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Eine Untersuchung der architektonischen Gliederung und des dekorativen Repertoires
No full textDas Untergeschoss der Westfassade der Kathedrale San Rufino in Assisi entstand im Rahmen eines 1140 begonnenen und nach ca. 100 Jahren vollendeten Neubaus. Mit seiner umfangreichen Ausstattung ist es Ausdruck des Selbstbewusstseins seiner alleinigen Auftraggeber, der Kathedralkanoniker. Die vorliegende Abhandlung widmet sich zum einen der differenzierten Flächengliederung durch ein geschossumfassendes Rahmenwerk mit einem aufliegenden Blendbogenfries wie der diesbezüglichen Ableitungsdebatte. Besondere Berücksichtigung erfährt dabei die portalbegleitende Reliefrahmung an der Fassade von San Pietro fuori le mura in Spoleto, auch im Vergleich mit verschiedenen Typen von Reliefeinfassungen an diversen Sakralbauten des südwestlichen Mittelmeerraumes. Zum anderen steht das weitgefächerte bauskulpturale Repertoire des Untergeschosses der assisanischen Fassade im Fokus dieser Untersuchung. Der Motivik der Darstellungen, ihrer Herkunft und Verbreitung, die in der bisherigen Forschung nur rudimentär bearbeitet worden ist, gilt in diesem Zusammenhang besondere Beachtung.The basement of the façade of the San Rufino at Assisi is part of the newly erected Cathedral, which can be dated between 1140 and about 1240. Its extensive décor shows the self-confidence of its sole initiators, the Canons of the Cathedral. On the one hand the present treatise is addressed at the differentiated planar structuring on behalf of a large-scaled framing with a salient arched corbel course and the debate of its derivation. Thereby the framing of the reliefs next to the main portal on the façade of San Pietro fuori le mura at Spoleto receives specific consideration, also in comparison with the different types of relief-framing of several churches in the southwestern Mediterranean area. On the other hand the diversified decorative repertoire of the façade-basement at Assisi is brought into focus in this treatise. In this context special attention is paid to the so far rudimentarily investigated motives of the presentations, their origin and distribution. Die Verfasserin dankt Ulrike Meier (Moers) für ihre Unterstützung bei der Anfertigung dieses Klappentextes.La parte inferiore della facciata ovest della cattedrale di San Rufino in Assisi è parte della chiesa che fu costruita tra il 1140 e il 1240 circa. La sua ricca decorazione è l’espressione della crescente coscienza del proprio valore degli unici committenti, i Canonici Capitolari. La presente dissertazione si occupa in primo luogo della strutturazione della facciata inferiore, caratterizzata da una trama di sottocampi lisci di cortina muraria, realizzata mediante cornici modanate, e da un fregio ad archi ciechi sovrastante. L’indagine discute inoltre le ipotesi sulla possibile derivazione di questo elemento architettonico. In questo contesto, viene preso in considerazione il confronto con la disposizione dei rilievi che accompagnano il portale principale della facciata di San Pietro fuori le mura a Spoleto, comparandola anche con altri complessi di rilievi a lato di portali osservabili in diverse chiese dell’area sudoccidentale del Mediterraneo. Inoltre, al centro di questa dissertazione è posto l’ampio repertorio decorativo scultoreo della parte inferiore della facciata assisana. I motivi delle rappresentazioni, la loro origine e la loro distribuzione, che finora sono stati studiati solo in maniera approssimativa, sono qui analizzati con particolare attenzione. Die Verfasserin dankt Ilaria Demori (Genua) für ihre Unterstützung bei der Anfertigung dieses Klappentextes
Eine Untersuchung der architektonischen Gliederung und des dekorativen Repertoires
Full text linkHardcover, 17x24Das Untergeschoss der Westfassade der Kathedrale San Rufino in Assisi entstand im Rahmen eines 1140 begonnenen und nach ca. 100 Jahren vollendeten Neubaus. Mit seiner umfangreichen Ausstattung ist es Ausdruck des Selbstbewusstseins seiner alleinigen Auftraggeber, der Kathedralkanoniker.
Die vorliegende Abhandlung widmet sich zum einen der differenzierten Flächengliederung durch ein geschossumfassendes Rahmenwerk mit einem aufliegenden Blendbogenfries wie der diesbezüglichen Ableitungsdebatte. Besondere Berücksichtigung erfährt dabei die portalbegleitende Reliefrahmung an der Fassade von San Pietro fuori le mura in Spoleto, auch im Vergleich mit verschiedenen Typen von Reliefeinfassungen an diversen Sakralbauten des südwestlichen Mittelmeerraumes. Zum anderen steht das weitgefächerte bauskulpturale Repertoire des Untergeschosses der assisanischen Fassade im Fokus dieser Untersuchung. Der Motivik der Darstellungen, ihrer Herkunft und Verbreitung, die in der bisherigen Forschung nur rudimentär bearbeitet worden ist, gilt in diesem Zusammenhang besondere Beachtung.The basement of the façade of the San Rufino at Assisi is part of the newly erected Cathedral, which can be dated between 1140 and about 1240. Its extensive décor shows the self-confidence of its sole initiators, the Canons of the Cathedral.
On the one hand the present treatise is addressed at the differentiated planar structuring on behalf of a large-scaled framing with a salient arched corbel course and the debate of its derivation. Thereby the framing of the reliefs next to the main portal on the façade of San Pietro fuori le mura at Spoleto receives specific consideration, also in comparison with the different types of relief-framing of several churches in the southwestern Mediterranean area. On the other hand the diversified decorative repertoire of the façade-basement at Assisi is brought into focus in this treatise. In this context special attention is paid to the so far rudimentarily investigated motives of the presentations, their origin and distribution. Die Verfasserin dankt Ulrike Meier (Moers) für ihre Unterstützung bei der Anfertigung dieses Klappentextes.La parte inferiore della facciata ovest della cattedrale di San Rufino in Assisi è parte della chiesa che fu costruita tra il 1140 e il 1240 circa. La sua ricca decorazione è l’espressione della crescente coscienza del proprio valore degli unici committenti, i Canonici Capitolari.
La presente dissertazione si occupa in primo luogo della strutturazione della facciata inferiore, caratterizzata da una trama di sottocampi lisci di cortina muraria, realizzata mediante cornici modanate, e da un fregio ad archi ciechi sovrastante. L’indagine discute inoltre le ipotesi sulla possibile derivazione di questo elemento architettonico. In questo contesto, viene preso in considerazione il confronto con la disposizione dei rilievi che accompagnano il portale principale della facciata di San Pietro fuori le mura a Spoleto, comparandola anche con altri complessi di rilievi a lato di portali osservabili in diverse chiese dell’area sudoccidentale del Mediterraneo. Inoltre, al centro di questa dissertazione è posto l’ampio repertorio decorativo scultoreo della parte inferiore della facciata assisana. I motivi delle rappresentazioni, la loro origine e la loro distribuzione, che finora sono stati studiati solo in maniera approssimativa, sono qui analizzati con particolare attenzione.
Die Verfasserin dankt Ilaria Demori (Genua) für ihre Unterstützung bei der Anfertigung dieses Klappentextes
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Full text linkWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
No full textWe have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Author-wise bibliometric analysis based on entropy.
No full textAuthor-wise bibliometric analysis based on entropy.</p
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