193,888 research outputs found
Werner, W A, NX6173
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/424928Surname: WERNER. Given Name(s) or Initials: W A. Military Service Number or Last Known Location: NX6173. Missing, Wounded and Prisoner of War Enquiry Card Index Number: 40327.250722
Item: [2016.0049.57189] "Werner, W A, NX6173
Die Hilfe der Schule gegen die Verbreitung der social-demokratischen Irrlehren
No full textvon W. Werne
Confined in an Infinite Abyss: Outer Space (and Its Poetics) in Werner Herzog’s Documentaries
No full textThe subject of the article is the poetics of outer space in Werner Herzog’s documentaries. The author discusses The Wild Blue Yonder(2005), Fireball: Visitors from Darker Worlds (2020) and Last Exit: Space(2022, directed by R. Herzog, produced by W. Herzog), focusing on three main themes. The first of them is the paradox of confinement in infinite openness. Unlike standard space documentaries, which emphasise the vastness of outerspace and its enormous range of exploration possibilities, Herzog portraysthe deep universe as an area in which humanity is doomed to be confined. The second theme is the confrontation of two possible ways of penetrating the cosmos: in Herzog’s films, the utopian project of interstellar voyages is confronted with the benefits of deep space observations. The third motif is of an aesthetic nature: the images of outer space in Werner Herzog’s films are decontextualised in a different way than the landscapes presented in his other [email protected] Nauk o Kulturze - Uniwersytet ŚląskAmes Eric (2012),Ferocious Reality. Documentary According to Werner Herzog, Minneapolis–London: University of Minnesota Press.Boczkowska Kornelia (2016), The impact of American and Russian cosmism on the representation of space exploration in 20thcentury American and Soviet space art, Poznań: Wydawnictwo Naukowe UAM.Boczkowska Kornelia (2017),The Homely Sublime in Space Science Documentary Film: Domesticating the Feeling of Homelessness in Carl Sagan’s “Cosmos” and Its Sequel, „Kultura Popularna”, nr 4 (54), s. 24–34.Carrère Emanuel (1994),Werner Herzog – twórca Woyzecka, przeł. I. Dembowski, w: Werner Herzog, wyd. P.C. Seel, B. Zmudziński, Kraków: Secesja, s. 91–100.Carter Erica (2012),Werner Herzog’s African Sublime, w:A Companion to Werner Herzog, red. B. Prager, Malden-Oxford: Wiley-Blackwell, s. 329–355.Copik Ilona (2017),Topografie i krajobrazy. Filmowy Śląsk, Katowice: Wydawnictwo Uniwersytetu Śląskiego.Cronin Paul (2002), Herzog on Herzog, London–New York: Faber and Faber.Heringman Noah (2012), Herzog’s ‘Heart of Glass’ and the Sublime of Raw Ma-terials, w: A Companion to Werner Herzog, red. B. Prager, Malden-Oxford: Wiley-Blackwell, s. 256–280.Herzog Werner (2010),Deklaracja z Minnesoty. Prawda i fakt w kinie dokumentalnym, przeł. J. Mojsak, w:Herzog. Przewodnik krytyki politycznej, red. A. Wiśniewska, J. Kutyła, Warszawa: Wydawnictwo Krytyki Politycznej, s. 112–113.Horak Jan-Christopher (2014), W.H. or the mysteries of walking on ice, w: The Films ofWerner Herzog. Between Mirage and History, red. T. Corrigan, London–New York: Routledge, s. 23–42.Johnson Laurie Ruth (2016),Forgotten Dreams. Revisitng Romanticism in the Cinema of Werner Herzog, Rochester: Camden House.Kempna-Pieniążek Magdalena (2013),Marzyciele i wędrowcy. Romantyczna topografia twórczości Wernera Herzoga i Wima Wendersa, Wrocław: ATUT.Kempna-Pieniążek Magdalena (2020), Beneath the surface: On the significance of the underground and underwater landscapes in selected documentaries by Werner Herzog,„Polish Journal of Landscape Studies”, nr 6, DOI: 10.14746/pls.2020.6.8Kempna-Pieniążek Magdalena (2020),Lekcje ciemności. Kino dokumentalne Wernera Herzoga, Poznań: Wydawnictwo Nauka i Innowacje.Kessler Elizabeth A. (2012), Picturing the Cosmos. Hubble Space Telescope Images and the Astronomical Sublime, Minneapolis–London: University of Minnesota Press.Kita Barbara (2017),Pejzaż za oknem. Europejskie widokówki filmowe – wprowadzenie, w: Filmowe pejzaże Europy, red. B. Kita, M. Kempna-Pieniążek, Katowice: Wydawnictwo Uniwersytetu Śląskiego, s. 7–24.Kołodziejczyk Bartosz (2022), Przełomowe zdjęcie. Głębia wszechświata w obiektywie teleskopu Jamesa Webba, https://wydarzenia.interia.pl/zagranica/news-przelomowe-zdjecie-glebia-wszechswiata-w-obiektywie-teleskop,nId,6151464 [dostęp 6.08.2022].Lefebvre Martin (2007),Between setting and landscape in the cinema, w: Landscape and Film, red. M. Lefebvre, New York–London: Routledge.Nagib Lúcia (2012), Physicality, Difference, and the Challenge of Representation: Werner Herzog in the Light of the New Waves, w:A Companion to Werner Herzog, red.B. Prager, Malden-Oxford: Wiley-Blackwell, s. 58–79.Prager Brad (2007),The Cinema of Werner Herzog. Aesthetic Ecstasy and Truth,London–New York: Wallflower Press.Sage Daniel (2014),How Outer Space Made America. Geography, Organization and Cosmic Sublime, Farnham–Burlington: Ashgate.Sarbiewska Joanna (2014),Ontologia i estetyka filmowych obrazów Wernera Herzoga, Gdańsk: słowo/obraz terytoria.Wetzel Kraft (2014),Interview with Werner Herzog(1976), w: Werner Herzog. Interviews, red. E. Ames, Jackson: University Press of Mississippi, s. 29–41.Wojnicka Joanna (2014), Człowiek i natura. Romantyczny pejzaż w filmie Herzoga, w: Wer-ner Herzog, wyd. P.C. Seel, B. Zmudziński, Kraków: Secesja, s. 129–143.2111713
Werner, Cornelia W. (Birth, 1874-11-04)
No full textAddress: Hamilton Rd.1867/Pg.50/1874/F W/G.C. Werner, MD.Original record filed in drawer labeled 'WERNER-WESTEMEYER'
Evolution of views of Werner Sombart and German politics of the early 20th century
No full textAutor w swoim artykule prezentuje sylwetkę niemieckiego socjologa Wernera Sombarta. Koncentruje się zasadniczo na kierunkach jego kariery naukowej. Omówione zostały zasadnicze etapy kształtowania się tego procesu w oparciu o publikacje Sombarta. Wskazuje się również na uwarunkowania polityczne panujące w Niemczech na przełomie XIX i XX wieku i wpływające na obraz tej kariery. Ukazane zostały ponadto pewne aspekty charakterologiczne bohatera artykułu, które nie pozostawały bez wpływu na przebieg opisywanego zjawiska.The author in his article presents the figure of the German sociologist Werner Sombart. Focuses basically on the directions of his scientific career. The basic stages of this process are discussed based on Sombart’s publications. It also indicates the political conditions prevailing in Germany at the turn of the 19th and 20th century that affect the image of this career. In addition, some characterological aspects of the hero of the article are shown. However, they did not affect the course of the phenomenon described
Ausflugsort Elf-Buchen, Cassel-W.
No full textAUSFLUGSORT ELF-BUCHEN, CASSEL-W.
Ausflugsort Elf-Buchen, Cassel-W. ( -
Werner, Alfred W. (Birth, 1904-06-03)
No full textAddress: 211 E. Mulberry St.2462/Pg 138/1904/M W/Cinti, Ohio/Cinti, Ohio/Dr. F. F. HellmannOriginal record filed in drawer labeled 'WERNER-WESTEMEYER'
Werner, Alfred W. (Birth, 1878-11-13)
No full textAddress: 288 Linn St.6427/Pg 195/1878/M W/U.S./U.S./Mary Nolte, Mid.Original record filed in drawer labeled 'WERNER-WESTEMEYER'
Wozu Führung ?
No full textFühren als eine Kunst zu begreifen, diesem Anliegen gehen die Beiträge des von Götz W. Werner und Peter Dellbrügger herausgegebenen Sammelbands nach. Ein Schwerpunkt liegt dabei auf dem Thema der Freiheit: Stefan Brotbeck entwirft eine Phänomenologie der Unfreiheit, indem er soziale Mechanismen entlarvt, die uns und anderen das Leben schwer machen. Weiterhin geht es u.a. um die "Befreiung" der Führung (Rehn), Hierarchie (Hardorp), Vertrauen (Lavecchia), Bildung (Dietz) und Sinnstiftung (Werner)
Stadt - Mann - Universität. Hamburg, Werner von Melle und ein Jahrhundert-Lebenswerk: Teil 1. Der Mann und die Stadt
No full textHow to become a Hanseatic? What made someone a (Hamburg) Patriot? Why was it not possible for a high-shool graduate to study in Hamburg before 1918? How was it possible that catastrophes in the 19th century led to modernisation in Hamburg? This publications will answer to questions like these.Around 1850 Hamburg underwent radical changes. Werner von Melle, born in 1853, played an active and forming part in the history of the city as a solicitor, senator, and mayor. Being the first president of the Hamburgische Wissenschaftliche Stiftung, he devoted himself to the foundation of the University of Hamburg.This first part of his biography deals with the complex relations between the man and the city
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