1,721,034 research outputs found
Timo Koivurova, Introduction to International Environmental Law (London: Routledge, 2013)
No full textReview of the book: Timo Koivurova, Introduction to International Environmental Law (London: Routledge, 2013). pp. 240, 34.99 GBP (paperback); 95.00 GBP (hardcover)
Timo Koivurova, QIN Tianbao, Sébastien Duyck & Tapio Nykänen (eds.), Arctic Law and Governance: The Role of China and Finland (London: Hart Publishing, 2017)
No full textA book review of: Timo Koivurova, QIN Tianbao, Sébastien Duyck & Tapio Nykänen (eds.), Arctic Law and Governance: The Role of China and Finland (London: Hart Publishing, 2017
International Governance and Regulation of the Marine Arctic Three Reports Prepared for the WWF International Arctic Program
Full text linkWWF commissioned these three reports to examine the current governance regime, identify governance and regulatory gaps and analyze options for improvements. The reports, which are authored by international legal experts Timo Koivurova and Erik J. Molenaar, conclude that one of the best options is to adopt a new multilateral agreement. WWF's goal is to work with arctic states and arctic Indigenous peoples to promote the closure of the 'governance gaps', protection and preservation of the Arctic Ocean and sustainable ecosystem-based management of its resources
Timo Koivurova, Qin Tianbao, Sébastien Duyck and Tapîo Nykänen (eds), Arctic law and governance. The role of China, Finland and the EU, Oxford, Hart Publishing, 2017 (Studies in international law)
No full textPooter Hélène de. Timo Koivurova, Qin Tianbao, Sébastien Duyck and Tapîo Nykänen (eds), Arctic law and governance. The role of China, Finland and the EU, Oxford, Hart Publishing, 2017 (Studies in international law). In: Annuaire français de droit international, volume 62, 2016. pp. 840-841
Merien sääntely meillä ja muualla
No full textMerioikeus ja Itämeri / Timo Koivurova, Henrik Ringbom, Pirjo Kleemola-Juntunen. Helsinki : Tietosanoma, 2017
International Governance of Oil Spills from Upstream Petroleum Activities in the Arctic : Response over Prevention?
Full text linkThe paper is partly based on the author’s PhD thesis submitted to the University of Aberdeen in 2017. The author is grateful to her supervisors Professor Tina Hunter and Dr Catherine Ng, and her examiners Professor Elizabeth Kirk and Professor Timo Koivurova for their time and comments.Peer reviewe
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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