1,720,958 research outputs found
Darío and Machado: Two poetic arts, two styles of hispanic american modernism
Full text linkThis paper compares the work of two of the most representative authors of the Hispanic-American Modernism through an analysis of two ars poetica in verse: «Yo persigo una forma...», by Rubén Darío, and «De mi cartera», by Antonio Machado. These vindicating manifestos unveil the principles of modernism's contrasting qualities: the preciosity rehearsed by the Nicaraguan author in Prosas Profanas (1896) and the vitalism displayed by the Spanish poet in Nuevas canciones (1924). The examination of these two different conceptions highlights the productivity of the artistic movement, showing its diverse and heterogeneous conditionEl presente trabajo se propone comparar dos de las poéticas más representativas del
movimiento modernista hispanoamericano a partir del análisis de dos poemas centrales en el seno de su producción: «Yo persigo una forma…», de Rubén Darío, y «De mi cartera», de Antonio Machado. Estas artes poéticas, que dan cierre a los respectivos volúmenes que los contienen, funcionan como manifiestos reivindicatorios del ideario de ambos autores en sus etapas de encumbramiento, condensando los principios de dos talantes contrapuestos del modernismo: el preciosismo ensayado por el nicaragüense en Prosas Profanas (1896) y el vitalismo desplegado por el español en Nuevas canciones (1924). La presencia de estas líneas diversas en el seno de una misma corriente da cuenta de su eclecticismo, resaltando su carácter heterogéne
Una herida abierta. Tensiones y contrapuntos discursivos en Dos veces junio y Ciencias morales, de Martín Kohan
No full textThis article seeks to inquire about the ways in which tensions and discursive counterpoints operate in Dos veces junio (2002) and Ciencias morales (2007), by Martin Kohan. We attend to take as point of departure the struggling senses that show up in both novels related to imposed regulations and their transgressions, official discourses and marginal ones, the exhibited and the veiled, pursuing the goal of identifying and analyzing how the author configures the textual strategies that he uses in his writing to literary reinterpret the social tensions experienced during the last civic- military dictatorship in ArgentinaEl presente trabajo busca indagar acerca de los modos en los que operan las tensiones y contrapuntos discursivos en Dos veces junio (2002) y Ciencias morales (2007), de Martín Kohan. Para ello, se toman como punto de partida los diversos sentidos en pugna que atraviesan ambas novelas en relación con la norma impuesta y su transgresión, el discurso oficial y el marginal, lo manifiesto y lo velado, con el objetivo de identificar y analizar cómo se configuran las estrategias textuales que el autor pone a funcionar en su escritura, reinterpretando en clave literaria las tensiones sociales experimentadas durante la última dictadura cívico-militar en Argentina
Amelia Biagioni o el imprevisible trayecto de una experiencia poética alterna
No full textEl presente artículo propone un recorrido de lectura crítica global en torno a los cinco poemarios publicados entre 1954 y 1995 por la escritora argentina Amelia Biagioni (1916 -2000), poniendo especial énfasis en la condición alterna de su obra poética, tanto en relación con las tendencias estéticas dominantes en el campo literario de su época, como en el seno de su propia producción, caracterizada por un doble gesto simultáneo de ruptura y recomposición, de instauración y abolición complementarias. Se espera que el análisis discursivo de sus poemarios, así como de los procedimientos textuales fundamentales que componen su poesía, permita reflexionar acerca de su práctica poética de manera integral, reivindicando el carácter transgresivo/ disruptivo de su escritura con el objetivo de reafirmar, en última instancia, la singularidad de su producción
Artemio Cruz: deslizamientos subjetivos y perspectivismo para la (des)articulación de la Historia
No full textEl presente artículo aborda los deslizamientos subjetivos del protagonista de la novela cumbre de Carlos Fuentes y su incidencia en la construcción de una narrativa histórica plural. 
"Si te dicen que caí" (1973), de Juan Marsé: usos, modulaciones y funcionalidad del discurso polifónico en el entramado rizomático de las aventis
Full text linkEl presente trabajo se propone indagar acerca de las estrategias textuales que configuran la novela Si te dicen que caí (1973), del escritor español Juan Marsé, con el objetivo de identificar cuáles son los procedimientos y técnicas narrativas que le permiten al autor diseñar una obra en la que proliferan múltiples puntos de vista de la mano con un perspectivismo plural y abierto. Para analizar este entramado, buscaremos recuperar y poner en funcionamiento los planteos de Mijail Bajtín acerca del dialogismo y la polifonía en Problemas de la poética de Dostoievsky (1986) haciéndolos dialogar con la propuesta de Gilles Deleuze y Félix Guattari en Rizoma (1972), así como con los aportes críticos de otros autores que trabajaron la obra de Marsé. En última instancia, nos centraremos en el estudio de tres aspectos cruciales para la novela: el rol de las aventis en la trama narrativa, el despliegue de juegos autoreflexivos y de máscaras metaficcionales, y las referencias intra e intertextuales que pueblan el universo de la obra, con el propósito último de complementar y enriquecer los estudios acerca de la novela disponibles en la actualidad. This paper seeks to inquire about the textual strategies that configure the novel Si te dicen que caí (1973), by Spanish writer Juan Marsé, with the gold of identifying which procedures and narrative techniques allow the author to design a piece of work in which multiple points of view are in constant proliferation. In order to analyze this literary scheme, we will recover the considerations by Mijail Bajtin relating to polyphony and dialogism in Problems of Dostoyevsky’s Poetics (1986) making them dialogue with the theoretical proposal by Gilles Deleuze and Félix Guattari in Rhizome (1972), and also with the critical contributions of other authors that analyzed Marse’s work. Finally, we will study three crucial aspects of the novel: the functioning of the Aventis in the narrative plot, the deploying of self-reflexiveness and metafictional masks, and the intertextual and intratextual references that populate the novel’s universe, with the ultimate purpose of complementing and enriching the studies about the novel available at the moment.</jats:p
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Full text linkWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
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