13,380 research outputs found

    Super-capacitive patches and their use in low-pass filters and artificial dielectrics

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    The use of capacitive metal meshes consisting of square patches is well established in the design of millimeter-wave optical devices such as filters, half-wave plates, and graded-index lenses. The main property of these meshes, the capacitance, is controlled by the size of the square patch in the mesh’s unit cell up to a limit imposed by the minimum feature size of the manufacturing process. We report the results of a study into the feasibility of increasing the capacitance beyond this limit by extending fingers into the adjacent unit cell. This is shown to increase the range of admittance characteristics available with the meshes and how this might be useful for the implementation of low-pass filters and artificial dielectrics is demonstrated

    Post-partum pneumoperitoneum: not a surgical emergency

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    No abstract is available for this article.Mohamed A. Mohamed, Jonathan C. Leung, Philip A. Game and Sarah K. Thompson

    Contemporary Literature. Analysis of Jonathan Bazzi's novels

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    openDopo una breve panoramica della letteratura italiana degli ultimi vent’anni si analizzano i due romanzi di Jonathan Bazzi "Febbre" e "Corpi minori" dai punti di vista formale, stilistico e tematico. Si discute inoltre il rapporto tra social media, autofiction e autore; nel capitolo 4 si riporta l'intervista che Bazzi ci ha gentilmente concesso, in cui questi argomenti vengono ripresi. Si individuano alcune differenze che i testi mostrano rispetto alla letteratura moderna, e gli aspetti che hanno in comune con quella contemporanea; nel fare questo si accennano quindi alcune caratteristiche della società che li ha prodotti.The paper starts off with a brief overview of the contemporary Italian literature; then the reader is guided through an analysis of Jonathan Bazzi's novels, "Febbre" ("Fever") and "Corpi minori" ("Minor bodies"), both translated in English and published by Scribe. The relationship between author, autofiction and social media will also be discussed; in chapter four the reader will find the interview Bazzi kindly granted us

    To what extent is Lemuel Gulliver in Gulliver’s Travels by Jonathan Swift a reflection of the writer with regard to political and religious views, and attitudes toward women and the concept of family?

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    This extended essay is an examination of the extent to which the protagonist Lemuel Gulliver in Gulliver’s Travels is a reflection of Jonathan Swift. It involves the exploration of this research question in terms of politics, religion, attitude to women and family; with references to this piece of literature and some secondary resources when necessary. The quotations from published literary criticism are either refuted by examples from the novel or supported in the light of evidence from the novel. Other secondary resources include Swift’s two other prose works, The Modest Proposal and A Letter to a Very Young Lady on Her Marriage, which are referred to briefly for clarification of the evidence. The purpose of this study is to analyse in what ways and to what extent the protagonist is an author-surrogate in the abovementioned ways. This essay is comprised of two sections, namely “politics and religion” and “women and family”, each focusing on a particular aspect of the investigation. In the first section, Swift’s political and religious standpoint is discussed extensively in order to correctly evaluate Gulliver’s paradigm. By making connections between the beliefs of the author and those of Gulliver, the relation between the two is established to support the claim of this essay. In the second section, the female figures in the novel and Gulliver’s perception of them are inspected. The plot is also taken into consideration in this part of the inquiry although the central focus is on the persona. In the conclusion, it is validated that Gulliver is a reflection of Jonathan Swift with regard to political and religious vision, and attitude towards women and family, by juxtaposing and assembling the main elements of personification of Gulliver and Jonathan Swift’s personal ideas and experiences

    Administration and Curricula of the Introductory Graduate Music Research Course

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    The introductory research course is an integral part of many graduate music programs, yet there have been few studies that discuss its curricula across institutions. A questionnaire was sent to instructors of the course to identify shared pedagogical approaches among North American schools of music. The survey was divided into sections that prompted respondents to identify issues discussed in the course, including the types and titles of resources, research methodologies, and library use topics. With a response rate of over 40 percent, the survey also contains valuable data concerning the professional identifications of instructors, assignments used for grading, common textbooks, perception of the course’s efficacy, and more. Shared features of the course included the importance of electronic resources; the minimal use of Internet-mediated instruction formats; a strong preference for English-language materials; and a focus on resources such as databases, style guides, collected works, monuments of music, and thematic catalogs over and above others such as repertoire guides, discographies, directories, and iconographies.Peer reviewedThis publication first appeared in Notes Volume 71, Number 3, March 2015, pp. 448-478. This material may not be copied or reposted without explicit permission. Copyright 2015, Jonathan Sauceda

    Understanding customer needs--a systematic approach to the "voice of the customer"

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    Thesis (M.S.)--Massachusetts Institute of Technology, Sloan School of Management, 1991.Includes bibliographical references (leaf 34).by Jonathan Alan Silver and John Charles Thompson, Jr.M.S

    Citizen participation in news

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    The process of producing news has changed significantly due to the advent of the Web, which has enabled the increasing involvement of citizens in news production. This trend has been given many names, including participatory journalism, produsage, and crowd-sourced journalism, but these terms are ambiguous and have been applied inconsistently, making comparison of news systems difficult. In particular, it is problematic to distinguish the levels of citizen involvement, and therefore the extent to which news production has genuinely been opened up. In this paper we perform an analysis of 32 online news systems, comparing them in terms of how much power they give to citizens at each stage of the news production process. Our analysis reveals a diverse landscape of news systems and shows that they defy simplistic categorisation, but it also provides the means to compare different approaches in a systematic and meaningful way. We combine this with four case studies of individual stories to explore the ways that news stories can move and evolve across this landscape. Our conclusions are that online news systems are complex and interdependent, and that most do not involve citizens to the extent that the terms used to describe them imply

    German, Joyce, Ulysses

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    In the case of languages, English was James Joyce's native language but he was also an accomplished polyglot understanding Latin, Italian, French, Norwegian, some Irish-Gaelic and German. I intend to examine in greater detail the German used in Ulysses and see what connection it has with Joyce. Joyce was fluent in German but I believe that he utilized these Germanic references to complement his characters and themes as well as his highly allusive narrative style. This paper will be divided into two parts. The first part will consist of sections dealing with Joyce's connection to the German language and culture. The second part will consist of a list of all his German allusions in Ulysses.M.A.Includes bibliographical referencesIncludes summaryby Jonathan A. Parke

    A little-known contribution to the Lulliste-Ramiste dispute. Jean Galli de Bibiena’s Mémoires et aventures de monsieur de *** (1735)

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    Disputes concerning opera, even more so than literary polemics, have a special importance for the historiographer in illustrating how a given piece was perceived by contemporary audiences. As Paul-Marie Masson puts it, ‘By the way a work is attacked or defended, authors understand better what the author wished to achieve and what the public expected of him’. The Lullistes’ attacks, which were directed as much at Rameau’s person as at his music, came in many different guises. In addition to open letters to the press, they included derogatory poems, among them Jean-Baptiste Rousseau’s much-quoted ‘Distillateurs des accords baroques’ and the satire Marsias allégorie, which, though anonymous, was widely believed to be the work of the poet and librettist Pierre-Charles Roy, ringleader of the Lullistes
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