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[Binder's Collection: E. M. Wagner]
No full textBound compilation of sheet music assembled by Ellen M. Wagner. About half of the titles in the volume were published in Boston, with others published in New York, Philadelphia, and Cincinnati. Many of the works in the volume are set as theme and variations
R script herbicide usage analysis, Wagner et al. (2016a)
No full textThis is the original R script used to prepare and analyze data for the publication"Wagner, V., Antunes, P.M., Irvine, M., Nelson, C.R. (2016)Herbicide usage for invasive non-native plant management in wildland ares of North America. Journal of Applied Ecology"Accompanying data:(1) herbicide usage data from the BLM, FSW and NPS (BLM_data.txt, FWS_data.txt, NPS_data.txt) and species lists used during data filtering (FWS_inv_all_spp.txt, FWS_ambiguous_spp.txt,FWS_inv_hydro_spp.txt, FWS_invasive_wood_spp.txt, FWS_native_spp.txt) are also deposited in figshare. (2) BIA data (BIA_data.txt): not deposited in a public respository. Must be requested directly from the BIA. (3) Literature review data (Lit_review.txt): not deposited in a public library. Must be requested from Viktoria Wagner ([email protected]) or Cara R. Nelson ([email protected]). Note that the R script is deposited for documenting data preparation and analysis. It will fail if not all data files are provided.<br
Reduction of the Hawaiian genus Platydesma into Melicope section Pelea (Rutaceae) and notes on the monophyly of the section
No full textPlatydesma, an endemic genus to the Hawaiian Islands containing four species, has long been considered of obscure origin. Recent molecular phylogenetic studies have unequivocally placed Platydesma within the widespread genus Melicope as sister to the rest of the Hawaiian species of Melicope. This makes submerging Platydesma into Melicope necessary. We make the necessary new combinations: Melicope cornuta (Hillebr.) Appelhans, K.R. Wood &amp; W.L. Wagner, M. cornuta var. decurrens (B.C.Stone) Appelhans, K.R. Wood &amp; W.L. Wagner, M. remyi (Sherff) Appelhans, K.R. Wood &amp; W.L. Wagner, and M. rostrata (Hillebr.) Appelhans, K.R. Wood &amp; W.L. Wagner. An additional species that has been recognized within Platydesma should now be recognized under its original name M. spathulata A. Gray. All Hawaiian species belong to Melicope section Pelea. Our molecular phylogenetic studies also showed that in addition to merging Platydesma into section Pelea, five species described from New Caledonia need to be excluded from the section in order to achieve monophyly of section Pelea
M. K. Čiurlionis and R. Wagner - two semantic codes of M. Urbaitis' minimalism
No full textStraipsnyje pasirenkamas vienas svarbiausių lietuviškojo minimalizmo, kurio atstovas yra M. Urbaitis, retroversinis rakursas, orientuotas j didžiausių žmonijos genijų šedevrus, jų muzikos atkūrimą ir konkrečiai j Lietuvai itin reikšmingą M. K. Čiurlionio kūrybos recepciją. Du M. Urbaičio kūriniai „Der Fall Wagner" ir „Ramybe" pagal M. K. Čiurlionj yra tarsi du pagrindiniai traukos centrai jo muzikoje. Tokį populiarumą sąlygojo daugelis priežasčių, svarbiausia - atkuriamos muzikos ir jos autorių XX a. neblėstantis aktualumas. Tačiau ši kūryba nėra speciali muzikologijos tyrimų sritis, ji daugiau priskiriama antrinei, nelabai reikšmingai, kitų idėjas plėtojančiai kūrybai. Apie tai daugiausia rašė A. Žiūraitytė, R. Stanevičiūtė, G. Daunoravičienė, R. Gaidamavičiūtė, R. Zubovas. Beieškant platesnės medžiagos atrasta reikšmingų filosofų pasisakymų, ypač Vydūno minčių apie Čiurlionio meną kaip tautos gyvybę ir vokiečių tragediją siekiant suvienyti pasaulį jėga. Tai pastūmėjo mitologijos archetipinių tautos pradų išgryninimo refleksiją ir paaiškina baltiškojo, lietuviškojo minimalizmo šaltinių neišsemiamumą bei konkrečiai M. Urbaičio kūrybos rekreacinę prigimtį ieškant vertybių. Straipsnyje bandoma atsakyti į keletą aktualių šiuolaikinės muzikos klausimų apie modernizmo minimalistinės krypties skilimą, ribotumą, polinkį į rerroversiją, specifinį, tačiau ypač perspektyvų santykį su kitomis dvasingumo sferomis. Reikšminiai žodžiai: Richard Wagner; Mikalojus Konstantinas Čiurlionis; Mindaugas Urbaitis; Tristaniškas akordas; Minimalizmas; Richard Wagner; Mikalojus Konstantinas Čiurlionis; Mindaugas Urbaitis; Tristan chord; MinimalismMinimalism has played a very important role in Lithuanian nuisic. It absorbed the features of folklore and myth and became a national style. One of its originators, the composer Mindaugas Urbaitis (b. 1952) distinguished for intellectual musical insights, created minimalism retroversion to Western music geniuses: J, S. Bach, W. Л. Mozarr, L. van Beethoven, R Schubert, R Chopin, and Л. Bruckner. Romanticism was particularly widespread among minimalists, the authors of the new simplicity. It seems that M . K. Čiurlionis was the most popular figure as a large part of compositions of Lithuanian authors, being "under the sign of Čiurlionis" (R. Zubovas) is related to him. However, M . Urbaitis' entering minimalism may be considered as a special bringing of the titans shadow, whose influence is still alive in the world, to the Baltic landscape. For his piece of music M . Urbaitis takes the title of F. Nietzsche's book "Der Fall Wagner" ("The Wagner Case", 1888, Turin) in which the philosopher unburdens his heart by demonstrating his adoration and criticism with respect to Wagner. Meanwhile Urbaitis dissociates himself from.this and purifies Wagner (even the composition of the performers is minimal: flute, violin and viola), concentrates on spirituality and transcendence of his music and by using the Tristan and Lohengrin leitmotifs as well as the minimalism method (highlighting and repetition of details, openness of form, "sound of silence") leads them to eternity and light. Another composition by M . Urbaitis, dedicated to M . K. Čiurlionis, is "Ramybė" ("Stilness", 2000). Here Urbaitis uses the motifs from Čiurlionis' Nocturne (VL 183) cis-moll and Prelude (VL 239) d-moll which are especially romantic with the figurative impulses of "waves", giving vitality to the static lucid and harmonious state of stillness
Apionidae from North and Central America : 6. Description of new species of Apionion Kissinger, Coelocephalapion Wagner and Trichapion Wagner (Coleoptera)
No full textTwo new species of Trichapion Wagner, T. baranowskii and T. santaritae, are described from Madera Canyon, near Tucson, Arizona. Six new species of Coelocephalapion Wagner are described: C. dilox (Mexico), C. goldilox (Costa Rica, Panama), C.johnsoni (Panama) with host Vatairea erythrocarpa Ducke (Fabaceae), C. nirostrum (Mexico), C. tellum (Texas, Mexico), and C. turnbowi (Mexico). Apionion opetion is described from Mexico. A closely similar species, Apionion bettyae (Kissinger), new combination, with probable host plant Lonchocarpus sp. (Fabaceae), is transferred from Trichapion
Katalog einer Richard-Wagner-Bibliothek
No full textKATALOG EINER RICHARD-WAGNER-BIBLIOTHEK
Katalog einer Richard-Wagner-Bibliothek (-)
Katalog einer Richard-Wagner-Bibliothek (Vierter Band) ( - )
Cover ( - )
Gesamttitel ( - )
Illustration: Nicolaus Oesterlein´s Richard Wagner-Museum in Wien. (II)
Titelseite (III)
Ein Denkmal zur Erinnerung an die erste Heimstatt des Richard Wagner-Museums in Wien und ein Geleits-Gruß in seinem neuen Wirkungskreis Deutschland (V)
Systematische Uebersicht. (VII)
Vorbemerkung (XIII)
Zur Numerirung der 4 Katalogbände ( - )
Erste Abtheilung. Richard Wagner. (1)
I. Schriften und Dichtungen (3)
II. Handschriften (5)
III. Telegramme (9)
IV. Briefe (9)
V. Reden und Ansprachen (10)
VII. Gedruckte Manifeste, Anordnungen, Erlässe, Entwürfe und verschiedene Schriftstücke (11)
VIII. Zeitschriften und Werke, etc. (11)
IX. Musikalische Kompositionen (12)
Zweite Abtheilung. Uebersetzungen. Bearbeitungen von Tondichtungen. Bildnisse Richard Wagners. Ansichten. - Vermischtes. (17)
I. Uebersetzungen. (19)
II. Bearbeitungen und Tondichtungen (20)
III. Bildnisse Richard Wagner´s (21)
IV. R. Wagner´s Wohnhäuser (23)
V. Vermischtes (24)
Dritte Abtheilung. Ueber Richard Wagner, seine Kunst und Sache im Allgemeinen. (27)
I. Litteratur (29)
II. Bildliche Darstellungen (56)
III. Vermischtes (65)
Vierte Abtheilung. Wagner-Vereine. (73)
I. Local-Vereine (75)
II. Bayreuther Patronat-Verein (76)
Fünfte Abtheilung. Bayreuth. (77)
Erstes Festspiel (79)
I. Vor Eröffnung der Bühnenfestspiele 1876 (79)
II. Aus den Festtagen. - Nach Eröffnung der Bühnenfestspiele 1876 (80)
Zweites Festspiel (82)
II. Aus den Festtagen. - Nach Eröffnung der Bühnenfestspiele 1882 (82)
Anmerkungen. (83)
Sechste Abtheilung. Curiosa. (85)
I. Die Sache betreffend (87)
II. Außerhalb der Sache stehend (94)
Anhang. (97)
I. Quellenstudien (99)
II. Bearbeitungen der von Richard Wagner - im engeren oder weiteren Sinne - benützten Stoffe (103)
III. Hilfsbücher und Verwandtes (108)
IV. Auf die Sache bezügliche Litteratur (112)
V. Vermischtes (119)
II. Anhang. (123)
I. Handschriften S. M. König Ludwig II. und mit Richard Wagner verwandter und befreundeter Personen, sowie Werke und Bildnisse der letzteren; Einiges über dieselben. - Ansichten. (125)
II. Aus der Liszt-Litteratur (134)
III. Anhang. (143)
I. Handschriften, Werke und Bildnisse von Personen, welche zu Wagner oder seiner Sache in näherer Beziehung standen (145)
II. Verschiedenes (151)
Geschenk-Verzeichniß. (154)
Todestage hervorragender Personen, deren Namen in den vier Katalogbänden vorkommen, aber in den Anmerkungen nicht enthalten sind. (155)
Namen-Register. (156)
Weitere nachträgliche Berichtigungen, Ergänzungen und Druckfehler-Verbesserungen ... (168)
Schriften und Werke von Nikolaus Oesterlein, welche auf das Richard Wagner-Museum Bezug haben. (171
Metodologia participativa para a construção temática do Atlas Escolar Ambiental do município de Alfredo Wagner,SC
No full textDissertação (mestrado) - Universidade Federal de Santa Catarina, Centro Tecnológico. Programa de Pós-Graduação em Engenharia Ambiental.Esta dissertação apresenta a construção de uma metodologia participativa na construção temática do Atlas Escolar Ambiental. Trata-se de um trabalho de pesquisa-ação realizado com um professor e um grupo de alunos da Escola de Educação Básica Silva Jardim no município de Alfredo Wagner. A prática interdisciplinar e a abordagem sistêmica foram utilizadas como referencial para o desenvolvimento da metodologia participativa. Os procedimentos utilizados foram as reuniões, os trabalhos de campo para coleta de informações e registro fotográfico, entrevistas e visitas aos órgãos públicos. A metodologia participativa, seja com os grupos participantes ou com demais colaboradores voluntários na pesquisa, mostrou-se adequada à elaboração temática do Atlas, imprimindo a este as observações e os significados dos atores que, ao mesmo tempo, possuem a vivência da realidade do município. Os participantes se sentiram valorizados por participarem no grupo, ter vez e voz, fazer críticas e sugestões. O interesse do grupo no trabalho, nas reuniões e trabalhos de campo se fez na construção da contextualização dos temas, apontando os aspectos positivos que visualizam no município e também as situações problemas que merecem ser abordadas. Os trabalhos de campo evidenciaram que após a experiência de (re)conhecer o município, o significado e a importância dos lugares para os participantes são reafirmados, ou seja, reforça a identidade das pessoas com o #lugar#. O Atlas procura sintetizar, de maneira singular, o resultado do processo participativo que se mostrou de maneira ampla nas expressões dos participantes. Desta maneira, pretende-se que a metodologia participativa cristalizada no processo participativo, reflita no recorte temático do Atlas, a realidade e a história do município. This dissertation presents the construction of a participative methodology in the thematic construction of Environmental School Atlas. It is about a work of research-action carried through with a teacher and a group of students from the #Escola de Educação Básica Silva Jardim# in the city of Alfredo Wagner. The interdisciplinary practice and the systemic approach had been used as a referential for the development of the participative methodology. The used procedures were meetings, the field works for the information collection and photographic register, interviews and visits to the public agencies. The participative methodology, either with the participant groups or with other collaborating volunteers in the research, revealed adequate to the thematic elaboration of the Atlas, indicating to this the observation and the meanings of the people who, at the same time, have the experience of the city reality. The participants felt valued of participating in the group, having place and voice, criticizing and making suggestions. The group interest in the work, the meetings and the field works had been made in the construction of the context of the subjects, pointing the positive aspects that visualize in the city and the problematic situations that deserve to be approached. The field works evidenced that after the experience of (re) knowing the city, the meaning and the importance of the places for the participants are reaffirmed, that is, strengthen the identity of the people with the #place#. The Atlas looks for to synthesize, in a singular way, the result of participative process that showed in an ample way in the participant expressions. In this way, it is intended that the crystallized participative methodology in the participative process, reflects in the Atlas thematic clipping, the city reality and history
BLM herbicide usage data, Wagner et al. (2016b)
No full textBLM herbicide usage data used in the publication"Wagner, V., Antunes, P.M., Irvine, M., Nelson, C.R. (2016) Herbicide usage for invasive non-native plant management in wildland areas of North America. Journal of Applied Ecology"The data are summaries provided by the BLM for the purpose of the study. See accompanying R script (10.6084/m9.figshare.3386032) and publication for more details on data preparation and analysis.<br
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Proceedings of the Second Berlin Workshop on Scientometrics and Informetrics, Collaboration in Science and in Technology
No full textAuthors: E. Bassecoulard, D. deB. Beaver, H.-J. Czerwon, M. Davis, K. Fuchs-Kittowski, L. Fuglsang, S. Gerasimova, W. Glänzel, J. Gläser, Y. Guo, F. Havemann, H. Kretschmer, R. Kundra, L. Lange, G. Laudel,,L. Liang, Z. Liu, U. Matzat, à . Must, Y. Okubo, R. Rousseau, S.L. Sangam, D. Tomov, R. Wagner-Döbler, Y. Wang, V. Wenzel, C.S. Wilson, Y. Wu, M. Zit
Conflict & Compassie: een hedendaagse blik op Wagner en een wagneriaanse blik op onszelf.
No full text(text in Dutch) Mediated by the so-called Dream-organ ('Traumorgan') which opera composer Richard Wagner mentions in his writings, the author engages in a fictitious dialogue with Wagner. Their dialogue focuses on a few topics related to the conference theme 'Conflict and compassion' that were of concern to Wagner in his days and which have undergone some serious changes since his death. The author discusses with Wagner the 'death of tragedy', sexuality and desire after the sexual revolution, the attractivity of musical genres like film and dance music, and the role of travel
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