15,440 research outputs found
Trey Wright and Laura Coyle Jazz Duo
Jazz duo featuring guitarist Trey Wright and singer Laura Coyle performing a special program together in Morgan Hall.https://digitalcommons.kennesaw.edu/musicprograms/1962/thumbnail.jp
Faculty Recital: Trey Wright Trey Wright (feat. Laura Coyle and Sean Thrower )
KSU faculty guitarist, Trey Wright and vocalist, Laura Coyle present an eclectic mix of music. Special appearance by guitarist and KSU Artist in Residence, Sean Thrower.https://digitalcommons.kennesaw.edu/musicprograms/2312/thumbnail.jp
The multilingual origins of standard English Topics in English linguistics ;, v. 107./ edited by Laura Wright.
Includes bibliographical references and index.Textbooks inform readers that the precursor of Standard English was supposedly an East or Central Midlands variety which became adopted in London; that monolingual fifteenth century English manuscripts fall into internally-cohesive Types; and that the fourth Type, dating after 1435 and labelled Chancery Standard, provided the mechanism by which this supposedly Midlands variety spread out from London. This set of explanations is challenged by taking a multilingual perspective, examining Anglo-Norman French, Medieval Latin and mixed-language contexts as well as monolingual English ones. By analysing local and legal documents, mercantile accounts, personal letters and journals, medical and religious prose, multiply-copied works, and the output of individual scribes, standardisation is shown to have been preceded by supralocalisation rather than imposed top-down as a single entity by governmental authority. Linguistic features examined include syntax, morphology, vocabulary, spelling, letter-graphs, abbreviations and suspensions, social context and discourse norms, pragmatics, registers, text-types, communities of practice social networks, and the multilingual backdrop, which was influenced by shifting socioeconomic trends.Introduction / Laura Wright -- 1. A critical look at previous accounts of the standardisation of English / Laura Wright -- 2. The 'vernacularisation' and 'standardisation' of local administrative writing in late and post-medieval England / Merja Stenroos -- 3. The linguistic character of manuscripts attributed to the Beryn Scribe : A comparative study / Maria Jose Carillo-Linares, Keith Williamson -- 4. Spelling practices in late Middle English medical prose : A quantitative analysis / David Moreno Olalla -- 5. Standardisation, exemplars, and the Auchinleck manuscript / Jacob Theisen -- 6. Bristol , and : The North-South divide revisited, 1400-1700 / Moragh Gordon -- 7. versus : Latin-based influences and social awareness in the Paston letters / Juan M. Hernandez-Campoy -- 8. Early mass communication as a standardizing influence? The case of the Book of Common Prayer / Terttu Nevalainen -- 9. Abbreviations and standardisation in the Polychronicon : Latin to English and manuscript to print / Alpo Honkapohja, Aino Liira -- 10. William Worcester's Itineraria : mixed-language notes of a medieval traveller / Herbert Schendl -- 11. The relationship of borrowing from French and Latin in the Middle English period with the development of the lexicon of Standard English : Some observations and a lot of questions / Philip Durkin -- 12. The role of multilingualism in the emergence of a technical register in the Middle English period / Louise Sylvester -- 13. More sugar and spice : Revisiting medieval Italian influence on the mercantile lexis of England / Megan Tiddeman -- 14. -mannus makyth man(n)? Latin as an indirect source for English lexical history / Richard Ashdowne -- 15. Communities of practice, proto-standardisation and spelling focusing in the Stonor letters / J. Camilo Conde-Silvestre -- 16. A comparison of some French and English nominal suffixes in early English correspondence (1420-1681) / Jesus Romero-Barranco -- 17. Textual standardisation of legal Scots vis a vis Latin / Joanna Kopaczyk -- 18. Rising living standards, the demise of Anglo-Norman and mixed-language writing, and standard English / Laura Wright.1 online resource (xi, 534 pages)
Frank Lloyd Wright Home and Studio
Studio, detail of porch capital; The Frank Lloyd Wright Home and Studio has been restored by the Frank Lloyd Wright Preservation Trust to its appearance in 1909, the last year Frank Lloyd Wright lived there with his family. Frank Lloyd Wright purchased the property and built the home in 1889 with a $5,000 loan from his employer Louis Sullivan. He was 22 at the time, and newly wed to Catherine Tobin. The Wrights raised six children in the home. The building was listed on the National Register of Historic Places in 1972 and declared a National Historic Landmark four years later. The original 1889 structure was quite small. The home was extensively remodeled in 1895, when among other changes the kitchen was enlarged and converted to a dining room, the upstairs nursery was expanded and converted for use as Catherine's dayroom, and the Children's Playroom and a new kitchen were added to the back of the house. A second major addition was made in 1898, when the Studio and Connecting Corridor were built. In the Studio, Frank Lloyd Wright and associated architects like Walter Burley Griffin and sculptor Richard Bock advanced the Prairie School of Architecture and designed many notable structures, including the Robie House, Unity Temple, the Laura Gale home, and the Larkin building. Source: Wikipedia; http://en.wikipedia.org/wiki/Main_Page (accessed 7/13/2008
Laura Wright, The Social Life of Words: A Historical Approach
In The Social Life of Words, Laura Wright articulates a “lexical sociolinguistics” by applying recent sociolinguistic theories to the historical study of the lexicon. In doing so, the author compellingly demonstrates how lexical variation may be explained upon the basis of social structure – similarly as for any language feature susceptible to variationist analysis, here with a qualitative philological methodology novel for the field.Though the English language is the object of study (other ..
Mindscapes: Laura Riding's poetry and poetics /
Tese (doutorado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão.Esta tese propõe uma leitura revisionista da poesia contemporânea através do exame do caso de um dos mais esquecidos escritores norte-americanos do século XX: Laura (Riding) Jackson (1901-1991). O objetivo é demonstrar que Riding não apenas possuía uma poética definida e singular, mas que ela permanece uma das instâncias mais extremas e paradoxais do modernismo anglo-americano, a ponto de Riding abandonar a escrita da poesia em 1938. Recorrendo a conceitos de "formação do cânone" bem como às noções de "discurso" e "função do autor", em Foucault, investigo a construção do cânone da poesia moderna anglo-americana, recuperando o contexto e as circunstâncias da ocultação de Riding. Enquanto cubro os "discursos" poéticos em circulação na primeira metade do século XX-o "imagismo" de Pound, a "dissociação da sensibilidade", "impersonalidade" e "tradição" de Eliot, a "unidade orgância" e "ambigüidade" da Nova Crítica-ofereço um panorama crítico de modernismos alternativos sendo articulados à época. Minha intenção é demonstrar que os poemas de Riding são expressões vigorosas de um escritor para quem "a mente pensando se torna a força ativa do poema", para usar a apta formulação de Charles Bernstein. Entre minhas descobertas sobre as várias e complexas razões que levaram à não-canonização de Riding estão a hegemonia da Nova Crítica, o exílio voluntário de Riding da cena literária (onde são feitas ou desfeitas as reputações), sua recusa em ser antologiada, bem como em ser explicada em termos críticos que não os dela. Todos esses fatores, mais a "dificuldade" de sua poesia, contribuíram para fazer de Riding "a maior poeta esquecida da poesia norte-americana", como escreveu Kenneth Rexroth. Ajudado pelos insights de dois importantes críticos de poesia norte-americana, Charles Bernstein e Marjorie Perloff, defendo que a "poesia da mente" de Riding-onde o que está em jogo é que o que pensamos ser a nossa realidade-representa uma mudança radical no paradigma da poética modernista: de uma poesia centrada na imagem para uma poesia centrada na linguagem. Focalizando a experiência consciente e o tempo duracional do pensamento presente em seus poemas, concluo que as "pensagens" de Riding têm o objetivo preciso de constatar um fato universal: enquanto seres humanos e pensantes, estamos numa condição permanente chamada linguagem
Shelby Richardson, ed. The Witch of Edmonton by Thomas Dekker, John Ford, and William Rowley. Peterborough, ON: Broadview Press, 2021
Review of Shelby Richardson, ed. The Witch of Edmonton by Laura Jayne Wright
The Multilingual Origins of Standard English. Edited by Laura Wright
review of The Multilingual Origins of Standard English by Laura Wright, ed
Correspondence: Laura Kephart and Arthur Stupka
This 1936 correspondence, between Laura Kephart (Mrs. Horace Kephart) and Arthur Stupka, concerns a possible Kephart Memorial. Horace Kephart (1862-1931) was a noted naturalist, woodsman, journalist, and author and promoter of the Great Smoky Mountains National Park. Arthur Stupka (1905-1999) was the first park naturalist to work at the Great Smoky Mountains National Park
Letter, Julia Gardiner Tyler to Mrs. Laura Holloway, author of First Ladies, dated September 20, 1869
ALS of Julia Gardiner Tyler to Mrs. Laura Holloway, author of First Ladies, dated September 20, 1869, about interviewing other first ladies. ALS.Found in:Mss. 65 T97 Additions, Series 1: Mss. Acc. 1993.19 Addition, 186
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