203 research outputs found
Maurice Ravel Piano Work "Le Tombeau de Couperin"
No full textAbstract
Ravel was an important composer between the late nineteenth century and early twentieth century, and played an influential role in the history of piano music. His innovative composing style and techniques were not only reflected his distinctive personal traits but also intimately related to the contemporary art of his time. Ravel\ue2s piano work, \ue3Le Tombeau de Couperin\ue3, which was written between 1914 and 1917, includes six pieces:\ue3Prelude\ue3,\ue3Fuge\ue3,\ue3Forlane\ue3,\ue3Rigaudon\ue3,\ue3Menuet\ue3and\ue3Toccata\ue3. The thesis is divided into five sections. The first section presents Ravel\ue2s life and career. The second section is about Ravel\ue2s compositional styles. The third section is about the compositional background of \ue3Le Tombeau de Couperin\ue3and neoclassical qualities. The fourth section is to explore the musical structures of \ue3Le
Tombeau de Couperin,\ue3especially in the formal structure, harmony and melody. The fifth section is the analysis of \ue3Le Tombeau de Couperin\ue3which emphasizes the author\ue2s performing practices and interpretations. When playing this composition, besides the quality of timbre, articulation, dynamics, and speed of playing, the player should express more in interpretation in music by understanding its compositional background and compositional method
El Festival Ravel de Barcelona i el seu ressò crític (1924): estat de la qüestió i indagacions
No full textOrganitzat per l'Associació de Música Da Camera, el Festival Ravel de Barcelona va tenir lloc al Palau de la Música Catalana el 18 de maig del 1924 i va comptar amb la participació del mateix Maurice Ravel (1875-1937). El dia 20, l'Orfeó Català protagonitzà una sessió en honor seu. El present article pren com a punt de partida la recerca que l'autor d'aquestes línies duia a terme en els treballs finals de grau i màster sobre la recepció de la música de Ravel en l'àmbit barceloní. Es proposa resseguir el context històric musical i estètic pròxim a Ravel en l'època, el curs de l'organització d'ambdós concerts i els escrits que van motivar en la crítica musical, amb l'objectiu d'escatir-ne els detalls.Organized by the Da Camera Music Association, the Barcelona Ravel Festival took place at the Palau de la Música on May 18, 1924 and it was attended by Maurice Ravel (1875-1937) himself. On May 20th, the Orfeó Català gave a performance in his honour. This paper is based on the research carried out by the author on this subject in his Bachelor's and Master's dissertations on the reception of Ravel's music in Barcelona. Here we take a look at the historical musical and aesthetic context specifically relating to Ravel at the time, the story of the organization of both concerts, and the music critics' writings to which the concerts gave rise, in order to shed light on the details of these aspects
Fiction And Biography Of French Composer Maurice Ravel
No full textYaşamöyküsü, sanat ve yazın tarihi boyunca hem anlatı türü olma özelliği hem de sinema, tiyatro gibi farklı sanat dallarına uygulanabilirliği açısından etkili anlatı türlerinden biri olmuştur. Ancak tarih, sanat hatta bilim gibi birçok kavramın gerçekliğinin sorgulandığı postmodern çağda, yaşamöyküsünün gerçek ve kurgu arasında gidip gelen belirsiz bir alana doğru evirildiği görülür. Yapıtlarında genellikle polisiye, macera ve kara roman gibi türleri tek bir potada eriterek melez bir tür ortaya koyan çağdaş Fransız edebiyatı yazarlarından Jean Echenoz, ünlü besteci Maurice Ravel'in yaşamından yola çıkarak yazdığı Ravel adlı romanla birlikte kurmaca yaşam öykülerine yönelir ve iki yıl arayla üç kurmaca yaşam öyküsü yayımlar. Echenoz, müzisyen Ravel’in yaşamına dair birçok unsura yer verdiği Ravel adlı romanda, sanatçının kişiliği ile özdeşleşmiş pek çok özelliği aktarır: Ravel’in çok sigara içmesi, uykusuzlukları, aşırı detaycılığı, kıyafetlerine gösterdiği özen, deniz aşırı ülkelere yaptığı seyahatler, ilişkileri, geçirdiği trafik kazası ve rahatsızlıkları.Yazar, ünlü besteci Ravel'in yaşamına dair bazı gerçek unsurları kullanmasına rağmen, bu yapıtın pek çok kurgusal özellik barındırdığını belirtmek gerekir. Bu çalışmada, Jean Echenoz'un Ravel adlı yapıtında ünlü besteci Maurice Ravel'i nasıl yansıttığı, yazarın, gerçek ile kurgu arasındaki ince çizgiyi korumaya çalışarak nasıl bir kurmaca yapıt ortaya koyduğu incelenmiştir. Geleneksel yaşamöyküsü ve kurmaca yaşamöyküsü arasındaki farklara dikkat çekilen ve karşılaştırmalı bir yaklaşımla ele alınan çalışma, yazarın romanının yapısını nasıl kahramanın kişilik özellikleriyle bütünleştirdiğini göstermesi açısından ilginçtir.Biography has been one of the effective narrative instruments in terms of its applicability to different kinds of artssuch as cinema, theater and both being a narrative type throughout the history of art and literature. However, in the postmodern era where the reality of many concepts such as history, art and even science is questioned, it can be seen that the biography has evolved into an indefinite field that moves between reality and fiction. In his works, Jean Echenoz, a master of contemporary French literature, often reveals a hybrid genre by dissolving genres such as crime, adventure and black novels in a single pot, leads from the life of the famous composer Maurice Ravel to a fictional life story with the novel Ravel. In Echenoz's novel, there are many elements about the life of musician Ravel. Many features associated with Ravel's personality are reflected in the novel. For example, Ravel's sleeplessness, excessive detail, attention to his clothes, travels to overseas countries, his relationship with Stravinsky, unfortunate traffic accidents and disturbances can be counted. Although the author uses many elements of Ravel's life, it should be noted that this work has many fictional features. In this work, we will try to show how the author reflects the famous composer Maurice Ravel and shows a fiction work by preserving the fine line between reality and fiction. It will also show how the author integrates the novel's structure with the personality traits of the novel hero
Predicting fetoplacental chromosomal mosaicism during non-invasive prenatal testing
No full textNon-invasive prenatal detection of aneuploidies can be achieved with high accuracy through sequencing of cfDNA in the maternal blood plasma. However, false positive and negative NIPT results remain. Fetoplacental mosaicism is the main cause for false positive and false negative NIPT. We set out to develop a method to detect placental chromosomal mosaicism via genome-wide circulating cell-free maternal plasma DNA (cfDNA) screening.sponsorship: SymBio-Sys, Grant/Award Number: PFV/10/016; GOA, Grant/Award Number: GOA/12/015 (SymBio-Sys|PFV/10/016, GOA|GOA/12/015)status: Publishe
Transcrições para violão: soluções técnico-musicais para interpretação de obras selecionadas de Claude Debussy e Maurice Ravel
No full textEsta dissertação apresenta doze transcrições, realizadas pelo próprio autor, de obras selecionadas de Maurice Ravel e Claude Debussy. A realização das transcrições teve como referencial teórico a análise de duas das mais importantes transcrições da história do violão: - Siete Canciones Populares Españolas - original de Manuel de Falla para piano e voz, transcritas para violão e voz por Miguel Llobet - Venetian Gondola Song - original de Felix Mendelssohn para piano (livro I das Canções sem palavras, op. 19), transcrita por Francisco Tárrega O livro Guidelines for Style Analysis, de Jan LARUE foi o referencial teórico para as análises musicais. Os comentários analíticos se restringem à sua relação com os processos de transcrição. A arte da transcrição está diretamente associada ao violão e seu desenvolvimento. Uma perspectiva da história da transcrição para violão a partir do final do século XIX é apresentada e discutida. Soma-se a esta discussão a figura de Franz Liszt, um dos principais transcritores (para piano) da história da música. As transcrições são analisadas a fim de se abordar a problemática que cada uma envolve. A \"fidelidade musical\" é o principal foco deste trabalho, ou seja, a realização dos elementos musicais e ideia estética da obra original em seu novo meio: o violão. Para isso é necessário realizar uma transcrição idiomática, e os processos utilizados para esta busca são também apresentados e discutidos.This dissertation presents twelve transcriptions, made by the own author, of selected works by Maurice Ravel and Claude Debussy. The realization of the transcriptions had as a theorical referential the analysis of two of the most important transcriptions of the history of the guitar: - Siete Canciones Populares Españolas - original work by Manuel de Falla for piano and voice, transcribed for guitar and voice by Miguel Llobet - Venetian Gondola Song - original work by Felix Mendelssohn for piano (book I from the Songs without words, op. 19), transcribed by Francisco Tárrega The book Guidelines for Style Analysis, by Jan LARUE was the theorical reference for the musical analysis. The analytical comments are confined to their relationship with the processes of transcription. The art of transcription is directely associated to the guitar and its development. A perspective of the history of transcription for the guitar starting at the middle of the XIX century is presented and discussed. Adds to this discussion the figure of Franz Liszt, one of the most important transcribers (for the piano) in the history of music. The transcriptions are analysed in order to address the problem that each one involves. The \"musical fidelity\" is the main focus of this work, namely the realization of musical elements and aesthetic idea of the original work on its new instrument: the guitar. To achieve this is necessary to work on an idiomatic transcription, and the processes used on this quest are also presented and discussed
Clinical and molecular aspects of RAS related disorders
No full textRAS proteins play key roles in normal cell growth, malignant transformation and learning and memory. Somatic mutations in RAS genes and several of their upstream and downstream molecules result in different human malignancies. In recent years germline mutations in genes coding for components of the RAS signalling cascade have been recognised in a group of phenotypically overlapping disorders, referred to as the neuro-cardio-facial-cutaneous syndromes. These present with variable degrees of psychomotor delay, cardiac abnormalities, facial dysmorphism, short stature, skin defects and increased cancer risk. These findings point to important roles for this evolutionary conserved pathway not only in oncogenesis, but also in cognition, growth and development. Other constitutional disorders caused by mutated RAS pathway genes point to involvement of the RAS-MAPK pathway in immune modulation and vascular development.sponsorship: Funding: This work is supported by research grants from the Fonds voor Wetenschappelijk Onderzoek Vlaanderen (G.0578.06 and G.O551.08 to EL); the Interuniversity Attraction Poles (IAP) granted by the Federal Office for Scientific, Technical and Cultural Affairs, Belgium (2007-2011; P6/05) (EL) and by a Concerted Action Grant from the K U Leuven (EL). (Fonds voor Wetenschappelijk Onderzoek Vlaanderen|G.0578.06, Fonds voor Wetenschappelijk Onderzoek Vlaanderen|G.O551.08, Federal Office for Scientific, Technical and Cultural Affairs, Belgium|P6/05)status: Publishe
(A) Study on L.V. Beethoven, R. Schumann, and M. Ravel : Centering on author's graduate recital
No full text본 논문은 필자의 석사과정 이수를 위한 졸업연주회(1988년 9월 28일)의 연주 곡목인 L.v.Beethoven의 Sonate op.110, R. Schumann의 Fantasiestu¨cke op.12, 그리고 M.Ravel의 <Le Tombeau de Couperin>에 대한 연구로써 각 작품의 배경에 대해 간단히 알아 보았고 또한 각 작품의 구조와 특징적 요소를 중심으로 분석한 것이다.
L.v.Beethoven의 후기 소나타인 op.11O은 3악장 구성으로 전형적인 고전수법에서 벗어나고 있다. 1악장은 소나타 형식이지만 발전부가 제시부나 재현부에 비해 훨씬 짧으며 이명동음적 전조, 반음계적 전조, 등 고전 소나타에서 발견할 수 없는 면을 보여주고 있다. 2악장은 Scherzo인데, 3/4박자 대신 2/4박0자를 사용하여 형식적으로 자유로와졌다. 3악장은 서주를 포함한 2부분형식으로 Recitative, Arioso, Fugue를 사용하여 악장구성에 변화를 주었다. 또한, 다양한 리듬과 함께 대위법적 기법을 사용하였다.
R.Schumann의 Fantasiestu¨cke op.12는 슈만의 성격적 소품의 하나로써, 전부 8곡으로 이루어져 있는데 각 곡에는 시적인 제목이 붙여져 있으며 각기 독립된 곡을 한 표제로 묶은 것이다. 형식은 대부분 2부분, 3부분형식이며 예외적으로 2째곡은 론도형식, 4째곡은 소나타 론도형식이다. 주제선율은 4마디 단위로 구성되었는데 이것은 발전한다기 보다는 반복되는 경향이다. 리듬은 붓점리듬·당김음·교차리듬이 많이 사용되었다.
M.Ravel의 <Le Tombeau de Couperin>은 라벨의 마지막 피아노곡으로 Prelude, Fugue, Forlane, Rigaudon, Menuet, Toccata 의 6곡으로 이루어졌다. 이 작품은 전쟁에서 죽은 전우들에게 바쳐졌으며 각 제목에서 볼 수 있듯이 Couperin이 활약하던 시기인 18세기에 유행하던 춤곡형식을 빌어 작곡되었다. 우선 이 곡은 과거의 도입부의 역할만을 하던 Prelude와 Fugue가 독립된 악장으로 사용되었으면 과거에 즐겨 쓰이던 Forlane, Rigaudon과 같은 경쾌한 춤곡이 악장속에 삽입되었다. 형식에 있어서 대부분의 Prelude가 2부분, 3부분인 것과 다르게 라벨은 Prelude에 소나타 형식을 사용하여 제시부, 발전부, 재현부를 갖는다. 또한 Toccata는 6곡 중 유일하게 현대적 감각에 의한 자유형식으로 작곡되었다.
이와같이 라벨은 곡 전반에 걸쳐서, 규정된 전통적 형식과, 9화음, 11화음, 13화음, 그리고 반음계적 진행, 페달음 등의 인상주의 기법을 잘 조화시켰다.;This paper was designed to analyze Beethoven's sonate op.110, Schumann's Fantasiestu¨cke op.12 Ravel's <Le Tombeau de Couperin> with special. reference to the structure and characteristic element of the works.
Beethoven's the later sonate, op.110 in A^(♭) Major, is composed of three movements, which was diviated from the typieal classical style.
The first movement is the Sonata Allegro form, its development is shorter than exposition an recapitulation and it shows enharmonic and modulation and quasi-romantic chromatic modulation, etc. The second movement is a folksong use a 2/4 meter instead of 3/4.
The second movement is the binary form which contains introduction. It expands the movement structure freely, by rising Recitative, Arioso, and Fugue and also employs counterpoint. Such bold harmonies and varied rhythms can not be found in other Beethoven's other works.
chumann's Fantasiestu¨cke op.12 is the one of his characteristic musical skeches. It consists of eight movements and gives a poetical title, which hind each seperate pieces to one title. Each piece of his work has binary or ternary form, but there are some exceptions: No.2 is seven part rondo form and No.4 is sonata-rondo form, The themes are motivic, but the phrases are mainly composed of four measures. There are many repeated phrases, The patterns of dotted rhythm, syncopation and cross rhythm are shown abundantly in these pieces.
Ravel's <Le Tombeau de Couperin> is the last piano solo work. This suit consists of six movement which are Prelude, Fugue, Forlane, Rigaudon, Menuet and Toccata.
As to the revival of Baroque music, Ravel took the musical materials from the Baroque dance forms which had prevailed in Baroque, and inserted Forlane an Rigaudon which are rarely use these days into this work.
Ravel has developed each pieces except Toccata, as a strict form. Prelude is the sonata form, Fugue is the exposition and development form, Forlane is the rondo form, and Rigaudon and Menuet is a three-part song form. But Toccata is the free form which is the current Toccata in the twentieth century.
As to technique of impression, Ravel used dissonance like the nineth, eleventh and thirteenth chords. Sometimes he used the chromatic scale modes in thema.논문개요
목차
Ⅰ. 서론 = 1
Ⅱ. L.v. Beethoven의 Piano Sonate Op.110의 분석 = 2
Ⅲ. R. Schumann의 Fantasiestu¨cke Op. 12의 분석 = 13
Ⅳ. M. Ravel의 <Le Tombeau de Couperin>의 분석 = 25
Ⅴ. 결론 = 37
참고문헌 = 39
Abstract = 4
NIHILIST PASTURE, HUMANIST REPASTURE, INVITED GHOSTS: THE GAME WITH LIFE (AND DEATH) IN BREAKFAST OF CHAMPIONS, BY KURT VONNEGUT
No full textO artigo discute a presença de elementos autobiográficos no romance Breakfast of champions, do escritor estadunidense Kurt Vonnegut, situando-os na economia da prosa experimental-comunicativa do autor e tentando demonstrar como o que se pode denominar um jogo com a vida ajuda a dar profundidade e complexidade aos jogos narracionais e às ambiguidades ideológicas desse romance.The article discusses the presence of autobiographical elements in the novel Breakfast of champions, by U.S. writer Kurt Vonnegut, placing them in the economy of experimental-communicative prose of the author and trying to demonstrate how a game with life aids to give depth and complexity to the novel’s narrational games and ideological ambiguities.
Social phenotypes in genetic syndromes:Journal of Intellectual Disability Research
No full textstatus: Publishe
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