1,721,240 research outputs found
"What is contemporary art? A review of two books by Terry Smith'
No full textWhat is contemporary art and what are the key components of contemporary culture? This review demonstrates where Terry Smith provides important answers to this question. The books thus help to improve understanding of how art has changed in recent decades and how a global culture now shapes its parameters. This review does not however concur that Smith provides a convincing case for a complete cultural paradigm transformation
Terry Smith Interview, 2011
No full textTerry Smith began his farming venture in the Cuyahoga Valley National Park in 2005. He raises goats, turkeys, chickens, and recently started working with honey bees. He sells meats to local restaurants, and has tried hosting events on the farm, but with little success. There is no butchering done on his property, and he really enjoy farming
Terry Smith Interview, 2011
No full textTerry Smith began his farming venture in the Cuyahoga Valley National Park in 2005. He raises goats, turkeys, chickens, and recently started working with honey bees. He sells meats to local restaurants, and has tried hosting events on the farm, but with little success. There is no butchering done on his property, and he really enjoy farming
Linton Freedom Festival Parade
No full textThe Linton Freedom Festival Parade, Indiana's Largest Independence Day Parade is held each July 4, in downtown Linton. It draws nearly 40,000 spectators.Use of this image is restricted to projects related to Destination Indiana.Greene County Journe
Anonymous: Terry Smith is free as set forth in her petition, undated
No full textStatement, Frederick County, no date, anonymous: Terry Smith is free as set forth in her petition [Frederick County]
Contemporaneity in the History of Art: A Clark Workshop 2009, Summaries of Papers and Notes on Discussions
Get PDFSponsored by the Clark Institute, Williamstown, and the Getty Research Institute, Los Angeles, the workshop was convened by Terry Smith, and held at the Sterling and Francine Clark Institute, Williamstown, Mass., October 8 and 9, 2009. These notes do not record the exact statements of all participants, neither in the summaries of papers nor notes on discussions; rather, they represent the author’s own impressions of the workshop as it unfolded. See also, in this issue of Contemporaneity, Wu Hung’s contribution to the workshop.</jats:p
Contemporary Art: World Currents in Transition Beyond Globalization
Get PDFAn edited transcript of a colloquium between Terry Smith, Mellon Professor of Contemporary Art History and Theory at the University of Pittsburgh, and Saloni Mathur, Associate Professor of the History of Art, University of California, Los Angeles, held at the Department of the History of Art and Architecture, University of Pittsburgh, on October 17, 2012.</jats:p
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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