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    Veritas sequitur esse rei... Biczowanie Piero della Francesca Diegesis w Pamięci Włoch Wojciecha Karpińskiego

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    This article is concerned with the text A Memory of Italy by Wojciech Karpiński, in which the author refers to the painting Flagellation by Piero della Francesca. The author of the article analyzes Karpiński’s reflections on the painting in the context of the philosophy of Saint Thomas Aquinas. In the painting the linear structure is important (the methodology of mathematical proceedings, among others according to Plato), the situation, the degree of distance which determines the perception of things, people and the world in the literal, spatial, and also metaphorical and psychological sense. The sensual cognition of corpus mysticum Christi is the starting point of epistemology, a key moment of the theory of the cognition of God

    “Veritas sequitur esse rei...”. Piero della Francesca’s Flagellation. Diegesis in A Memory of Italy by Wojciech Karpiński

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    This article is concerned with the text A Memory of Italy by Wojciech Karpiński, in which the author refers to the painting Flagellation by Piero della Francesca. The author of the article analyzes Karpiński’s reflections on the painting in the context of the philosophy of Saint Thomas Aquinas. In the painting the linear structure is important (the methodology of mathematical proceedings, among others according to Plato), the situation, the degree of distance which determines the perception of things, people and the world in the literal, spatial, and also metaphorical and psychological sense. The sensual cognition of corpus mysticum Christi is the starting point of epistemology, a key moment of the theory of the cognition of God

    Phenomenological-deconstructional explications of “unity and multiplicity” in “The Tunnel” by Magdalena Parys

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    Presenting architectural content in the work The Tunnel by Magdalena Parys is the purpose of this article. The author analizes the connection beetwen The Tunnel's heores and their surround-ings. Each entity experiences a complicated relationship between themselves and the environ-ment. By capturing the opposition of unity and multiplicity the characters of the novel are able to recognize and get to know themselves

    Ars in crudo in the novel “Confesses” by Jaume Cabré

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    The purpose of the article is to reveal the philosophical take on the role of music in one’s life showed in Jaume Cabré’s novel “Confesses”. The author analyzes the value of music as the metaphysical property of the world and as developing cognitive and sensory abilities of man. Music for the main character can turn out to be the necessary complement of his existence, showing him what is beautiful and what belongs in the world of the value

    Aller plus loin dans vos peintures... O Portrecie Czapskiego Wojciecha Karpińskiego

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    The article analyzes the book A Portrait of Czapski by Wojciech Karpiński. In the first part the author describes Czapski’s life and artistic work and in the second one, his paintings, The Boy in Front of de Staël and Self-portrait in the Mirror (Mirrors). Czapski interprets the world using geometric figures; they help him to show the tension between the sacred and the profane, at the same time marking out the direction and way to genuine values. Czapski experiences beauty the moment he discovers truth in a work of art

    “Nella cerchia degli incontri italo-polacchi”. Eseje Nicola Chiaromontego w perspektywie teorii skopos

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    W artykule przedstawiono analizę esejów Nicoli Chiaromonte w perspektywie teorii skopos. Tłumaczenie tekstu powinno uwzględniać kontekst kulturowy, aksjologiczny, potrzeby odbiorcy. Włoski myśliciel poprzez swoje eseje prowadzi dialog z odbiorcą. W Polsce taką rozmowę rozpoczął Wojciech Karpiński. Inkulturacja zapisków włoskiego aktywisty oddaje jego sposób pojmowania świata, siebie, drugiego człowieka. Pozwalają one na nowo odkryć bogactwo starożytnej, filozoficznej, artystycznej spuścizny, odnaleźć rzeczywistość otaczającą język, którą wyrazi na nowo wartość człowieka.The article discusses the essays by Nicola Chiaromonte analyzed from the perspective of the skopos theory. According to this theory, translator of any text should take into consideration the cultural context of work he renders in another language, its axiological aspect as well as requirements of its recipients. The dialogue Chiaromonte had with his Italian readers has been transferred into Polish literary discourse by Wojciech Karpiński. The translations he produced provide their Polish recipients with such a vision of the Italian author, his way of understanding the world, oneself and other people, that the essays in Polish clearly reveal a new usage and intellectual potential of ancient philosophical and artistic legacy

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Amerykańskie obrazy w pamięci Wojciecha Karpińskiego w kontekście badań neurologicznych Antonio Damasio

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    In this article, I describe the way in which images come into being in the mind of the protagonist of the book W Central Parku [In Central Park] by Wojciech Karpiński. I analyze the protagonist’s behavior in the perspective of Antonio Damasio’s neurobiological research. Memory is one of the factors that participate in the creation of images in the artist’s mind. It is a dynamic phenomenon that collects memories evoked by various stimuli. It also participates in the creation of the autobiographical ‘self’ of the protagonist.In this article, I describe the way in which images come into being in the mind of the protagonist of the book W Central Parku [In Central Park] by Wojciech Karpiński. I analyze the protagonist’s behavior in the perspective of Antonio Damasio’s neurobiological research. Memory is one of the factors that participate in the creation of images in the artist’s mind. It is a dynamic phenomenon that collects memories evoked by various stimuli. It also participates in the creation of the autobiographical ‘self’ of the protagonist

    Inspiracje Nietzscheańską myślą – Skrzydła Nietzschego Wojciecha Karpińskiego

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    The aim of the article is to show the influence of Friedrich Nietzsche’s philosophy on literature. The category of borderland is primarily of cultural and symbolic significance. Wojciech Karpiński shows the way of Friedrich Nietzsche’s thought in discovering his eidos. The German philosopher lived a life between good and evil, joy and suffering, falling and rising upwards, and writers were inspired by this attitude.The aim of the article is to show the influence of Friedrich Nietzsche’s philosophy on literature. The category of borderland is primarily of cultural and symbolic significance. Wojciech Karpiński shows the way of Friedrich Nietzsche’s thought in discovering his eidos. The German philosopher lived a life between good and evil, joy and suffering, falling and rising upwards, and writers were inspired by this attitude
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