31,046 research outputs found
Todorova (Maria), Imagining the Balkans
Hassner Pierre. Todorova (Maria), Imagining the Balkans . In: Critique internationale, vol. 1. 1998. La privatisation de l'État, sous la direction de Béatrice Hibou. p. 67
TODOROVA, Maria. 1997. Imagining the Balkans
Resenha de Imagining the Balkans, de Maria Todorova, publicado em 1997
Compte rendu de l'ouvrage de Maria Todorova, 'Imaginaire des Balkans'
Rarement l’observation selon laquelle leséditions et matérialités successives danslesquelles des textes se donnent à lire fontpartie intégrante des vies d’une oeuvre aura-t-elleété aussi juste que dans le cas d’Imagining the Balkans,cet ouvrage de l’historienne Maria Todorova,originalement publié aux États-Unis en 1997et qui nous parvient en langue française au termed’un long voyage [Premières lignes de l'article]
Maria Bersani
La voce illustra la biografia e l'apporto letterario dato da Maria Bersani alla letteratura per l'infanziaThe headword explains the biography and the contribution of the author Maria Bersani to the children's literatur
La Bulgarie - entre le discours culturel et la pratique politique
Bulgaria - Between Cultural Arguments and Political Practice, by Maria Todorova
As far as integration into the European club is concerned, Westerners give priority to central European countries and tend to exclude those in the Balkans. The latter are assimilated by a « specific doctrine » — Balkanism ― to another civilization and described as an unstable area on account of their ethnic heterogeneity. Now central Europe does not really exist as a separate entity, as competition for membership of the European institutions soon took precedence over cooperation. The Balkan countries are also claiming a European identity and deserve just as much to be integrated into Europe. Despite Bulgaria's economie difficulties and the slow pace of its reforms, it is a country in which the democratie process is now firmly established ― amid total indifférence from the western countries.Cet article témoigne d'une certaine amertume des pays d'Europe orientale, et en particulier de la Bulgarie, qui, pour l'instant, sont exclus du « club européen ». Ces pays semblent être fortement affectés par la « rhétorique d'exclusion » des Occidentaux à leur égard qui prend ses racines dans une image négative et erronée des Balkans, et par le fait qu'ils soient seulement reconnus en tant que pays européens de « troisième classe ». Ce plaidoyer contre l'indifférence et le mépris dont cette région et ce pays font l'objet en Occident mérite d'être entendu et respecté.Todorova. La Bulgarie - entre le discours culturel et la pratique politique. In: Politique étrangère, n°1 - 1998 - 63ᵉannée. pp. 125-139
新兴城市背景下的绿道 乌托邦还是创新 良机 ‘Greenways in an Emerging City Context: A Utopia or A Chance for Innovation?’
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Former east, former west: Post-socialist nostalgia and feminist genealogies in today’s Europe
This paper connects current studies of post-socialist nostalgia to the issue of feminist genealogies in the contemporary European context. Studies of post-socialist nostalgia can prove significant not only for the former socialist East - to which they have traditionally been limited - but also for the “former West”, that is post-Cold War Western Europe. In the first part of my paper I draw a connection between feminist genealogies and post-socialist nostalgia in the former East, looking in particular at the phenomenon of Yugonostalgia from a gendered and feminist perspective, and taking my research on the 1978 Belgrade feminist conference Drugarica Zena/Comrade Woman as a point of departure. The narrative about Yugoslavia being closer to Western Europe and to Western European feminist movements in the 1970s, in comparison to today’s marginalization of post-Yugoslav successor states, indicates that changes in gender regimes are deeply connected to shifts in ideological and geopolitical relations, including the shifting boundaries of Europe after 1989. In the second part of this essay I transpose the study of post-socialist nostalgia to the former West. When looking more closely at Western European countries, particularly at those who had significant communist parties such as Italy and France, it is clear that even in the West certain articulations of post-socialist nostalgia for radical pasts have emerged, helping us to unravel women’s and feminist movements’ genealogies that have been made invisible. I take the case of the recent Italian movie Cosmonauta as a symptom of post-socialist nostalgia in the former West
O curso de licenciatura em educação física da Universidade Federal de Santa Catarina: suas concepções de ensino e de educação física
Dissertação (mestrado) - Universidade Federal de Santa Maria. Centro de Educação Fisica e Desporto
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