2,872 research outputs found
« Outil de Fouille dans les Images en Mouvements »
No full text*** PROOF OF CONCEPT : This tool has already been used within the framework of the research on the "Emergence of contemporary art in Auvergne-Rhône-Alpes" developed for the Ministry of Culture. *** Extract from the MATURATION CONTRACT :"Within the Max Weber - UMR 5283 center (hereinafter the" laboratory 1 "), Mr. Pascal Vallet (hereinafter the" inventor ") developed results relating to a" Search Tool in Moving Images "(Hereinafter" the results ") which were the subject of a declaration of invention signed on July 3, 2019 ..." ;**** PREUVE DE CONCEPT****Cet outil a fait l'objet d'une application dans le cadre la recherche sur l'"Émergence de l'art contemporain en Auvergne-Rhône-Alpes" développée pour le Ministère de la Culture.**** EXTRAIT DU CONTRAT DE MATURATION****« Au sein du centre Max Weber — UMR 5283 (ci-aprés le « laboratoire 1 »), Monsieur Pascal Vallet (ci-après l’« inventeur ») a développé des résultats relatifs à un « Outil de Fouille dans les Images en Mouvements » (ci-après « les résultats ») qui ont fait l’objet d’une déclaration d’invention signée en date du 3 juillet 2019… »
Vallet – Les Dorices
No full textLe diagnostic archéologique portant sur la première tranche d’aménagement de la ZA des Dorices, commune de Vallet couvrait une surface de 2,8 ha, explorée au moyen de 35 tranchées (8,5 % de la surface disponible a été sondée). Le diagnostic s’est avéré négatif. Les seules structures repérées sont des fossés parcellaires correspondant au cadastre actuel ; aucun élément de mobilier n’a été mis au jour
Samuel Beckett and the Writers of Port-Royal
No full textIt has been observed that ‘the literary influences on Beckett have been far more important than has been acknowledged, and more important indeed, than the philosophical influences’ (Smith 2002: 3). The truth of this statement is evidenced by the description that scholars have given of Samuel Beckett’s relationship to seventeenth century French classicism. To date, critical interest has been limited for the most part to the figure of the philosopher René Descartes on the (fragile) grounds that Beckett was exclusively concerned with the Cartesian imperative of clarity and order, the fundamental dualism between body and mind, and Nominalism.
Together with the assumption that Beckett’s vision was essentially Cartesian, his literary filiation with Pascal was suggested by critics, but only in terms of Beckett’s formal approach to the theatre. In his short article on En attendant Godot in 1953, the playwright Jean Anouilh was among the first reviewers to suggest that Beckett’s drama synthesizes the encounter between ‘classicism’ and a ‘modern’ form of art. It is well known that Beckett retained a lifelong admiration for Pascal – indeed, Pascal was one of his ‘old chestnuts’ (Knowlson 1997: 653). Little attention has been paid, however, to the originality of Pascal’s thought, the specific nature of his prose, and the impact these might have had upon Beckett’s mature work, especially the trilogy and the subsequent short prose. Yet, in the literary and philosophical context of post-war France, Beckett’s filiation with Pascal, their corresponding preoccupations, were evident to his contemporaries, who identified Pascal as an underlying presence in his works
[Paru] " Inequalities and the Progressive Era: Breakthroughs and Legacies" / Edited by Guillaume Vallet, Edward Elgar Puplishing, 2020
No full text" Inequalities and the Progressive Era: Breakthroughs and Legacies" / Edited by Guillaume Vallet, Edward Elgar Puplishing, 2020, 1 Vol. (360 p.), ISBN: 978 1 78897 264 2 Accédez au site éditeur : Inequalities and the Progressive Era Contribution membre UMR AUSser Catherine Maumi (AHTTEP/AUSser), "Broadacre City: Frank Lloyd Wright’s vision of an organic capitalism", in Guillaume Vallet, Inequalities and the Progressive Era, Breakthroughs and Legacies, Edward Elgar Puplishing, 2020, p. 172..
Sabil and Wikala of Dhul Fiqar Oda Bashi
No full textinterior, courtyard, "Vue de l'Okel Zoulfiqar," color plate XLIV of Pascal Coste's "Architecture arabe; ou, Monuments du Kaire, mesurés et dessinés, de 1818 à 1826", 1818-182
First person - Aude Pascal
No full textInternational audienceFirst Person is a series of interviews with the first authors of a selection of papers published in Journal of Cell Science, helping early-career researchers promote themselves alongside their papers. Aude Pascal is first author on `Annexin A2 and Ahnak control cortical NuMA-dynein localization and mitotic spindle orientation', published in JCS. Aude is a research assistant in the lab of Re ' gis Giet at University of Rennes, France, who is particularly interested in developmental biology. She has always been struck by the fact that a whole organism displaying multiple functions arises from a single cell. For this reason, she has oriented her research on mitosis and meiosis to study the different steps, components and structures involved in these processes
Pascal Tutorial, 1987
No full textThere exists a limited number of tutorials for the Pascal programming language using the Apple Computer. The demand for these tutorials exceeds the supply. In this thesis an attempt was made to rectify this shortage by designing a Pascal tutorial for the Apple computer. This Pascal tutorial is designed to assist with instructing an introductory computer programming course in Pascal, incorporating Apple Superpilot as the authoring language. Emphasis is placed on making the program "user friendly." A person with no previous programming experience should be able to easily execute this tutorial. The information presented as the subject matter of the tutorial will follow the guidelines recommended by the Association for Computing Machinery
Architecture arabe; ou, Monuments du Kaire, mesurés et dessinés, de 1818 à 1826
No full textgeneral view, "Vue des Tombeaux au Nord-Est de la Ville," color plate LXIII of Pascal Coste's "Architecture arabe; ou, Monuments du Kaire, mesurés et dessinés, de 1818 à 1826", 1818-182
Gamia el-Muaiyad
No full textinterior, qibla wall, "Vue de la Niche du Sanctuaire et de la Chaire de la Mosquee el Moyed"," color plate XXVIII of Pascal Coste's "Architecture arabe; ou, Monuments du Kaire, mesurés et dessinés, de 1818 à 1826", 1818-182
Architecture arabe; ou, Monuments du Kaire, mesurés et dessinés, de 1818 à 1826
No full textsection, section of the prayer hall, and details of inscription and chandelier, Plate XXIII of Pascal Coste's "Architecture arabe; ou, Monuments du Kaire, mesurés et dessinés, de 1818 à 1826
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