207,601 research outputs found
1890-1930: hello cinema!
No full textBook synopsis: The French Cinema Book offers an innovative and accessible account of the richness and diversity of French film history from the 1890s to the 2010s. This revised, updated and expanded new edition contains contributions from thirty-six leading commentators on French cinema from around the world.\ud
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Michael Temple and Michael Witt assemble a broad range of approaches to the study and appreciation of French cinema:\ud
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· PEOPLE: Who are the men and women who have made French cinema happen?\ud
\ud
· BUSINESS: What is the industrial culture in which French cinema has evolved?\ud
\ud
· TECHNOLOGY: To what extent have technological factors determined the course of French cinema?\ud
\ud
· FORMS: How can we study the diversity of film forms practiced across French cinema, and how have the formal ‘languages’ of film changed over time?\ud
\ud
· REPRESENTATIONS: What have French films shown us of France, its society, its concerns, and the changing lives of its citizens?\ud
\ud
· SPECTATORS: How has the audience’s experience of film-going changed in France over time?\ud
\ud
· DEBATES: How has cinema been represented and discussed in French culture?\ud
\ud
Whether you are a student, teacher, specialist or simply a fan of French cinema, this book is essential reading
Azygophleps junkeri Yakovlev & Witt 2017
No full textAzygophleps junkeri Yakovlev & Witt, 2017 (Fig. 23) Azygophleps junkeri Yakovlev & Witt, 2017a: 441. Type locality. Angola, Prov. Benguela, btw Cutembo & Caluquembe, 14 km E Cutembo, 13°46.901´S / 14°00.105´E. Distribution. Angola, Malawi, Burundi, Congo, Tanzania, Namobia (Yakovlev & Witt 2017a). Material examined. Holotype and 2 paratypes (3 ♂), Angola, Benguela Prov., btw. Cutembo - Caluquembe, 14 km E Cutembo, 13°47.905′S 14°01.928′E, 1047 m, 23.III.2014, leg. Sulak, Naumann & Ott, GenPr 26759 (MWM), examined; paratypes (3 ♂), Angola, Prov. Huambo, 2 km S Calanque, 12°52.214′ S 15°28.126′E, 1970 m, 27.III.2014, leg. Sulak, Naumann & Ott (MWM), examined.Published as part of Yakovlev, Roman V., Sulak, Harald & Witt, Thomas J., 2019, Preliminary list of Cossidae sensu str. (Lepidoptera, Cossoidea: Cossidae: Cossinae & Zeuzerinae) of the Republic of Angola with description of a new Strigocossus species, pp. 445-460 in Zootaxa 4586 (3) on page 457, DOI: 10.11646/zootaxa.4586.3.3, http://zenodo.org/record/264722
Witt - Introducting Hat Graphs
No full textEmpirical test of a new type of graph called the hat graph. Stimuli, data, and analysis scripts associated with Witt (under review) Introducing Hat Graphs
Introduction: rethinking French cinema
No full textBook synopsis: The French Cinema Book offers an innovative and accessible account of the richness and diversity of French film history from the 1890s to the 2010s. This revised, updated and expanded new edition contains contributions from thirty-six leading commentators on French cinema from around the world.\ud
\ud
Michael Temple and Michael Witt assemble a broad range of approaches to the study and appreciation of French cinema:\ud
\ud
· PEOPLE: Who are the men and women who have made French cinema happen?\ud
\ud
· BUSINESS: What is the industrial culture in which French cinema has evolved?\ud
\ud
· TECHNOLOGY: To what extent have technological factors determined the course of French cinema?\ud
\ud
· FORMS: How can we study the diversity of film forms practiced across French cinema, and how have the formal ‘languages’ of film changed over time?\ud
\ud
· REPRESENTATIONS: What have French films shown us of France, its society, its concerns, and the changing lives of its citizens?\ud
\ud
· SPECTATORS: How has the audience’s experience of film-going changed in France over time?\ud
\ud
· DEBATES: How has cinema been represented and discussed in French culture?\ud
\ud
Whether you are a student, teacher, specialist or simply a fan of French cinema, this book is essential reading
1960-2004: a new world
No full textBook synopsis: The French Cinema Book offers an innovative and accessible account of the richness and diversity of French film history from the 1890s to the 2010s. This revised, updated and expanded new edition contains contributions from thirty-six leading commentators on French cinema from around the world.\ud
\ud
Michael Temple and Michael Witt assemble a broad range of approaches to the study and appreciation of French cinema:\ud
\ud
· PEOPLE: Who are the men and women who have made French cinema happen?\ud
\ud
· BUSINESS: What is the industrial culture in which French cinema has evolved?\ud
\ud
· TECHNOLOGY: To what extent have technological factors determined the course of French cinema?\ud
\ud
· FORMS: How can we study the diversity of film forms practiced across French cinema, and how have the formal ‘languages’ of film changed over time?\ud
\ud
· REPRESENTATIONS: What have French films shown us of France, its society, its concerns, and the changing lives of its citizens?\ud
\ud
· SPECTATORS: How has the audience’s experience of film-going changed in France over time?\ud
\ud
· DEBATES: How has cinema been represented and discussed in French culture?\ud
\ud
Whether you are a student, teacher, specialist or simply a fan of French cinema, this book is essential reading
1930-1960: classicism and conflict
No full textBook synopsis: The French Cinema Book offers an innovative and accessible account of the richness and diversity of French film history from the 1890s to the 2010s. This revised, updated and expanded new edition contains contributions from thirty-six leading commentators on French cinema from around the world.\ud
\ud
Michael Temple and Michael Witt assemble a broad range of approaches to the study and appreciation of French cinema:\ud
\ud
· PEOPLE: Who are the men and women who have made French cinema happen?\ud
\ud
· BUSINESS: What is the industrial culture in which French cinema has evolved?\ud
\ud
· TECHNOLOGY: To what extent have technological factors determined the course of French cinema?\ud
\ud
· FORMS: How can we study the diversity of film forms practiced across French cinema, and how have the formal ‘languages’ of film changed over time?\ud
\ud
· REPRESENTATIONS: What have French films shown us of France, its society, its concerns, and the changing lives of its citizens?\ud
\ud
· SPECTATORS: How has the audience’s experience of film-going changed in France over time?\ud
\ud
· DEBATES: How has cinema been represented and discussed in French culture?\ud
\ud
Whether you are a student, teacher, specialist or simply a fan of French cinema, this book is essential reading
Witt, Tenhundfeld, Tymoski (2018) Is There a Chastity Belt on Perception? Psychological Science
No full textMaterials associated with the following publication: Witt, J. K., Tenhundfeld, N. L., & Tymoski, M. J. (in press). Is there a chastity belt on perception? Psychological Science
Witt, Tenhundfeld, Tymoski (2018) Is There a Chastity Belt on Perception? Psychological Science
No full textMaterials associated with the following publication: Witt, J. K., Tenhundfeld, N. L., & Tymoski, M. J. (in press). Is there a chastity belt on perception? Psychological Science
A identidade de Sherman
No full textDissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Ciências Físicas e Matemáticas. Programa de Pós-graduação em Matemática e Computação CientíficaNeste trabalho investigam-se os aspectos combinatoriais e algébricos da identidade de Sherman no caso genérico. Obtêm-se fórmulas para o cálculo do número de classes de equivalência de caminhos fechados não periódicos sobre o grafo onde a identidade está definida e, com base nelas, uma nova prova da identidade _e obtida. Ademais, as possíveis relações da identidade com as _álgebras de Lie são elucidadas. Neste contexto, prova-se que a identidade de Sherman é uma conseqüência da identidade de Witt generalizada de uma álgebra de Lie
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