284 research outputs found
Vita del Padre Alessandro Valignani della Compagnia di Giesu / descritta dall'abbate D. Ferrante Valignani
No full textEx-libris ms. de Silva ; Enc. piel ; Port. con esc. episcopal xil. ; La h. de grab. calc., retrato de Alessandro Valignani : "N. Oddi Sculp.
Mujeres que escriben. Ferrante, Sapienza, Aleramo / Women who write. Ferrante, Sapienza, Aleramo
No full textLa escritura es un tema recurrente en la obra de Elena Ferrante. En sus artículos y entrevistas más recientes, la reflexión sobre el acto de escribir da paso a
una reflexión específica sobre las “escritoras”. El concepto que propone Ferrante
para describir la novedad que introducen las escritoras dentro de la tradición
literaria es el de “genealogía” (un concepto del feminismo de la diferencia sexual
formulado por Luce Irigaray y Luisa Muraro). Retomando la invitación de Ferrante
a fortalecer una “genealogía artística” femenina, este artículo propone un linaje que
conecta a la autora de las novelas napolitanas con Sibilla Aleramo, a través de Goliarda
Sapienza. Siguiendo el hilo de sus reflexiones sobre la escritura, se resaltarán una
serie de vínculos y cruces entre estos autores de diferentes generaciones entre ellos:
la pasión por la lectura, por la autobiografía y la metaficción. Finalmente, el artículo se centrará en cómo el fenómeno Ferrante ha ayudado a llevar la cuestión de la
escritura de las mujeres al centro del debate teórico feminista.
Writing is a recurring theme in Elena Ferrante’s work. In her more-recent articles and interviews, reflection on the act of writing opens up to a specific reflection on “women writers”. The concept that Ferrante proposes to describe the novelty that women writers introduce within the literary tradition is that of “genealogy” (a concept of the feminism of sexual difference formulated by Luce Irigaray and Luisa Muraro). Taking up Ferrante’s invitation to strengthen a female “artistic genealogy” this article proposes a lineage connecting the author of the Neapolitan Novels to Sibilla Aleramo, via Goliarda Sapienza. Following the thread of their reflections on writing, a series of links and cross-references between these authors of different generations will be highlighted including: the passion for reading, autobiographism, and metafiction. Finally, the article will focus on how the Ferrante phenomenon has helped bring the issue of women writing to the centre of feminist theoretical debate
Applying General Impostors Method to the Ferrante Case
No full textElena Ferrante is the nome de plume of an anonymous writer who is highly successful on the international stage and whose success far exceeds that of other products of Italian contemporary literature. In this study we approach Ferrante’s authorship investigation as a verification problem since we cannot be sure whether the real author behind Ferrante’s pseudonym is among the candidates we have considered in previous studies. For this reason, we applied the General Impostors’ (GI) method using the Cosine Delta distance in both a corpus of 150 novels written by 40 authors (39 candidates and Elena Ferrante) and a non-literary corpus of 113 texts signed by 14 different entities (12 authors, a collective author and Elena Ferrante). In the literary corpus Starnone emerged as the most likely author of Ferrante’s novels. Results were quite different in the second case: Starnone was not the only possible author since in many non-literary texts Raja, Martone as well as the E/O publishing house staff and publishers seem to have authorial contributions. The GI method not only confirmed previous results but also improved our knowledge on this case since it provides a measure of the attribution strength
L'orario di lavoro fra presente e futuro
No full textThe essay’s subject matter is the discipline of working hours in relation to both the most recent rulings of the European Court of Justice and Directive no. 1152 of 2019. The author argues that in order to understand the meaning of the provisions, it is necessary to link wage to working time.
El ensayo trata de la disciplina de la jornada laboral en relación tanto con las sentencias más recientes del Tribunal de Justicia de la UE como con la Directiva núm. 1152 de 2019. El autor sostiene que para comprender el sentido de las disposiciones es necesario vincular el tema del salario al tema del tiempo de trabajo.Il saggio si occupa della disciplina dell’orario di lavoro in relazione sia alle più recenti pronunzie della Corte di Giustizia UE, sia alla direttiva n. 1152 del 2019. L’autore sostiene che per comprendere il significato delle previsioni delle norme è necessario collegare il tema del salario alla materia dell’orario di lavoro.
 
Recensione a E. Ferrante, L’azione di classe nel diritto italiano. Profili sostanziali
No full textL’autore commenta criticamente il libro di Ferrante sull’azione di classe nel diritto italianoThe author reviews critically Ferrante's issue regarding class action in Italian la
Le fonti e il dialogo sociale
No full textNel saggio, l'Autore si interroga sul ruolo delle fonti e del dialogo sociale, nell'ambito dei problemi sollevati dalla pandemia da Sars-CoV-2.In the essay, the Author reflects on the role of sources and social dialogue in the context of the problems raised by the Sars-CoV-2 pandemic
Juan Rodolfo Wilcock e il giornale. Critica di costume e foglietti di viaggio nel "Mondo" di Mario Pannunzio
No full textJuan Rodolfo Wilcock e il giornale. Critica di costume e foglietti di viaggio nel “Mondo” di Mario Pannunzio
Between 1958 and 1966, Juan Rodolfo Wilcock wrote several pieces for the Italian journal “Il Mondo”, some of them as an insightful observer of the Italian (and European) way of life. This corpus of writings hitherto unexplored is, as we suggest, one of the multiple expressions of Wilcock’s narrative. The aim of this paper is to highlight the literary devices and the rhetoric figures used by the author while describing different aspects of Italian morals and society, and therefore to display and comment on the main characteristics of what we call Wilcock’s “journalistic poetics”
Smarginatura: The Art and Politics of Elena Ferrante
No full textIn the Neapolitan Quartet, a sprawling epic following the lives of two women in post-war Italy, the author, Elena Ferrante, explores the intimate relationship between politics and art, pushing at the borders we often construct between the two. At a particularly critical moment in the novels, the central character, Elena Greco, a poor girl from Naples who rises to the position of a successful novelist, is told by her more politically radical friends that she is not doing enough, that “this, objectively, is not the moment for writing novels.” But then, when is? The current political climate in Italy is in a state of immense uncertainty. While modern Italian history is littered with such windows, the rise of the Brothers of Italy party, bringing with it a far-right, nationalist political agenda the likes of which the country hasn’t faced in eighty years, is unquestionably extraordinary. Much of the existing discourse surrounding Ferrante\u27s work focuses on her portrayals of female friendship as well as cultural and family dynamics, less on the politics of the novels, which initially appears to evolve primarily in the background. However, a closer reading reveals layers of political dimension, deeply interwoven into nearly every facet of the novels: the depoliticization and disenfranchisement of women in Italian society, the lack of recognition for art by women writers, the deemphasis on art as a politically engaged, and even politically transformative, act. In doing a close reading of the central female characters in Ferrante’s work, as well as an examination of the enigma of the author herself, this paper hopes to illuminate both the artistic and political barriers faced by women writers in Italy today as well as the ways in which Ferrante—in her writing and her actions—proposes to navigate and transcend these spaces, ultimately demonstrating the immediacy, relevance, and crucial nature of politically engaged art for today\u27s Italy
Who Does Elena Ferrante Look Like? A Revised Stylometric Identikit
No full textBased on a corpus including 150 novels by 40 authors, a stylometric survey was conducted
to assess which modern authors were similar to Elena Ferrante, the pen name used for eight novels,
including "My Brilliant Friend" (Tuzzi & Cortelazzo 2018a and 2018b). The survey proved that Elena
Ferrante’s writing style is remarkably different from that of the other main contemporary Italian
novelists with the notable exception of Domenico Starnone. Follow-up studies (Cortelazzo, Mikros
& Tuzzi 2018 and another under way) show that non-fiction works signed by Elena Ferrante may be
attributed to different authors, i.e., Anita Raja, Starnone again, and a collective author including the
staff of the E/O publishing house.
This study complements the results obtained by previous research by assessing Elena Ferrante’s
role in modern Italian fiction following the publication of her latest novel, "The Lying Life of Adults".
In addition, the analysis of her similarities to Domenico Starnone was enhanced by means of a larger
corpus of his novels, thus corroborating the outcome of previous research.Sulla base di un corpus di 150 romanzi di 40 autori, abbiamo condotto un’indagine
stilometrica, per valutare quali autori contemporanei risultassero più vicini a Elena Ferrante,
pseudonimo con cui sono stati firmati otto romanzi, tra cui "l’Amica geniale" (Tuzzi & Cortelazzo
2018a e 2018b). L’indagine ha dimostrato che lo stile di scrittura di Elena Ferrante è notevolmente
diverso da quello degli altri principali romanzieri italiani contemporanei, con la sola eccezione di
Domenico Starnone. Studi successivi (Cortelazzo, Mikros & Tuzzi 2018 e in preparazione) hanno
mostrato che, invece, le opere non letterarie firmate da Elena Ferrante possono essere attribuite ad
autori diversi, tra i quali Anita Raja, di nuovo Starnone e autore collettivo costituito dallo staff della
casa editrice E / O.
Questo studio integra i risultati delle ricerche precedenti, aggiornando la collocazione di Elena
Ferrante nel panorama contemporaneo, in seguito all’uscita del suo ultimo romanzo ("La vita bugiarda
degli adulti") e affinando lo studio delle similarità con Domenico Starnone, utilizzando un corpus più
ampio di opere di questo autore. Risultano rafforzati i risultati delle ricerche precedenti
Narrare senza presente: sull'"Amore molesto" di Elena Ferrante
No full textIl saggio propone una rilettura dell’Amore molesto di Elena Ferrante a partire dall’analisi della prima persona narrante. In particolare, l’autrice si concentra sull’assenza effettiva della retrospezione e sullo stile consonante del racconto entro cui la persona narrante e quella agente si trovano a coincidere. Sulla base di questa analisi, il saggio mostra come il romanzo non configura una conciliazione col materno e la conquista di una identità femminile piena, come la stessa Ferrante ha suggerito, ma si chiuda piuttosto su una risoluzione mancata e la riaffermazione del dominio della madre.The essay proposes a re-reading of Elena Ferrante’s L’amore molestobuilding on the analysis of the first-person Narrator. In particular, the author focuses on the actual absence of retrospection and the consonant style of the narration, within which the narrator and the agent character coincide. Based on this analysis, the essay shows how the novel does not shape a reconciliation with the maternal and the conquest of a full female identity, as Ferrante herself suggested, but rather ends on a failed resolution and the reassertion of the mother’s dominance
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