1,721,017 research outputs found
Pavlos Kontos, Aristotle’s Moral Realism Reconsidered. Phenomenological Ethics
Vigo Alejandro G. Pavlos Kontos, Aristotle’s Moral Realism Reconsidered. Phenomenological Ethics. In: Revue Philosophique de Louvain. Troisième série, tome 111, n°2, 2013. pp. 423-426
Tiempo, sucesión y permanencia: Aspectos temporales en la doctrina aristotélica de la sustancia
Resumen temporalmente no disponible. La presente obra no cuenta con resumen provisto por el autor.Fil: Vigo, Alejandro G. Universidad de Buenos Aires. Facultad de Filosofía y Letras
Pavlos Kontos, Aristotle’s Moral Realism Reconsidered. Phenomenological Ethics
Vigo Alejandro G. Pavlos Kontos, Aristotle’s Moral Realism Reconsidered. Phenomenological Ethics. In: Revue Philosophique de Louvain. Troisième série, tome 111, n°2, 2013. pp. 423-426
Tiempo, sucesión y permanencia: Aspectos temporales en la doctrina aristotélica de la sustancia
Resumen temporalmente no disponible. La presente obra no cuenta con resumen provisto por el autor.Fil: Vigo, Alejandro G. Universidad de Buenos Aires. Facultad de Filosofía y Letras
Howard J. Curzer, Aristotle & the Virtues
Vigo Alejandro G. Howard J. Curzer, Aristotle & the Virtues. In: Revue Philosophique de Louvain. Troisième série, tome 112, n°1, 2014. pp. 151-154
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Colores verdaderos. Una panorámica fenomenológica
In this paper, the author historically develops with full detail what he calls «phenomenological conceptions of color», situated all during the first decades of the twentieth century. The author traces the general coordinates of the theories of color and the philosophical problems posed by thinkers that were very close to Husserl (Schapp and Reinach), and then gives a detailed review of some representatives of psychological tendencies related to phenomenology (Carl Stumpf, Kurt Koffka, Karl Bühler, Ewald Hering, David Katz, Adhemar Gelb, and others). Finally, the author analyzes two of the most representative positions after Husserl’s legacy: that of Merleau-Ponty and Hermann Schmitz. The author also includes an appendix that explains the theories of Aristotle and Goethe.En el presente artículo, el autor desarrolla ampliamente lo que él mismo denomina «concepciones fenomenológicas del color», elaboradas durante las primeras décadas del siglo xx. Traza las coordenadas generales de las teorías del color y los problemas filosóficos que plantean autores muy cercanos a Husserl (Schapp y Reinach) y posteriormente hace una detallada revisión de algunos representantes de corrientes psicológicas afines a la fenomenología (Carl Stumpf, Kurt Koffka, Karl Bühler, Ewald Hering, David Katz, Adhemar Gelb y otros). Finalmente, analiza dos de las posturas más representativas de la fenomenología post-husserliana: la de Merleau-Ponty y la de Hermann Schmitz. Además, incluye un apéndice en el que explica las teorías de Aristóteles y Goethe como dos posturas ya fenomenológicas
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