1,721,068 research outputs found
Wyznaczniki gatunkowe sylwetki prasowej
No full textThe article presents profile as an adaptable genre. The author distinguishes between two types of described genre:- profile with publicistic dominantion- profile with biographical dominantion. The author gives a detailed description of: profile reffrering to form of press article and profile in the shape of biogram
O wybranych translokacjach komunikacyjnych w dyskursie religijnym
No full textThe article presents a characteristics of several contemporary communication phenomena transforming religious discourse in its Catholic version. The author understands discourse as the entirety of communication practices specific to a particular community of believers, which in the course of various interactions fixes and agrees relevant to this community content, preserves appropriate scenarios of communication behavior and rules for their completion by utterances and/or non-verbal means. The author emphasizes the peculiarity of the religious discourse that is open to transcendence. She limits the scope of the presented communication phenomena to the catechetical discourse, which now focuses on participation of the catechized people in the process of catechesis. The methods of catechesis should therefore take into account the spiritual needs of the believers. Catechesis formulated in this mode promotes communication experiments, especially the processes of movement, i.e. translocation of speech genres from the secular to sacred realm. According to the author these translocations are accomplished in new genre forms that maintain the memory of their basic genre code, but at the same time are subject to processes of transformation conducive to the creation of new genre patterns. Some of them do not have genre identifiers in the form of special names and are only a beginning of new conventions. Such status is attributed by the author to evangelization visiting card analyzed in the article. Some of them gain names and create a series that preserves the innovative principles of the genre. As an example, the author discusses messages called the heaventels. They are an adaptation of the SMS convention for simulated (stylized) communication of God as the sender to the man. Translocations are favourable to launching of the adaptation processes and formation of genre duplicates that make the input (secular) genre form more capacious and communicatively catchy
Wyznaczniki gatunkowe sylwetki prasowej
Full text linkThe article presents profile as an adaptable genre. The author distinguishes between two types of described genre:- profile with publicistic dominantion- profile with biographical dominantionThe author gives a detailed description of: profile reffrering to form ofpress article and profile in the shape of biogram
O wybranych translokacjach komunikacyjnych w dyskursie religijnym
Full text linkThe article presents a characteristics of several contemporary communication phenomena transforming religious discourse in its Catholic version. The author understands discourse as the entirety of communication practices specific to a particular community of believers, which in the course of various interactions fixes and agrees relevant to this community content, preserves appropriate scenarios of communication behavior and rules for their completion by utterances and/or non-verbal means. The author emphasizes the peculiarity of the religious discourse that is open to transcendence. She limits the scope of the presented communication phenomena to the catechetical discourse, which now focuses on participation of the catechized people in the process of catechesis. The methods of catechesis should therefore take into account the spiritual needs of the believers. Catechesis formulated in this mode promotes communication experiments, especially the processes of movement, i.e. translocation of speech genres from the secular to sacred realm. According to the author these translocations are accomplished in new genre forms that maintain the memory of their basic genre code, but at the same time are subject to processes of transformation conducive to the creation of new genre patterns. Some of them do not have genre identifiers in the form of special names and are only a beginning of new conventions. Such status is attributed by the author to evangelization visiting card analyzed in the article. Some of them gain names and create a series that preserves the innovative principles of the genre. As an example, the author discusses messages called the heaventels. They are an adaptation of the SMS convention for simulated (stylized) communication of God as the sender to the man. Translocations are favourable to launching of the adaptation processes and formation of genre duplicates that make the input (secular) genre form more capacious and communicatively catchy
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Leksyka imitująca i nazywająca głosy ptaków w polifonicznym tekście
No full textThe article is dedicated to an analysis of lexis related to the representation of the sounds of birds in a text that might be treated as an original implementation of principles of the popular science discourse. The author of the book builds an independently peculiar discourse community acting as the host a polyphonic message. Referring to his own experience base, built on his wide reading in the field of ornithology and bird watching, he describes, in the form of a report, and in the poetics of a feature article and a diary, his own fascination with the world of birds. He treats the knowledge constituting the cognitive background of the utterance as a value that he wants to share with interested readers. Describing the sounds of birds the author uses conventional lexical measures,i.e. nominal or verbal names of sounds and onomatopoeic exclamations imitating the sounds of birds. The originality of the message is gained not by morphological invention, but due to references to artistic style, colorfulness, and the suggestiveness of originally selected epithets, comparisons, and figurative expressionsThe article is dedicated to an analysis of lexis related to the representation of the sounds of birds in a text that might be treated as an original implementation of principles of the popular science discourse. The author of the book builds an independently peculiar discourse community acting as the host a polyphonic message. Referring to his own experience base, built on his wide reading in the field of ornithology and bird watching, he describes, in the form of a report, and in the poetics of a feature article and a diary, his own fascination with the world of birds. He treats the knowledge constituting the cognitive background of the utterance as a value that he wants to share with interested readers. Describing the sounds of birds the author uses conventional lexical measures,i.e. nominal or verbal names of sounds and onomatopoeic exclamations imitating thesounds of birds. The originality of the message is gained not by morphological invention, but due to references to artistic style, colorfulness, and the suggestiveness of originally selected epithets, comparisons, and figurative expressions
Lexis naming and imitating the sounds of birds in a polyphonic text
No full textThe article is dedicated to an analysis of lexis related to the representation of the sounds of birds in a text that might be treated as an original implementation of principles of the popular science discourse. The author of the book builds an independently peculiar discourse community acting as the host a polyphonic message. Referring to his own experience base, built on his wide reading in the field of ornithology and bird watching, he describes, in the form of a report, and in the poetics of a feature article and a diary, his own fascination with the world of birds. He treats the knowledge constituting the cognitive background of the utterance as a value that he wants to share with interested readers. Describing the sounds of birds the author uses conventional lexical measures,i.e. nominal or verbal names of sounds and onomatopoeic exclamations imitating the sounds of birds. The originality of the message is gained not by morphological invention, but due to references to artistic style, colorfulness, and the suggestiveness of originally selected epithets, comparisons, and figurative expressionsThe article is dedicated to an analysis of lexis related to the representation of the sounds of birds in a text that might be treated as an original implementation of principles of the popular science discourse. The author of the book builds an independently peculiar discourse community acting as the host a polyphonic message. Referring to his own experience base, built on his wide reading in the field of ornithology and bird watching, he describes, in the form of a report, and in the poetics of a feature article and a diary, his own fascination with the world of birds. He treats the knowledge constituting the cognitive background of the utterance as a value that he wants to share with interested readers. Describing the sounds of birds the author uses conventional lexical measures,i.e. nominal or verbal names of sounds and onomatopoeic exclamations imitating thesounds of birds. The originality of the message is gained not by morphological invention, but due to references to artistic style, colorfulness, and the suggestiveness of originally selected epithets, comparisons, and figurative expressions
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
O internetowych wersjach zapowiedzi dziennikarskich
Full text linkThe article presents the main genological determinants of announcements – such determinants result from the specific character of Internet communication (especially hypertextuality). The author of the article exposes common elements characteristic of both Internet announcements and traditional press announcements. She especially emphasizes genological (intertextuality) and discursive (interactive style of communication) conventions. The article also presents different variants of this genre found existing on the Internet. It also discusses the paradoxes of the genre, which are determined by a matrixlike character of websites, but at the same time it changes dynamically in order to both follow the readers’ expectations and continually transgress them.The article presents the main genological determinants of announcements – such determinants result from the specific character of Internet communication (especially hypertextuality). The author of the article exposes common elements characteristic of both Internet announcements and traditional press announcements. She especially emphasizes genological (intertextuality) and discursive (interactive style of communication) conventions. The article also presents different variants of this genre found existing on the Internet. It also discusses the paradoxes of the genre, which are determined by a matrixlike character of websites, but at the same time it changes dynamically in order to both follow the readers’ expectations and continually transgress them
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