1,720,970 research outputs found
Islamic Religion Value on The Liric Text of Kaili Pop Song Regional Review of Literature in Islamic Education
No full textLyric of the Kaili Pop song is a literary work that reflects the cultural attitudes of the Kaili society as the owner. The lyrics of the song express feelings or ideas of authors based on the author's life experience. The lyrics of the Kaili's songs that are unique in the theoretical perspective representing the cultural values of Kaili that implicate literature, especially on religious values of Islamic education, (1) prayer (2) repentance, and (3) firmness/resignation. The data of this qualitative research is the text of the lyrics of Kaili pop song. The data source of this research is Kaili songs obtained through audiovisuals in the form of cassettes or CDs. Data were collected through documentation study. The text of the song’s lyric was transcribed into the data card sheets and coded according to the focus of the research. The data transcription is analyzed in accordance with the steps of analysis proposed by Ricoeur consisting of (1) semantic understanding stage, (2) reflective understanding stage, and (3) existential understanding stage.</jats:p
CAMPUR KODE PADA ACARA” RUMAH UYA” DI TRANS 7
No full textPermasalahan dalam penelitian ini adalah (a) bagaimanakah wujud campur kode pada acara “Rumah Uya” di Trans 7 dan (b) apa saja jenis-jenis campur kode pada acara “Rumah Uya” di Trans 7. Penelitian ini bertujuan mendeskrispsikan wujud dan jenis-jenis campur kode pada acara “Rumah Uya” di Trans 7. Teknik pengumpulan data yang digunakan yaitu teknik simak dan teknik catat. Teknik analisis data terdiri atas (a) reduksi data, (b) penyajian data, (c) penarikan kesimpulan dan verifikasi. Hasil penelitian mendeskripsikan bahwa wujud campur kode pada acara “Rumah Uya” di Trans 7 meliputi: (a) wujud kata, contohnya: akang “kakak laki-laki”, (b) wujud frase, contohnya: neng gelis “nona cantik”, (c) wujud klausa, contohnya: don’t make mami change “jangan buat mami berubah”, dan (d) wujud kalimat, contohnya: innallaha layanduru ilashalikum wailaa ajsamikum walakin yanduru ilaikulubikum “sesungguhnya Allah tidak melihat bentuk rupamu dan hartamu, tetapi Allah melihat hatimu dan amalanmu”. Adapun jenis-jenis campur kode pada acara “Rumah Uya” di Trans 7 meliputi: (a) campur kode ke dalam, contohnya: penutur menyelipkan kata teteh “kakak perempuan” ketika sedang mengguanakan bahasa Indonesia. Kata tersebut berasal dari bahasa Sunda, sehingga terjadilah percampuran antara bahasa Indonesia dan bahasa Sunda. (b) campur kode ke luar, contohnya: penutur menyelipkan kata devorce “bercerai” ketika sedang menggunakan bahasa Indonesia. Kata tersebut berasal dari bahasa Inggris, sehingga terjadilah percampuran antara bahasa Indonesia dan bahasa Inggris. Dan (c) campur kode campuran, contohnya: penutur menyelipkan kata single “sendiri” dan mas “kakak laki-laki” ketika sedang menggunakan bahasa Indonesia. Kata single berasal dari bahasa Inggris, sedangkan kata mas berasal dari bahasa jawa. Dari penyisipan kata-kata tersebut terjadilah percampuran antara bahasa Indonesia, bahasa Jawa, dan bahasa Inggris. Bahasa tersebut telah menyerap unsur bahasa asli (bahasa Jawa) dan bahasa asing (bahasa Inggris). Pada hasil penelitian ini para penutur dominan menggunakan campur kode bahasa Inggris dan bahasa Sunda. Kata Kunci: campur kode, rumah uya, wujud, jenis-jeni
PEMERTAHANAN BAHASA KAILI DIALEK RAI DI KELURAHAN TAIPA KECAMATAN PALU UTARA
No full textABSTRAK - Penelitian ini membahas tentang permasalahan bentuk-bentuk pemertahanan bahasa Kaili dialek Rai di Kelurahan Taipa. Penelitian ini bertujuan mendeskripsikan mengenai bentuk-bentuk Pemertahanan Bahasa Kaili Dialek Rai di Kelurahan Taipa Kecamatan Palu Utara. Penelitian ini merupakan penelitian kualitatif dan kuantitatif. Jenis data dalam penelitian ini adalah data berupa angka yang dihitung menggunakan metode statistik (rumus rata-rata) dan dibahasakan melalui bentuk kata-kata. Pengumpulan data dilakukan dengan menggunakan observasi, angket dan dokumentasi. . Instrumen dalam penelitian ini adalah angket. Penyajian hasil analisis data mengikuti konsep Miles dan Hubermen yaitu pengumpulan data; reduksi data; penyajian data; dan penarikan kesimpulan yang berdasarkan rumus rata-rata dan konsep Damanik. Berdasarkan hasil penelitian ditemukan hasil pemertahanan bahasa Kaili dialek Rai di Kelurahan Taipa Kecamatan Palu Utara adalah Hasil yang diperoleh adalah pemertahanan bahasa Kaili dialek Rai di ranah keluarga dikategorikan sudah bergeser dengan jumlah persentase 36,14% atau dibawah 40%. Pemertahanan bahasa Kaili dialek Rai di ranah ketetanggaan dikategorikan masih bertahan dengan jumlah persentase 59,66% atau mencapai 50% Sedangkan pemertahanan bahasa Kaili dialek Rai di ranah umum dikategorikan bergeser dengan jumlah persentase 44,38% diatas 40%. Berdasarkan jumlah keseluruhan jawaban dalam tiga ranah tersebut maka diperoleh hasil secara umum bahwa pemertahanan bahasa Kaili dialek Rai di Kelurahan Taipa dikategorikan bergeser dengan jumlah persentase 42,63% atau dibawah 50%. Pemertahanan bahasa Kaili dialek Rai di kelurahan Taipa didukung oleh beberapa faktor, yaitu dari segi mitra tutur, prestise bahasa, lingkungan, media massa dan suasana.Kata Kunci: Pemertahanan Bahasa, Bahasa Kaili Dialek Rai, Kelurahan Taipa.
Keragaman Kultur Film Kartun “Adit & Sopo Jarwo” dalam Perspektif Analisis Multimoda
No full textChildren's cartoons are television shows that are an alternative for children to watch. This audiovisual presentation contains a lot of educational value. This paper aims to describe the cultural diversity contained in the children's cartoon film “Adit & Sopo Jarwo from the perspective of multimodal analysis. The method used in analyzing this cartoon is a qualitative method using content analysis. The content analysis model used is the multimodal analysis model proposed by Teo van Leeuwen. The results showed that the multimodal content in the ASJ film can be seen from the actors, characteristics, social relations, action and reaction, property, and criticality.
Abstrak
Film kartun anak merupakan sajian pertelevisian yang menjadi alternatif tontonan bagi anak. Sajian audiovisual ini banyak mengandung nilai edukasi. Tulisan ini bertujuan untuk mendeskripsikan keragaman kultur yang terdapat dalam film kartun anak “Adit & Sopo Jarwo dalam perspektif analisis multimoda. Metode yang digunakan dalam menganalisis film kartun ini adalah metode kualitatif, yaitu analisis konten. Model analisis konten yang digunakan adalah model analisis multimoda yang dikemukakan oleh Teo van Leeuwen. Hasil penelitian menunjukkan bahwa multimoda yang terdapat dalam film ASJ dapat ditinjau dari pelaku, karakterisasi, hubungan sosial, aksi reaksi, properti, dan kekritisan
THE FORMS AND MEANINGS OF ANTHROPOMORPHIC METAPHORS IN PAE LANGUAGE
No full textThis study describes the forms and meanings of anthropomorphic metaphors in Pae dialect in view of cultural linguistics. This study is descriptive. The methods of data collection were observation, interview, and documentary study. The techniques of data collection were recording, elicitation, and note-taking. The sources of data were the native speakers of Pae language represented by two key informants. Data were analyszed qualitatively by using inductive method. The results of study show that the forms and meanings of anthropomorphic metaphor in Pae language have unique and specific characteristics, as can be seen in such terms as ulung wae, mata wae, kinga kue, wewa kue, nggolo kue, lime kerosi, tuka nepe, tedu nepe, wa’i woko, and tedu woko. The results of study might be beneficial to support the study of language as the mirror of culture shared by a people as members of an ethnic group with special reference to Pae language as the mirror of Pae culture serving both as the sense of identity and as the symbol of identity for Pae people as members of Pae ethnic group
NOMINA BAHASA KAILI DIALEK RAI
No full textThe research problems are: (1) how is the form of noun of Kaili language in Rai dialect?, (2) how is the function of noun of Kaili language in Rai dialect?, and (3) what is the meaning of noun of Kaili language in Rai dialect?. The research aims to: (1) describe the noun form of Kaili language in Rai dialect, (2) describe the noun function of Kaili language in Rai dialect, and (3) describe the meaning of noun of Kaili language in Rai dialect. This was a descriptive qualitative research. Data collection was listening and speaking with listening involving speaking, recording technique, and noting technique. Data analysis used match and distributional with subtitution technique. The research result reveals that (1) the form of the noun of Kaili language in Rai dialect includes the basic noun that is a noun consisting of a morpheme and a derived noun that is a derived noun with the form of the affix, reduplication, compounding, and clitization on the morphological study and noun of Kaili language in Rai dialect on the study of syntax can be known its position in construction of phrases, clauses, and sentences. (2) the Kaili language noun function in the Rai dialect includes the morphological noun function ie as a tool marker, locative adverb marker, and numerical marker. (3) the meaning of Kaili’s noun in Rai dialect in morphology and syntax is to have meaning as component of the meaning of people, animals, fruits, food, tools, place of people perfoming an activity or work, many or more than one, and meaningful to one.
KOLABORASI SENI PADA UPACARA PENGOBATAN SUKU KAILI
No full textThis thesis is focused on art collaboration in medication ceremony of kailinese. The research problem was from an meaning contained in art collaboration in medication ceremony balia tampilangi Ulujadi at donggala kodi of padanjese village. The research aims to describe form and meaning of art collaboration in medication ceremony of kailinese. This research used descriptive qualitative method with hermeneutics approach. Data source of the research was from medication ceremony process of balia tampilangi Ulujadi of kailinese. Technique of data collection was direct observation, interview, documentation, and triangulation. Data analysis covered data collection, data reduction, data display and drawing conclusion. The results indicate that art collaboration in medication ceremony of balia tampilangi Ulujadi includes some forms of art, namely (1) drum and gong, (2) dance art covers movemenst of hand and foot, (3) theatre art covers popasaki, popanjaku of poraro, toratabolu, pokavu. (4) fine art consists of two dimensions and three dimensions. Two dimensions fine art cover bangunjaro and gulinto, siga, kayu mpovera and gantulili, lumbu, langi-langi, while three dimensions cover costume
ANALISIS PENANDA KOHESI DALAM WACANA TAJUK RENCANA HARIAN UMUM MERCUSUAR
No full textThis research aims to describe the use of form anda function of cohesion device in Mercusuar Daily editorial discourse including device of grammatical and lexical cohesion. This research is a qualitative descriptive research. The data collection were done in two ways, namely, (1) refer technique and (2) record technique. Data analysis procedures used trough three stages: (1) data reduction, (2) presentation of data, and (3) conclusion / verivication. Based on the research result, there was the use of devices of grammatical and lexical cohesion in Mercusuar daily editorial discourse of may 2016 edition. Devices used in the grammatical cohesion of discourse include, (1) grammatical forms of cohesion devices, including : (a) molding (reference), (b) ellipsis (deletion), (c) subtitution, and (d) a conjungtion. Lexical cohesion devices include (a) reps (repetition) that replicated that same right (intact), repeat with replacement, replicated the shape change, repeat with synonym, repeat with hyponym, and (b) collocation. 2) Cohesion devices function as follows : (a) the reference refer to a participant who had been mentioned first in discourse, (b) subtitution serves to replace the spesific language elements with other elements that are interchangeable, (c) ellipsis (deletion). There are some functions that use ellipsis, namely: (1) the effectiveness of the sentence, (2) language efficiency usage, (3) cohesion discourse, (4) to activate the mind of reader or listener to language which didn’t explicitly disclosed, (5) practicality language, and (d) conjungtion. Conjungtions functions are, (1) the relationship of resistance, (2) stating causality, (3) the relationship extra, (4)the relationship comparison and (5) express a temporal relationship. The used of lexical cohesion in the form of repetition. Repetition serves to defend the idea of topic being discussed
DIKSI DAN GAYA BAHASA DALAM KHOTBAH PENDETA SEFNAT BABYS DI GPDI PERSAUDARAAN KECAMATAN LARIANG KABUPATEN MAMUJU UTARA
No full textThe main problems of this research were (1) what is the form of diction in the sermon of Priest Sefnat Babys at GPDI Persaudaraan of Lariang District, North Mamuju Regency?. (2) How is the form of language style in Priest Sefnat Babys sermon at GPDI Persaudaraan in Lariang District, North Mamuju Regency?. This research also has two objectives, namely (1) describing the form of diction usage in Priest Sefnat Babys sermon at GPDI Persaudaraan in Lariang District, North Mamuju Regency. (2) Describing the form of language style in Priest Sefnat Babys sermon at GPDI Persaudaraan in Lariang District, North Mamuju Regency. This research was qualitative and used descriptive method. The source of the data in this research was Priest Sefnat Babys sermon at both Sunday and youth worship held on Saturday. The data were collected through recording, see and note technique. The instrument in this research was a cellphone to record Priest sermon and stationery to take notes. The data analysis technique in this research follows three stages, namely (1) data reduction, (2) data presentation, and (3) conclusion. In this research found the use of diction and forms of language in Priest Sefnat Babys sermon. The use of the diction form in Priest Sefnat Babys sermon is divided into two, namely based on the form of meaning and based on lexical. Dictation based on the form of meaning is divided into two namely denotative and connotative, while diction based on lexical forms are found in two forms, namely synonyms and antonyms. The use of the language style in Priest Sefnat Babys sermon is divided into three, namely the style of comparison, connection, and repetition. Comparative language styles are parables and metaphors, linking language styles namely antonomia, and repetition language styles namely epizeukis
REPRESENTASI NILAI MORAL DALAM CERITA RAKYAT KAILI DI KABUPATEN DONGGALA
No full textThe research problems were (1) What moral value is contained on Kailinese folklore in Donggala district? (2) What is the representation of moral value on Kailinese folklore in Donggala district? The objectives of this research are (1) to describe the moral value on Kailinese folklore in Donggala, and (2) to describe the representation of moral value on Kailinese folklore in Donggala district. The research type was qualitative research. Data were collected through direct observation, recording, interview, note and document analysis. Data analysis used the techniques of Miles and Huberman. The results of this research show that moral values that exist on Kailinese folklore in Donggala district namely individual, social, religious. The results of representation of moral values that are never give up, strong, happy, honest, obedient, curiosity, trusteeship, democratic, loving pet, affection, helping parents, alert, respecting parents, helping, helpful, friendly believe in the power of God and pray
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