Algorithms and Data Structures_Angela Wu(3).pdf: 99781 bytes, checksum: 1129e69cfaaf984e2c27091908595266 (MD5) Previous issue date: 2007-0

    CSC 520-001: Algorithms and Data Structures - course syllabus

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    4 pages.Submitted by Angela Kim ([email protected]) on 2010-04-07T16:21:47Z No. of bitstreams: 1 CSC 520-001 Algorithms and Data Structures_Angela Wu(4).pdf: 144150 bytes, checksum: dc3e134d7089ea3535486767ce62eafc (MD5)Made available in DSpace on 2010-04-07T16:21:47Z (GMT). No. of bitstreams: 1 CSC 520-001 Algorithms and Data Structures_Angela Wu(4).pdf: 144150 bytes, checksum: dc3e134d7089ea3535486767ce62eafc (MD5) Previous issue date: 2008-0

    Professor Angela Shannon

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    Angela Shannon shares her poetry with the Taylor community. Angela Shannon is the author of Singing the Bones Together, a 2004 Minnesota Book Awards Finalist. She teaches English at Bethel University. Her work has been published in journals, textbooks, and anthologies, including TriQuarterly, Ploughshares, Where One Ends Another Begins: 150 Years of Minnesota Poetry, and Beyond the Frontier: African American Poetry for the 21st Century. Her choreopoem Root Woman premiered at the Fleetwood-Jourdain Theater in Evanston, Ill

    BDES1020 Continuous City <Angela, Wu>

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    My building strongly embodies the relationship between the old and the new of Dubrovnik, and in a sense this also explores the concept of transformation. The function of the ‘Rooftop Theatre’ holds a strong correlation with the city’s cultural, traditional and architectural aspects, yet a move from the cities orthodox structures is also expressed in its form. Dubrovnik contains a culture heavily directed towards performing arts, theatres and music festivals. A factor which is further emphasised as the tourist industry of the city continues to grow, opening up local events such as the world renowned Summer Music Festival to a wider audience. As a result, this grants for the Rooftop Theatre to become a location of social gathering for both locals and tourists. The form of the building is influenced by an array of intentions relevant to its function and location. Known for its sea of orange terracotta tiled rooves there is almost an urge to climb and sit within it. An opportunity for this is allowed with a rooftop auditorium and stage, almost wedged between two sets of rooves. Furthermore, the simplistic figure of the proscenium arch is embodied in the buildings structure granting a strong correlation with its function. In expressing the old and the new, material choice was deeply considered. While the building conforms to Dubrovnik’s traditional infrastructure structures and materials (limestone and orange terracotta roof tiles) this was integrated with glass panels, concrete and laminated timber – materials fairly familiar within contemporary architecture. The result is a building which defines the relationship between the old and new of Dubrovnik

    Angela Shanté : 2022 Irma Black Award Silver Medal Acceptance Speech

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    Author Angela Shanté gives an acceptance speech for When My Cousins Come to Town, illustrated by Keisha Morris (West Margin Press)https://educate.bankstreet.edu/irma_black_awards/1004/thumbnail.jp

    The Family History of Angela Ruth Weidert

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    Angela Ruth Weidert authored this family history as part of the course requirements for HIST 550/700 Your Family in History offered online in Spring 2018 and was submitted to the Pittsburg State University Digital Commons. Please contact the author directly with any questions or comments: [email protected]

    Materia-autore = Author-Matter

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    The etymology of the word author refers to an act of creation, an act of augmentation, from the Latin verb augere. Author instantiates creation, the expansion of the pre-existing. In 1967 Roland Barthes declared the death of the author in his famous essay to state once more that the crisis is that of the author as a single subjectivity and as a term that condenses prestige, undermined by the de-subjectivation strategies of automatism, fortuity and fragmentation of the historical avant-gardes, as well as by the machinic act and by the reproducibility of the second avant-gardes. Fifty years after Barthes’ paradigmatic formula, this lack of authorship appears to be a successful brand. The ten- sions between the anomie of matter, the law that establishes authorship and the economy that makes the work pos- sible, invoke discordant perspectives. Artists make the self-destruction of their work the real work, and appeal is made for the demolition of architectures, whether by a recognised author or not, in order to re-design, or better still, re-claim the territory. Artificial intelligence consolidates its logics and its design by progressively shedding human ingenuity. The space of criticism becomes, finally, increasingly ephemeral. However, there is an acceptation of criti- cism that is, rather than an individual ‘signature’, an exploration and explanation of how design makes theory. The binomial author-matter seeks to mark these tensions and contradictions: the featured term author is main- tained to underline the persistence of that prestigious subjectivity, at the very moment when the rhetoric of “mat- ter as an author” promises other forms of authorship

    Giussani Sansoni, Angela

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    La scheda ricostruisce la vita e l'apporto della scrittrice Angela Giussani Sansoni alla letteratura per l'infanzia.The headword explains the biography and the contribution of the author Angela Giussani Sansoni to the children's literature

    Deliberation and journalism

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    The first chapter in 'International Journalism and Democracy' re-examines current ideas about the role of journalism in promoting democracy, introducing the concept of "deliberative journalism". 'Deliberation and Journalism' lists the ways in which journalists can assist deliberation and politics in communities around the world. The chapter defines deliberation as a specific form of conversation that precedes and promotes decision-making and action by members of a community. The author recognises the difficulty of engaging in deliberation in communities that are divided by different interests, identities, backgrounds, resources and needs. She provides examples of strategies that journalists can use to encourage inclusive and productive deliberation in the face of community diversity.\ud \ud The chapter introduces examples of types of deliberative journalism that have emerged around the globe. These include strategies that have been sometimes been labeled as public journalism, civic journalism, peace journalism, development journalism, citizen journalism, the street press, community journalism, environmental journalism, and social entrepreneurism. The chapter also includes models of journalism that have not yet been given any particular name. Although the book identifies problems surrounding the theory and practice of these forms of journalism, the author notes that this is to be expected. Most models of deliberative journalism are relatively new, with none being more than a few decades old. The author concludes that resolution of these problems will only occur incrementally

    Il tempo perduto delle donne nei racconti di Adriana Bittel: Cum încărunţeste o blondă, Soi bun, Departe-n zare, spre Azuga

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    Il contributo comprende la prima traduzione in italiano di tre racconti della scrittrice rumena Adriana Bittel, e un saggio sulle strategie narrative messe in atto da Bittel per descrivere lo spazio della socialità femminile nella Romania del periodo precedente al 1989The contribution consists of the translation into Italian of three short stories authored by the Romanian woman writer Adriana Bittel, entitled respectively, "How a Blond turns white", "Good Quality", “Far away in the horizon, towards Azuga”. Angela Tarantino, the author of the translation, adds to her work a presentation of Adriana Bittel and the narrative strategies used to describe the space of the women's sociality in Romania during the years previous to 198
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