310 research outputs found

    Risking the Personal: Academic Friendship, Feminist Role Models and Katherine Mansfield

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    This article celebrates friendship as a valid starting point for scholarly enquiry and uses conversation as a valuable methodology. While completing their doctoral research on modernist short stories and women’s art collectives, co-authors Rydstrand and Mayhew discovered New Zealand author Katherine Mansfield was a contact point between their respective projects. Around 1981, Harridan Screenprinters quoted Mansfield’s injunction to ‘Risk anything’ on a poster, invoking Mansfield as a role model—as a leading modernist author and as a risk-taker. Mayhew later gave Rydstrand a copy of the poster as a thesis submission gift. This article explores interrelations between personal, creative and professional risks, from Mansfield’s avant-garde milieu of the early twentieth century, to the dynamic scene of second-wave feminism in Australia, and finally to the precarious world of the twenty-first century academy, all brought together by the physical artefact of the Mansfield poster. In this threefold engagement, we counter the presumed masculinity of experiment and champion feminine forms of risk.No Full Tex

    Zauberflöte

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    Recorded during a live performance at Shaw Theatre, Western Michigan University, Kalamazoo, Michigan, February 29 & March 1-2, 1984, in the School of Music’s 1983-1984 season.Christopher D. Loughrin (Tamino), Caren Baker George (Pamina), Douglas Brandt Byerly (Sarastro), Thomas Manguem (Papageno), Jamie L. Mayhew (Papagena), Terry Plews (Monostatos), Russell Bateman (Spokesman of the Temple of Isis) ; supporting soloists ; orchestra conducted by William Appel.An opera in 2 acts. Music by Wolfgang Amadeus Mozart ; libretto by Emanuel Schikaneder and Carl Giesecke.Information from performance program

    The Twilight of the Avant-Garde

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    Twilight of the Avant-Garde: Spanish Poetry 1980-2000 addresses the central problem of contemporary Spanish poetry: the attempt to preserve the scope and ambitiousness of modernist poetry at the end of the twentieth century. Jonathan Mayhew first offers a critical analysis of the called 'poetry of experience' of Luis García Montero, a tendency that is based on the supposed obsolescence of the modernist poetics of the first half of the century. While the 'poetry of experience' presents itself as a progressive attempt to 'normalise' poetry, to make it accessible to the common reader, Mayhew views it as a reactionary move that ultimately reduces poetry to the status of a minor genre. The author then turns his attention to the poetry of José Angel Valente and Antonio Gamoneda, whose poetry embodies the continuation of modernism, and to the work of younger women poets of the last two decades of the twentieth century. Throughout this controversial and provocative book, Mayhew challenges received notions about the value of poetic language in relation to the larger culture and society. It turns out that the cultural ambition of modernist poetics is still highly relevant even in an age in which more cynical views of literature seem prevalent. Ultimately, Mayhew writes as an advocate for the survival of more challenging and ambitious modes of poetic writing in the postmodern age

    Controlling representations of frame matroids

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    Report on joint work in progress with Dillon Mayhew, Victoria University of Wellington, New Zealand delivered at the Canadian Discrete and Algorithmic Mathematics (CANDAM) Conference, Winnipeg, Manitoba (June 5-8, 2023). A matroid is an abstract object that generalises both graphs and vector spaces. Matroids are used to model many types of optimisation problems; often modelling a problem using a matroid can lead to an efficient algorithm for finding optimal solutions. Frame matroids are an important type of matroid, and frame matroids can be represented by biased graphs. Unfortunately, understanding all the biased graph representations of a given frame matroids is difficult, and little is known. We present a theorem which provides a rough biased graphical structure for representations of frame matroids that are sufficiently large, and discuss implications for understanding those substructures that cannot occur in any frame matroid.Conference Presentationmatroid theoryframe matroidsbiased graph

    The Twilight of the Avant-Garde

    No full text
    Twilight of the Avant-Garde: Spanish Poetry 1980-2000 addresses the central problem of contemporary Spanish poetry: the attempt to preserve the scope and ambitiousness of modernist poetry at the end of the twentieth century. Jonathan Mayhew first offers a critical analysis of the called 'poetry of experience' of Luis García Montero, a tendency that is based on the supposed obsolescence of the modernist poetics of the first half of the century. While the 'poetry of experience' presents itself as a progressive attempt to 'normalise' poetry, to make it accessible to the common reader, Mayhew views it as a reactionary move that ultimately reduces poetry to the status of a minor genre. The author then turns his attention to the poetry of José Angel Valente and Antonio Gamoneda, whose poetry embodies the continuation of modernism, and to the work of younger women poets of the last two decades of the twentieth century. Throughout this controversial and provocative book, Mayhew challenges received notions about the value of poetic language in relation to the larger culture and society. It turns out that the cultural ambition of modernist poetics is still highly relevant even in an age in which more cynical views of literature seem prevalent. Ultimately, Mayhew writes as an advocate for the survival of more challenging and ambitious modes of poetic writing in the postmodern age

    The Twilight of the Avant-Garde

    No full text
    Twilight of the Avant-Garde: Spanish Poetry 1980-2000 addresses the central problem of contemporary Spanish poetry: the attempt to preserve the scope and ambitiousness of modernist poetry at the end of the twentieth century. Jonathan Mayhew first offers a critical analysis of the called 'poetry of experience' of Luis García Montero, a tendency that is based on the supposed obsolescence of the modernist poetics of the first half of the century. While the 'poetry of experience' presents itself as a progressive attempt to 'normalise' poetry, to make it accessible to the common reader, Mayhew views it as a reactionary move that ultimately reduces poetry to the status of a minor genre. The author then turns his attention to the poetry of José Angel Valente and Antonio Gamoneda, whose poetry embodies the continuation of modernism, and to the work of younger women poets of the last two decades of the twentieth century. Throughout this controversial and provocative book, Mayhew challenges received notions about the value of poetic language in relation to the larger culture and society. It turns out that the cultural ambition of modernist poetics is still highly relevant even in an age in which more cynical views of literature seem prevalent. Ultimately, Mayhew writes as an advocate for the survival of more challenging and ambitious modes of poetic writing in the postmodern age

    Henry Mayhew at 200 – the ‘Other’ Victorian Bicentenary

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    The New Agenda introduction puts forward the case for a much-needed revision of the scholarship devoted to Henry Mayhew – journalist and wit, playwright, co-founder of Punch, educational writer, novelist for children, travel writer, hack, social explorer and author of London Labour and the London Poor. It argues for a more intertextual and contextual reading of his major and minor works, and presents the articles contained in this new agenda special issue. The complex publishing history of Henry Mayhew's work and of London Labour and the London Poor in particular are explored in part one. The second part surveys the scholarship so far devoted to Mayhew and sketches out a new agenda for research based on a wider intratextual and intertextual approach to Mayhew's corpus. It is time, the introduction urges, for Victorianists to revisit Henry Mayhew

    Cost-justifying usability: an update for the internet age

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    You just know that an improvement of the user interface will reap rewards, but how do you justify the expense and the labor and the time-guarantee a robust ROI!-ahead of time? How do you decide how much of an investment should be funded? And what is the best way to sell usability to others? In this completely revised and new edition, Randolph G. Bias (University of Texas at Austin, with 25 years' experience as a usability practitioner and manager) and Deborah J. Mayhew (internationally recognized usability consultant and author of two other seminal books including The Usability Engine

    The UK Equity Bank - Towards income security in old age

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    A brief for ILC-UK on the role for an equity bank in providing secure income for retirement. With shrinking pension pots and longer life expectancy, retirement incomes look set to come under increasing pressure unless alternative sources of income become available. The UK Equity Bank would allow people to exchange a fixed proportion of the equity in their home for a lifetime income linked to inflation. Providing people with a secure income by unlocking the equity in housing assets could improve standards of living for the benefit of the people themselves, the local community and society as a whole. This paper was launched at a breakfast meeting in the House of Lords on Thursday 12th June. Speakers included Professor Les Mayhew, co-author of the paper, Nick Kirwan of the ILC-UK and Paul Burstow MP, former Social Care Minister

    A novel quantitative method for analyzing the distributions of nanoparticles between different tissue and intracellular compartments

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    The penetration, translocation, and distribution of ultrafine and nanoparticles in tissues and cells are challenging issues in aerosol research. This article describes a set of novel quantitative microscopic methods for evaluating particle distributions within sectional images of tissues and cells by addressing the following questions: (1) is the observed distribution of particles between spatial compartments random? (2) Which compartments are preferentially targeted by particles? and (3) Does the observed particle distribution shift between different experimental groups? Each of these questions can be addressed by testing an appropriate null hypothesis. The methods all require observed particle distributions to be estimated by counting the number of particles associated with each defined compartment. For studying preferential labeling of compartments, the size of each of the compartments must also be estimated by counting the number of points of a randomly superimposed test grid that hit the different compartments. The latter provides information about the particle distribution that would be expected if the particles were randomly distributed, that is, the expected number of particles. From these data, we can calculate a relative deposition index (RDI) by dividing the observed number of particles by the expected number of particles. The RDI indicates whether the observed number of particles corresponds to that predicted solely by compartment size (for which RDI = 1). Within one group, the observed and expected particle distributions are compared by chi-squared analysis. The total chi-squared value indicates whether an observed distribution is random. If not, the partial chi-squared values help to identify those compartments that are preferential targets of the particles (RDI > 1). Particle distributions between different groups can be compared in a similar way by contingency table analysis. We first describe the preconditions and the way to implement these methods, then provide three worked examples, and finally discuss the advantages, pitfalls, and limitations of this method
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